Schooled in jazz, he was known for his blues, soul and funk recordings, compositions, productions and arrangements. He debuted on Ace Records in 1955 and released more single records than anyone else in New Orleans other than Fats Domino.
Eddie Bo came from a long line of ship builders with the male members of his family being bricklayers, carpenters and masons by day and musicians by night. Eddie's mother was a self-taught pianist in the style of friend, Professor Longhair. The Bocage family was involved in the traditional jazz community with cousins Charles, Henry and Peter, who played with Sidney Bechet, contributing to jazz orchestras before World War II.
Eddie graduated from Booker T. Washington High School before going into the army. After his army stint, he returned to New Orleans to study at the Grundwald School of music. There he learned piano, music theory and to sight read, and arrange music. It was at this time that he was influenced by Russian classical pianist Vladimir Horowitz and was introduced to bebop pianists Art Tatum and Oscar Peterson.
Like a lot of other local musicians Eddie frequented the premier blues venue in town, the Dew Drop Inn on LaSalle Street. Eddie began playing in the New Orleans jazz scene and went under the name of Spider Bocage, later forming the Spider Bocage Orchestra. He made a switch to R&B after deciding it was more popular and brought in more money. In the 1950s he and a group of New Orleans musicians toured the country supporting singers Big Joe Turner, Earl King, Guitar Slim, Johnny Adams, Lloyd Price, Ruth Brown, Smiley Lewis, and The Platters.
His first released record was in 1955 for Johnny Vincent's Ace Records. His next release, in 1956 on Apollo Records, was "I'm Wise" which Little Richard later recorded as "Slippin' and Slidin". In 1961, Eddie had a hit with the novelty dance song "Check Mr Popeye" (Swan Records, originally released on Ric Records). Eddie also wrote "My Dearest Darling" for Etta James which put her at the top of the R&B charts and "In The Same Old Way" for Tommy Ridgley.
In the late 1960s he recorded the renowned "Pass The Hatchet" under the nom de disque, Roger and the Gypsies for Joe Banashak's Seven B label as well as "Fence of Love" and "SGB" (Stone Graveyard Business) under his own name. He either wrote or produced most of the titles on Seven B records.
In 1969, at the height of funk, he penned and sang "Hook and Sling" (Scram Records) which reached No. 13 on the R&B charts in that year. It was his biggest hit since "Check Mr Popeye" and was recorded in just one take. The next year saw another hit with "Check Your Bucket" on his own Bo-Sound imprint.
He produced and arranged records by such artists as Al "Carnival Time" Johnson, Art Neville, Chris Kenner, Chuck Carbo, Irma Thomas, Johnny Adams, Mary Jane Hooper, Robert Parker, and The Explosions. (The Vibrettes 'Humpty Dump' on Lujon is commonly incorrectly attributed to Eddie Bo, due to the similarity of the drumming style with James Black).
Eddie Bo worked and recorded for more than 40 different record labels, including Ace, Apollo, Arrow, At Last, Blue-Jay, Bo-Sound, Checker, Chess, Cinderella, Nola, Ric (for which his carpentry skills were used to build them a studio), Scram, Seven B, and Swan.
In the 1970s Eddie, absorbed in the renovation business, disappeared from the music scene only to rise up again at the end of the decade with two albums, "The Other Side of Eddie Bo" and "Watch for the Coming," which he produced himself. In the 1980s and 1990s he recorded with the Dirty Dozen Brass Band and resurrected his Bo-Sound label. He joined Willy DeVille to play on two DeVille records, Victory Mixture and Big Easy Fantasy, and he toured with DeVille as well. He later joined up with Raful Neal and Rockin' Tabby Thomas playing and recording under the names The Louisiana Legends, The District Court and The Hoodoo Kings.
He bought a doctor's office and salon on Banks Street which he and his manager converted into an eatery for Bo's fans called "Check Your Bucket" after his 1970 hit. Like Bo's home and recording studio it was hit by Hurricane Katrina while Bo was on tour in Paris. Due to Bo's carpentry and bricklaying skills he took on the task of completing the hurricane damage repairs himself.
Eddie Bo died on March 18, 2009 of a heart attack.
Eddie Bo is survived by two sisters, Gloria Bocage-Sterling who lives in Oakland, California. Lisa Bocage-Howard and two brothers,Oliver and Cornelius eight children: Valeri Ann Bocage, CEO & Founder of Powerful Women International in San Francisco, California, Edwin Joseph Bocage, Jr., Owen David Bocage, Nancy Marie Bocage-Siegel, Cheryl Bocage-Joseph, Tanya Bocage-Sales, Sonjia Bocage-Anderson, Tomekia Bocage-Jones. He is also survived by a cousin Frank Owen Bocage Jr. and many grandchildren and great grandchildren.
May 22, 1997 was declared "Eddie Bo Day" in New Orleans by mayor Marc Morial while Bo was playing in Karachi, Pakistan. Bo was also named New Orleans' music ambassador to Pakistan.
His song "Hook & Sling" was featured on the breakbeat compilation Ultimate Breaks and Beats.
He won many music awards including two Lifetime Achievement awards from the South Louisiana Music Association and Music/Offbeat Best of the Beat.
Baby I'm Wise
Eddie Bo Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Peepin′ and a hidin'
I'm so glad I got wise
Rippin′ and a runnin′
Drinkin' and a funnin′
Baby I got hip to your jive
Peepin' and a hidin′
I caught you in the act last night
Oh you big conniver
Two-time jiver
Been told a long time ago
You been runnin' round
With that man cross town
Baby that hurt me so
You slippin' and a slidin′
Peepin′ and a hidin'
Won′t be like that no more
Oh you big conniver
Two-time jiver
I been told a long time ago
You been runnin' round
With that man cross town
Baby that hurt me so
You slippin′ and a slidin'
Peepin′ and a hidin'
Won't be like that no more
Oh well a shuck time baby
I don′t mean maybe
You better be movin′ on
Go ahead like I said
Before I lose my head
My love for you is gone
You slippin' and a slidin′
Peepin' and a hidin′
You better be movin' on
You better be movin′ on, yeah
Better be movin' on, yeah
Better be movin' on, yeah
Better be movin′ on...
Eddie Bo's song "Baby I'm Wise" is about a man who has become wise to his lover's infidelity. The chorus, "slippin' and a slidin', peepin' and a hidin', I'm so glad I got wise," suggests that the singer has caught his partner in the act of cheating on him. He sings about how he has become aware of his lover's lies and callous treatment, and how he has decided to move on from the relationship with the refrain "better be movin' on." The verses also describe the singer's shock and disappointment at his lover's betrayal, and his realization that he has been lied to for a long time.
Line by Line Meaning
Slippin' and a slidin'
Doing things secretly and without getting caught
Peepin' and a hidin'
Spying or hiding something
I'm so glad I got wise
I am happy that I became aware of the truth
Rippin' and a runnin'
Engaging in reckless behavior
Drinkin' and a funnin'
Drinking excessively and fooling around
Baby I got hip to your jive
I became aware of your deceitful behavior
You caught slippin' and a slidin'
You got caught doing something secretly and without getting caught
Peepin' and a hidin'
Spying or hiding something
I caught you in the act last night
I saw or discovered your deceitful behavior
Oh you big conniver
You are a major schemer
Two-time jiver
You are a notorious flirt or cheater
Been told a long time ago
I was warned about you before
You been runnin' round
You have been spending time with other people
With that man cross town
Specifically, you have been seeing another man who lives across town
Baby that hurt me so
I was emotionally hurt by your actions
Won′t be like that no more
I won't tolerate your deceitful behavior anymore
Oh well a shuck time baby
It's time to face reality, baby
I don′t mean maybe
I am not uncertain about this decision
You better be movin′ on
You should leave now
Before I lose my head
Before I become too angry
My love for you is gone
I don't love you anymore
You better be movin' on
You really need to leave now
You better be movin′ on, yeah
I really mean it
Better be movin' on, yeah
You'd better leave soon
Better be movin′ on, yeah
I won't change my mind
Better be movin' on...
I'm serious and you should go now
Writer(s): Edwin J. Bocage
Contributed by Declan E. Suggest a correction in the comments below.
@gregorym7598
God...I feel so fresh and healthy when I'm listening his music. And definitely can say what kind of music like most. I'm so glad that I discovered him.
@trfesok
Actually, this is a rework of a 1955 song called 'I Got the Blues For You", by Al Collins. John Lennnon covered "S&S" in 1975, so I put all these versions and more in my Lennon playlist. Thanks for the upload!
@jensclavin
A wonderful recording. I especially like the rolling drums and the very jazzy piano solo with cool blue notes.
@tyristori
It is so fun and interesting to discover these originals!
@Lev1ns0n
Wikipedia notes an even earlier version, "I Got the Blues for You" by Al Collins.
@tyristori
@@Lev1ns0n Yes... and Eddie Bo plays piano on it ; )
@hotrod3able
BACK AT THE SAY WHEN CLUB WITH MR EDDIE BO THE POPEYE MAN WITH A BIG PLAN THE MUSIC MAN
@srercrcr
Released about Jan 56, Little Richards S&S was about Mar 56, cutthroat business.
@Gestureye7x
i’m saying ! thanks for that tidbit!
@bridieking8750
Yeah, LR's rip off is nowhere as good as this!