"The raw spirit of indie rock. An amplified, rocking version of ’60s protest folk. The soulful passion of the Violent Femmes and The Waterboys." All of these comparisons have been made in attempts to describe Delta Spirit, the southern California five-piece who might just be one of the most important new bands of the decade. Each description contains elements of the truth, but the real answer to the question “who is Delta Spirit?” lies within Ode to Sunshine, the band’s captivating debut. The group’s DIY ethic shines throughout the album, with songs honed razor-sharp over a year of non-stop touring across America. Opening sold-out tours for Clap Your Hands Say Yeah, Cold War Kids, and Dr. Dog, the band developed a riveting live show and gained a loyal following amongst tastemaker music fans, earning them invites to national festivals like Austin City Limits, Noise Pop and Sasquatch. So it would not be an understatement to call Ode to Sunshine one of the year’s most highly-anticipated debuts. But don’t take our word for it; in the words of Delta Spirit: “If you’re feeling what I’m feeling come on, all you soul searching people come on.”
Jonathan Jameson of Delta Spirit took a few minutes out of the band’s busy touring schedule to answer a few questions about the band, their music, and Ode to Sunshine.
Where in California did the band come together? How did you meet?
We are all from Southern California. Brandon met Matt while he was singing and playing guitar by the train tracks in San Diego. The rest is boring.
Who plays what and sings? Do you trade off instruments on different songs?
Brandon plays drums and percussion. Sean plays guitar, does some percussion and hits a big drum. Jon exclusively plays bass with the occasional vocal. Kelly plays piano, hits a drum, sings, hits a trashcan, plays guitar and a high strung guitar. Matt plays guitar, sings and plays piano.
Your songs are credited to the band as a whole. Could you describe how they come together? Are the lyrics collaborative as well?
It’s always a new experience. Matt and Kelly write the lyrics with minor editing done by the band. Songs come as jams, ideas, almost complete chords, hummed notes, drum beats, etc.
Some of the songs have very infectious sing along melodies (like the ba ba ba’s in “People C’mon”). Do you envision your music as communal, for audiences to participate in as well as listen to?
Our music feels most at home when we play it with people as opposed to at people. There is a mystery to music played live. It brings us out of ourselves into something bigger, something beyond our individuality. Sometimes it happens, other times the songs are just songs.
You recorded Ode to Sunshine at a cabin in Julian, California, out in the desert east of San Diego. Did the isolation of the setting influence the vibe of the album (like say, Dylan and The Band’s Basement Tapes)?
It feels like sun, saunas, dogs, friends, Old Crow and Coke, Eli Thompson, beards, hot days, long star filled nights, good books, hikes, shorts, bbq and just the way we wanted to make our first record.
Your music has been compared to current indie rockers, ’80s punk roots bands, and sixties folk rockers. Was there any music you listened to growing up, or that you listen to now, that you hear seeping into your current sound?
We were born in the ’80s, grew up in the ’90s and have parents from the ’60s. We are proud of the bands that are making great music now. Maybe it’s like the Waterboys covering Harry Nilsson or maybe a song by the Weavers at a rally, but on tour next month with Richard Swift. We want to be found in the lineage of honest and true music that has found its way through every current of music history.
There seems to be a conscience in the music, a sense of taking responsibility for ourselves, each other, and the world. What do you feel is special about this moment in history, and this generation, and the place of music and art in society? Are you encouraged by the energy you feel coming back to you from your audiences?
There is a feeling of possibility in our age. We feel that same possibility with our band. There is a deep connection there. We don’t want to forget about the most important thing for us, which is simply making good music, but that does include being aware of what’s going on in the world as well as what’s going on in our own heads and souls. We aren’t self-aggrandizing cock rockers or activist idealist hippies. We just want to be honest about ourselves and how we see the world, not minimizing the darkness or the hope, because both are very real.
Your original DIY version of Ode to Sunshine featured austere black & white artwork, while the new cover is much warmer, with the smiling face of Dr. Thomas Payne (an uncle of one of the band members) raising a toast while at a scientific convention on bark beetles. The Rounder release also features an additional song, “Streetwalker,” which despite its somber subject features a Phil Spector / Brian Wilson groove. Do the new artwork and song show a new side to the band?
I think that before when we were looking at the album it felt kinda heavy to us and serious. About the big things in life. Like a dusty record of Kennedy speeches. But I think we realized that the true feeling of the album also included what we were feeling while making it and recording it and that those bits of summer and excitement and wonder break through every once in a while. It’s as if after listening to those sobering speeches we found the pics of the Kennedys on vacation and now it all really made sense. The light and the dark. Sometimes you have to laugh at the serious stuff to be able to do something about it.
From the opening Rubber Soul-esque acoustic guitars of “Tomorrow Goes Away” to the saloon piano-over-grunge chords of “Trashcan,” from the harmonica-driven protest waltz “People, Turn Around” to the insistent surf rock drums of “Children,” Ode to Sunshine perfectly captures the energy and hope of a new generation that’s rising like a phoenix to change the world. And with Delta Spirit providing the soundtrack, this is one revolution you can dance to.
St. Francis
Delta Spirit Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
They're all throwing stones at the back of my home
Kicking the dirt in the air
Well I left to think while they're thinking I'm stoned
Well I had no cause to be there
And out of this town while I had something left
Bury the fear in my head
It's full of people like me
(Chorus)
We've all run away
Everyone wants but nobody needs
Silver and gold
Well everyone wants, but nobody needs
[Interlude similar to verse]
Well I ran to the woods and I preached to the birds
St. Francis talking to me
Well they said I'd find love in a pain I'd endure
If I would just listen to him
With my ear to the ground and my heart full of lead
Well I quietly listened to him teach
But with tears in his eyes, he just looked straight through me
I awkwardly waited for speech
We've all run away
Everyone wants but nobody needs
Silver and gold
Everyone wants, but nobody needs
[Interlude w/ changed piano part]
Once I was sure that this love was the truth
Well I quickly spit in his face
I returned to my home, friends and I, we threw stones
Bragging that we knew the way
[hummed chorus 1x until the end]
The lyrics of Delta Spirit's song "St. Francis" describe the singer's journey to find purpose and meaning in their life. The opening verse finds the singer feeling ostracized and misunderstood by the people they once called their community. While they leave to reflect on their situation, they realize that even in the city, they feel lonely and disconnected from those around them. This feeling of isolation sends them to the woods, where they hope to find some sort of guidance or solace.
This is where the figure of St. Francis comes into play. St. Francis is a well-known Catholic saint who famously preached to animals and lived a life free of material possessions. The singer hears St. Francis speak to them through the birds, and while they don't initially understand his message, they become convinced that he is the key to unlocking the love and clarity they seek. However, like with many spiritual journeys, this one isn't without its setbacks. When the singer finally feels as though they've discovered the truth about love, they reject it out of fear and return to the community they once felt alienated from. In a sense, this final verse is a reflection on the cyclical nature of human behavior and our tendency to seek external validation rather than finding meaning within ourselves.
Overall, "St. Francis" is a song about the importance of finding meaning and purpose in one's life, and the complicated journey that often accompanies that search.
Line by Line Meaning
They're all throwing stones at the back of my home
People are criticizing and attacking me behind my back
Kicking the dirt in the air
Their actions are futile and meaningless
Well I left to think while they're thinking I'm stoned
I needed time to reflect, but others assumed I was just getting high
Well I had no cause to be there
I realized that I didn't belong in that negative environment
And out of this town while I had something left
I left town while I still had my dignity and self-respect
Bury the fear in my head
I wanted to leave behind my fears and anxieties
Well it's all just the same cause the city's just as bare
The city was empty and unfulfilling, no matter where I went
It's full of people like me
There are others out there who are lost and searching for meaning
We've all run away
Many people try to escape their problems
Everyone wants but nobody needs
People desire material things but don't truly need them
Silver and gold
Wealth and possessions are often seen as a solution, but they aren't
Well I ran to the woods and I preached to the birds
I sought refuge in nature and found comfort in sharing my thoughts
St. Francis talking to me
I found guidance and inspiration in the teachings of St. Francis of Assisi
Well they said I'd find love in a pain I'd endure
I was told that love would come from overcoming hardships
If I would just listen to him
I needed to open my heart and mind to the wisdom of St. Francis
With my ear to the ground and my heart full of lead
I listened intently and felt heavy with emotion
Well I quietly listened to him teach
I absorbed the lessons and teachings of St. Francis
But with tears in his eyes, he just looked straight through me
Despite my efforts, I still felt lost and disconnected
I awkwardly waited for speech
I hoped for some kind of revelation or guidance from St. Francis
Once I was sure that this love was the truth
Eventually, I became convinced that love was the answer
Well I quickly spit in his face
Despite my realization, I initially rejected love and its teachings
I returned to my home, friends and I, we threw stones
I went back to my old ways and joined in the negativity and criticism
Bragging that we knew the way
Pretending we had all the answers, when in reality we were still lost
Contributed by Levi T. Suggest a correction in the comments below.
Coline H
[Verse:]
They're all throwing stones at the back of my home
Kicking the dirt in the air
Well I left to think while they're thinking I'm stoned
Well I had no cause to be there
And out of this town while I had something left
Bury the fear in my head
Well it's all just the same cause the city's just as bare
It's full of people like me
[Chorus:]
We've all run away
Everyone wants but nobody needs
Silver and gold
Well everyone wants, but nobody needs
[Interlude similar to verse]
Well I ran to the woods and I preached to the birds
St. Francis talking to me
Well they said I'd find love in a pain I'd endure
If I would just listen to him
With my ear to the ground and my heart full of lead
Well I quietly listened to him teach
But with tears in his eyes, he just looked straight through me
I awkwardly waited for speech
We've all run away
Everyone wants but nobody needs
Silver and gold
Everyone wants, but nobody needs
[Interlude w/ changed piano part]
Once I was sure that this love was the truth
Well I quickly spit in his face
I returned to my home, friends and I, we threw stones
Bragging that we knew the way
Coline H
[Verse:]
They're all throwing stones at the back of my home
Kicking the dirt in the air
Well I left to think while they're thinking I'm stoned
Well I had no cause to be there
And out of this town while I had something left
Bury the fear in my head
Well it's all just the same cause the city's just as bare
It's full of people like me
[Chorus:]
We've all run away
Everyone wants but nobody needs
Silver and gold
Well everyone wants, but nobody needs
[Interlude similar to verse]
Well I ran to the woods and I preached to the birds
St. Francis talking to me
Well they said I'd find love in a pain I'd endure
If I would just listen to him
With my ear to the ground and my heart full of lead
Well I quietly listened to him teach
But with tears in his eyes, he just looked straight through me
I awkwardly waited for speech
We've all run away
Everyone wants but nobody needs
Silver and gold
Everyone wants, but nobody needs
[Interlude w/ changed piano part]
Once I was sure that this love was the truth
Well I quickly spit in his face
I returned to my home, friends and I, we threw stones
Bragging that we knew the way
mpv81
Great song. Definitely gonna be looking into this band. Thanks for the upload.
Jorge Huaman
Happy feast day, St. Francis!
Alex Prado
Amennn
Lucila
This belongs in a movie.
UFCA Y&R
Absolutely
sunworxpv
It's easily their best song and is 1000% better live...I'm disappointed
Jorfis Levering
who gives thumbs down? they're all throwing stones at the back of their home.
blackreazor
Am I the only one that this is it sounds exactly like house of the rising sun?
Julie K
yep...