DJ Shadow spent his teenage years in Davis, California and was a DJ at the community radio station KDVS. During his time as a radio disc jockey, DJ Shadow was significant in developing the experimental instrumental hip-hop style associated with the California-based Solesides record label. His early singles for the label, including In/Flux and Lost and Found (S.F.L.), were genre-bending works of art merging elements of funk, rock, hip-hop, ambient, jazz, soul, and used-bin found records. DJ Shadow is often cited as a leading creator of trip-hop, though this is a label he strongly contests.
Although he previously released a couple of original works (during 1991-1992 for Hollywood Records) by the time Mo' Wax's James Lavelle contacted him about releasing In/Flux on the fledgling imprint, it wasn't until his distribution association with Mo' Wax that his sound began to mature and cohere.
Shadow's first full-length work, Endtroducing....., was released in late 1996 to immense critical acclaim. Following the success of this album, he acted as a shadow producer for Rage Against The Machine for their album, Evil Empire. It is said he influenced the solo on their song "Bulls On Parade". Endtroducing... made the Guinness World Records book for "First Completely Sampled Album" in 2001. Preemptive Strike, a compilation of early singles, followed in early 1998. Later that year, Shadow produced tracks for Psyence Fiction, the debut album by U.N.K.L.E., a long-time Mo' Wax production team that gained superstar guests including Thom Yorke (of Radiohead), Richard Ashcroft (of The Verve), Mike D (of the Beastie Boys) and others. His next project came in 1999, with the transformation of Solesides into a new label, Quannum Projects. Nearly six years after his debut production album, his second album, The Private Press, was released in June 2002. In the same year, the movie "Scratch" (2001, Doug Pray) was released to DVD with DJ Shadow appearing several times throughout the movie.
The documentary films "Dark Days" and "Wisconsin Death Trip" feature music of DJ Shadow while "Scratch" features an interview and more music.
DJ Shadow has also collaborated with fellow artist Cut Chemist. Together they have made two CDs entitled Brainfreeze and Product Placement. These albums fuse jazz, funk, and soul in the framework of a cohesive concept. The second of these (Product Placement) followed a very similar pattern to the first, but using remixes/other versions of the songs in roughly the same order.
In the year 2004, Shadow released his feature length DVD, In Tune and On Time. The DVD features a live performance in London, emphasizing intricate visuals.
In 2005, Shadow released a Deluxe Edition of his first album, Endtroducing.... and a new album, titled "The Outsider" in 2006.
While Shadow's earlier works, especially 'Endtroducing.....', are known for their innovation in genres such as hip-hop, ambient, and trip-hop, his fourth full length album, The Outsider, had several tracks dedicated to Hyphy. This decision has been controversial, leaving many fans feeling alienated. DJ Shadow addressed this point in an August, 2006 interview, in which stated, "Repeat Endtroducing over and over again? That was never, ever in the game plan. Fuck that. So I think it's time for certain fans to decide if they are fans of the album, or the artist."
Also in 2005, Brian Udelhofen began work on the Shadow Percussion Project, an attempt to adapt some of the tracks from Endtroducing... for a live performance group. The result was largely successful and well-received by DJ Shadow himself.
In 2007 DJ Shadow was contacted by the Hollywood Bowl to do a show featuring Freeze with Cut Chemist. However, not wanting to repeat old material DJ Shadow and Cut Chemist came up with a whole new routine entitled The Hard Sell. In 2007 and 2008 they went on The Hard Sell tour and were accompanied on stage by two large video screens with visuals created for the tour.
Discography
Solo Albums
* 1996 - Endtroducing.....
* 1998 - Preemptive Strike
* 2000 - Dark Days
* 2002 - The Private Press
* 2003 - The Private Repress (Japanese Remix Album)
* 2004 - In Tune and On Time
* 2005 - Endtroducing... (2xCD Deluxe Edition)
* 2006 - The Outsider
* 2007 - The 4-Track Era Vol.1 Best of the KMEL Mixes
* 2007 - The 4-Track Era Vol.2 Best of the Remixes and Megamixes (1990-1992)
* 2011 - The Less You Know, the Better
with Q Bert
* 1997 - Camel Bobsled Race (Q-Bert Mega Mix) CD-EP
with UNKLE
* 1998 - Psyence Fiction
with Cut Chemist
* 1999 - Brainfreeze
* 2001 - Product Placement
* 2004 - Product Placement on Tour
* 2005 - Freeze
* 2008 - The Hard Sell
with Dan The Automator
* 1998 - Bombay the Hard Way: Guns, Cars and Sitars
Mashin' On The Motorway
DJ Shadow Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
He said, "You can call me Da-da", whatever that meant
Hey there, who me? Just your friendly neighborhood speed demon
I'm out to Nascar in a fast car to the last car
'Til there ain't no cars left
Enough cars go by with enough dust flyin' around to make you cry
Sorry about that, see like you I push the bucket
I like to burn big, like, I've gotta cut all the bullshit out of my life to live
So I tell them move over, this road ain't big enough for you
I'm flying like Knight Rider, they're trying to keep up
With their grandma outside, on the side
Maybe their steel belted radials expired, maybe they're tired
Maybe their odometer needs to be rewired or somethin'
My bad
Can you believe some of the drivers, they let out here on the road
See, whole things slows down, you're gonna find that clown
Who's gonna give you your scene with the chance to take it now
So much hostility, y'all just keep checking your rear windows
Maybe you'll catch me passing, mashed
Cut 'em, cut 'em, cut 'em, cut 'em, cut 'em, cut 'em off
Cut 'em, cut 'em, see-see-cut 'em, cut 'em off, cut, cut
Cut 'em, cut, cut, cut, cut, cut, cut, cut 'em, cut, cut, cut 'em
Cut 'em off in crash
The lyrics to DJ Shadow's "Mashin' on the Motorway" are complex and open to interpretation, but there are a few themes that stand out. The singer talks about his need for speed and his desire to blaze past other drivers on the highway. He refers to himself as a "speed demon" and describes racing to the front of the pack, cutting off other cars and causing accidents. He also talks about the frustration of slow drivers and his disdain for those who can't keep up with him. Throughout the song, the singer expresses a sense of superiority, as if he is the only one on the road who knows how to drive.
The lyrics can be read as a metaphor for the power dynamics in society. The singer, with his fast car and reckless driving, represents those who feel entitled to take what they want without regard for others. He cuts off other drivers and causes accidents, much like those in power who ignore the needs of the less fortunate. The slow drivers on the road are emblematic of those who are left behind and struggle to keep up. The singer's disdain for them echoes the way those in power often view the less fortunate as inferior.
Overall, "Mashin' on the Motorway" is a complex song that touches on themes of power, entitlement, and the struggle to keep up in a fast-paced world.
Line by Line Meaning
He just wanted us to call him Captain Da
He wanted to be addressed as 'Captain Da,' possibly out of a sense of self-importance.
He said, "You can call me Da-da", whatever that meant
He further elaborated that 'Da-da' was another acceptable moniker, though its significance or meaning was unclear.
Hey there, who me? Just your friendly neighborhood speed demon
The singer identifies themselves as a speed demon, seemingly embracing their ultra-fast driving habits.
I'm out to Nascar in a fast car to the last car
The artist is driving fast, with a sense of purpose towards the end of the street or road.
'Til there ain't no cars left
Their objective is to keep driving fast, overtaking all the cars in their path until there are none left.
Enough cars go by with enough dust flyin' around to make you cry
The speed and dust raised by the passing cars causes severe discomfort or irritation.
Back down and choke half-near to death, I'm going left
The singer has no intention of slowing down, even if it results in an unpleasant experience for others who may be choking on the dust.
Sorry about that, see like you I push the bucket
The artist apologizes insincerely for their driving habits, comparing their mode of transport to a 'bucket,' or something old and worn out.
I like to burn big, like, I've gotta cut all the bullshit out of my life to live
The artist enjoys driving fast and recklessly, possibly as a way to rid themselves of all the unnecessary drama in their life.
So I tell them move over, this road ain't big enough for you
The artist is dismissive of other drivers who cannot match their speed, implying that they are not worthy of sharing the same road.
I'm flying like Knight Rider, they're trying to keep up
The singer likens their speed to that of Knight Rider, and seems to enjoy the challenge of leaving other drivers far behind.
With their grandma outside, on the side
The other drivers on the road are slow and unimpressive, with even grandmothers passing them by.
Maybe their steel belted radials expired, maybe they're tired
The singer imagines that the other drivers are driving old, worn-out vehicles that are no match for their own fast car.
Maybe their odometer needs to be rewired or somethin'
The singer is dismissive of the other drivers' capabilities, suggesting that they might need to have their cars repaired or adjusted.
My bad
The singer is apologetic, but in a somewhat insincere or casual way.
Can you believe some of the drivers, they let out here on the road
The artist expresses disbelief or frustration at the fact that other drivers are allowed on the same road as them.
See, whole things slows down, you're gonna find that clown
The artist predicts that if they slow down, they will encounter someone who they consider a clown or fool.
Who's gonna give you your scene with the chance to take it now
This 'clown' is seen as providing an opportunity for others to showcase their skills or take action in some way.
So much hostility, y'all just keep checking your rear windows
The singer senses hostility from others on the road, and advises them to look behind them to see if they can find the source of their discomfort.
Maybe you'll catch me passing, mashed
The artist imagines that other drivers might be able to catch them passing, though it is unlikely given their speed and skill.
Cut 'em, cut 'em, cut 'em, cut 'em, cut 'em, cut 'em off
The artist suggests cutting off other drivers who they deem to be too slow or inferior.
Cut 'em, cut 'em, see-see-cut 'em, cut 'em off, cut, cut
They repeat this instruction, emphasizing the act of cutting off other drivers on the road.
Cut 'em, cut, cut, cut, cut, cut, cut, cut 'em, cut, cut, cut 'em
The singer obsessively repeats the instruction to cut off other drivers, perhaps as a reflection of their aggressive driving style.
Cut 'em off in crash
The final line is a direct call to cause a crash or collision with other drivers, suggesting that the artist is not concerned about the safety of others on the road.
Lyrics © Universal Music Publishing Group, Kobalt Music Publishing Ltd.
Written by: JOSH PAUL DAVIS, LATEEF DAUMONT
Lyrics Licensed & Provided by LyricFind
M
Out of gas, still burning...
Hey there... Who me?
Just a friendly neighborhood speed demon
I'm out to Nascar in a fast car to the last car
'Til there ain't no cars left must because I go by
With enough dust flying around to make you cry it back down
And choke half near to death, oh I'm gonna go on your left
Sorry 'bout that...
See like you a push the bucket, I like to burn big
Like you I gotta cut all the bullshit outta my life to live
So I tell 'em move over, this road ain't big enough for ya
I'm flying like Knightrider they tryin' to keep up
With they grandma outside on the side
Maybe their steel belted radials expired, maybe they're tired
Maybe their odometer needs to be rewired or something
My bad...
(Can you believe some of the drivers they let out here on the road?)
See, when the whole things slows down
You're gonna find that clown who's gonna give you a scene
With the chance to take it... now!
Damn, what the fuck are you doing, motherfucking asshole - Sorry!
Get off my lane you fucking fuck! - I got yours right here buddy
Bite me - Dude, what the fuck is your problem?
Maldito hijo de puta! - Well get outta the way then!
Move! I'll...catch ya on the rebound!
Goddamn motherfucker, what the hell are you doing!
So much hostility... Y'all just keep checking your rear windows
Maybe you'll catch me passing... Mashed
Cut em-cut-cut em-cut em-cut em-cut-cut em off
Cut em-cut-cut em-cut em-cut-cut-cut-cut em off
Cut-cut-cut-cut-cut em-cut em-cut em off in the crash
Cable Vamp
Dj Shadow is a genius at instrumentation
Tenille Oosterbaan
i've loved this song for about 12 years now. i use to have the private press album when i was 15.
trentbateman
love this track...so different, def wasnt expecting this first time i heard it.
Kris
Absolute classic
ratmdex
I still know every word to this song and haven't listened to it in 15 years
M
Out of gas, still burning...
Hey there... Who me?
Just a friendly neighborhood speed demon
I'm out to Nascar in a fast car to the last car
'Til there ain't no cars left must because I go by
With enough dust flying around to make you cry it back down
And choke half near to death, oh I'm gonna go on your left
Sorry 'bout that...
See like you a push the bucket, I like to burn big
Like you I gotta cut all the bullshit outta my life to live
So I tell 'em move over, this road ain't big enough for ya
I'm flying like Knightrider they tryin' to keep up
With they grandma outside on the side
Maybe their steel belted radials expired, maybe they're tired
Maybe their odometer needs to be rewired or something
My bad...
(Can you believe some of the drivers they let out here on the road?)
See, when the whole things slows down
You're gonna find that clown who's gonna give you a scene
With the chance to take it... now!
Damn, what the fuck are you doing, motherfucking asshole - Sorry!
Get off my lane you fucking fuck! - I got yours right here buddy
Bite me - Dude, what the fuck is your problem?
Maldito hijo de puta! - Well get outta the way then!
Move! I'll...catch ya on the rebound!
Goddamn motherfucker, what the hell are you doing!
So much hostility... Y'all just keep checking your rear windows
Maybe you'll catch me passing... Mashed
Cut em-cut-cut em-cut em-cut em-cut-cut em off
Cut em-cut-cut em-cut em-cut-cut-cut-cut em off
Cut-cut-cut-cut-cut em-cut em-cut em off in the crash
Icystorm9Reviews
As much as I love this song. Why does it look like this.
BadMoonRisin
Someone made a documentary about my drive home from work. Finally!
blonde7000
this is really good
crikey
Getting a Crazy Taxi vibe