Arnold was born on May 15, 1918 on a farm near Henderson, Tennessee. His father, a sharecropper, played the fiddle, while his mother played guitar. As a boy Arnold helped on the farm, which later gained him his nickname—the Tennessee Plowboy. Arnold attended Pinson High School in Pinson, Tennessee, where he played guitar for school functions and events. He quit before graduation to help with the farm work, but continued performing, often arriving on a mule with his guitar hung on his back. Arnold also worked part-time as an assistant at a mortuary.
In 1934, at age 16, Arnold debuted musically on WTJS-AM in Jackson, Tennessee and obtained a job there during 1937. He performed at local nightclubs and was a permanent performer for the station. During 1938, he was hired by WMPS-AM in Memphis, Tennessee, where he was one of its most popular performers. He soon quit for KWK-AM in St. Louis, Missouri, followed by a brief stint at WHAS-AM in Louisville, Kentucky.
He performed for WSM-AM on the Grand Ole Opry during 1943 as a solo artist. In 1944, Arnold signed a contract with RCA Victor, with manager Colonel Tom Parker, who later managed Elvis Presley. Arnold's first single was little noticed, but the next, "Each Minute Seems a Million Years", scored No. 5 on the country charts during 1945. Its success began a decade of unprecedented chart performance; Arnold's next 57 singles all scored the Top Ten, including 19 number one scoring successes.
In 1946, Arnold scored his first major success with "That's How Much I Love You". In 1948, he had five successful songs on the charts simultaneously. That year he had nine songs score the top 10; five of these scored No. 1 and scored No. 1 for 40 of the year's 52 weeks. With Parker's management, Arnold continued to dominate, with 13 of the 20 best-scoring country music songs of 1947–1948. He became the host of Mutual Radio's Purina-sponsored segment of the Opry and of Mutual’s Checkerboard Jamboree, a midday program shared with Ernest Tubb that was broadcast from a Nashville theater. Recorded radio programs increased Arnold’s popularity, as did the CBS Radio series Hometown Reunion with the Duke of Paducah. Arnold quit the Opry during 1948, and his Hometown Reunion briefly broadcasted in competition with the Opry on Saturday nights. In 1949 and 1950, he performed in the Columbia movies Feudin’ Rhythm and Hoedown.
Arnold began working for television in the early 1950s, hosting The Eddy Arnold Show. The summer program was broadcast successively by all three television networks, replacing the Perry Como and Dinah Shore programs. He also performed as a guest and a guest host on the ABC-TV show Ozark Jubilee from 1955–60. Arnold featured in the syndicated Eddy Arnold Time from 1955 to 1957. From 1960 to 1961, he hosted NBC-TV's Today on the Farm.
With the rise of rock and roll in the 1950s, Arnold's record sales declined, though he and fellow RCA Victor recording artist Jim Reeves had a greater audience with popular-sounding string-laced arrangements. Arnold annoyed many people of the country music establishment by recording with the Hugo Winterhalter Orchestra at RCA's studios in New York. The pop-oriented arrangements of "The Cattle Call" and "The Richest Man (in the World)", however, helped to expand his appeal beyond its country music base. This style, pioneered by Reeves and Arnold, became known as the "Nashville Sound". During 1953, Arnold and Tom Parker had a dispute, and Arnold dismissed him. From 1954 to 1963, Arnold's performances were managed by Joe Csida; during 1964 Csida was replaced by Jerry Purcell.
Arnold embarked on a second career that brought his music to a more diverse audience. In the summer of 1965, he had his first Number One country song in ten years, What's He Doing in My World and struck gold again six months later with the song that would become his most well-known Make the World Go Away accompanied by pianist Floyd Cramer on piano and featuring the Anita Kerr Singers. As a result, Arnold's rendition became an international success.
Bill Walker's orchestra arrangements provided the lush background for 16 continuous successes sung by Arnold in the late 1960s. Arnold performed with symphony orchestras in New York City, Las Vegas and Hollywood. He performed in Carnegie Hall for two concerts, and in the Coconut Grove in Las Vegas.[9] During 1966, Arnold was inducted into the Country Music Hall of Fame, the youngest performer to receive the honor. The following year Arnold was voted the first-ever awarded Country Music Association's Entertainer Of The Year. Two years later, Arnold released an autobiography named It's A Long Way From Chester County.
Having been with RCA Victor since his debut during 1944, Arnold left the company in 1973 for MGM Records, for which he recorded four albums, which included several top 40 successes. He returned to RCA in 1976.
During the 1980s, Arnold declared himself semi-retired; however, he continued recording. In 1984, the Academy of Country Music awarded Arnold its Pioneer Award. His next album, You Don't Miss A Thing wasn't released until 1991. Arnold performed road tours for several more years. By 1992, he had sold nearly 85 million records, and had a total of 145 weeks of No. 1 songs, more than any other singer.
In 1996, RCA issued an album of Arnold's main successes since 1944 as part of its 'Essential' series. Arnold, then 76 years old, retired from active singing, though he still performed occasionally. On May 16, 1999, the day after his 81st birthday, he announced his final retirement during a concert at the Hotel Orleans in Las Vegas. That same year, the National Academy of Recording Arts and Sciences inducted the recording of "Make The World Go Away" into the Grammy Hall of Fame. In 2000, he was awarded the National Medal of Arts. In 2005, Arnold received a lifetime achievement award from the Recording Academy, and later that year, released a final album for RCA entitled After All These Years.
Eddy Arnold died from natural causes at 5:00 a.m. Central Time on May 8, 2008 in a nursing home in Nashville, exactly one week before his 90th birthday. His wife of 66 years, Sally Gayhart Arnold, had preceded him in death by two months. They were survived by two children (Richard E. Arnold, Jr., and JoAnn Arnold Pollard), two grandchildren (K. Michelle Pollard and R. Shannon Pollard, Jr.), and four great-grandchildren (Katie E. Pollard, Sophie Pollard, Rowan Pollard and Ben Johns).
On May 31, 2008, RCA released "To Life", as a single from the album After All These Years. It debuted at No. 49 on the Hot Country Songs charts, Arnold's first entry in 25 years and the recording by the oldest person to chart in Billboard magazine. It set the record for the longest span between a first chart single and a last: 62 years and 11 months ("Each Minute Seems Like a Million Years" debuted on June 30, 1945), and extended Arnold's career chart history to seven decades.
Daddy's Little Girl
Eddy Arnold Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
You're daddy's little girl to hand and hold
A precious gem is what you are
Your mommy's bright and shining star
You're the spirit of Christmas, my star on the tree
You're the Easter bunny to mommy and me
You're sugar, you're spice, you're everything nice
Like angels that sing a heavenly thing
And you're daddy's little girl
The song Daddy's Little Girl by Eddy Arnold is a beautiful ode to the unbreakable bond between a father and his daughter. The lyrics are simple but heartfelt, expressing a depth of emotion that is both tender and nostalgic. The opening lines "You're the end of the rainbow, my pot of gold" evoke a sense of wonder and magic, portraying the daughter as a priceless treasure that the father cherishes beyond measure. He goes on to describe her as a "precious gem" and her "mommy's bright and shining star", underscoring that she is the center of their world.
The second verse compares the daughter to various symbols of joy and celebration, highlighting the special role she plays in their lives. She is the "spirit of Christmas" and the "Easter bunny" - two beloved traditions that children love. The image of her as "sugar" and "spice" conveys the idea that she is both sweet and feisty, a beautiful combination that makes her unique. The repeated refrain "And you're daddy's little girl" emphasizes the deep affection and devotion the father feels for his daughter, and the final line "Like angels that sing a heavenly thing" adds a touch of magical whimsy to the song.
Overall, Daddy's Little Girl is a beautiful song that captures the essence of the father-daughter relationship in a timeless way. It celebrates the love, joy, and warmth that dads and daughters share, and the memories that last a lifetime.
Line by Line Meaning
You're the end of the rainbow, my pot of gold
You're the personification of my dreams and desires, my ultimate prize.
You're daddy's little girl to hand and hold
You're the apple of your father's eye and he will always be there for you to guide and support you.
A precious gem is what you are
You're rare and beautiful, a treasure that's priceless and invaluable.
Your mommy's bright and shining star
You're the source of your mother's happiness and she loves you unconditionally.
You're the spirit of Christmas, my star on the tree
You bring joy and light into the lives of your family like a Christmas star that shines brightly.
You're the Easter bunny to mommy and me
You bring excitement and fun like the Easter bunny who leaves surprises and happiness for everyone.
You're sugar, you're spice, you're everything nice
You're a mix of all the best things in life, sweet and subtle, yet fanciful and wonderful.
And you're daddy's little girl
You're always going to be the most special and important person to your father.
Like angels that sing a heavenly thing
You're so pure and innocent like the voice of an angel, that it feels like a divine blessing to have you in our lives.
And you're daddy's little girl
You're always going to be the most special and important person to your father.
Lyrics © Sony/ATV Music Publishing LLC, Warner Chappell Music, Inc.
Written by: EDWARD MADDEN, THEODORE MORSE
Lyrics Licensed & Provided by LyricFind
@oldermusiclover
my late daddy used to sing this to me miss him so much