When It's To The Top
Diana Ross and the Supremes Lyrics
James Dean-William Weatherspoon/R. Weatherspoon
I'm gonna take your empty heart
And fill it with love until it's higher and higher
And when it's to the top still I won't stop, I won't stop
Giving you love (giving you love)
Oh, baby when it's to the top still I won't stop, I won't stop
Giving you love (giving you love, giving you love, giving you love).
You were in search of your destiny
A hurt deep in your empty heart
Walking along, your life torn apart
Reaching out, so full of doubt
Hoping someone would show the way.
So here's my hand
I'm searching too so I understand
You need someone to come and be the one
To take all your hurt away
So let me start to fill your heart
With all of the love you need
And when it's to the top still I won't stop, I won't stop
Giving you love (giving you love)
Hey baby, and when it's to the top still I won't stop, I won't stop
Giving you love (giving you love, giving you love, giving you love).
Oh can't you feel it growing
Knowing it's going right to the top.
Oh, strong and true
Will be the love that I'll share with you
Rising so high up to the sky
Standing so tall it'll never fall
Soon you'll feel a love so real
Rush into your empty heart.
So walk with me
To the land of love eternally
There love will grow and we will know
We'll be in love forever more
Soon I'll show how love will grow
Inside of your empty heart
And when it's to the top still I won't stop, I won't stop
Giving you love (giving you love)
Darling, darling when it's to the top
Still I won't stop, I wonæ?° stop giving you love
Giving you love (giving you love, giving you love).
Lyrics © O/B/O APRA AMCOS
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When It's To The Top (Still I Won't Stop Giving You Love)
The Supremes were a hugely successful Motown all-female singing group active from 1959 until 1977, performing at various times doo-wop, pop, soul, Broadway showtunes, psychedelia, and disco.
Second only to The Beatles in terms of records sales and chart success, The Supremes were the most successful American musical act of the 1960s, delivering twelve #1 hits between 1964 and 1969, many of them written and produced by Motown's main songwriting and production team, Holland-Dozier-Holland. Read Full BioThe Supremes were a hugely successful Motown all-female singing group active from 1959 until 1977, performing at various times doo-wop, pop, soul, Broadway showtunes, psychedelia, and disco.
Second only to The Beatles in terms of records sales and chart success, The Supremes were the most successful American musical act of the 1960s, delivering twelve #1 hits between 1964 and 1969, many of them written and produced by Motown's main songwriting and production team, Holland-Dozier-Holland. The crossover success of the Supremes during the mid-1960s paved the way for future black soul and R&B acts to gain mainstream audiences both in the United States and overseas.
Founded in Detroit, Michigan in 1959, The Supremes began as a quartet called The Primettes. Founding members Florence Ballard, Mary Wilson, Diana Ross, and Betty McGlown, all from the Brewster-Douglas public housing project in Detroit, were the sister act to The Primes (later The Temptations). In 1960, Barbara Martin replaced McGlown, and the group signed with Motown in 1961 as The Supremes. Martin left at the end of 1961, and Ross, Ballard, and Wilson carried on as a trio. After they achieved success in 1964 with Ross as the lead singer, Motown president Berry Gordy renamed the group Diana Ross & the Supremes in 1967. Ballard left the group that same year because of personal differences and was replaced by Cindy Birdsong. Diana Ross left the group for a history-making solo career in 1970, and was replaced by Jean Terrell. After 1972, the lineup of the Supremes changed frequently, with Lynda Laurence, Scherrie Payne, and Susaye Greene all becoming members before the group ended its eighteen-year existence in 1977.
Second only to The Beatles in terms of records sales and chart success, The Supremes were the most successful American musical act of the 1960s, delivering twelve #1 hits between 1964 and 1969, many of them written and produced by Motown's main songwriting and production team, Holland-Dozier-Holland. Read Full BioThe Supremes were a hugely successful Motown all-female singing group active from 1959 until 1977, performing at various times doo-wop, pop, soul, Broadway showtunes, psychedelia, and disco.
Second only to The Beatles in terms of records sales and chart success, The Supremes were the most successful American musical act of the 1960s, delivering twelve #1 hits between 1964 and 1969, many of them written and produced by Motown's main songwriting and production team, Holland-Dozier-Holland. The crossover success of the Supremes during the mid-1960s paved the way for future black soul and R&B acts to gain mainstream audiences both in the United States and overseas.
Founded in Detroit, Michigan in 1959, The Supremes began as a quartet called The Primettes. Founding members Florence Ballard, Mary Wilson, Diana Ross, and Betty McGlown, all from the Brewster-Douglas public housing project in Detroit, were the sister act to The Primes (later The Temptations). In 1960, Barbara Martin replaced McGlown, and the group signed with Motown in 1961 as The Supremes. Martin left at the end of 1961, and Ross, Ballard, and Wilson carried on as a trio. After they achieved success in 1964 with Ross as the lead singer, Motown president Berry Gordy renamed the group Diana Ross & the Supremes in 1967. Ballard left the group that same year because of personal differences and was replaced by Cindy Birdsong. Diana Ross left the group for a history-making solo career in 1970, and was replaced by Jean Terrell. After 1972, the lineup of the Supremes changed frequently, with Lynda Laurence, Scherrie Payne, and Susaye Greene all becoming members before the group ended its eighteen-year existence in 1977.
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