Born in St Mary's Hospital, Paddington in London, Costello is the son of trumpeter, vocalist and band-leader Ronald (“Ross”) MacManus and record store manager Lillian Costello. His family had roots in Merseyside and he moved to Birkenhead at age 16, with his mother, when his parents separated. While he is better known as 'Elvis Costello', a stage name referring to the legendary Elvis Presley suggested by Stiff Records manager Jake Riviera, he has used many other aliases, including 'The Imposter' and 'Napoleon Dynamite'.
In the early 1970s Costello was a participant in London's pub rock scene with the group Flip City. Then in 1977 along with fellow Pub-Rockers Nick Lowe and Ian Dury he made his first releases on the independent label Stiff, tailoring his work towards the burgeoning punk, power pop, and new wave scenes. From 1980's Armed Forces onwards, however, other influences including soul, country, 1960s pop, and classical music began to re-emerge, and he soon became established as a unique and original voice. His output has been wildly diverse: one critic has written that "Costello, the pop encyclopedia, can reinvent the past in his own image".
His prolific and varied 30-year career has been marked by two constants: sharp songwriting and musical restlessness. The latter has seen him dabble in almost every musical form, from country to jazz to orchestral. This stems from the fact that, at heart, Costello is a fan. His desire to work with his musical heroes has attracted collaborators as diverse as Burt Bacharach and Paul McCartney, Anne Sofie von Otter, Allen Toussaint, Aimee Mann, Bill Frisell, and Brian Eno.
But his most successful partners were his long-term band The Attractions. They comprised Steve Nieve (keyboards), Pete Thomas (drums) and Bruce Thomas (bass). Between 1978 and 1983, this outfit produced a peerless series of albums: This Year's Model; Armed Forces; Get Happy!!; Almost Blue; Trust; Imperial Bedroom and Punch the Clock.
These recordings drew on styles spanning soul, country and western and commercial pop. It was only with 1984's Goodbye Cruel World that Costello started to stumble. An album he concedes was one of his worst, it ushered in a period which produced interesting music but lacked the consistent quality of his halcyon days. Interestingly, although he enlisted the other Elvis's band for King of America in 1986, it was a reunion with The Attractions and former producer Nick Lowe that produced his best album of the late 1980s in the form of the scabrous Blood and Chocolate.
The following albums, Spike and Mighty Like a Rose were uncompromising and difficult solo works, as was the string quartet collaboration The Juliet Letters in 1993. It was only reconvening the Attractions for Brutal Youth the following year that gave his fans another glimpse of what first attracted them to him: punchy, angry pop songs, tightly played by an impeccably taut ensemble.
Since then, Costello has become a career dilettante, true to his inner musical quest, but never again returning to heights he scaled in the early 1980s. Maybe the best work of this latter period was 1998's Painted from Memory. This joint effort with Burt Bacharach matched restrained writing from Costello with stately Bacharach arrangements.
Subsequent career nadirs such as the tune-free North (2003), and instrumental orchestral works such as Il Sogno (2004) led many long-term admirers to conclude that Costello had retained his integrity at the expense of his real musical strengths. However, he has given occasional evidence of his former fire. The ballsy bar-room atmosphere of the collaborative The Delivery Man (2004), suggests that he is still capable of giving his fans what they want, in between his more esoteric experiments.
Elvis is married to jazz vocalist Diana Krall and they have twin sons.
*Upon the film's release, it was noted that the name "Napoleon Dynamite" had originally been used by musician Elvis Costello, most visibly on his 1986 album Blood and Chocolate, although he had used the pseudonym on a single B-side as early as 1982. Filmmaker Jared Hess claims that he was not aware of Costello's use of the name until two days before the end of shooting, when he was informed by a teenage extra. He later said, "Had I known that name was used by anybody else prior to shooting the whole film, it definitely would have been changed ... I listen to hip-hop, dude. It's a pretty embarrassing coincidence." Hess claims that "Napoleon Dynamite" was the name of a man he met around the year 2000 on the streets of Cicero, Illinois while doing missionary work for the Mormon Church.
Costello believes that Hess stole the name: "The guy just denies completely that I made the name up... but I invented it. Maybe somebody told him the name and he truly feels that he came about it by chance. But it's two words that you're never going to hear together." To date, Costello has taken no legal action against the film.
Elvis Costello and Elton John to Make a Television 'Spectacle'
Two of the most respected musicians in the world will collaborate on an extraordinary new television series.
"Spectacle: Elvis Costello with..." is hosted by its namesake and produced in conjunction with Sir Elton John's Rocket Pictures. Elton John will be one of the program's Executive Producers.
The series begain airing in 2008 on CTV in Canada, Channel 4 in the UK and Sundance Channel in the US. FremantleMedia Enterprises, will handle sales of the show to the rest of the world.
Conceived to provide a forum for in-depth discussion and performance with the most interesting and influential artists and personalities of our time, the show fuses the best of talk and music television.
"Spectacle: Elvis Costello with..." is an unpredictable and unprecedented television experience. The series of 13 one-hour programs features everything from intimate one-on-ones with legendary performers and notable newcomers to thematic panel discussions, with a variety of performance elements including unique collaborations, acoustic and impromptu "illustrative" demonstrations of the creative process, and some original interpretations of others' songs by Costello.
White Knuckles
Elvis Costello Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I believe she's the one that he's got his heart set on
It doesn't matter if your face doesn't fit
There's no charge for changing it
Oooh ooh
What are you doing
You see right through him
White knuckles on black and blue skin
You don't have to take it so you just give in
White knuckles sweatin' on the headboard
He never found out what the kisser was for
Losing face with the boys while she's whispering in his ear
They never found out why they called it laughing gear
Maybe they weren't loved when they were young
Maybe they should be hung by their tongues
Oooh ooh
Under the blankets with the body jerk
He needs her like the axe needs the turkey
Making a mockery of his fancy footwork
White knuckles on black and blue skin
He didn't mean to hit her but she kept laughing
White knuckles sweatin' on the headboard
He never found out what the kisser was for
There's always someone new to toy with when the penny drops in the slot
Now it's all petty crime on the news at nine
But it's all she's got
Love on the never never dreams don't come cheap
I don't close my eyes when I go to sleep
Oooh ooh
It gets right under your skin
It makes you as miserable as sin but
You don't have to take it so you just give in
White knuckles on black and blue skin
He didn't mean to hit her but she kept laughing
White knuckles sweatin' on the headboard
He never found out what the kisser was for
Why don't you come round anymore
Mama said
He's using you
Sister said
I told you so too
When he goes through your head
You took him to be true
White knuckles on black and blue skin
You don't have to take it so you just give in
White knuckles sweatin' on the headboard
He never found out what the kisser was for
In Elvis Costello & The Attractions's song White Knuckles, the lyrics tell a story of a woman in an abusive relationship with a man who leaves her with bruises and white knuckles. She doesn't have to take the abuse but somehow keeps giving in to him. She is aware of his cruel behavior and sees right through him. The man appears to have a hot temper and a short fuse; he loses control and hits her without meaning to. However, it seems like the woman had enough and decides to leave him, possibly haunted by the awful memories she will carry forever.
The lyrics in "White Knuckles" suggest domestic abuse and how someone can be trapped in a cycle of violence. It conveys a message about how physical abuse affects the victim mentally and emotionally.
Line by Line Meaning
White knuckles came down to put the frighteners on
He is using fear and intimidation to control and manipulate the situation.
I believe she's the one that he's got his heart set on
He is infatuated with this person, despite the abuse they endure.
It doesn't matter if your face doesn't fit
It doesn't matter if you don't fit in or if you are perceived as different.
There's no charge for changing it
You have the ability to change your appearance, but it won't change who you are or the situation.
White knuckles on black and blue skin
A physical manifestation of abuse and violence in the relationship.
You don't have to take it so you just give in
You try to minimize the abuse and hope to survive it by giving in.
He never found out what the kisser was for
The relationship was never truly about affection, but rather about control and manipulation.
Maybe they should be hung by their tongues
Those who are abusive and manipulative deserve to suffer consequences for their actions.
He needs her like the axe needs the turkey
He is dependent on and controlled by this person in the relationship.
Making a mockery of his fancy footwork
The relationship is a farce and a performance, without any real connection or intimacy.
There's always someone new to toy with when the penny drops in the slot
The abuser is always looking for new people to manipulate and control.
Love on the never never dreams don't come cheap
The promise of love and affection often comes with a hidden cost or manipulation.
It gets right under your skin
The abuse and manipulation can have a deep and lasting impact on a person.
He's using you
The abuser is only interested in using and manipulating the victim for their own benefit.
You took him to be true
The victim believed in the abuser's misleading promises and lies.
Why don't you come round anymore
The victim is no longer willing to be manipulated and abused, and has distanced themselves from the abuser.
Lyrics © BMG Rights Management, Universal Music Publishing Group
Written by: ELVIS COSTELLO
Lyrics Licensed & Provided by LyricFind