Bowie developed an interest in music from an early age. He studied art, music and design before embarking on a professional career as a musician in 1963. "Space Oddity", released in 1969, was his first top-five entry on the UK Singles Chart. After a period of experimentation, he re-emerged in 1972 during the glam rock era with his flamboyant and androgynous alter ego Ziggy Stardust. The character was spearheaded by the success of Bowie's single "Starman" and album The Rise and Fall of Ziggy Stardust and the Spiders from Mars, which won him widespread popularity. In 1975, Bowie's style shifted towards a sound he characterised as "plastic soul", initially alienating many of his UK fans but garnering him his first major US crossover success with the number-one single "Fame" and the album Young Americans. In 1976, Bowie starred in the cult film The Man Who Fell to Earth and released Station to Station. In 1977, he again changed direction with the electronic-inflected album Low, the first of three collaborations with Brian Eno that came to be known as the "Berlin Trilogy". "Heroes" (1977) and Lodger (1979) followed; each album reached the UK top five and received lasting critical praise.
After uneven commercial success in the late 1970s, Bowie had three number-one hits: the 1980 single "Ashes to Ashes", its album Scary Monsters (and Super Creeps), and "Under Pressure" (a 1981 collaboration with Queen). He achieved massive commercial success in the 1980s starting with Let's Dance (1983). Between 1988 and 1992, he fronted the hard rock band Tin Machine before resuming his solo career in 1993. Throughout the 1990s and 2000s, Bowie continued to experiment with musical styles, including industrial and jungle. He also continued acting; his roles included Major Jack Celliers in Merry Christmas, Mr. Lawrence (1983), Jareth the Goblin King in Labyrinth (1986), Pontius Pilate in The Last Temptation of Christ (1988), and Nikola Tesla in The Prestige (2006), among other film and television appearances and cameos. He stopped touring after 2004 and his last live performance was at a charity event in 2006. In 2013, Bowie returned from a decade-long recording hiatus with The Next Day. He remained musically active until his death from liver cancer at his home in New York City. He died two days after both his 69th birthday and the release of his final album, Blackstar (2016).
During his lifetime, his record sales, estimated at over 100 million records worldwide, made him one of the best-selling musicians of all time. In the UK, he was awarded ten platinum, eleven gold and eight silver album certifications, and released 11 number-one albums. In the US, he received five platinum and nine gold certifications. He was inducted into the Rock and Roll Hall of Fame in 1996. Rolling Stone ranked him among the greatest artists in history. As of 2022, Bowie was the best-selling vinyl artist of the 21st century.
Full Wikipedia article: https://en.wikipedia.org/wiki/David_Bowie
Studio albums
David Bowie (1967)
David Bowie/Space Oddity (1969)
The Man Who Sold the World (1970)
Hunky Dory (1971)
The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972)
Aladdin Sane (1973)
Pin Ups (1973)
Diamond Dogs (1974)
Young Americans (1975)
Station to Station (1976)
Low (1977)
"Heroes" (1977)
Lodger (1979)
Scary Monsters (and Super Creeps) (1980)
Let's Dance (1983)
Tonight (1984)
Never Let Me Down (1987)
Black Tie White Noise (1993)
The Buddha of Suburbia (1993)
Outside (1995)
Earthling (1997)
Hours (1999)
Heathen (2002)
Reality (2003)
The Next Day (2013)
Blackstar (2016)
Black Tie White Noise
David Bowie Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I'm lookin' through African eyes
Lit by the glare of an L.A. fire
I've got a face, not just my race, Bang Bang I've got you babe
Sun comes up and the man goes down
And the woman comes again
Just an hour or so to be safe from fear
We reach out over race and hold each other's hands
Then die in the flames singing "we shall overcome"
Whoa! What's going on?
There'll be some blood no doubt about it
But we'll come through don't doubt it
I look into your eyes and I know you won't kill me
You won't kill me
You won't kill me
But I look into your eyes
And I wonder sometimes
Oh Lord, just let him see me
Lord, Lord just let him hear me
Let him call me brother
Let him put his arms around me
Let him put his hands together.
Reach over race and hold each other's hands
Walk through the night thinking we are the world
Woa! What's going on?
There'll be some blood no doubt about it
But we'll come through don't doubt it
I look into your eyes and I know you won't kill me
You won't kill me
You won't kill me
But I wonder why
Yes, and I wonder why sometimes
They'll show us how to break the rules
But never how to make the rules
Reduce us down to witless punks
Facist cries both black and white, who's got the blood, who's got the gun.
Putting on the black tie, cranking out the white noise
In these lyrics to David Bowie's song Black Tie White Noise, he explores race relations, specifically looking through African eyes and trying to understand how African people view the world. He alludes to a reference from a Benetton ad, indicating that he has been exposed to different cultures and races in his worldview, and he is trying to make sense of it all. Bowie acknowledges the historical tension and violence that exist between different races but also speaks of hope and unity.
In the verse, he refers to the violence and fear that exists between men and women and the fact that they must disappear just to be safe from that fear. Yet, in the chorus, he implores people to reach over race and hold each other's hands, to walk through the night thinking that they are the world. Bowie acknowledges that there will be some bloodshed, but he believes that people will come out the other side and eventually create a world of understanding and unity.
In the bridge, Bowie expresses his hope that we can break the rules that keep us apart but never learn how to make the rules that will bring us together. He acknowledges the way in which fascism and racism have reduced people to "witless punks" who cry out against each other. Finally, Bowie concludes with the line "putting on the black tie, cranking out the white noise," suggesting that people hide behind dress codes and social norms, obscuring what is really going on beneath the surface.
Line by Line Meaning
Getting my facts from a Benneton ad
I'm aware of the diversity of cultures and races shown in ads by the clothing brand Benetton, but I also recognize that ads are a skewed depiction of reality.
I'm lookin' through African eyes
As someone who has grown up in a Western culture, I am trying to see the world from the perspective of a person living in Africa, with their unique history and experiences.
Lit by the glare of an L.A. fire
I'm in Los Angeles, a city known for its glamor and excess, but there is also a sense of danger and instability lurking under the surface.
I've got a face, not just my race, Bang Bang I've got you babe
I am a multi-dimensional person with a unique identity beyond the color of my skin. I am not just a representation of my race, but a complex individual. I am also referencing a love song ('Bang Bang I've got you babe') to show the complexity of relationships between people of different races.
Sun comes up and the man goes down
This is a bleak statement about the brevity of life. Each day the sun rises, a man's life ends.
And the woman comes again
The woman returns, perhaps as a symbolic representation of the cyclical nature of life and death.
Just an hour or so to be safe from fear
Life is uncertain and often dangerous, but for a brief moment we can enjoy some safety and peace before facing the challenges ahead.
Then we jump through hoops, we're divisable now, just disappear
Despite the brief moments of safety, we live in a world that forces us to constantly jump through various hoops and declare our allegiances, leading to division and separation between people. We often feel like we are disappearing due to these forces.
We reach out over race and hold each other's hands
Despite the separation between people due to their race or cultural background, we have the capacity to reach out and connect with each other. Symbolically holding hands represents the desire for unity and connection.
Then die in the flames singing "we shall overcome"
This refers to people who have died fighting for their beliefs and the hope that they had for a better future. The phrase 'we shall overcome' is a symbol of hope and perseverance in the face of adversity.
Whoa! What's going on?
This is an expression of confusion and disbelief at the state of the world. The singer is questioning how we've come to this point of division and violence.
There'll be some blood no doubt about it
Change is often accompanied by conflict and sacrifice. This line acknowledges that there will be people hurt and potentially killed in the struggle for unity and equality.
But we'll come through don't doubt it
Despite the challenges and obstacles ahead, the singer has faith that people will overcome the barriers between them and move towards a more unified future.
I look into your eyes and I know you won't kill me
You won't kill me
You won't kill me
This repetitious phrase highlights the fear and uncertainty that can exist between people of different races. Despite this primal fear, the singer has hope that people will eventually learn to trust each other.
But I look into your eyes
And I wonder sometimes
Despite the hope and faith the singer has in a brighter future, they acknowledge that there is still a lot of work that needs to be done. They are not naive to the reality of the world and are sometimes struck by doubt.
Oh Lord, just let him see me
Lord, Lord just let him hear me
Let him call me brother
Let him put his arms around me
Let him put his hands together.
This prayer is a plea for understanding and unity between people of different races. The singer wants to be seen and heard as an equal, and for people to embrace each other as siblings rather than enemies.
We walk through the night thinking we are the world
The phrase 'We are the world' refers to the hope and idea that people can come together despite their differences to create a better future. Walking through the night represents the struggle and challenges that lay ahead, but the singer is determined to keep going.
They'll show us how to break the rules but never how to make the rules
This is a criticism of those in power who exploit and oppress people by breaking the rules. They are not interested in creating a better world for everyone, only in maintaining their own power.
Reduce us down to witless punks
This line acknowledges the way in which society often stereotypes and marginalizes people of different races and cultures, reducing them to caricatures and stereotypes.
Facist cries both black and white, who's got the blood, who's got the gun.
This line highlights the destructive nature of fascism and how it can be used by people of all races to perpetuate violence and terror. It also references the idea of power being held by those with the most blood and weapons.
Putting on the black tie, cranking out the white noise
This is a critique of those who choose to ignore the struggles of others in favor of superficiality and distraction. Wearing a black tie represents a certain level of privilege and the white noise represents the emptiness of the distractions we use to avoid facing uncomfortable truths.
Lyrics © O/B/O APRA AMCOS
Written by: DAVID BOWIE
Lyrics Licensed & Provided by LyricFind
@perpetual61
LYRICS:
Getting my facts from a Benetton ad
I'm lookin' thru African eyes
Lit by the glare of an L.A. fire
I've got a face, not just my race, Bang
Bang I've got you babe
Sun comes up and the man goes down
And the woman comes again
Just an hour or so to be safe from fear
Then we jump thru hoops, we're
divisible now, just disappear
We reach out over race and hold each other's hands
Then die in the flames singing "we
shall overcome"
Whoa! What's going on?
There'll be some blood no doubt about it
But we'll come thru don't doubt it
I look into your eyes and I know
you won't kill me
You won't kill me
You won't kill me
But I look into your eyes
And I wonder sometimes
Oh Lord, just let him see me
Lord, Lord just let him hear me
Let him call me brother
Let him put his arms around me
Let him put his hands together.
Reach over race and hold each
other's hands
Walk thru the nite thinking we are the world
Woa! What's going on?
There'll be some blood no doubt about it
But we'll come thru don't doubt it
I look into your eyes and I know you won't kill me
You won't kill me
You won't kill me
But I wonder why
Yes, and I wonder why sometimes
They'll show us how to break the rules
But never how to make the rules
Reduce us down to witless punks
Facist cries both black and
white, who's got the blood,
who's got the gun.
Putting on the black tie, cranking
out the white noise
(Just a fool!)
@danielwood4808
David was the coolest man alive when he was in his 40s. Even without the music. He just looked so cool. David was a icon, there will never be another David Bowie.
@neptunestardust
1990s was one of the best Bowie eras. Truly found himself and love
@maryingolfsrud937
I know you won't kill me......but I look into your eyes and I wonder why sometimes ..... what's going on...........
@cynthiad4443
You could've just stopped after saying he was the coolest man ever😎
@greenmother1960
@Mary Ingolfsrud telling words, and the reason 'white fear' is a thing in the united states.
@antoniabermudezann4233
@@greenmother1960Is it? Would you mind telling me about it, please!? Thanks 🙏🏻 I always like to know the meaning or message of the expressions people usually write down and I honestly think it's extremely important to be able to get to the point of them, you know!
@spacealienjesus709
Bowie pushed boundaries and touched on subjects that most middle, class white Americans were about to be exposed to not only in music but culture as well
@cian552
Yeah also I love your profile picture
@marielee5
Nothing like seeing Bowie holding his sax..... he has the most mesmerising presence....I absolutely adore the modulations in this piece. Bowie is a master at modulation..... he just glides so suavely into them, super smooth...... 🙏💙💛
@isleJane
Man, I miss Mr. David Bowie. He will always be my ultimate fave music artist. Since the early 1970s. Bless you.