With an intense love and enthusiasm for every aspect of the music business … Read Full Bio ↴With an intense love and enthusiasm for every aspect of the music business – from producing to songwriting to deejaying to engineering – Demarco has his fingers on the pulse of almost every genre of the infectious rhythms of the world. Whether it’s reggae, dancehall, hip-hop, R&B, Demarco has written and produced for the best of them. Top names like Olivia, Styles P and Sean Paul have experienced his producing skills, while Bounty Killer and others have put vocals to his lyrics…and in between all that Demarco still finds time to do combinations with other artistes and record his own songs! Born in Portmore, St. Catherine in 1982, Demarco is a protégé of Ardenne High School. Growing up, he used to ‘play around’ on a sound he and his friends created called Future Disco. It was during that time that he found out he had a great love of music. That soon led to his performing on almost every community event in his Portmore area. At age 15 he would go to Cactus nightclub and perform every chance he got. In 1998, Demarco migrated to the United States…New York to be exact. But he never lost his desire to be involved in the music business. He soon moved to Baltimore where he hooked up with a friend who taught him the intricacies of creating music by showing him how to mix, use the keyboard, sequence…and all that complicated stuff. Demarco was so excited about learning about this other aspect of the music business that he was determined to someday produce music. But with no funds and just a dream, Demarco started doing whatever jobs he could get in order to buy the needed equipment, one piece at a time, to set up his own studio. Soon he had all the equipment he needed to build rhythms. And that he did…night and day, in between jobs, not getting any sleep, or food for that matter…sustaining himself with only the prospect of creating a wicked riddim. When he was through with each masterpiece, he would sell the beat to rap and dancehall artistes and at other times he gave them away in a bid to promote his talent. It worked! It really did! All that long, hard, sleepless, foodless hours in his customized home studio began to pay off. Demarco started to get attention from artistes and managers who wanted him to build rhythms for them. But with limited cash resources, it was challenging to take his talent to that other level. Little did he know that his luck was about to change. A friend who was quite impressed with his talent introduced him to Star Kutt Music. The principals behind the company checked out his work and immediately decided that he was worth the investment. Demarco has not looked back since. Demarco and Star Kutt became synonymous. As impossible as it sounds, he began working harder than before, putting out a lot of boom rhythms in keeping up with his full calendar of commissions. He created rhythms for Styles P and Free from 106 & Park, as well as having two rhythms on Elephant Man’s ‘Good 2 Go’ album. He also made numerous beats alongside The Soul Diggaz who are signed to Missy Elliot and were involved in the production of her last three albums. In between creating rhythms, Demarco found the time to pen lyrics for other artistes including Bounty Killer (‘Warlord Reloaded’ and ‘Hey Sexy Baby’). He also lent his vocals on a combination with Bounty Killer titled ‘Chap’, as well as Sizzla titled ‘Kings and Queens’. The talented young man has also done combinations with Olivia of G-Unit and Jabba of Hot 97 titled ‘ Lighters ’, and Styles P from the Lox titled ‘Tell Them Again’. But for all his impressive inroads into the rapping arena, Demarco has yet to make a strong impact on the dancehall scene, especially in his homeland of Jamaica. That’s why he is now in Jamaica…and will be here for a while…doing all it takes to ‘buss out’ big time on the scene. While in the tropical paradise he will be focusing on performing on quite a few events, putting out some music videos and, of course, still doing what he loves best – building rhythms. Presently he has three songs on the Star Kutt label, which are currently in heavy rotation on the airwaves – ‘Kings and Queens’, ‘Da Look Deh’ and ‘Lighters’. Also on the streets are the singles ‘In Da Streetz’ (Mikey Bennet’s Grafton label), ‘Get Behind Me Satan’ (Clive Hunt’s Fusion Island Production) and ‘More Life’ on Scatta’s Inevitable riddim which will be released on the Kings of Kings label. As his Star Kutt management states, Demarco is a young man with exceptional inborn talent.

She Can't Wait
Demarco Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Hello?
Oh baby, come fuck me
The fuck a come down ′pon me, come fuck me
Eh?
Come fuck me, me want some fuck now!
Alright, gyal

When the fuck a come down 'pon you

When the fuck a come down ′pon you
Gyal, call me, make me hammer you
Gyal, call me, make me hammer you
When the fuck a come down 'pon you
When the fuck a come down 'pon you
Gyal, call me, make me hammer you
Gyal, call me, make me hammer you

She say, she cyaan wait
She say, the fuck a come down
She cyaan wait
She say, the fuck a come down
Gyal, hurry up, hurry up, hurry up
Gyal, run come hop on ′pon the daggering truck
Hurry up, hurry up, hurry up
With your bag a mouth talk, I hope you can

Whine and go down, daggering no postpone
In deh, in deh, in deh, me know you must moan
She hooked to the thing, nah leave me alone
Night and day she a call off me phone

Request from Dawn and Shelly
Say, she waan the dagger way up inna the belly
Nervous break down, gyal cyaan stay steady
So, make sure you′re fit, gyal, make sure you're ready

When the fuck a come down ′pon you
When the fuck a come down 'pon you
Gyal, call me, make me hammer you
Gyal, call me, make me hammer you
When the fuck a come down ′pon you
When the fuck a come down 'pon you
Gyal, call me, make me hammer you
Gyal, call me, make me hammer you

She say, she cyaan wait
She say, the fuck a come down
She cyaan wait
She say, the fuck a come down
Gyal, hurry up, hurry up, hurry up
Gyal, run come hop on ′pon the daggering truck
Hurry up, hurry up, hurry up
With your bag of mouth talk, I hope you can

Me hope she can whine
Me hope she can set it
Hope she can sit down 'pon it and take it
From the first time she get it, me know she nah left it
Gyal overseas, dem waan internet it

Gyal, you know wha' a run through me mind
From you look ′pon me watch, you know a daggering time
Hope you can bubble, me hope you can whine
Hope you can utilize your waistline

When the fuck a come down ′pon you
When the fuck a come down 'pon you
Gyal, call me, make me hammer you
Gyal, call me, make me hammer you
When the fuck a come down ′pon you
When the fuck a come down 'pon you
Gyal, call me, make me hammer you
Gyal, call me, make me hammer you

She say, she cyaan wait
She say, the fuck a come down
She cyaan wait
She say, the fuck a come down
Gyal, hurry up, hurry up, hurry up
Gyal, run come hop on ′pon the daggering truck

Hurry up, hurry up, hurry up
With your bag of mouth talk, I hope you can

Overall Meaning

The lyrics to Demarco's song "She Can't Wait" are quite explicit and sexually charged. They depict a woman who is eager to engage in sexual activity with the singer and the urgency that comes with it. The chorus of the song features the woman expressing her impatience for the sexual act to occur, repeatedly saying "She say, she cyaan wait, she say, the fuck a come down, she cyaan wait." The verses of the song contain the singer's response to the woman's desires, with lines like "come fuck me" and "make me hammer you."

The song heavily references the Jamaican sexual dance style known as "daggering," which involves aggressive and often acrobatic movements. The lyrics contain multiple references to "daggering," with lines like "hop on ′pon the daggering truck" and "dagger way up inna the belly." The references to daggering add a layer of cultural context to the song.

Overall, the lyrics to "She Can't Wait" are explicit and straightforward in their depiction of sexual activity, but they also contain cultural references that may be unfamiliar to some listeners.

Line by Line Meaning

Hello?
The singer is trying to initiate communication with someone.

Oh baby, come fuck me
The singer is requesting sexual intimacy with the addressed person.

The fuck a come down ′pon me, come fuck me
The singer is expressing a sense of urgency and need for sexual activity.

Eh?
The artist is asking for confirmation or a response from the addressed person.

Come fuck me, me want some fuck now!
The artist is reiterating their desire for immediate sexual activity.

Alright, gyal
The singer is expressing agreement with the addressed person, likely in regard to sexual activity.

When the fuck a come down 'pon you
The singer is asking the addressed person when they will experience the same sense of desire and urgency for sex.

Gyal, call me, make me hammer you
The artist is offering to engage in sexual activity with the addressed person.

She say, she cyaan wait
A woman is expressing that she is excited for sexual activity and cannot wait any longer.

She say, the fuck a come down
The woman is expressing the onset of her arousal or desire for sex.

Gyal, hurry up, hurry up, hurry up
The singer is urging the woman to engage in sexual activity with him as soon as possible.

Gyal, run come hop on ′pon the daggering truck
The artist is inviting the woman to have sex with him on a makeshift platform or truck used for dancing.

With your bag a mouth talk, I hope you can
The singer hopes that the woman can back up her talk with her sexual ability.

Whine and go down, daggering no postpone
The singer is encouraging the woman to dance suggestively and engage in sex without delay.

In deh, in deh, in deh, me know you must moan
The singer is confident that the woman will experience pleasure and vocalize it during sex.

She hooked to the thing, nah leave me alone
The woman is very attracted to the artist and desires to have sex with him frequently.

Night and day she a call off me phone
The woman is constantly reaching out to the artist for sexual activity.

Request from Dawn and Shelly
Two women, Dawn and Shelly, have specifically requested sexual activity with the singer.

Say, she waan the dagger way up inna the belly
One of the women desires to engage in sex on the daggering platform in a way that reaches deep into her abdomen.

Nervous break down, gyal cyaan stay steady
The woman is so aroused and overwhelmed by desire for sex that she is experiencing anxiety or instability.

So, make sure you′re fit, gyal, make sure you're ready
The artist is recommending that the woman prepares herself physically and emotionally for the intense sexual encounter.

Me hope she can whine
The artist is expressing a desire for the woman to be able to dance and move seductively during sex.

Me hope she can set it
The singer is hoping that the woman will be actively engaged and enthusiastic during sex.

Hope she can sit down 'pon it and take it
The artist is hoping that the woman can handle the intensity of the sexual activity and find pleasure in it.

From the first time she get it, me know she nah left it
The singer is confident that the woman will become addicted to the sexual experience and continue to seek it out.

Gyal overseas, dem waan internet it
Women from other countries express interest in engaging in sexual activity with the singer online.

Gyal, you know wha' a run through me mind
The singer is expressing sexual thoughts and fantasies about the woman.

From you look ′pon me watch, you know a daggering time
The artist believes that the woman is also interested in sexual activity based on her body language and behavior.

Hope you can bubble, me hope you can whine
The artist hopes that the woman can move her body in a way that is sexually exciting and pleasurable for both parties.

Hope you can utilize your waistline
The singer is hoping that the woman can use her hips and waist to move seductively and engage in sexual activity.

Writer(s): Edwards Collin Demar

Contributed by Dylan B. Suggest a correction in the comments below.

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