Dizzee began MCing on pirate radio and at raves at fifteen, but since his mainstream success he has distanced himself from the fledgling scene. Rascal grew up in the East End of London in south Bow in a council estate, raised by his single mother, a Ghanaian immigrant. Little is known about his father, though it is thought that he died when Mills was two. He attributes his musical development to a school teacher who allowed him to skip regular classes and spend time working on music on the school computers.
His music is an eclectic mixture of garage and hip-hop beats with an extremely broad palette of influences, ranging from metal guitars to found sounds, drill and bass synth lines, eclectic samples and even Japanese court music. His vocal performance is also distinctive, he uses a fast version of rapping (known as 'spitting') which blends elements from garage MCing, conventional rap, grime and ragga.
Dizzee Rascal has numerous rivals within the Grime scene, mainly from the Bow, East London area. A notable rival of Dizzee Rascal is Crazy Titch who produced and recorded a diss called "Just An Arsehole" which used the backing track of Dizzee's record of "Jus A Rascal".
Dizzee Rascal has had international endorsements deals with urban brand Ecko and designed his own shoe with Nike. He has also worked with cross genre artist, Beck, on a remix of the song Hell Yes.
He released his debut album in 2003, which was called Boy In Da Corner, winning him the 2003 Mercury Prize. His second album Showtime was released in 2004. His third effort, Maths and English was released in 2007. All three albums received critical acclaim. He experienced commercial success in 2008 when Dance Wiv Me reached the number one spot in the UK charts. His fourth album, Tongue n' Cheek was released in 2009, going platinum for sales exceeding 300,000 units in the UK. Dizzee Rascal's album The Fifth was released in 2013, the same year he received an honorary Doctorate of the Arts from the University of East London.
In 2017, Rascal released Raskit, which as well as building on his sound heralded a return on some songs to the grime sound of his earlier albums.
Discography:
Studio albums:
2003: Boy in da Corner
2004: Showtime
2007: Maths + English
2009: Tongue n' Cheek
2013: The Fifth
2017: Raskit
2020: E3 AF
2024: Don't Take It Personal
Two Type of Bitches
Dizzee Rascal Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
With girls with tens and the bitches back
It ain't nowhere, fans a bunch with these sluts
Just shake your butts and bring back that stack
The mack is back and he's sittin’ on chrome
With a piece of chain or Herringbone or nugget
That don't mean him a real live hoe
Out them ducats, hoes better recognize
Niggaz better recollect, Bun finna regulate
I hit yo' town, find me a hoe stroll
Leave that bitch dry and head to another state
Me and my brother can't wait when it come to the red
’Cause we about that cash, cash
So if we can't convince ya, we'll take your sister
Hit the highway and mash
'Cause you got bitches that will and you got bitches that won't
Man you got bitches that do and you got bitches that don't
Man you got bitches that can and you got bitches that can’t
You got bitches that know they are and bitches know that they ain't
No down bitch
Some girls suck, some don't dare
Some girls fuck, some don't care
I like the girl with the pussy hair
My partner Mike Mo like the pussy bare
Some girls scream, some girls moan
Swang Big Dick, swang Sweet Jones
Go and get the myth out the cobra head
Girl got down, you niggaz scared
I got a young yellow bitch, I'ma sing it loud
With a four-inch corner of jet-mink hair
Between her legs is where it great
And get the money out the nigga when she go on a date
I stay caked up, rocked up
Magnum rubbers stay socked up
I ain't tryin’ to get the wet dick
Hold my good but she ain't that slick
I know you want this high-dollar cum
Bitch know I got money, wanna get her some
Bitch, you must, done lost your mind
The trick's niggaz over there, you better get on the grind
You got bitches that will and you got bitches that won't
Man you got bitches that do and you got bitches that don't
Man you got bitches that can and you got bitches that can’t
You got bitches that know they are and bitches know that they ain't
No down bitch
Bitches not flexin’ ain't much good
I should and I would keep clear if I could
But when I do, I just can’t get away
’Cause I gotta fuck all day every day
That leaves me vulnerable for real
All these chicken heads lie about deal
Ain't gotta do it up to make me chill
Find a good spot on the floor and kneel
Know that my heart's in between my fires
Though I can't take when they look in my eyes
Lookin’ for love, that's no surprise
Comin’ up off, that's family ties
Then I hit it from the back, all the way
Slap that back and just lock 'cross, say
Not freeze out without no delay
Girls in the chat, I ain't got shit to say
You got, bitches that will and you got bitches that won't
Man you got bitches that do and you got bitches that don't
Man you got bitches that can and you got bitches that can’t
You got bitches that know they are and bitches know that they ain't
No down bitch
The lyrics of "Two Type of Biches" by Dizzee Rascal/Pimpin' Ken/UGK depict an explicit and vivid picture of women, divided into two types: those who are down for anything and make the most money off it, and those who are not. The song is a commentary on the world of pimping and prostitution, and it glorifies the "players" who have the power to control the "hoes" in their lives.
The lyrics describe the different types of women that exist in this world, from those who will do anything for money and those who are unwilling, to those who are confident in their sexuality and those who are not. The song also portrays the idea of using women for personal gain and emphasizes the power that men, specifically "pimps," hold over the women in their lives.
Overall, "Two Type of Biches" is a controversial and explicit song that portrays the world of prostitution and pimping in a realistic and gritty light, depicting women as objects to be used for personal gain.
Line by Line Meaning
Well, it's big Bun Beeda, I built the track
Bun Beeda created the track for this song
With girls with tens and the bitches back
The song refers to the different types of women - attractive girls and less respectful ones
It ain't nowhere, fans a bunch with these sluts
Despite the sexual nature of the lyrics, there's still a fanbase for this type of music
Just shake your butts and bring back that stack
The song urges women to dance in order to get money from men
The mack is back and he's sittin’ on chrome
The pimp is back and he has a shiny car
With a piece of chain or Herringbone or nugget
The pimp wears jewelry
That don't mean him a real live hoe
Just because he looks like a pimp doesn't mean he is one
You ain't ready to roll then go on then, fuck it
If you're not ready to be a pimp, then don't bother
Out them ducats, hoes better recognize
Prostitutes should acknowledge the money they are making for their pimp
Niggaz better recollect, Bun finna regulate
People should remember that Bun Beeda is in control here
I hit yo' town, find me a hoe stroll
The pimp is looking for a street where there are prostitutes
Leave that bitch dry and head to another state
The pimp plans to leave that area and find another street to work on
Me and my brother can't wait when it come to the red
The two pimps are excited about the money they're going to make
’Cause we about that cash, cash
The pimps are focused on making money
So if we can't convince ya, we'll take your sister
If a woman won't become a prostitute, the pimps will try to convince her family to let her do it
Hit the highway and mash
The pimps are going to leave town and find more prostitutes to work with
'Cause you got bitches that will and you got bitches that won't
The song references the different types of prostitutes - those who are willing and those who are not
Man you got bitches that do and you got bitches that don't
Some prostitutes will perform certain sexual acts, while others will not
Man you got bitches that can and you got bitches that can’t
Some prostitutes are better at their job than others
You got bitches that know they are and bitches know that they ain't
Some prostitutes are aware of their value, while others are not
No down bitch
There are no low-value prostitutes in this song
Some girls suck, some don't dare
Some women will perform oral sex, while others will not
Some girls fuck, some don't care
Some women enjoy sex, while others do not
I like the girl with the pussy hair
The rapper prefers women who don't shave their pubic hair
My partner Mike Mo like the pussy bare
Mike Mo, the rapper's friend, prefers women who do shave their pubic hair
Some girls scream, some girls moan
Women have different reactions during sex
Swang Big Dick, swang Sweet Jones
The rappers are talking about their sexual prowess
Go and get the myth out the cobra head
The song references receiving oral sex
Girl got down, you niggaz scared
The woman performed oral sex on the rappers and the experience was intense
I got a young yellow bitch, I'ma sing it loud
The rapper has a young Asian prostitute
With a four-inch corner of jet-mink hair
The woman has pubic hair trimmed into a specific shape
Between her legs is where it great
The rapper enjoys having sex with the prostitute
And get the money out the nigga when she go on a date
The woman takes money from men when she goes out with them
I stay caked up, rocked up
The rapper has a lot of money and cocaine
Magnum rubbers stay socked up
The rapper has a lot of condoms
I ain't tryin’ to get the wet dick
The rapper wants to avoid getting sexually transmitted infections
Hold my good but she ain't that slick
The rapper is having sex with a prostitute, but she is not very good at it
I know you want this high-dollar cum
The rapper knows that prostitutes want his money
Bitch know I got money, wanna get her some
Prostitutes are attracted to men with money
Bitch, you must, done lost your mind
The rapper thinks that prostitutes are foolish
The trick's niggaz over there, you better get on the grind
The rapper tells prostitutes to go make money from other men
Bitches not flexin’ ain't much good
Prostitutes who are not assertive are not valuable
I should and I would keep clear if I could
The rapper would prefer to avoid prostitutes who are not assertive
But when I do, I just can’t get away
The rapper is still attracted to these women
’Cause I gotta fuck all day every day
The rapper has a strong sex drive
That leaves me vulnerable for real
The rapper is vulnerable to sexually transmitted infections and other risks because he has sex so often
All these chicken heads lie about deal
Prostitutes lie to their pimps about how much money they are making
Ain't gotta do it up to make me chill
The rapper is satisfied with just having sex with prostitutes, even if they lie about how much money they're making
Find a good spot on the floor and kneel
The rapper wants the prostitute to perform oral sex on him
Know that my heart's in between my fires
The rapper cares about his prostitutes, but also wants to make money
Though I can't take when they look in my eyes
The rapper is uncomfortable when his prostitutes try to form an emotional connection with him
Lookin’ for love, that's no surprise
Prostitutes sometimes try to find emotional connections with their clients
Comin’ up off, that's family ties
The rapper makes money by being a pimp, which he considers part of his family business
Then I hit it from the back, all the way
The rapper has sex with a prostitute from behind
Slap that back and just lock 'cross, say
The rapper is enjoying sex with the prostitute
Not freeze out without no delay
The rapper does not want to stop having sex
Girls in the chat, I ain't got shit to say
The rapper is not interested in having a conversation with the prostitute
Lyrics © Universal Music Publishing Group
Written by: BERNARD JAMES FREEMAN, CHAD L. BUTLER, DYLAN KWABENA MILLS, GLADYS KNIGHT, JOHNNY BRISTOL, KENNETH IVY, MERALD WOODROW JR. KNIGHT
Lyrics Licensed & Provided by LyricFind