Subwoofer
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ODMGDIA 3 Uhr in der Nacht und Der Nachbar schreit "Bass runter" Ich…
SHINSKY x DIMA Yeah, yeah Yeah, yeah, ah Shinsky, Dima Cut that shit off Ba…


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Most interesting comments from YouTube:

coolelectronics

there u go
See it comes down to knowing what you are doing, knowing your gear and knowing it's limitations.
Interested how big was the infinity?
12"
We have the 12" rockville sub, two 10" rockville tops and a 4channel siesmic head. I really do not see a problem with this system you mensioned karaoke, thas what we mostly do, and have used this outside even before we got the sub and played with a guitarist live.
As long as you know how to dile in the gear you can get enjoyable sound outa a soupcan if u so wish.
For the most part even some hobby DJing the gear I talked about we own works fine.
I will say though it could use a better head later down the road as money comes available to improve it perhaps
The tops and the sub aren't bad for what they were including free shipping.
Just don't go and expect a rave or rock concert event outa them sheesh



Tourino Jacks

I GREATLY appreciate your video here. I am new to the sub World but after watching your video, you have definitely given me GREAT food for thought! That being....

Our primary focus should be on getting THE BEST TOPS that we can afford to purchase, and then move into the sub-category afterwards. The better the tops, the better our financial investment will be.

As the saying goes: by NICE, or by TWICE.

We have equipment options in all kinds of various price ranges, but if we are SERIOUS about this craft of ours, we WILL definitely end up upgrading our equipment; hence, the better we START OFF with, the better the FINISH. (NOTE: You should make a video with thistheme. Just make sure you give me a shout out credits in the beginning and end. Thanks. LOL) #BEGINNERDJ #STARTOFFANDFINSIH #TIPS

I got it and get it. Thanks a lot for this video!



Gruvve

A sub won't add "a little bit" of bass. In Pro Audio applications for medium or big (but even small) venues a subwoofer is necessary, even decent speakers won't go low enough or loud enough, especially for DJ use where electronic music is the most used.

Also, 12" subs are a great starting point, you can find them for cheap and some brands make them small and light for portable use. Even a single or a pair of 12" sub will greatly improve the overall bass reproduction of your system.

650 dollars is not a cheap price to pay for beginner subwoofers, it's not a beginner price at all, you're already buying something from Mackie, DB, RCF, JBL, EV and others for that price way past entry level.
I don't even know why you would sell and get something even more expensive than that, better off adding another one or even get a complete 3 or 4 front stack of subs.
Again, buying expensive top speakers won't solve the problem, especially if you mount them on stands, that way you really lose that deep punch subs add.

Finally, there's not "Beginner DJ Subwoofer", a PA Sub is a sub, no matter what. Unless of course you buy Skytec china junk full of lights lol.

Edit: Basically, you have no clue of what you're talking about.



coolelectronics

exactly
No need to overshoot if you are not going to be performing at a sound stage lmfao.
I have started tinkering around with some of the alto stuff and absolutely do not see anything wrong with rockville and seismic or even used horizon passive stuff.
I so far have been pretty impressed with the alto skeakers.
Cheap as dirt while still getting you a bang for your buck and not at all feeling cheap they are heavy and solid.
Stay away from pyle though they are a joke.
I mean a lot of companies exadurate the power but noone as bad as pyle.
Pyle just feels cheap over all imo
I mean maybe they have a few jems but not that I seen



Jay Allen

I have a real issue with most of what is said on this channel. And I will continue to say, anyone who blindly follows a person with limited experience will spend THEIR money in a wrong direction. It is a NO BRAINER, to buy the top end JBL, EV, QSC stuff and look like a genius. What gives you experience (valuable experience) is to take inferior equipment and make it sound like a million bucks. Anyone (and I do mean anyone) can take SRX 218’s and SRX 15’s and think they are entitled to make videos “educating” people.

I am not making this post to start anything. I am simply pointing out that not everyone has the means to buy 1500 X 2 subs with 2 X 1400 tops right from the get go. Example: If you purchased 2 of the Behringer 12” active subs, then 2 of the Behringer 15” active tops, no you are not going to do a show at Madison Square Garden, but for 90% of the weddings and parties that you will do – this system would do a yeoman’s job at 1400.00 from Sweetwater.

Before anyone reading this says “who the f*ck is this guy, I am no one. I don't have a youtube channel either. Why? If I need one to solidify my existence, then I am happy being no one. However, I have DJ’ed since 12/1980. I/myself have done over 1200 weddings, 2500 sporting events, and too numerous to count parties of all types. Plus, I have run sound for live bands. There is a craft that will educate you about sound. Until you have used passive cabinets, amps with crossovers, and EQ’s, I don’t want to hear about what you have done.

Fact: Still do this day, one of the rigs I own (I own 3) consists of:
2 X CV Subs (the predecessors of the INT-118s)
2 X CV tops (the predecessors of the INT-152)
2 X Crown CE2000 amps
Behringer FBQ3102 EQ with a built in cross over.
Buy the NEW stuff
CV 118s are 299.00 each
CV 152’s are 279.00 each
FBQ3102 is 149.99 (and this is the NEW “HD” part number)
The Crown CE 2000’s on Ebay are 250-300
Add it up = 1906.00 total

I have used this set up for 500 kids in a high school gym. Heavy bass (techno and rap) and I was told on MULTIPLE occasions that it was “too loud”. I have used this as mains FOH for a band in a medium sized venue. The difference is understanding how to use the equipment, manipulate what you have, and “learn” that you don’t just plug it in and it’s all good - as is the case with the majority of “active” speaker DJ’s. ***I will put this old “junk” up against any new system consisting of 2 X 18” single sub cabinets, 2 X 15” horn 2 ways, indoors or outdoors. YES. I have 1 smaller set up. Yes. I have 1 bigger set up. It is called the right tool for the job. My other 2 set ups are active, I am not against them, it is the way it is done today. Just don't get sold snake oil because a guy has a bunch of videos.

Good Luck & Have Fun!



Jay Allen

Sir:
Using 2nd grade remedial math. You are 21-22 now. 8 years ago. So you DJ'ed when you were 13 or 14? And you think that what you learned then translates to anything useful? A 13-14 year old has a clue about - well - nothing.

Don't back up on your comment now. You are concise on your message and you have a following that you are misleading. Period.

As I said, you "could" spend 1400.00 at Sweetwater for the Behringer rig I outlined, and for 90% of the weddings or parties a person would do, that rig would do a decent job. How do I know this?

True Story. About 3 months ago I get a call from a young man whom I trained. He owns this exact set up. He was doing a 25 year class reunion in a hotel banquet room. He could not get enough sound during his sound check and he called me for help. I grabbed my parametric EQ rack, my laptop, and my Pioneer board. I used my junk with his audio. Beyond a shadow of a doubt, that was more than enough sound for 300 people. Would I buy Behringer? No. But here is a classic case where inferior gear was made to sound awesome. Those 12" subs for 299.00 with the right cross over point and low end table, were really not bad.

To educate a person or a group of people, then you/yourself must be educated. You lack the overall fortitude to educate, especially when you attempt to lead a blind following down an unnecessary road.

If you want to come on YouTube and say "this is what I have" and then say "it does this", then that is GREAT! But you point blank on MANY videos say "do not do this". Absolute statements like that are no bueno!

Or how about on one of your "Gig Logs" when you talk about your paying customers in a negative sense? Your one video about the "biggest wedding" you had done when your laptop took a shit, afterwards you openly talk negatively about the people that handed you a check.

That sir is beyond unprofessional.
I do not have to resort to YouTube and justify my existence.

Cracking open a Mt Dew energy drink
Eating Wendy's on camera
Talking smack about paying customers
Criticizing Serato when the issue was you
Bitching about requests

Professional by millennial mentality I guess.

I had no clue this channel existed. The link was sent to me by a group of sound Professionals and they were laughing about it. So I thought what the hell. I can see why they were laughing!

Let it go.
Walk away.
Let this be done.



All comments from YouTube:

Valentin Gheorghe

In my opinion, if you're mixing or playing music, you need at least two subwoofers in order to achieve good low frequency spread and consistency. If for any reason, you consider that the low frequencies are not good enough you should consider adding more low frequency drivers to what you already have and daisy chain them. It is important to ensure that the low frequency drivers are able to play the low end frequency spectrum, between 30 Hz and 100 Hz, at consistent levels, set the crossover frequency correctly in order to avoid cancellations and position the loudspeakers for good coverage and linearity. At the end, most importantly, pay close attention to the gain stage process in order to help the tops and subs system to deliver the full rated power.

Saharat | Joey Gates

Crossovers are so important to get the right sub sound

DJ Rukus Vibe

Running 2 Eurolive b1800D-Pro’s for a while. Added QSC like casters to the backs and voila! A decent rig that’ll last at the rate of events and venue sizes that I’m able to handle near term. Going with KW181’s to complete a full QSC setup in the future. Loving this advice Rick. Like other posters..many have to crawl before we ball!

Rat Ghost

I have always used subs with my system no matter how small or large the venue ---- even as a beginner DJ going way, way back to the late 70's (kelsey mixers & voice of the theater days!). No. 1 it sounds far better and full range with the subs hooked up. No. 2, it's much safer for your equipment and far more efficient to be able to roll off the deep low end from your tops and move them to the subs. And it's a subwoofer not a car so who really cares about the resale value. Like all equipment, especially speakers, it's all gonna get beat down the road.

Patxi Lebrancón

when it comes to add subs to a PA, I think in terms of adding clarity to the sound by splitting the signal in different loudspeakers, to make each of them work less stressed, and by supressing intermodulation distortion. Once that done, is easy to make all the system give its best. If you haven´t been able to get a cleaner and punchier sound even with the use of some entry-level subs, perhaps the cut frequencies were not correctly selected for the different venues, or the level were not correctly set. I asume you have always checked not to have any phase cancellation. My experience comes from 30 years playing gigs as a drummer, and the same amount of time working as a part-time sound technician (I wouldn´t dare to consider my self an "enginer")

H.O.S._bandit

What this guy said.👆

Jeph Bennett

Depends on your venue, crowd size, and budget. When I booked a 150 person karaoke gig , but had no PA (and no money to invest/rent), I used my Behringer Studio monitors (185w each) and bought a used $60 infinty home theater sub (350w). Along with a cheap Alesis mixer & a Shure beta58 I grabbed from my home studio, I was able to run a decent show, and made $500 to put towards better gear. #YGDWYGD
Always buy cheaper gear used, never spend $600 on a cheap sub. buy a $300 alto/behringer on offerup/craigslist for $125, test carefully before buying, always keep it below max so you don't damage it, then when you upgrade, either resell it for the same money or keep as a back up.

coolelectronics

there u go
See it comes down to knowing what you are doing, knowing your gear and knowing it's limitations.
Interested how big was the infinity?
12"
We have the 12" rockville sub, two 10" rockville tops and a 4channel siesmic head. I really do not see a problem with this system you mensioned karaoke, thas what we mostly do, and have used this outside even before we got the sub and played with a guitarist live.
As long as you know how to dile in the gear you can get enjoyable sound outa a soupcan if u so wish.
For the most part even some hobby DJing the gear I talked about we own works fine.
I will say though it could use a better head later down the road as money comes available to improve it perhaps
The tops and the sub aren't bad for what they were including free shipping.
Just don't go and expect a rave or rock concert event outa them sheesh

ObanHighlander

Completely agree with you, unfortunately I made the same mistake, 18"Behringer active subs, 49kg each and a pig to move and store, the SPL was also way overrated and not what I hoped for, I sold them for a fraction of what they cost me after almost breaking my back moving them, I had 15" Behringer tops and the set was struggling to produce decent levels for 100 people, now I have RCF ART712a's and RCF Sub905a Mk2 hugely more powerful and better sound, and they are not shocking expensive either.

Eric Morton

I have the Behringer Eurolive B1200D-PRO 500W 12" Powered Subwoofer that use for events of 50 to 150 people and from my experience, this sub has performed very well. It has a smaller footprint than my larger JBL JRX218SP 18" Powered Subwoofer that I use for larger events and I find that it supplies a “clean” and “deep” bass sound all for the price of $300.00. Cheap in price, but from my experience, NOT cheap in quality or sound.

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