Parton began performing as a child, singing on local radio and television in East Tennessee. At age 12 she was appearing on Knoxville TV, and at 13, she was recording on a small label and appearing at the Grand Ole Opry in Nashville. When she graduated from high school in 1964 she moved to Nashville, taking many traditional elements of folklore and popular music from East Tennessee with her.
Parton's initial success came as a songwriter, with her songs being covered by Kitty Wells, Hank Williams, Jr., Skeeter Davis, and a number of others. She signed with Monument Records in late 1965, where she was initially pitched as a bubblegum pop singer, earning only one national chart single, "Happy, Happy Birthday Baby," which did not crack the Billboard Top 100. Additional pop singles also failed to chart.
The label agreed to have Parton sing country music after her composition "Put It Off Until Tomorrow" as recorded by Bill Phillips (and with Parton, uncredited, on harmony) went to No. 6 on the country charts in 1966. Her first country single, "Dumb Blonde" (one of the few songs during this era that she recorded but didn't write), reached No. 24 country 1967, followed later the same year with "Something Fishy," which went to No. 17. The two songs anchored her first full-length album, Hello I'm Dolly, that same year.
In 1967, Parton was asked to join the weekly syndicated country music TV program hosted by Porter Wagoner, replacing Norma Jean. She also signed with RCA Records, Wagoner's label, during this period, where she would remain for the next two decades. Wagoner and Parton immediately began a hugely successful career as a vocal duet in addition to their solo work and their first single together, a cover of Tom Paxton's "The Last Thing on My Mind," reached the top ten on the U.S. country charts in late 1967, and was the first of over a dozen duet singles to chart for them during the next several years.
Parton is a hugely successful songwriter, having begun by writing country songs with strong elements of folk music in them based upon her upbringing in humble mountain surroundings. Her songs "Coat of Many Colors" and "Jolene" have become classics in the field, as have a number of others. As a composer, she is also regarded as one of country music's most gifted storytellers, with many of her narrative songs based on persons and events from her childhood.
In 1982 Dolly Parton sang her song "I Will Always Love You", for the movie "The Best Little Whorehouse in Texas", starring Parton and Burt Reynolds. The song - originally composed around 1974 - made few ripples, but it wasn't until Whitney Houston re-recorded it for "The Bodyguard" a decade later, that the song made yet another international hit for Dolly Parton. She later put out her own version on the 1996 album of the same name.
In 1987, Parton left her longtime label, RCA, and signed with Columbia Records, where her recording career continued to prosper, but by the mid 1990s, Parton, along with many other performers of her generation, found that her new music was not welcome on country radio playlists. She recorded a series of critically acclaimed bluegrass albums, beginning with "The Grass is Blue" (1999) and "Little Sparrow" (2001), both of which won Grammy Awards. Her 2002 album "Halos and Horns" included a bluegrass version of the Led Zeppelin classic Stairway to Heaven. In 2005, Parton released Those Were The Days, her interpretation of hits from the folk-rock era of the late 1960s through early 1970s. The CD featured such classics as John Lennon's "Imagine," Cat Stevens' "Where Do The Children Play," Tommy James' "Crimson & Clover," and the folk classic "Where Have All The Flowers Gone", as well as the title track.
In 2007, Dolly paved new musical ground by forming her own record label, Dolly Records. The label's first release - Backwoods Barbie - debuted at #2 on the Billboard country albums charts and marks Parton's first mainstream country album in 17 years. Parton is touring North America and Europe throughout 2008 in support of her latest release.
1955
PMS Blues
Dolly Parton Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Why didn't you just leave that apple hangin' in the tree
You make us hate our husbands, our lovers and our boss
Why i can't even count the good friends i've already lost
Cause of pms blues, pms blues
I don't even like myself, but it's something i can't help
I got those god almighty, slap somebody pms blues
Most times i'm easy going, some say i'm good as gold
Those not afflicted with it are affected just the same
You poor old men didn't have to grin and say "i feel your pain"
Pms blues, pms blues
You know you must forgive us for we care not what we do
I got those can't stop crying, dishes flying pms blues
But you know we can't help it
We don't even know the cause
But as soon as this part's over, then comes the menopause
Oh, lord, oh, lord
We're going to always be a heap of fun
Like the devil taking over my body, suffering, suffering, suffering
Everybody's suffering, huh?
But a woman had to write this song, a man would be scared to
Lest he be called a chauvenist or just fall victim to
Those pms blues
You know we'd kill for less than that
Pms blues
You don't want to cross my path
Cause a pitbull ain't no match
For these teeth a clenchin', fluid retention
Head a swellin', can't stop yellin'
Got no patience, i'm so hateful
Pms blues, premenstrual syndrome
Got those moods a swingin', tears a slingin'
Nothin' fits me when it hits me
Rantin', ravin', misbehavin'
Pms blues
It's the only time in my life i ever think about wishing i'd been a man
But you know that only means one thing
If i'd have been a man, i'd be somewhere right this very minute
With some old cranky, naggin', raggin' hateful woman
With those old pms blues
Pms blues
I don't want to talk about it, we both could do without it
Got those treat your kids bad, don't you talk back
Gone ballistic, unrealistic
Awful lowdown, bitch to be around
Pms blues
The song "PMS Blues" by Dolly Parton is a lighthearted take on the very real and often debilitating effects of premenstrual syndrome (PMS). The lyrics depict the feelings of anger and frustration that many women experience during their menstrual cycle. Parton blames the biblical figure Eve for bringing the curse of PMS upon all women. The symptoms of PMS are depicted as uncontrollable and overwhelming, causing the singer to lash out at loved ones and even endanger her own safety. The lyrics also touch on the idea that those not afflicted with PMS often struggle to understand or empathize with those who are.
While the song uses humor to address a serious issue, it also speaks to the way in which women's health concerns are often dismissed or ignored. PMS is a common and sometimes debilitating condition that affects many women, yet it is often trivialized or dismissed as a "women's issue." By putting her own experiences with PMS into song, Parton validates the experiences of countless other women who have struggled with the condition.
Line by Line Meaning
Eve you wicked woman, you done put your curse on me
The singer blames Eve for putting a curse on all women causing Premenstrual Syndrome (PMS).
Why didn't you just leave that apple hangin' in the tree
The singer sarcastically suggests that Eve should have left the apple hanging and not succumbed to temptation, thereby sparing women from the curse of PMS.
You make us hate our husbands, our lovers and our boss
The singer is expressing the negative emotions that women experience during PMS, such as hate towards their loved ones and workplace superiors.
Why i can't even count the good friends i've already lost
The artist laments the loss of good friends who have been casualties of her PMS-induced behavior.
Cause of pms blues, pms blues
The artist attributes the negative behavior to PMS and its related mood swings.
I don't even like myself, but it's something i can't help
The singer acknowledges the negative impact PMS has on her mental health and behavior, but feels helpless in changing it.
I got those god almighty, slap somebody pms blues
The singer describes the intense and overwhelming rage that accompanies PMS and how it might manifest in physical violence.
Most times i'm easy going, some say i'm good as gold
The artist highlights how her behavior during PMS is in contrast to her usual easy-going nature.
But when i'm pms i tell ya, i turn mean and cold
The artist describes the change in her personality when she is affected by PMS, exhibiting aggression, hostility or anger.
Those not afflicted with it are affected just the same
The artist points out how others may feel the impact of PMS despite not experiencing it themselves.
You poor old men didn't have to grin and say "i feel your pain"
The singer addresses how men who don't experience PMS might express empathy regardless of their lacking experience with the affliction.
You know you must forgive us for we care not what we do
The artist asks for the forgiveness of others for any misdeeds committed during PMS, as the symptoms can impair judgment and self-control.
I got those can't stop crying, dishes flying pms blues
The singer is describing the emotional turmoil they experience during PMS, which can result in uncontrollable crying and reckless behavior like throwing dishes.
But you know we can't help it
The singer reiterates that PMS is beyond their control.
We don't even know the cause
The singer acknowledges that science has yet to fully understand the underlying causes of PMS.
But as soon as this part's over, then comes the menopause
The artist talks about how menopause follows PMS and how PMS becomes irrelevant since periods will no longer occur during menopause.
We're going to always be a heap of fun
The artist is being sarcastic, implying that PMS symptoms make women difficult to be around and hardly entertaining.
Like the devil taking over my body, suffering, suffering, suffering
The singer likens the experience of PMS to possession by a demon, expressing the severity and unpleasantness of the symptoms.
Everybody's suffering, huh?
The singer is pointing out the widespread effect of the affliction, even on other people who might be affected by their actions.
But a woman had to write this song, a man would be scared to
The artist assumes that if a man wrote this song, he would be labeled as chauvinistic or insensitive to women's experiences.
Lest he be called a chauvenist or just fall victim to
The artist highlights the sensitivity surrounding the topic of PMS and how anyone who touches it might be attacked as being chauvinistic.
You know we'd kill for less than that
The artist expresses the ferocity of emotions during PMS episodes, indicating that they could respond with violence over mere misunderstandings or small issues.
Pms blues
The singer is referencing how the constant negative impact of PMS manifests into a general feeling of melancholy.
You don't want to cross my path
The artist warns anyone to avoid provoking her during PMS episodes.
Cause a pitbull ain't no match
The singer exaggerates the level of aggression, indicating their sheer uncontainable nature.
For these teeth a clenchin', fluid retention
The singer is expressing the physical symptoms of PMS and feeling bloated or retaining water during this time.
Head a swellin', can't stop yellin'
The singer highlights the inflammation symptom of PMS, which might result in difficulty suppressing aggressive impulses or being loud.
Got no patience, i'm so hateful
The artist is expressing the general mood of PMS, which is characterized by impatience, anger, or irritation.
Got those moods a swingin', tears a slingin'
The artist is highlighting the emotional swings during PMS, which affect one's moods in sudden and drastic ways, resulting in tears and other emotional outbursts.
Nothin' fits me when it hits me
The singer is describing how even their clothing during PMS can present discomfort or a feeling of constriction.
Rantin', ravin', misbehavin'
The singer is describing the lack of control over emotional outbursts that result in disruptive behavior during PMS.
I don't want to talk about it, we both could do without it
The artist expresses how PMS creates unnecessary tension and is a topic that should be avoided and not discussed.
Got those treat your kids bad, don't you talk back
The artist is describing how PMS might cause them to be abusive towards their children.
Gone ballistic, unrealistic
The artist is describing how during PMS episodes, they may have unrealistic expectations and react aggressively when outcomes don't meet their expectations.
Awful lowdown, bitch to be around
The singer is acknowledging how unpleasant they can be during PMS episodes.
Pms blues
The artist references how the experience of PMS is akin to being in a constant state of depression or blues.
Lyrics © Sony/ATV Music Publishing LLC
Written by: DOLLY PARTON
Lyrics Licensed & Provided by LyricFind
Idontknowwhattonamemychannel
I just looked up pms blues on google because I felt alone and sad and I wanted advice. Then I found this and I feel so much better! Dolly uniting women everywhere ❤️
Kristina
Omg same story here!!! It feels so good to know that there’s a song out there that I can relate to 😂
Jadda's Crafty World
I have this scheduled to play at my funeral as crazy as that sounds. I love it!!!!
Terry Dunican
I played this song for my daughter once a month when she was a teenager. I absolutely love this song. Great
Treamain Jackson
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Treamain Jackson
Terry Dunican my PMS is killing me
Treamain Jackson
Terry Dunican
MythOfSiren
was just bawling my eyes out, not anymore - this must be one of the cures for pms :D
Bj Redmond
I love this song. Been there.any time I am feeling down I like to play this song & I laugh so hard it just lifts up my spirts.
Sam & Natalie C
How I love Dolly for this! lol If I could get this on ringback tone, It would so be on right now. lol - Thanks, Dolly! <3 Natalie