Juan de Guillebon, better known by his stage name DyE, is a French electron… Read Full Bio ↴Juan de Guillebon, better known by his stage name DyE, is a French electronic producer who records for Joakim's Tigersushi label. He is most known for the music video for the single "Fantasy" from his first album Taki 183.
Under the guise of DyE we find 'Taki 183,' an enigmatic debut Album from Juan de Guillebon; long time bass player to the demanding training of the Parisian electronic scene - Joakim & The Disco, Botox and Maestro. DyE has said of 'Taki 183' that it is a personal and progressive urban design' already popular with artists as diverse as James Murphy, DJ Mehdi, Erol Alkan and James Holden. Sometimes dreamy electro-pop or excessive shoe gaze, and then often introverted dubstep and hallucinogenic nu-disco.
Around about the year 2007, when the infamous Web 2.0 appeared -the period during the history of the Internet, where the user became, not just the content, but the star of the data world. DyE is fascinated by the infinity opportunity to be both anonymous and popular from any Place in the World. As a Call and Response to this 'Golden period' DyE created a little project called 'One Week, One Track!' which saw him upload a new track to MySpace every week. Artists such as Zombie Zombie, Cosmo Vitelli and Feadz all waxed lyrical about this new artist, but DyE said nothing of his diabolical plan to be both anonymous and popular to anyone.
The first release was the 12" 'Imperator,' but again, no word from DyE. In reflection he comments that this period his music was "a total mystery to me. I was more attracted by blogging as an art of fact then speaking of my music." So when the second single came 'Cristal d'Acier' DyE assimilates that his mood was much more "wonky" and as such the release communicated itself with its 'Remix from DJ Mehdi and a sleeve made of Gold and Cylco Glasses.' Later DyE contributed the track 'Nike' for the Tigersushi 10 Year Anniversary release which saw him in a "smells like teen spirit kind of mood" completing the blue print for 'Taki 183' just in time for a small sabbatical from the "Night Excess" which gave DyE of clarity to realise much of the album was complete; 'Vader,' 'Taki 183' and 'Star Vac' were all born during One Week, One Track,' whist 'Nike,' 'Cristal d'Acier' and 'Dark White' all featured as catalogue releases on Tigersushi. But this is not a compilation of tracks this is collection of tracks "to create my sci-fi universe: each track is the colour of a mood, made of a time, experience and loss." The sentiment couldn't be more true, with 'Immortals Only' mapping a period of loss to DyE and 'Matthias & Charlotte' suggesting a milestone on a great journey to a happier place. Between these two key tracks is 'Hole In Ocean,' which is a nightmare that DyE enjoys relishing in, possibly suggesting the inevitability that one day this body of work will be released, which brings us to date.
'Taki 183' was recorded using analogue equipment such as Roland TR606, Moog Source and a Korg Poly Six into Pro-Tools. DyE plans to take the album on the road and is already booked at Social Club, Pompidou Centre and Le Machine. Lovers of the album can expect to see DyE "pushing the limits of spectral delirium and Tightness." After all, in his own words, he is "the man who speaks to the ears of robots."
Under the guise of DyE we find 'Taki 183,' an enigmatic debut Album from Juan de Guillebon; long time bass player to the demanding training of the Parisian electronic scene - Joakim & The Disco, Botox and Maestro. DyE has said of 'Taki 183' that it is a personal and progressive urban design' already popular with artists as diverse as James Murphy, DJ Mehdi, Erol Alkan and James Holden. Sometimes dreamy electro-pop or excessive shoe gaze, and then often introverted dubstep and hallucinogenic nu-disco.
Around about the year 2007, when the infamous Web 2.0 appeared -the period during the history of the Internet, where the user became, not just the content, but the star of the data world. DyE is fascinated by the infinity opportunity to be both anonymous and popular from any Place in the World. As a Call and Response to this 'Golden period' DyE created a little project called 'One Week, One Track!' which saw him upload a new track to MySpace every week. Artists such as Zombie Zombie, Cosmo Vitelli and Feadz all waxed lyrical about this new artist, but DyE said nothing of his diabolical plan to be both anonymous and popular to anyone.
The first release was the 12" 'Imperator,' but again, no word from DyE. In reflection he comments that this period his music was "a total mystery to me. I was more attracted by blogging as an art of fact then speaking of my music." So when the second single came 'Cristal d'Acier' DyE assimilates that his mood was much more "wonky" and as such the release communicated itself with its 'Remix from DJ Mehdi and a sleeve made of Gold and Cylco Glasses.' Later DyE contributed the track 'Nike' for the Tigersushi 10 Year Anniversary release which saw him in a "smells like teen spirit kind of mood" completing the blue print for 'Taki 183' just in time for a small sabbatical from the "Night Excess" which gave DyE of clarity to realise much of the album was complete; 'Vader,' 'Taki 183' and 'Star Vac' were all born during One Week, One Track,' whist 'Nike,' 'Cristal d'Acier' and 'Dark White' all featured as catalogue releases on Tigersushi. But this is not a compilation of tracks this is collection of tracks "to create my sci-fi universe: each track is the colour of a mood, made of a time, experience and loss." The sentiment couldn't be more true, with 'Immortals Only' mapping a period of loss to DyE and 'Matthias & Charlotte' suggesting a milestone on a great journey to a happier place. Between these two key tracks is 'Hole In Ocean,' which is a nightmare that DyE enjoys relishing in, possibly suggesting the inevitability that one day this body of work will be released, which brings us to date.
'Taki 183' was recorded using analogue equipment such as Roland TR606, Moog Source and a Korg Poly Six into Pro-Tools. DyE plans to take the album on the road and is already booked at Social Club, Pompidou Centre and Le Machine. Lovers of the album can expect to see DyE "pushing the limits of spectral delirium and Tightness." After all, in his own words, he is "the man who speaks to the ears of robots."
Vader
DyE Lyrics
We have lyrics for 'Vader' by these artists:
Bart Herman Vader heb je even Er is iets dat ik jou vertellen…
Benny Neyman Vroeger pap Liet ik de ramen open Met een arm tilde jij…
Bong-Ra Vader God hier ben ik weer Hoor mij als ik fluister In…
BZN Ik weet nog goed, hoe ik tegen jou opkeek Als jij…
Die Apokalyptischen Reiter Mankind!!! Lost in the own memory V.A.D.E.R. Point of no ret…
Dr. DARPA A long time ago, in a galaxy so vast Darth Vader…
Jan Puimege Hij is een heel gewone man Die niks speciaals zal doen…
King Gordy Vader, Vader, Vader, Vader Hail dark lord verdure Fuck jail…
Koen Crucke Gaat dan alles toch voorbijVervaagt jouw beeld in mij Na wat…
Paul Van Vliet Ik heb soms van die akelige dagen Dat alles me te…
Rob De Nijs Het is nog schemerochtend vroeg Het eerste licht valt zacht…
Rudi Muller Ons Vader wat woon in die Hemel Geheilig Sy U naam Laat…
seksi Is that you Kela You don't know the power of the…
The Taj Motel Trio Darth Vader, he's the man He used to be Anakin Got disfigure…
Toon Hermans Zit m'n dasje goed Zit m'n jasje goed Vader gaat op stap Is…
Westside Gunn Oh, you didn't know? Yo' ass better call somebody aah Let's …
Westside Gunn Benny The Butcher Oh, you didn't know? Yo' ass better call somebody aah Let's …
We have lyrics for these tracks by DyE:
Fantasy The walls so high and you won't feel The moon is always…
Steel Life Round about the loneliness looking for distant cold love you…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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