Deaf Havana was formed when the original members met at the King's Lynn campus of The College of West Anglia. The band's roots can, however, be traced back much further with Ryan Mellor, James Veck-Gilodi and Lee Wilson all attending Smithdon High School and playing together in various local scene bands. At college, these members were joined by Tom Ogden and Sebastian Spitz. This early lineup saw Veck-Gilodi singing and Mellor taking guitar and vocal duties. The name "Deaf Havana" came from former guitarist Sebastian Spitz, however the name itself has no literal meaning. The band wrote songs and a demo, White Lines But No Camera, was recorded in August 2006 at The Lodge, Northampton. The band toured this lineup until Chris Pennells replaced Spitz. Pennells was formerly a member of the band Something About Dave. Around the same time, Mellor handed over guitar parts to Veck-Gilodi, and took on the lead role.
In late 2006, the band began writing songs for their debut EP, entitled Evangeline. Two songs were roughly recorded, titled "The Smiles Were Forced" and "Where It Begins", which were uploaded onto the band's Myspace page. The EP was soon recorded, with "The Smiles Were Forced" being dropped from the EP's track listing. "Tell Me More Georgie Boy" is the only song from any previous release to make it onto Meet Me Halfway, at Least, and is now called "Another Day in This House".
Beginning in October 2007, the band began work on new songs, which eventually were released on It's Called the Easy Life. On 21 June 2008, the band announced signing a deal consisting of one EP and two albums with Wolf at Your Door Records owner Kevin 'Wolfie' Horak, as well as the recording date for said debut EP, now titled It's Called the Easy Life. The EP was eventually recorded by Jonny Renshaw from Devil Sold His Soul and was mixed by Matt O'Grady (You Me at Six, Architects) and released in October 2008. The EP received strong reviews from various musical publications, following which the band begin to receive some recognition.
On 25 May 2009, the band entered the studio to record their debut studio album, Meet Me Halfway, at Least, with producer Matt O'Grady. The album was released for pre-order from Wolf at Your Door Records on 7 September 2009, and was released on iTunes and shops on 5 October 2009. Two singles have been taken from this album. "Friends Like These" was released, with B-side "Hey Baby, This Is Our Song", on 17 August 2009, for digital download. A video was also released for this single. Their second single, "Nicotine and Alcohol Saved My Life" was released on 15 March 2010, also via digital download. The single contains a remix of "Friends Like These" by Essex band Kenai. Its music video was first shown on music channels and online from 22 February 2010.
In 2010, just prior to the mini tour with All Forgotten, the band announced that Mellor would not be embarking on these tours, due to personal circumstances, with Max d'Albiac from Brides replacing him. Mellor left the band on 10 May 2010, due to the same personal problems that caused him to pull out of 2010 tours. Deaf Havana decided to continue as a four piece and a replacement for Mellor was not sought.
The band began the follow-up to 2009's Meet Me Halfway, at Least in early 2010. They released a new demo track on Myspace and Facebook, entitled "My Life Is Average". On 13 August 2010, the band released a new demo track through their Facebook page entitled "Home Sweet Home".
On 20 May 2011, the band released the first song, called "The World or Nothing", from their untitled second album. The song was not released as a single, but the song is accompanied by a video made from footage taken at Hit The Deck Festival, directed by Jon Stone. The first single from the album was confirmed to be "I'm A Bore, Mostly" on 30 August 2011. It was played on BBC Radio 1 by Zane Lowe and the following week by Sara Cox. The title of the album, Fools and Worthless Liars was made public on 23 September 2011. Deaf Havana also released a music video for the single on 11 October 2011, which accumulated over 20,000 plays on the day of release. They then supported fellow British rockers You Me at Six on tour that month. Fools and Worthless Liars was released on 7 November 2011, coinciding with London Barfly and Norwich Arts Centre release gigs. The album peaked at number 1 on the UK Rock Album Chart.
The band re-recorded an alternative version of Fools and Worthless Liars which was released on 22 October 2012. The Fools and Worthless Liars Deluxe Edition album reached number 51 in the UK Albums Chart (reaching number 28 mid-week). Lead singer, James-Veck Gilodi, expressed his views about his personal influences in the Fools and Worthless Liars Deluxe Documentary saying that he "wanted to do something that was more musical interesting" and record something that was "truer" to the bands actual influences. After playing the St Pancras Station Festival, from which the band thought "went well" and was "thoroughly enjoyable", the band set about re-recording each song on Fools and Worthless Liars hoping to show off their musicianship that may not have come across on the album by using different instruments, sounds and genres.
In October 2012, Deaf Havana began composing new material to be featured on their third album. On 25 January 2013, the band announced that the writing process was complete and that they would enter the studio a week later. It was rumoured, during the highly successful An Evening With Deaf Havana - Unplugged that the new, yet currently unnamed, album would be released "around September". However, no precise date was set or confirmed at this point. It was later revealed in 2012 that the new album would be entitled Old Souls and was to be produced by Lee Batiuk. It was announced to be released on 16 September 2013. Moreover, the band created a feature-length documentary, entitled English Hearts, which was released as a CD/DVD combination on the deluxe version of Old Souls. The feature documented the history of the band, in their own words, and was directed by Jon Stone, a director who had previously filmed the band performing " The World or Nothing" at Hit the Deck Festival.
The band received several high-profile radio plays in the lead up to the album release whilst the band also aired several previews through social media such as Facebook and Twitter. The song "Boston Square" was premiered by Radio One DJ Zane Lowe as his Hottest Record in the World on 14 May 2013. This release which was accompanied with an interview with James Veck-Gilodi. The band coincidentally announced their first partnership with YouTube music video service Vevo, and released the corresponding video for "Boston Square". The band followed up the positive feedback by releasing the track "Speeding Cars" on 18 July 2013, and track which also received positive feedback. On 1 August 2013, the band released another track, entitled "Kings Road Ghosts", despite the band acknowledging "they might get into trouble" for releasing the track early. On 8 August 2013, the band were again invited Zane Lowe's Radio 1 show to premiere their new single "Mildred (Lost a Friend)" as the Hottest Record in the World. Matt Veck-Gilodi supplied the interview on the behalf of the band and was interviewed by Radio 1 DJ Huw Stephens, who was deputising for Zane Lowe.
Ahead of their UK tour in November 2015, Deaf Havana released the track "Cassiopeia" from their fourth album, which was originally set to be released in 2016.
In July 2016, the band released the single "Sing" and announced that their album would be released in early 2017 on So Recordings. During their set at Reading and Leeds 2016, the band announced that the album is titled All These Countless Nights and announced its release date as 27 January 2017. Shortly after their Reading and Leeds appearance, the band announced their first UK tour in over 2 years.
On 9 October, the second single from the album, "Trigger", premiered on BBC Radio 1 as Daniel P Carter's Rockest Record. The song had originally premiered in 2014 on the band's European tour, at which time the band had planned to record new material but were dropped from their record label, BMG.
Following their Top 5 album artist=Deaf Havana]All These Countless Nights, Rituals was written as a challenge taken up by James Veck-Gilodi (Vocals) & Phil Gornell (Producer) to subvert the band's writing process, and present songs representative of the band in present.
Rituals is the result of throwing out the 'Deaf Havana rulebook': first; James picked the song titles, second; he wrote the tracks that fit the theme of those titles, third; everything was written on the computer, then the band came in to play all the parts. Working like this felt backwards to James, who previously only written songs on his acoustic guitar, with continuous input from the rest of the band. They set themselves a deadline of April to finish writing, and if any of it was any good, they would make it available by August. No more waiting half a decade for people to finally hear new music.
A recurring theme on the album is one of struggle and redemption. The music is in turn with introspective and joyous, with help form the London Contemporary Voice Choir, who feature on five tracks. The band performed with the choir at their intimate show at London's Union Chapel for the War Child charity as part of the Brit Awards gigs.
The theme of redemption ties into the art the band have wrapped into the album cover, a series by the visual artist Wolf James entitled 'My Love Is Lethal (A personal series dedicated to Letting Go)'.
On 25 November 2021, the band released a statement that while they intended to break up in early 2020, instead James and Matthew will continue on as a duo, with Lee Wilson and Tom Ogden leaving the band.
The Present is a Foreign Land was announced on 21 January 2022 for a 15 July 2022 release; with the album's first single, "Going Clear", releasing the same day.
Ice Doesn't Help The Uncoordinated
Deaf Havana Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
And I'm sure as hell gonna cross it
You can't live your life without it
It's too much to ask I doubt it
And we can shiver in the river
Without a backdrop
Or a memory of how things could have been
When you get yourself here
Just gonna give up the ghost
'Cause he's a fuckin great host
The glass to your right
Will be kept well out of sight
We need to get things straight
So my jaw can drop in awe
Were too tired, way too tired
Stumble back across the floor
'Cause persistence is an eye-sore
And now I'm losing you
And I can't stand losing two
It's too bad we gotta sit this one out
I always knew, what I planned for you
'Cause I'm a winner
And there's nothing to prove
I've been carrying you for far too long
And this won't be the first time
I'm gonna let this go
One more time
Can you pull yourself from a dirty word
Not everyone here can really care to grow
And now I'm losing you
And I cant stand losing two
It's too bad we gotta sit this one out
I always knew, what I planned for you
'Cause I'm a winner
And there's nothing to prove
We're too tired
We're too tired
And now I'm losing you
And I can't stand losing two
It's too bad we gotta sit this one out
I always knew, what I planned for you
'Cause I'm a winner
And there's nothing to prove
We're too tired
We're too tired
The lyrics in Deaf Havana's song "Ice Doesn't Help The Uncoordinated" are about relationships and the struggles that come with them. The first verse sets the scene with a reference to a line in the bath, which could be a metaphor for a boundary or limit between two people. The singer acknowledges that crossing that line is inevitable and necessary in order to live life fully. They also express doubt that the other person will be willing to cross it with them. The imagery of shivering in the river without a backdrop or memory of what could have been suggests missed opportunities and a sense of regret.
The second verse seems to be directed towards the other person, who may be struggling with addiction or some other issue that the singer no longer wants to enable. They express the desire to "give up the ghost," or let go of the relationship, because it's become too toxic. The glass to the right that will be kept well out of sight may be a reference to alcohol or drugs. The singer wants to "get things straight" and move on, even though they are exhausted and persistence has become an "eye-sore."
The chorus repeats the sentiment that the singer is losing the other person, but this time it's not just one person, it's two. They acknowledge that they had hopes and plans for the relationship, but ultimately they feel they are a "winner" and there's nothing left to prove. The final repetition of "we're too tired" could signify the emotional exhaustion that comes from trying to make a relationship work when it's no longer healthy.
Overall, the lyrics in "Ice Doesn't Help The Uncoordinated" are introspective and honest, painting a picture of two people who have reached their limit with each other.
Line by Line Meaning
There's a line in the bath
There is an opportunity in front of us
And I'm sure as hell gonna cross it
I am certain to take advantage of that opportunity
You can't live your life without it
This opportunity is important and necessary for life
It's too much to ask I doubt it
This opportunity is challenging, but I am up for it
And we can shiver in the river
We can face the difficult situation together
Without a backdrop
Without any support or help
Or a memory of how things could have been
Without dwelling on what could have been
And I don't wanna be there
I don't want to be around when things go wrong
When you get yourself here
When you find yourself in a bad situation
Just gonna give up the ghost
I will let go and move on
'Cause he's a fuckin great host
Because the situation is a great opportunity for growth
The glass to your right
The temptation or distraction next to you
Will be kept well out of sight
I will avoid that temptation or distraction
We need to get things straight
We need to be honest and clear with each other
So my jaw can drop in awe
So I can be impressed and amazed
Were too tired, way too tired
We are exhausted and worn out
Stumble back across the floor
We may make mistakes along the way
'Cause persistence is an eye-sore
Because trying so hard can be uncomfortable to watch
And now I'm losing you
I am losing your attention or affection
And I can't stand losing two
Losing both of us is unacceptable
It's too bad we gotta sit this one out
It's unfortunate that we can't both pursue this opportunity
I always knew, what I planned for you
I had a specific vision for our future together
'Cause I'm a winner
I am confident in myself and my abilities
And there's nothing to prove
I don't need to prove anything to anyone
We're too tired
We are too exhausted to continue
And now I'm losing you
I am losing you and our relationship is falling apart
Can you pull yourself from a dirty word
Can you overcome a negative situation or image
Not everyone here can really care to grow
Not everyone is willing to put in the effort to improve themselves
Writer(s): Veck-gilodi James, Mellor Ryan
Contributed by Gavin C. Suggest a correction in the comments below.
@justaguy8271
TWILIGHT!!!