On her fourth … Read Full Bio ↴Edie Carey is an American folk-pop singer-songwriter.
On her fourth studio album, Another Kind of Fire, Carey explored the myriad kinds of "fire" - romantic and otherwise - that keep us burning below the surface: old resentments, creativity, anger, lost friendships, lust, and, of course, love. The disc, released September 19th independently on Accidental Poet, maintained much of the organic, woody sound of its predecessor, When I Was Made (2004), touted by Harp Magazine as "a little country, a little adult-contemporary, and a lot of fine music." But on her latest effort, producer Crit Harmon (Martin Sexton, Lori McKenna, Mary Gauthier) introduces a somewhat moodier, darker sound, painting haunting, vast landscapes behind her intimate vocals.
Drawn from her own experiences and the stories of those around her, Carey's poetic lyrics are the focal point of her songs. Paste Magazine confirmed this in a 2004 review of Made:"Economic instrumentation forces all your attention toward the gentle storytelling, rich with humanity and insight...Carey draws us into her world, where we find we have a lot in common."
Several fires have raged within Carey over the past two years - both personally and professionally - creating fertile ground for songwriting. After three years south in her adopted hometown of Atlanta, Carey has returned to her native Boston - though she plans to spend little time at home.
The 2004 Telluride Bluegrass Troubadour Finalist will hit the road in earnest this fall, performing at clubs, coffeehouses and colleges across the country. Carey kicks off her CD release tour for Another Kind Of Fire on September 8th at The Living Room in New York City.
Touring internationally since 1999, Edie has shared stages with Norah Jones, Leo Kottke, Ani DiFranco, Jonatha Brooke, Catie Curtis, Lucy Kaplansky, and Sandra Bernhard. She was asked to perform at The Olympic Winter Games in Salt Lake City and on Ed McMahon's "Next Big Star" ("Star Search"), and has had her songs featured on The WB's "Charmed" and MTV's "Road Rules". She was recently a featured act on Public Radio International's "Mountain Stage," and When I Was Made was a finalist for Album of the Year in the 2003 Independent Music Awards.
More About Edie...
"Accidental Poet," one of Edie Carey's earliest songs, describes a particularly eloquent friend, but could just as easily refer to Carey herself and the circuitous and serendipitous route that led her to become one of the country's most notable young songwriters. Somehow, all of the seemingly unrelated turns - from her intention to become a doctor, to a tiny music room in the basement of a Morningside Heights' chapel, to a year in Italy - managed to steer her towards music.
Born in Burlington, Vermont and raised in the Boston suburbs by her English teacher father, therapist mother, and poet stepmother, Edie Carey couldn't help but learn to love words. But her ear for music only became apparent after she "took the stage" in the back seat of her babysitter's green Cadillac, belting out her own rendition of "Up Where We Belong." From age nine, after beginning voice lessons, she became involved in singing groups and musicals, which she continued all the way through high school. A child of the 80's, she dressed in lace and sequins and dreamed of appearing on Ed McMahon's "Star Search." However, as much as she loved performing, Carey was unaware that there was any middle ground between singing at weddings and being Madonna, and never considered music a real career possibility. So, she made plans to major in English/Creative Writing with Pre-Med classes at Barnard College in New York City. However, during her freshman year, two pivotal discoveries knocked those plans right off course - The Postcrypt Coffeehouse and the Italian language.
In the Postcrypt, an intimate music venue in the basement of St. Paul's Chapel at Columbia University, the seeds of possibility were sewn as Carey watched Jeff Buckley, Ani Difranco, and Lisa Loeb among others perform unplugged to candlelit audiences. She saw how words could sometimes have even greater power when used in a song, and simultaneously came to appreciate the sonorous quality of words regardless of their meaning or the melody in which they were framed. This appreciation for their musicality grew deeper with the study of Italian, which eventually led her to spend a year abroad in Bologna, where she taught herself to play the guitar.
In Italy, Carey set herself up in a corner of the main piazza and played every Bonnie Raitt, Shawn Colvin, Sarah McLachlan, and Rickie Lee Jones song she knew, throwing in a few of her own tunes, which would later land on her debut album, The Falling Places . Her experience abroad gave her a newfound confidence and encouraged her to begin performing on campus, where she started to build a student following. She made her first album in 1997, while working long days at Worth Magazine and recording until 3 am each night. Though the process was a daunting one, by the time she was finished, Carey was sure she had "accidentally" ended up exactly where she was supposed to be.
After the release of The Falling Places in 1998, she began venturing outside of New York City to play neighboring east coast cities, and gradually expanded throughout the United States, then Canada and the UK. While the debut was a very sparsely produced acoustic contemporary folk album, Call Me Home, Carey's follow-up in 2000, was by comparison an all-out pop record, a tribute to her early inspirations and the reckless abandon of her childhood. With its release, the "accidents" continued, and Carey unexpectedly found herself achieving her childhood dream of appearing on television with Ed McMahon.
Since 2000, she has been working as a full-time performing songwriter, touring rigorously to promote all of her independently self-released records, which now include Come Close, her 2002 live CD, When I Was Made (2004), and the latest addition to her growing catalog, Another Kind of Fire. Looking back, she has to wonder if maybe this wasn't an accident after all.
Official Website
August
Edie Carey Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Make for a dangerous combination
But still you chose to stay here pleased by the risk
It could be explosive or perfect
But at least we knew our limits
And we know where our edges are
Like we're sleeping on the top bunk
Before the fall
Before the fall
For two lovely loud Leos
Quite a bit goes unsaid
Except when we're in bed
Like lions we play and we bite
We always love
And we sometimes fight
But at least we knew our limits
And we know where our edges are
Like we're sleeping on the top bunk
And we'll save ourselves
Before the fall
Before the fall
You were smoking
In that chair by the window
Patty's voice was our only clothing
I came to you
And you held my head
In your small hands
Your small hands
But where did our
Id-governed days go
With food, love, and more love?
But the voices from the airshaft remind me
Everyone looks good in candlelight
They're right
Borderlines and boundaries
We spent four months building an unbreachable wall
Then we managed to dissolve it
In a mere moment of unwelcome strength
But at least we knew our limits
And we know where our edges are
Like we're sleeping on the top bunk
And we'll save ourselves
Before the fall
Before the fall
The song "August" by Edie Carey explores the intricacies of a relationship between two Leos, who are aware of their explosive yet loving nature. The lyrics suggest that even though they are aware of the dangers of a relationship between two Leos, they are willing to take the risk. The singer describes how they both knew their limits and where their edges are, just like sleeping on the top bunk and saving themselves before the fall.
The lyrics go on to describe how a lot goes unsaid between the two Leos except when they are in bed, where they play and bite like lions. The second verse talks about a particular moment when the singer comes to the other Leo, who is smoking by the window and listening to Patty's voice. The Leo holds her head in his small hands, and the moment feels intimate and genuine. The song goes on to describe how they built an unbreachable wall but dissolved it in a mere moment of unwelcome strength. The song suggests that the relationship between the two Leos is volatile and unpredictable, but they are strong enough to save themselves before they fall.
Overall, "August" is a beautiful and introspective song that explores the nuances of a relationship between two people who are aware of their flaws and boundaries. The lyrics do an excellent job of conveying the emotions and complexities of the situation, and the melody complements the melancholic tone of the song very well.
Line by Line Meaning
You said it yourself that two Leos
You acknowledged that two strong-willed individuals can be unpredictable
Make for a dangerous combination
Their relationship can be volatile
But still you chose to stay here pleased by the risk
You decided to stay in the relationship despite the potential for trouble
It could be explosive or perfect
Their love can be full of passion or end in disaster
But at least we knew our limits
They were aware of their boundaries
And we know where our edges are
They understood the extent of what they were willing to risk
Like we're sleeping on the top bunk
Their relationship was balanced like the top and bottom bunks of a bunk bed
And we'll save ourselves
They will protect themselves from harm
Before the fall
They will prevent disaster from occurring
For two lovely loud Leos
They were two passionate people
Quite a bit goes unsaid
They had unspoken emotions
Except when we're in bed
Their physical intimacy provided an outlet for their emotions
Like lions we play and we bite
Their love was fierce like the behavior of lions
We always love
They always had love for each other
And we sometimes fight
They had disagreements but worked through them
You were smoking
Describing a specific moment of time when he was smoking
In that chair by the window
Describing where he was sitting
Patty's voice was our only clothing
They were comfortable being vulnerable with each other
I came to you
She came to him for comfort
And you held my head
He comforted her by holding her head
In your small hands
He comforted her with his touch
But where did our Id-governed days go
They questioned where their impulsive behavior had gone
With food, love, and more love?
They asked where the passion in their relationship had gone
But the voices from the airshaft remind me
They were reminded of their surroundings and the outside world
Everyone looks good in candlelight
Things can seem better than they are under certain circumstances
They're right
The voices from the airshaft were right
Borderlines and boundaries
They created limits for themselves
We spent four months building an unbreachable wall
They worked hard to create separation from the outside world
Then we managed to dissolve it
They were able to break through their walls
In a mere moment of unwelcome strength
Their breakthrough happened suddenly and unexpectedly
Before the fall
They will prevent disaster from occurring
Before the fall
They will prevent disaster from occurring
Lyrics © BMG Rights Management
Written by: JENNINGS CRAWFORD, KEVIN CARNEY, MICHAEL DARBY, THADEUS SWIDERSKI
Lyrics Licensed & Provided by LyricFind