The band was formed, in order to win a £5 bet, in 1982 by ex-scout leader The Doctor and Steve Mcguire (the name "The Doctor," was assumed after the man had failed to gain entry into Medical School). Years later the Doctor is still waiting for his fiver! At the time the Doctor was a top London DJ at his club "The Clinic," where he was single handedly responsible/ guilty for the "Psychedelic revival" of the period.
Both the club and the band where a direct reaction to the music/club scene at the time. The Doctor and McGuire had been bought up on a diet of the psychedelia of the 60's, Glam Rock, Heavy Metal and Punk and consequently found the early 80's rather dull! Hence the band evolved as an unholy and tasteless fusion of all that they loved in music (Hippy, Glam, Punk). This also reflected itself in the music with early songs such as "Love Peace and Bananas" (A song about hippies at a festival on a beach being blown to pieces by mercenaries. It began with the refrain from "Riders on the Storm" but built to a punk frenzy!)
By 1984 the band had built up a considerable live following and were referred to by the NME as "The Live band of the year."
Following the departure of original 'Anadin Brother' Sue Hopkins in 1986 (replaced by Colette Appleby) the line up of the band had settled and would remain the same through "Spirit in the Sky" until the end of 1989. This was
The Doctor (Vocals)
Steve McGuire (Guitar)
Richard Searle (Bass)
Vom (Drums)
Wendi Anadin (Vocals)*
Colette Anadin (Vocals)*
*collectively known as The Anadin Brothers
From 1985-1987 the band were responsible, along with The Doctors new Club "Alice in Wonderland," (Voted night club of the year by City Limits magazine in 1987) for the legendary "Mystery trips". For these they would ferry up to 3,000 people to unknown destinations such as Chislehurst Caves (By coach from Hyde Park corner), The old Butlins at Clacton (By Special Train) and Lowestoft pear (Coach). At the venues, which would be decorated in a suitably off the wall manner, there would be all night music, live bands, light shows and performance artists. Many years later Rave magazine would credit these events as the forerunners of raves! This idea was also taken, by the band, to Japan where it made the national television news!
In many ways it is these Mystery trips that symbolised the bands attitude. People were gobsmacked at Lowestoft to see Doctor and the Medics at the door greeting people and handing them sticks of rock. This was just 2 weeks after the band had been at No.1 and as "Sounds" said "You wouldn't catch George Michael doing that!" The band never really worried about a "career". If a record wasn't a hit they would still have a party. The enjoyment of life was always more important to them than the business. As the Doctor says if you stop enjoying it the first people to notice are the audience. When they got to number 1 they did what, as children, they always dreamt they would do in that situation. They had one big party that took them around the world.
Inevitably, with all the above activity, resultant publicity and the fact that they now possessed nuclear weapons! the band could be ignored no longer. So it came to pass that a record deal was signed in Arthur Brown's blood, with IRS Records. The bands first release on this label was an E.P. called "Happy But Twisted," which shot to No.1 in the Indie charts. This was followed by possibly the bands finest record called "Miracle of the Age" which was produced by Andy Partridge of XTC. The bands next single was Spirit in the Sky which, as we all know, went to No.1 in 32 countries and sold over 1,000,000 copies world wide.
The follow ups to "Spirit in the Sky," were "Burn" and "Waterloo" which reached 23 and 45 respectively in this country. The band continued to have considerable success abroad in countries such as Japan, Germany and Italy.
At this time The Doctor co-wrote Grimly Fiendish, a No. 21 hit for his friends The Damned. The Doctor and the Anadin Brothers sang on the No.1 Ferry Aid version of "Let it be". However by 1989 constant touring (average of 200 shows a year) and Recording (2 Albums; "Laughing at the Pieces", "I Keep Thinking It's Tuesday" and the EP "Two Pieces of Cloth Carefully Stitched Together" along with resultant singles) had taken it's toll on certain members and Vom and Richard Searle Departed.
Vom moved to Germany and is currently playing with the German Stadium Punkrockers "Die Toten Hosen".
Richard Searle decided that everything "Was getting a bit silly," after the Doctor and Vom had attempted to throw him from his hotel room window. He moved on to a band Corduroy.
Wendi Anadin left the band and inadvertently gave birth to the Doctors 3 children. Since then she has retired from the band occasionally rejoining when she feels the need.
Colette Anadin went around the world to find herself returning to discover that she had never left Camden! She also began to work as an extra/actress once appearing as a "Stiff" in Poirot! She also works as a camera double for both Gwyneth Paltrow and Joely Richards (Most recently in Maybe Baby).
Steve Mcguire Spread out in many directions! He began producing dance and House music with a fair degree of success and now runs "Halcyon" production, a company with a fleet of vehicles used for transporting bands and equipment around the world. In this capacity he also works as a tour manager and sound man.
The Doctor decided that after almost 10 years of running night-clubs and gigging his nervous system needed time to recover. He moved to the middle of the Brecon Beacons, well out of harms way. It was here in 1989 that he started his infamous snail farm which sadly ended in 1991 when his entire stock of 50,000 snails died with a disease similar to Flu (I kid you not). Following this, for 2 years, he had a business selling ground up snail shells as an aphrodisiac. However following prosecution from the Trading Standards he was forced to stop.
But in 1991 grief bound and snail less the Doctor along with Steve Mcguire threw themselves back into the band. They depart from their long time relationship with their management and begin to manage themselves. In 1992, the bands 10th anniversary, they release a live album "The Adventures of Bodecea and the Beetle".
Although much of the 90s was spent largely under the radar, a 3rd album, Instant Heaven, was released in 1996 to little public reaction and things went rather quiet again for some years.
In 2003 the band was relaunched with a new lineup -
The Doctor (vocals)
Adrian Hill (drums)
Carl Axon (The Big Bopper) (lead guitar, backing vocals)
James Hartley (guitar)
Jon Randle (bass)
Melissa Weekes (backing vocals)
They enjoyed a successful stint on the TV show 'Baby One More Time' and began touring much more frequently, as well as releasing a number of singles that were each a collection of covers. During this period both Carl and James left the band and were replaced by Dan Angelow and a second backing vocalist Maria Verhelst-Hopkins.
The band continues to play the festival and revival circuits regularly showcasing a mix of covers and increasingly original material.
Gorilla
Doctor & The Medics Lyrics
Jump to: Overall Meaning ↴
Quickly run into your city like a gypsy
I kept a half an ounce of buddah
To get the cash and bounce 51 mashin
I ain't stopped to see who doin' the askin'
All these player haters doin' this blastin'
So while these fools' world's
Be heated like passion i'm gon' cash in
Ain't no future in that bullshit
So I pull shit, off like a presidential
Snake, stay illegal like the governmental
Fake its Phat Cat all the time
Got my shit lookin' bright like a shoe shine
Rub you off like a massage
When I'm on the grind
Cause in my mind, you better get yours
Cause I'mma get mine fool
Stackin' them bricks got you trippin'
Them cookies and them cakes got you slippin'
A flock of birds got you on the yard simpin'
While we be cheifin hay all day
Gorilla Pimpin'
Stackin' them bricks got you trippin'
Them cookies and them cakes got you slippin'
A flock of birds got you on the yard simpin'
While we be gettin' paid
All day Gorilla Pympin'
Now I'mma drop a jewel right quick, G shit
You finna get the convict
Subliminal bomb shit
Criminal, monoply, philosophy
Million dollar properties, G's overseas
Status peep my mackish apparatus
Known for my gift to grammar
From Atlanta to Atlantis
I handles this, pound for pound
Roy Jones scandalous break 'em down
I'm gonna give you what you need
Full bars, big dick and straight weed
Or get wet up, fool, you better get up
And get yours from the TOP fuckin' with me
Smooth Jacks and Broke Backs and Kool Max
Some criminal contacts
Be lovin' my platinum plaques
But that ain't where my goals at
On the real, dollar bills mothafucker
Can you fold that?
Stackin' them bricks got you trippin'
Them cookies and them cakes got you slippin'
A flock of birds got you on the yard simpin'
While we cheifin hay all day, Gorilla Pimpin'
Stackin' them bricks got you trippin'
Them cookies and them cakes got you slippin'
A flock of birds got you on the yard simpin'
While we gettin' paid
All day Gorilla Pympin'
It's goin' on and on, nigga
It's goin' on and on and on
It's goin' on and on, my nigg
It's goin' on and on and on
It's goin' on and on, nigga
It's goin' on and on and on
It's goin' on and on, my nigg
G's up, goin' on and on and on
Knick Knack Patty Whack, give the dog a bone
No give him a check 'tell my nigga it's on
It don't stop, until your life get popped
And you can sell them 5 million when you drop
I jam better than the rest of them
I am, therefore
I pack the floor when I'm on tour
We can make it, though
Nigga's actin' hardcore
It ain't the cost though
Nigga it's the cash flow
Or the ass-holes, for sheezy, best believe me
Ain't no tellin' where my G's be
Nationality, reality
Nigga's salary or locality
Ugh, the Grand Finale
On my way back from Cali'
Fuckin' twin bitches and their
Friends for their ends and it's on nigga
Rock, slang it to you like the dirty cop
Clock 'til the world stop, make them all drop
My nigga Doc empty out the whole box
I set it off, come one, come all get yours
Talkin' about your all black clothes
Cadillac doors, money from fat hoes
You know that's how Gorilla Pimpin' goes
Realize that you gotta get yours
All dimes, all the time, better get yours
Cause I'mma get mine, fool
Stackin' them bricks got you trippin'
Them cookies and them cakes got you slippin'
A flock of birds got you on the yard simpin'
While chiefin hay all day, Gorilla Pimpin'
Stackin' them bricks got you trippin'
Them cookies and them cakes got you slippin'
A flock of birds got you on the yard simpin'
While we be gettin' paid
All day Gorilla Pympin'
304's on your back
Got game, and they don't know how to act
The lyrics of Doctor & The Medics's song "Gorilla" delve into themes of hustling, survival, and asserting dominance in a challenging environment. The first paragraph paints a picture of a hustler on the move, swiftly navigating through the city and maintaining a tough exterior. The references to carrying drugs, evading questions, and dealing with adversaries highlight a street mentality focused on securing money and staying ahead of the game. The mention of "player haters" and the need to cash in despite a heated atmosphere suggest a sense of urgency and determination to succeed in the face of obstacles.
The second paragraph delves deeper into the singer's mindset, portraying a confident and savvy individual who is unapologetically pursuing wealth and status. The lyrics touch on elements of illegal activity, such as stacking bricks (likely a metaphor for drugs) and navigating through a world filled with temptation and danger. The mention of getting the full grip and steering clear of nonsense emphasizes a no-nonsense approach to achieving success, even if it means operating on the fringes of legality.
The third paragraph introduces a more reflective tone, with the artist dropping knowledge and sharing insights on navigating the criminal underworld with finesse. There is a sense of pride in accomplishments, but also a hint of caution and wisdom in understanding the risks and temptations that come with the lifestyle. The lyrics touch on themes of power, money, and the lure of material success, suggesting a complex interplay of desires and consequences in the pursuit of one's goals.
The final paragraph ramps up the energy and intensity, with the artist asserting his dominance and status in a world where only the strong survive. There is a sense of bravado and swagger in the delivery, as well as a clear message of empowerment and self-reliance. The references to luxury items, connections, and the grind of hustling further paint a vivid picture of a hustler on the rise, determined to make his mark and secure his place in a competitive and unforgiving environment. Ultimately, the lyrics of "Gorilla" convey a narrative of resilience, ambition, and relentless drive in the face of adversity.
Lyrics © O/B/O APRA AMCOS
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