Dianne came from a very musical family. Her father, who died when she was two years old, was also a singer. Her mother, Vada Swanson, played trumpet. A cousin, George Duke is a well known piano and keyboard player and producer.
Dianne and her sister Sharon were raised by their grandmother in Denver, Colorado. As a child Dianne took piano lessons and sang at every opportunity. When she was 11 years old her interest in music was enhanced by an inspiring teacher who thought that music was the best way to bring students together. Dianne discovered a love of music and that she wanted to be a singer.
Her uncle, Charles Burell, a bass player with the Denver Symphony Orchestra, introduced her to the music of jazz singers, from Ella Fitzgerald to Billie Holiday. She was especially impressed by Sarah Vaughan.
1974
At the age of sixteen she was singing at the George Washington Highschool in Denver, in a highschool bigband. That same year the band played at a music festival (Convention of the National Association of Jazz Educators). Her Band won first place and it was there she met the trumpeter Clark Terry, who after discovering her became her mentor.
1975
A year later she began studying music at the University of Denver, before she moving in 1976 to Los Angeles. In L.A. her interest in Latin-American music grew, and she began experimenting with different kinds of vocal music and finally decided to pursue a career as a singer. She met Eduardo del Barrio, and she toured with his group "Caldera" and sang in Billy Child's jazz band "Night Flights". Later she tour with Sergio Mendes.
From 1983 until 1986 she toured with Harry Belafonte as a lead singer. This period saw her first experiences with world music. In 1987 she became the first vocalist to sign with Blue Note records. She moved back to Denver from Los Angeles in 1992. She sang at the closing ceremony of the 2002 Winter Olympic Games in Salt Lake City.
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Grammy Awards
She has currently won 3 Grammy Awards for "Best Jazz Vocal Performance" for her albums
2001 In the Moment
2002 The Calling
2003 A Little Moonlight
2006 Good Night, And Good Luck (Soundtrack)
She is the only singer to have won this Grammy in three consecutive years.
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Discography
1977 - Welcome to My Love
1987 - Better Days
1988 - I Remember
1990 - Never Too Far
1991 - Dianne Reeves (same as Better Days)
1993 - Art & Survival
1994 - Quiet After the Storm
1996 - The Grand Encounter
1996 - Palo Alto Sessions
1997 - That Day
1997 - New Morning (live)
1999 - Bridges... produced by George Duke.
2000 - In The Moment (live)
2001 - The Calling: Celebrating Sarah Vaughan
2002 - Best of Dianne Reeves
2003 - A Little Moonlight
2004 - Christmas Time is Here
2005 - Good Night, And Good Luck (Soundtrack)
Obsession
Dianne Reeves Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
You know I never really see who you are
It seems I never really can understand
Just when I think that you've gone
I feel you take a hold of my hand
You're like the wind that blows in front of a storm
The electricity explodes in the night
To decide if it's wrong or it's right
This obsession is too strong to fight
Somewhere there must be a place where two heartbeats can touch
Where lovers can meet in the daylight and find it's enough
So do I really need the shadows you hide
In this passion that lives in the dark
Show me your heart
I never hear about the pain in your past
You never talk about the places you've been
Each time you say that you love me
I find you are lying again
And still you know you rule my dreams with your charms
You still put all those silver clouds in my eyes
Make me believe you're a blessing
When you are a curse in disguise
An obsession that can't be denied
Somewhere there must be a place where two heartbeats can touch
Where lovers can meet in the daylight and find it's enough
So do I really need the shadows you hide
In this passion that lives in the dark
Show me your heart
The lyrics to Dianne Reeves's song "Obsession" touch on the complexities of a relationship where one partner is struggling to understand the other. The singer seeks a deeper connection with their lover but is consistently met with resistance and an unwillingness to fully open up. The title, "Obsession," suggests a level of intensity that is difficult to contain or control, and the lyrics reinforce this idea throughout.
The first verse describes the frustration of never truly understanding the other person, and the sense that even when they try to leave, they are inevitably drawn back together again. The comparison to "the wind that blows in front of a storm" and "electricity" highlights the tumultuous nature of the relationship and the sense that something explosive is on the horizon. Despite this, the singer seems resigned to the fact that they cannot resist the pull of this person, acknowledging that the obsession is "too strong to fight."
The second verse provides some insight into the reasons behind the struggles in the relationship. The singer believes that there must be a way for them to connect more fully and openly, but their partner seems to be hiding something. The use of the word "shadows" suggests that there is some darker side to this person that the singer is not aware of, and this lack of transparency is causing strain on the relationship. However, even in the face of this, the singer still longs for a deeper connection and implores their partner to "show me your heart."
Overall, "Obsession" is a song that delves into the complexities of relationships, particularly where one partner is struggling to fully open up to the other. The lyrics evoke a sense of intense longing and frustration, with a hint of danger lurking beneath the surface.
Line by Line Meaning
Show me your heart
Reeves is longing to truly know her lover, to see beyond the facade and into their true self.
You know I never really see who you are
Despite being together, Reeves feels like she doesn't truly know her lover.
It seems I never really can understand
Reeves feels like even when she tries to understand her lover, she falls short.
Just when I think that you've gone
Reeves feels like her lover is always on the verge of leaving.
I feel you take a hold of my hand
However, her lover always manages to keep her close.
You're like the wind that blows in front of a storm
Her lover acts as a warning sign, like wind before a big storm.
The electricity explodes in the night
The passion between Reeves and her lover is exhilarating and passionate, but ultimately fleeting.
Now it's already too late
Despite hesitation, Reeves is too far gone in her obsession with her lover.
To decide if it's wrong or it's right
Reeves is unable to objectively determine if her obsession is healthy or not.
This obsession is too strong to fight
Regardless of its potential downfalls, Reeves is unable to resist her intense desire for her lover.
Somewhere there must be a place where two heartbeats can touch
Reeves believes in the possibility of true love and wants to experience it with her lover.
Where lovers can meet in the daylight and find it's enough
Reeves wants to be able to bask in her lover's presence without feeling the need to obsess over them in the shadows.
So do I really need the shadows you hide
Reeves realizes that the secrecy and intrigue that comes with her lover's hidden nature may not be worth the cost.
In this passion that lives in the dark
Reeves is starting to become wary of the dark allure that initially attracted her to her lover.
I never hear about the pain in your past
Reeves is suspicious that her lover is keeping secrets from her and not being entirely truthful.
You never talk about the places you've been
Reeves is frustrated that her lover won't open up about their life before they met.
Each time you say that you love me
Although her lover professes love, they are not being honest with Reeves.
I find you are lying again
Reeves has caught her lover in lies before.
And still you know you rule my dreams with your charms
Despite everything, Reeves can't seem to stop thinking about her lover and the hold they have over her.
You still put all those silver clouds in my eyes
Reeves acknowledges that her lover's deception is clouding her judgment.
Make me believe you're a blessing
Reeves wants to believe that her lover is a positive influence in her life.
When you are a curse in disguise
However, Reeves is realizing that her lover may actually be detrimental to her well-being and happiness.
An obsession that can't be denied
Despite everything, Reeves is unable to resist her obsession with her lover.
Contributed by Carter I. Suggest a correction in the comments below.
@smackbolt
Simply wonderful
@taisho8775
最高！
@WertheimConsulting
This is a rarity.