Manteca
Dizzy Gilespie and His Orchestra Orchestra Lyrics


Jump to: Overall Meaning ↴  Line by Line Meaning ↴

Crab in my shoe-mouth
Crab in my shoe-mouth
Crab in my shoe-mouth
Crab in my, crab in my, crab in my shoe-mouth

Crab in my shoe-mouth
Crab in my shoe-mouth
Crab in my shoe-mouth
Crab in my, crab in my, crab in my shoe-mouth





Overall Meaning

Interpreting the lyrics of Dizzy Gillespie and His Orchestra's song "Manteca" can be a challenging task. The lyrics "Crab in my shoe-mouth" are repetitions that occur throughout the song. The phrase is nonsensical and appears to have no clear meaning. However, some interpretations suggest that it might be conveying the idea that the singer is somehow struggling to articulate what they want to say.


Another possible interpretation is that the phrase could be a reference to the physical discomfort of having something stuck in one's shoe. It could be metaphorical, representing an obstacle that is preventing the singer from moving forward. Whatever the meaning behind the words, their repetitive nature adds to the percussive quality of the song, driving it forward and adding to its infectious energy.


Overall, the lyrics to "Manteca" create a mystifying effect that captures the essence of Afro-Cuban music through its use of language, rhythm, and sound.


Line by Line Meaning

Crab in my shoe-mouth
I am experiencing discomfort or irritation, as if there is a crab in my shoe-mouth


Crab in my, crab in my, crab in my shoe-mouth
This sensation of discomfort persists and is repetitive




Lyrics © O/B/O APRA AMCOS

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Comments from YouTube:

@rumbaysalsapagozarybailar8

Se graba "The Manteca Suite" (el 24 de Marzo del año 1954) con la Banda de Dizzie Gillespie y la sección percusiva de "Machito y sus Afro Cubans" (Luis Miranda, Antar Daly, Ubaldo Nieto, José Mangual y Cándido).

@FreeCorps1984

Haven't listened to this in decades...awesome. Thanks

@jaimealbertoarandaramirez7984

Thanks for share this beautiful song composed by: Gil Fuller, Dizzy and Chano Pozo, I think that song was recording in May 24 1954 with the percussion section of: Ray Santamaría, Cándido Camero, Uba Nieto, José Mangual,

@robertbarrows7221

Me too! I got a horn, parking garage magnificent Robert

@humusiclab8974

Yes!

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