Deerhunter is a band which formed in 2001 in Atlanta, Georgia, United State… Read Full Bio ↴Deerhunter is a band which formed in 2001 in Atlanta, Georgia, United States. The band consists of Bradford Cox (vocals, guitar, piano), Moses Archuleta (drums, synths), Lockett Pundt (guitar, organ, vocals), and Josh McKay (bass, vocals).
The group began with the ambition of fusing the lulling hypnotic states induced by ambient and minimalist music with the klang and propulsion of garage rock. The band has weathered chaotic line-up changes and the death of a member.
Cryptograms was the second full-length offering from Deerhunter, and their first for Kranky. The album took almost two years to finish and was the product of emotional, physical, and financial strain on the group. The result is an album that finds the band shifting from discordant catharsis, and forming a sonic identity that completely expresses the place from which they have arrived. The first half of the album was recorded first unsuccessfully in 2005. These recordings were a blur at best, wordless and bordering on psychological atrophy. The sessions failed to provide anything tangible, and were racked with technical and personal problems, including out-of-tune pianos, panic attacks, and a tape machine that seemed to fail to capture the full spectrum of ambience the band was exploring.
The band returned home, having failed, and considered giving up. The idea arose to give it one last shot and exactly one year from the date of the recording of their first self-titled LP at a small studio in rural Georgia, they returned to that same studio and plugged in. The session resulted in the first half of the record which was recorded in one day and completely filled the reel of tape they brought with them. Cryptograms’ first side begins with an introduction leading to the title track, and ends with the tape literally spinning off the end of the reel in the middle of a drone layered with bells and accordion (Red Ink). The second half of the record, also recorded in one day, in November of 2005, represents the band in an entirely different state. Spring Hall Convert opens with the line, “…so I woke up…” and introduces a set of focused psych-pop songs fixating on adolescence, illness, and failing connections.
On May 8, 2007, the group released the Fluorescent Grey EP, which was recorded in July 2006. This EP also garnered the title of "Best New Music" from Pitchfork Media. In the same month, the band released the Whirlyball 7" single, which was available at only one store in Atlanta, Georgia: Criminal Records. The single also acted as a ticket to a show, which featured the band along with The Carbonas, Selmanaires and The Coathangers. The single was available online for a limited time after the show due to popular demand, but only 200 copies were pressed, with 100 on black vinyl and 100 on clear vinyl.
The quartet's third album, Microcastle, came out in October of 2008 after being leaked accidentally in May. The physical release was accompanied by an album entitled Weird Era Cont.. They were both well-received, scoring a 9.2 and "best new music" on Pitchfork and taking the #1 slot for Tiny Mix Tapes' annual favorite albums list for 2008.
The band added guitarist Whitney Petty, a former sailor and high school friend of Cox's, to replace the departing Colin Mee in May 2008. She in turn left the band in February 2009.
The band followed up the critically acclaimed Microcastle/Weird Era Cont. set in May 2009 with an EP - Rainwater Cassette Exchange.
In September 2010, Deerhunter released Halcyon Digest on the label 4AD. The album received broad critical acclaim, including being rated #20 on the NME "50 Best Albums of 2010." Deerhunter made their US broadcast television debut on Conan, December 2, 2010, where they performed Helicopter.
Deerhunter released their sixth album, Monomania, in May 2013. It was their first album without bassist Josh Fauver, with Frankie Broyles and Josh McKay being added to the group. The Black Lips described the album as the "most punk album of the last 30 years."
On December 4, 2014, frontman Bradford Cox was seriously injured and hospitalized after being hit by a car in Atlanta. He has since described the incident as a “perspective-giving jolt” and cites the accident as a turning point for him in life. Deerhunter's seventh album, Fading Frontier, was released in October 2015. This was Cox's first musical output since the accident. The album also saw the departure of guitarist Frankie Broyles, who left the band to focus on his solo career.
In 2018, multi-instrumentalist Javier Morales was added as a permanent member, and the band embarked on a series of tour dates in the USA and Europe. Sold on this tour was a limited cassette-only release, Double Dream of Spring, comprised mainly of instrumental and experimental pieces. The band's eighth studio album, Why Hasn't Everything Already Disappeared?, followed in January 2019. Later in the year, a "12-minute opus" titled Timebends was released to streaming services as a one-off single. Partially improvised and laden with Cox's signature stream-of-consciousness lyricism, the track was "recorded live direct to tape and in one take with minimal overdubs and mastered using a completely analogue signal chain."
http://deerhuntermusic.com
The group began with the ambition of fusing the lulling hypnotic states induced by ambient and minimalist music with the klang and propulsion of garage rock. The band has weathered chaotic line-up changes and the death of a member.
Cryptograms was the second full-length offering from Deerhunter, and their first for Kranky. The album took almost two years to finish and was the product of emotional, physical, and financial strain on the group. The result is an album that finds the band shifting from discordant catharsis, and forming a sonic identity that completely expresses the place from which they have arrived. The first half of the album was recorded first unsuccessfully in 2005. These recordings were a blur at best, wordless and bordering on psychological atrophy. The sessions failed to provide anything tangible, and were racked with technical and personal problems, including out-of-tune pianos, panic attacks, and a tape machine that seemed to fail to capture the full spectrum of ambience the band was exploring.
The band returned home, having failed, and considered giving up. The idea arose to give it one last shot and exactly one year from the date of the recording of their first self-titled LP at a small studio in rural Georgia, they returned to that same studio and plugged in. The session resulted in the first half of the record which was recorded in one day and completely filled the reel of tape they brought with them. Cryptograms’ first side begins with an introduction leading to the title track, and ends with the tape literally spinning off the end of the reel in the middle of a drone layered with bells and accordion (Red Ink). The second half of the record, also recorded in one day, in November of 2005, represents the band in an entirely different state. Spring Hall Convert opens with the line, “…so I woke up…” and introduces a set of focused psych-pop songs fixating on adolescence, illness, and failing connections.
On May 8, 2007, the group released the Fluorescent Grey EP, which was recorded in July 2006. This EP also garnered the title of "Best New Music" from Pitchfork Media. In the same month, the band released the Whirlyball 7" single, which was available at only one store in Atlanta, Georgia: Criminal Records. The single also acted as a ticket to a show, which featured the band along with The Carbonas, Selmanaires and The Coathangers. The single was available online for a limited time after the show due to popular demand, but only 200 copies were pressed, with 100 on black vinyl and 100 on clear vinyl.
The quartet's third album, Microcastle, came out in October of 2008 after being leaked accidentally in May. The physical release was accompanied by an album entitled Weird Era Cont.. They were both well-received, scoring a 9.2 and "best new music" on Pitchfork and taking the #1 slot for Tiny Mix Tapes' annual favorite albums list for 2008.
The band added guitarist Whitney Petty, a former sailor and high school friend of Cox's, to replace the departing Colin Mee in May 2008. She in turn left the band in February 2009.
The band followed up the critically acclaimed Microcastle/Weird Era Cont. set in May 2009 with an EP - Rainwater Cassette Exchange.
In September 2010, Deerhunter released Halcyon Digest on the label 4AD. The album received broad critical acclaim, including being rated #20 on the NME "50 Best Albums of 2010." Deerhunter made their US broadcast television debut on Conan, December 2, 2010, where they performed Helicopter.
Deerhunter released their sixth album, Monomania, in May 2013. It was their first album without bassist Josh Fauver, with Frankie Broyles and Josh McKay being added to the group. The Black Lips described the album as the "most punk album of the last 30 years."
On December 4, 2014, frontman Bradford Cox was seriously injured and hospitalized after being hit by a car in Atlanta. He has since described the incident as a “perspective-giving jolt” and cites the accident as a turning point for him in life. Deerhunter's seventh album, Fading Frontier, was released in October 2015. This was Cox's first musical output since the accident. The album also saw the departure of guitarist Frankie Broyles, who left the band to focus on his solo career.
In 2018, multi-instrumentalist Javier Morales was added as a permanent member, and the band embarked on a series of tour dates in the USA and Europe. Sold on this tour was a limited cassette-only release, Double Dream of Spring, comprised mainly of instrumental and experimental pieces. The band's eighth studio album, Why Hasn't Everything Already Disappeared?, followed in January 2019. Later in the year, a "12-minute opus" titled Timebends was released to streaming services as a one-off single. Partially improvised and laden with Cox's signature stream-of-consciousness lyricism, the track was "recorded live direct to tape and in one take with minimal overdubs and mastered using a completely analogue signal chain."
http://deerhuntermusic.com
Oceans
Deerhunter Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Oceans of time
Oceans of time connect
Each go to a death
Oceans of death
Oceans of time connect
Each go to a death
Oceans of death
The lyrics in Deerhunter's song "Oceans" delve into the concept of time and death. The first line of the verse states, "Oceans of time connect", which suggests that there are vast periods of time connecting one moment to the next. It is as if time flows like the ocean, continuous and never-ending. The next line, "Each go to a death", seems to imply that every instance in time leads to an eventual end. This could mean the death of an individual, the end of an era, or the extinction of a species. The use of the word "death" implies finality and suggests that time is finite and runs out eventually.
The idea of "oceans of death" in the chorus adds a deeper layer to the meaning of the song. It could be interpreted as the inevitability of death looming over everything, just as the vast oceans cover so much of the earth's surface. The repetition of the phrase emphasizes the magnitude of this idea.
Overall, the lyrics in "Oceans" explore the weight of time and the inevitability of death, suggesting that life is fleeting and that everything must come to an end at some point.
Line by Line Meaning
Oceans of time
There are vast amounts of time that seem to go on forever.
Oceans of time connect
These immeasurable lengths of time connect all moments of the past, present, and future.
Each go to a death
All things living eventually reach the end of their life and approach their own death.
Oceans of death
Death feels like a limitless, deep body of water that goes on without end.
Contributed by Landon G. Suggest a correction in the comments below.
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Kyle King
I do have to agree, I've given Deerhunter more than enough listens and I'm not particularly fond of them. I do like this song, Agoraphobia and Helicopter quite a bit though.
Iblame Summers
<3
holy_cannolii
They should have stuck with instrumentals on this album honestly
FatherHeathen
Why, because the lyrics don't contain references to getting booty at da club? Not enough vocoding, vinyl scratching and beat boxing?
Slave Of Jikrasha
Boooooooring