Arnold was born on May 15, 1918 on a farm near Henderson, Tennessee. His father, a sharecropper, played the fiddle, while his mother played guitar. As a boy Arnold helped on the farm, which later gained him his nickname—the Tennessee Plowboy. Arnold attended Pinson High School in Pinson, Tennessee, where he played guitar for school functions and events. He quit before graduation to help with the farm work, but continued performing, often arriving on a mule with his guitar hung on his back. Arnold also worked part-time as an assistant at a mortuary.
In 1934, at age 16, Arnold debuted musically on WTJS-AM in Jackson, Tennessee and obtained a job there during 1937. He performed at local nightclubs and was a permanent performer for the station. During 1938, he was hired by WMPS-AM in Memphis, Tennessee, where he was one of its most popular performers. He soon quit for KWK-AM in St. Louis, Missouri, followed by a brief stint at WHAS-AM in Louisville, Kentucky.
He performed for WSM-AM on the Grand Ole Opry during 1943 as a solo artist. In 1944, Arnold signed a contract with RCA Victor, with manager Colonel Tom Parker, who later managed Elvis Presley. Arnold's first single was little noticed, but the next, "Each Minute Seems a Million Years", scored No. 5 on the country charts during 1945. Its success began a decade of unprecedented chart performance; Arnold's next 57 singles all scored the Top Ten, including 19 number one scoring successes.
In 1946, Arnold scored his first major success with "That's How Much I Love You". In 1948, he had five successful songs on the charts simultaneously. That year he had nine songs score the top 10; five of these scored No. 1 and scored No. 1 for 40 of the year's 52 weeks. With Parker's management, Arnold continued to dominate, with 13 of the 20 best-scoring country music songs of 1947–1948. He became the host of Mutual Radio's Purina-sponsored segment of the Opry and of Mutual’s Checkerboard Jamboree, a midday program shared with Ernest Tubb that was broadcast from a Nashville theater. Recorded radio programs increased Arnold’s popularity, as did the CBS Radio series Hometown Reunion with the Duke of Paducah. Arnold quit the Opry during 1948, and his Hometown Reunion briefly broadcasted in competition with the Opry on Saturday nights. In 1949 and 1950, he performed in the Columbia movies Feudin’ Rhythm and Hoedown.
Arnold began working for television in the early 1950s, hosting The Eddy Arnold Show. The summer program was broadcast successively by all three television networks, replacing the Perry Como and Dinah Shore programs. He also performed as a guest and a guest host on the ABC-TV show Ozark Jubilee from 1955–60. Arnold featured in the syndicated Eddy Arnold Time from 1955 to 1957. From 1960 to 1961, he hosted NBC-TV's Today on the Farm.
With the rise of rock and roll in the 1950s, Arnold's record sales declined, though he and fellow RCA Victor recording artist Jim Reeves had a greater audience with popular-sounding string-laced arrangements. Arnold annoyed many people of the country music establishment by recording with the Hugo Winterhalter Orchestra at RCA's studios in New York. The pop-oriented arrangements of "The Cattle Call" and "The Richest Man (in the World)", however, helped to expand his appeal beyond its country music base. This style, pioneered by Reeves and Arnold, became known as the "Nashville Sound". During 1953, Arnold and Tom Parker had a dispute, and Arnold dismissed him. From 1954 to 1963, Arnold's performances were managed by Joe Csida; during 1964 Csida was replaced by Jerry Purcell.
Arnold embarked on a second career that brought his music to a more diverse audience. In the summer of 1965, he had his first Number One country song in ten years, What's He Doing in My World and struck gold again six months later with the song that would become his most well-known Make the World Go Away accompanied by pianist Floyd Cramer on piano and featuring the Anita Kerr Singers. As a result, Arnold's rendition became an international success.
Bill Walker's orchestra arrangements provided the lush background for 16 continuous successes sung by Arnold in the late 1960s. Arnold performed with symphony orchestras in New York City, Las Vegas and Hollywood. He performed in Carnegie Hall for two concerts, and in the Coconut Grove in Las Vegas.[9] During 1966, Arnold was inducted into the Country Music Hall of Fame, the youngest performer to receive the honor. The following year Arnold was voted the first-ever awarded Country Music Association's Entertainer Of The Year. Two years later, Arnold released an autobiography named It's A Long Way From Chester County.
Having been with RCA Victor since his debut during 1944, Arnold left the company in 1973 for MGM Records, for which he recorded four albums, which included several top 40 successes. He returned to RCA in 1976.
During the 1980s, Arnold declared himself semi-retired; however, he continued recording. In 1984, the Academy of Country Music awarded Arnold its Pioneer Award. His next album, You Don't Miss A Thing wasn't released until 1991. Arnold performed road tours for several more years. By 1992, he had sold nearly 85 million records, and had a total of 145 weeks of No. 1 songs, more than any other singer.
In 1996, RCA issued an album of Arnold's main successes since 1944 as part of its 'Essential' series. Arnold, then 76 years old, retired from active singing, though he still performed occasionally. On May 16, 1999, the day after his 81st birthday, he announced his final retirement during a concert at the Hotel Orleans in Las Vegas. That same year, the National Academy of Recording Arts and Sciences inducted the recording of "Make The World Go Away" into the Grammy Hall of Fame. In 2000, he was awarded the National Medal of Arts. In 2005, Arnold received a lifetime achievement award from the Recording Academy, and later that year, released a final album for RCA entitled After All These Years.
Eddy Arnold died from natural causes at 5:00 a.m. Central Time on May 8, 2008 in a nursing home in Nashville, exactly one week before his 90th birthday. His wife of 66 years, Sally Gayhart Arnold, had preceded him in death by two months. They were survived by two children (Richard E. Arnold, Jr., and JoAnn Arnold Pollard), two grandchildren (K. Michelle Pollard and R. Shannon Pollard, Jr.), and four great-grandchildren (Katie E. Pollard, Sophie Pollard, Rowan Pollard and Ben Johns).
On May 31, 2008, RCA released "To Life", as a single from the album After All These Years. It debuted at No. 49 on the Hot Country Songs charts, Arnold's first entry in 25 years and the recording by the oldest person to chart in Billboard magazine. It set the record for the longest span between a first chart single and a last: 62 years and 11 months ("Each Minute Seems Like a Million Years" debuted on June 30, 1945), and extended Arnold's career chart history to seven decades.
Tumbling Tumbleweeds
Eddy Arnold Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Lonely but free I'll be found
Driftin' along with a tumbling tumbleweed
Cares of the past are behind nowhere to go but I'll find
Just where the trail will wind
Drifitn' along with a tumbling tumbleweed
I know when night has gone that a new world's born at dawn
Here on the range I belong
Driftin' along with a tumbling tumbleweed
I'm a roaming cowboy ridin' all day long
Tumbleweeds around me sing their lonely song
Nights underneath the prairie moon
I'll ride along and sing a tune
I'll keep rollin' along
Driftin' along with a tumbling tumbleweed
The lyrics to Eddy Arnold's song Tumbling Tumbleweeds express a sense of freedom and a love for the open range. The first verse talks about tumbleweeds "pledgin' their love to the ground," which could be seen as a metaphor for being grounded and connected to the earth. The singer then claims to be "lonely but free," which could imply a desire for independence and a nomadic lifestyle. The second verse refers to leaving the past behind and not knowing where the path will lead, but still having a sense of optimism for the future. The singer suggests that every dawn brings a new beginning and a new world to explore.
Throughout the song, the singer identifies himself as a "roaming cowboy" who spends his days riding and listening to the lonely songs of the tumbleweeds. The lyrics convey a sense of self-reliance and a connection to the natural world. The singer seems to find comfort in his solitary lifestyle and takes joy in the simple pleasures of singing and riding under the stars.
Overall, Tumbling Tumbleweeds is a song about the freedom and adventure of the American West. The song captures the spirit of the cowboy, with its themes of independence, self-reliance, and a love for the beauty of the natural world.
Line by Line Meaning
See them tumbling down pledgin' their love to the ground
Tumbleweeds, rolling and tumbling aimlessly, symbolize the desolate love that has been given up by the ground.
Lonely but free I'll be found
Although he feels alone, the loneliness also gives him a sense of freedom.
Driftin' along with a tumbling tumbleweed
He is aimlessly wandering and drifting, just like the tumbleweed.
Cares of the past are behind nowhere to go but I'll find
He has left his past behind but is optimistic about finding a new future.
Just where the trail will wind
He is uncertain about where the path of life will take him.
I know when night has gone that a new world's born at dawn
He believes that each new day brings new opportunities for a better future.
I'll keep rollin' along deep in my heart is a song
Despite his wandering nature, he is always moving forward and has a song in his heart.
Here on the range I belong
He feels a sense of belonging and purpose on the open prairie.
I'm a roaming cowboy ridin' all day long
He is a wandering cowboy who spends his days on horseback.
Tumbleweeds around me sing their lonely song
The tumbleweeds serve as a reminder of the loneliness of his journey.
Nights underneath the prairie moon
He spends his nights under the stars, with only the moon for light.
I'll ride along and sing a tune
He continues riding and singing, never giving up his sense of hope and optimism.
I'll keep rollin' along
He will continue on his journey, wherever it may lead him.
Driftin' along with a tumbling tumbleweed
The imagery of the tumbleweed serves as a parallel to his own journey: wandering with no direction, yet always moving forward.
Lyrics © Warner Chappell Music, Inc.
Written by: BOB NOLAN
Lyrics Licensed & Provided by LyricFind