Snake
DH Lawrence Lyrics


Jump to: Overall Meaning ↴  Line by Line Meaning ↴

Snake

A snake came to my water-trough
On a hot, hot day, and I in pyjamas for the heat,
To drink there.
In the deep, strange-scented shade of the great dark carob-tree
I came down the steps with my pitcher
And must wait, must stand and wait, for there he was at the trough before
me.

He reached down from a fissure in the earth-wall in the gloom
And trailed his yellow-brown slackness soft-bellied down, over the edge of
the stone trough
And rested his throat upon the stone bottom,
i o And where the water had dripped from the tap, in a small clearness,
He sipped with his straight mouth,
Softly drank through his straight gums, into his slack long body,
Silently.

Someone was before me at my water-trough,
And I, like a second comer, waiting.

He lifted his head from his drinking, as cattle do,
And looked at me vaguely, as drinking cattle do,
And flickered his two-forked tongue from his lips, and mused a moment,
And stooped and drank a little more,
Being earth-brown, earth-golden from the burning bowels of the earth
On the day of Sicilian July, with Etna smoking.
The voice of my education said to me
He must be killed,
For in Sicily the black, black snakes are innocent, the gold are venomous.

And voices in me said, If you were a man
You would take a stick and break him now, and finish him off.

But must I confess how I liked him,
How glad I was he had come like a guest in quiet, to drink at my water-trough
And depart peaceful, pacified, and thankless,
Into the burning bowels of this earth?

Was it cowardice, that I dared not kill him? Was it perversity, that I longed to talk to him? Was it humility, to feel so honoured?
I felt so honoured.

And yet those voices:
If you were not afraid, you would kill him!

And truly I was afraid, I was most afraid, But even so, honoured still more
That he should seek my hospitality
From out the dark door of the secret earth.

He drank enough
And lifted his head, dreamily, as one who has drunken,
And flickered his tongue like a forked night on the air, so black,
Seeming to lick his lips,
And looked around like a god, unseeing, into the air,
And slowly turned his head,
And slowly, very slowly, as if thrice adream,
Proceeded to draw his slow length curving round
And climb again the broken bank of my wall-face.

And as he put his head into that dreadful hole,
And as he slowly drew up, snake-easing his shoulders, and entered farther,
A sort of horror, a sort of protest against his withdrawing into that horrid black hole,
Deliberately going into the blackness, and slowly drawing himself after,
Overcame me now his back was turned.

I looked round, I put down my pitcher,
I picked up a clumsy log
And threw it at the water-trough with a clatter.

I think it did not hit him,
But suddenly that part of him that was left behind convulsed in undignified haste.
Writhed like lightning, and was gone
Into the black hole, the earth-lipped fissure in the wall-front,
At which, in the intense still noon, I stared with fascination.

And immediately I regretted it.
I thought how paltry, how vulgar, what a mean act!
I despised myself and the voices of my accursed human education.

And I thought of the albatross
And I wished he would come back, my snake.

For he seemed to me again like a king,
Like a king in exile, uncrowned in the underworld,
Now due to be crowned again.

And so, I missed my chance with one of the lords
Of life.
And I have something to expiate:
A pettiness.





Taormina, 1923

Overall Meaning

The poem "Snake" by DH Lawrence narrates the author's encounter with a snake, in which he describes his conflicted emotions towards the animal. The poem starts with the singer observing a snake drinking from his water trough. Despite being urged by his education to kill the snake, which he believed was venomous, the singer felt honored that the snake chose to come to his place for a drink. Despite his internal debate, the singer could not bring himself to kill the snake and let it go. Though later, he feels regretful for throwing a log near the snake and interrupting its peaceful drinking session. It is said that the poem is an allegory for rejecting patriarchal assumptions of masculinity where violence and conquest are glorified.


Line by Line Meaning

A snake came to my water-trough
DH Lawrence encounters a snake at his water-trough.


On a hot, hot day, and I in pyjamas for the heat,
It was a hot, sunny day and DH Lawrence was only dressed in his pyjamas.


To drink there.
The snake had come to his water-trough to quench its thirst.


In the deep, strange-scented shade of the great dark carob-tree
DH Lawrence stands in the deep shadow of a large, dark carob-tree.


I came down the steps with my pitcher
DH Lawrence came down the steps with a pitcher in his hand.


And must wait, must stand and wait, for there he was at the trough before me.
DH Lawrence had to wait for the snake to finish drinking.


He reached down from a fissure in the earth-wall in the gloom And trailed his yellow-brown slackness soft-bellied down, over the edge of the stone trough And rested his throat upon the stone bottom, i o And where the water had dripped from the tap, in a small clearness, He sipped with his straight mouth, Softly drank through his straight gums, into his slack long body, Silently.
The snake slithers down from a fissure in the wall and drinks water from the trough silently.


Someone was before me at my water-trough, And I, like a second comer, waiting.
DH Lawrence waits for the snake to finish drinking.


He lifted his head from his drinking, as cattle do, And looked at me vaguely, as drinking cattle do, And flickered his two-forked tongue from his lips, and mused a moment, And stooped and drank a little more,
The snake drinks and lifts its head occasionally, flicking its tongue in DH Lawrence's direction.


Being earth-brown, earth-golden from the burning bowels of the earth On the day of Sicilian July, with Etna smoking.
The snake was colored earth-brown and earth-golden, native to the burning bowels of the earth during the Sicilian July with Etna smoking.


The voice of my education said to me He must be killed, For in Sicily the black, black snakes are innocent, the gold are venomous.
Even though he has an internal conflict, DH Lawrence's education tells him the golden snake could be venomous and hence must be killed.


And voices in me said, If you were a man You would take a stick and break him now, and finish him off.
DH Lawrence's internal voices are urging him to act like a man and kill the snake.


But must I confess how I liked him, How glad I was he had come like a guest in quiet, to drink at my water-trough And depart peaceful, pacified, and thankless, Into the burning bowels of this earth?
DH Lawrence enjoys the snake's company and appreciates that it came to his water-trough, drank and then left in a peaceful manner.


Was it cowardice, that I dared not kill him? Was it perversity, that I longed to talk to him? Was it humility, to feel so honoured? I felt so honoured.
DH Lawrence contemplates his reasons for not killing the snake - whether it's cowardice, perversity or humility - and decides that he felt honored at the snake's presence.


And yet those voices: If you were not afraid, you would kill him!
DH Lawrence's internal voices continue to suggest that if he wasn't afraid, he would kill the snake.


And truly I was afraid, I was most afraid, But even so, honoured still more That he should seek my hospitality From out the dark door of the secret earth.
DH Lawrence admits that he was afraid to kill the snake but is still glad that it sought his hospitality.


He drank enough And lifted his head, dreamily, as one who has drunken, And flickered his tongue like a forked night on the air, so black, Seeming to lick his lips, And looked around like a god, unseeing, into the air, And slowly turned his head, And slowly, very slowly, as if thrice adream, Proceeded to draw his slow length curving round And climb again the broken bank of my wall-face.
The snake drinks enough, lifts its head, flickers its tongue and appears like a god, slowly moving away from DH Lawrence.


And as he put his head into that dreadful hole, And as he slowly drew up, snake-easing his shoulders, and entered farther, A sort of horror, a sort of protest against his withdrawing into that horrid black hole, Deliberately going into the blackness, and slowly drawing himself after, Overcame me now his back was turned.
DH Lawrence feels a sense of horror at the snake slithering into the hole in the wall.


I looked round, I put down my pitcher, I picked up a clumsy log And threw it at the water-trough with a clatter.
DH Lawrence throws a log at the wall once the snake leaves.


I think it did not hit him, But suddenly that part of him that was left behind convulsed in undignified haste. Writhed like lightning, and was gone Into the black hole, the earth-lipped fissure in the wall-front, At which, in the intense still noon, I stared with fascination.
The log misses the snake and it slithers away hurriedly into the hole.


And immediately I regretted it. I thought how paltry, how vulgar, what a mean act! I despised myself and the voices of my accursed human education.
DH Lawrence immediately regrets his actions and feels that his education has failed him.


And I thought of the albatross And I wished he would come back, my snake.
DH Lawrence thinks about the story of the albatross and wishes the snake would come back.


For he seemed to me again like a king, Like a king in exile, uncrowned in the underworld, Now due to be crowned again.
To DH Lawrence, the snake seems like a king who has been banished to the underworld, but is now ready to rule again.


And so, I missed my chance with one of the lords Of life.
DH Lawrence realizes that he missed an opportunity to interact with one of the lords of life.


And I have something to expiate: A pettiness.
DH Lawrence understands that he has to make amends for his pettiness towards the snake.


Taormina, 1923
DH Lawrence is in Taormina in 1923 when this incident occurs.




Contributed by Jonathan N. Suggest a correction in the comments below.
To comment on or correct specific content, highlight it

Genre not found
Artist not found
Album not found
Song not found
Comments from YouTube:

Anish Verma

I remember studying this poem last year in my English class. Your narration does this work justice!

Josh

I really love this poem and your reading of it. In my mind it strikes a cord not only with how we feel about our personal actions towards our environment and the lifeforms in it, but when we do act in a positive manner, far to often it's with animals or plants we find pleasing. Lifeforms we fear are of value as much as anything else.

Arthur Rimbaud

I've been patiently waiting to hear you read this poem. Thanks for the reading.

Robert Porter

An entrancing poem beautifully read.

YEAHYEAHYEP

Enjoyed the poem and the reading likewise. Thanks for introducing me to a poem I was not familiar before.

mikemckv

Beautifully read.

sparkle light

A clear picture viewed in this poem beautiful reading as always my friend

Simon

I never like Lawrence's prose, but his poetry is a different matter. And it doesn't get much better than this.

Bo55

Ach, Lorenzo... You read so well, Sir.

SpokenVerse

An evolutionist would say that there is no such fundamental emotion as "being sorry for oneself". Emotions are inherited: other living things have emotions too. The purpose of emotions is to implement survival strategies. What makes man different is that he conscious to a greater degree - and being conscious makes him also self-conscious. He can look at his own emotions and the emotions of others and form opinions about them. "Feeling sorry for yourself" is an opinion, not an emotion.

More Comments

More Versions