Born in Montclair, New Jersey, in 1969, Duncan Sheik grew up in South Carolina but spent many of his early years staying with his grandparents in New Jersey. Inspired to play the piano while there, he later switched to electric guitar and performed in bands throughout high school. A fan of musical theater from a young age, he also acted in school plays and attended the occasional Broadway show with his mother. While studying at Brown University, he played in a band with Lisa Loeb but began shopping his own demo tape soon after graduation. After moving to Los Angeles, he appeared with His Boy Elroy on a 1993 album for Epic, and spent several years writing songs before he signed a solo deal with Atlantic.
Atlantic released his debut album, the Rupert Hine-produced Duncan Sheik, in mid-1996, with the single "Barely Breathing" following later in the year. The song reached number 16 on the Hot 100, and after another single, "Reasons for Living," appeared on the soundtrack to the hit TV show ER in late 1996, the debut peaked at number 83 on the Billboard 200. Also produced with Hine, the follow-up, Humming, arrived on Atlantic in 1998 and reached number 163.
Nonesuch issued 2001's self-produced Phantom Moon, a more orchestral collaboration between Sheik and poet/playwright/lyricist Steven Sater, who provided its lyrics. It featured appearances by the London Session Orchestra and guitarist Bill Frisell. Though it failed to reach the Billboard 200, Sheik returned to the chart with his fourth album, 2002's Daylight, which reached number 110. It would be his final release with Atlantic. In 2002, Sheik also composed music for a New York Shakespeare Festival's production of Twelfth Night.
Continuing to split his focus between songwriting and composition, Sheik wrote the film score for the 2004 romantic drama A Home at the End of the World as well as music for the 2005 documentary Through the Fire. He offered up his fifth studio LP, While Limousine, on the Zoë label in 2006. Its insightful lyrics didn't shy away from sociopolitical territory. In the meantime, he had collaborated with Sater on a rock musical based on the 19th century German play Spring Awakening, a story concerned with teenaged sexuality. With a book and lyrics by Sater and music by Sheik, Spring Awakening opened off-Broadway in May 2006 before moving to Broadway's Eugene O'Neill Theatre in December of that year. The show ran for over two years and took home eight Tony Awards, including Best Musical, Best Book of a Musical, and Best Original Score. The Decca-issued cast album won a Grammy for Sheik and Sater.
Sheik composed the scores for projects including the Mary Stuart Masterson-directed film The Cake Eaters (2007) and the animated TV movie Little Spirit: Christmas in New York (2008) before presenting his next pop album, 2009's Whisper House. Featuring several duets with Holly Brook (Skylar Grey), the RCA Victor release spent a week at the number 181 spot on the Billboard 200. He scored the movie dramas Dare (2009) and Harvest (2010), then returned in 2011 with the covers album Covers 80s, which included backing vocals by Rachael Yamagata and Brook. Covers 80s Remixed appeared in 2012.
Next up for Sheik was a musical adaptation of Bret Easton Ellis' American Psycho featuring a book by Roberto Aguirre-Sacasa and music, lyrics, and orchestrations all by Sheik. It opened in London in 2013. He released another solo album, a song cycle titled Legerdemain (2015), and premiered the musical thriller Noir (2015) at Vassar College before American Psycho had its Broadway premiere in March 2016. The original London cast recording arrived on Concord Records the same month. Based on Lewis Carroll's Alice's Adventures in Wonderland, another Sheik-Sater musical collaboration, Alice by Heart, opened off-Broadway in early 2019. The original cast recording was released by Ghostlight later in the year. 2019 also saw the off-Broadway opening of the musical The Secret Life of Bees, featuring music by Sheik and lyrics by Tony nominee Susan Birkenhead (Working, Jelly's Last Jam).
His first concert album, Live at the Cafe Carlyle, followed on Sneaky Studios/Missing Piece in late 2020. Compiled from a week of shows in October 2017, its set list spanned "Barely Breathing," songs from Spring Awakening, and previously unreleased covers of Radiohead and Tom Petty. An HBO documentary about the 15th anniversary concert of the hit musical, Spring Awakening: Those You've Known, premiered in May 2022 and was followed in June by Claptrap, Sheik's first solo studio album in seven years. It arrived on the New York-based Antifragile Music label.
Biography by Marcy Donelson
The Winds That Blow
Duncan Sheik Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
In the winter moon
Stars within the darkness.
They remember you
And they sorrow too
With all the winds that blow.
Every book you'd read
Stars shown in the darkness.
Still it waits to see
Will you turn in sleeves
With all the winds that blow
See the window too,
That once you looked through,
Out on the stars, the darkness.
It remembers you in this empty room,
With all the winds so cold.
And that phantom moon
Is a window too,
Stars look through the darkness,
To some summer moon
Where our ghosts still move
Among the winds that blow.
Were my soul and my silence,
Were my hope, my lightness.
Were the sword at my side
Through all the winds that blow.
Now the children play
Through these shorter days
'Til stars show through the darkness.
Now the young men stray, nobody waves
Among the winds that blow.
All the shadows blue
In the winter moon.
Stars within the darkness.
They'll remember you,
They will sorrow too.
And all the winds will blow.
All the winds will blow. [Repeat: x4]
In Duncan Sheik's song The Winds That Blow, the lyrics depict a sense of longing and sadness for lost love. The first verse sets a somber tone with the blue shadows in the winter moon, stars shining in the darkness, and a remembrance of the lost love. The second verse refers to the memories of the lost love while reading books in the evening breeze, waiting to see if the love will return. The third verse speaks of a window, once looked out of by the lost love, now holding a memory of the love-filled room. The fourth verse again refers to stars shining in the darkness, representing the connection between the lovers despite distance and time. The fifth verse references the sword at the singer's side, an allusion to their strength and the comfort they once felt.
The final verse contrasts the sense of lost love with the present where children play and young men stray, suggesting life moved on while the singer's heart remains in the same place. The repetition of "All the winds will blow" indicates that the passage of time does not diminish the love or pain of the lost love. Overall, the lyrics are a poignant reflection of the human experience of love and loss.
Line by Line Meaning
All the shadows blue
The shadows have been cast in a blue hue, possibly indicating sadness or melancholy.
In the winter moon
The shadows and blue hue are being observed during a winter night illuminated by the moon.
Stars within the darkness.
The stars are visible even amongst the dark shadows and blue hue.
They remember you
The stars, shadows, and blue hue are reminiscent of someone important.
And they sorrow too
The stars, shadows, and blue hue seem to carry an air of sadness or mourning.
With all the winds that blow.
The winds seem to be a recurring motif associated with the sorrow and memories present in the scene.
Every book you'd read
The singer is addressing someone specific and references their past habits of reading.
In my evening breeze
The artist is observing the person he is addressing reading in a breeze during the evening.
Stars shown in the darkness.
Despite the darkness of the evening, the stars are visible and can be seen shining through the breeze.
Still it waits to see
The present observer is waiting to see if the person he is speaking to will continue their reading habits.
Will you turn in sleeves
The singer is inquiring if the person he is addressing will continue to turn the pages of the books he reads.
With all the winds that blow
The winds are still present and seem to have some sort of significance towards the scene and the artist's memories.
See the window too,
The singer is now observing a window as well as the person he is speaking to.
That once you looked through,
The window being observed is one that the person the singer is addressing has looked through before.
Out on the stars, the darkness.
The window overlooked the stars and darkness that are being observed and remembered by the singer.
It remembers you in this empty room,
The window, person being addressed, and the artist now seem to be remembered by the empty room they are in.
With all the winds so cold.
The winds, now described as cold, seem to have an even stronger effect on the emotions present in the scene.
And that phantom moon
The singer is now describing a phantom, or imaginary, moon.
Is a window too,
The imaginary moon is now described as a metaphorical window.
Stars look through the darkness,
The phantom moon is now associated with stars looking down through the darkness.
To some summer moon
The stars are now being observed shining down onto a summer night.
Where our ghosts still move
The stars are now associated with ghosts, possibly referring to memories of the past or deceased individuals.
Among the winds that blow.
The winds are once again present, linking them to the emotions and memories present.
Were my soul and my silence,
The artist is now referencing himself and what seems to be qualities of his own character.
Were my hope, my lightness.
The singer is further describing his own positive qualities.
Were the sword at my side
The singer is now referencing a sword at his side, possibly representing some sort of power or ability he holds.
Through all the winds that blow.
Once again, the winds are associated with the strong emotions and personal qualities present in the singer.
Now the children play
The artist is now observing children playing.
Through these shorter days
The children are playing during the daylight hours of shorter winter days.
'Til stars show through the darkness.
The children will continue to play until the stars become visible in the darkening sky.
Now the young men stray, nobody waves
The singer is now observing young men wandering about without anyone to greet them.
Among the winds that blow.
Once again, the winds are associated with the emotions and memories present in the scene and the artist's past.
All the winds will blow.
The song concludes with the repetition of this line, emphasizing the importance of the winds and their impact on the artist's emotions and memories.
Lyrics © Universal Music Publishing Group, Kobalt Music Publishing Ltd.
Written by: STEVEN SATER, DUNCAN SHEIK
Lyrics Licensed & Provided by LyricFind