Spankox is an Italian DJ.
When two years ago the worldwide smash “To The Club” dropped on the dance world, it quickly became one of those unforgettable club anthems that achieve the rare status of “club classic”. This hit was credited to Spankox, said to be variously a “secret agent, Italian stallion, fashion model, limo driver, photographer, painter and poet”.
Despite the big fuss that ensued over this internationally man of mystery, it turned out that Spankox was simply an assumed identity of one Agostino Carollo, who adopted this original moniker that he created and that he describes as “a name that is at the same time strong, sexy and unique”. And Carolllo was hardly a newcomer to the scene, either; in fact, he had been at the forefront of Italian dance music of all kinds since the early ‘90s, from hip-hop and electro to pop-dance and the disco flavoured house music for which Spankox quickly became famous worldwide.
Born in Rovereto, a small town near Lake Garda, in the north of Italy, Agostino graduated in Arts. He travelled the world extensively playing keyboards, singing and deejaying in small clubs before setting up his own studio and his own label, Everness. Round about 1991 he started to produce and release records under several monikers for some of the finest Italian independent record labels. In 1997 he signed a record deal with EMI and he immediately scored a string of hits under the name X-Treme: first in Japan, where his productions “That’s The Way”, “My Fire” and “Wonderland”, perfect examples of hip-hop and house hybrids, reached the top of the charts; then in Europe, where his "Love Song" achieved the gold status in several countries and has also been covered by the English band Right Said Fred (of “I’m Too Sexy” fame). Agostino Carollo released three albums under the name X-Treme: “X-Treme”, “The Love Album” and “Hip Whoop”.
In 1999 Agostino created the record that proved to be a milestone in his career: the Sylvester sampling anthem “Fly Away (Bye Bye)”. Entirely composed, performed and produced by himself, and released under the name Eyes Cream, it made a huge impact on dance floors around the world. Whilst being a commercial success (Top 40 in the UK, France and Italy, Billboard USA Club/Dance n.1, five weeks n. 1 in Canada’s dance chart) it also showed Agostino’s commitment to the disco house sound. After the release of “Fly Away (Bye Bye)” Agostino Carollo’s name rose to fame on the dance scene and his remixes and production skills started to be demanded by artists such as Roxette, Vasco Rossi (n. 1 Italian rock star) and many others.
Other hits followed between 2002 and 2004: Eyes Cream’s "Open Up Your Mind" (Billboard Club/Dance Top 10), "Put On Your Red Shoes" (Top 20 single sales charts in Germany, Italy and Scandinavia) and "Tell Me Where You Are" (a huge radio and club hit in the USA and Canada) released under Agostino’s nickname, Ago. In 2003 Agostino also topped the UK and German single charts co-producing the track “The Power of Bhangra” by Snap! vs. Motivo.
The increasingly prolific Agostino Carollo also kept busy starting in 2004 to produce with Joe Chavez "Hey DJ – The Movie" a film which features the appearance as actors of 16 of the best DJs in the world (such as Tiesto, Carl Cox, Bob Sinclar, Pete Tong, Junior Jack, Marco V, Ferry Corsten and others). The movie, filmed between Miami and Ibiza, and starring also actresses Charlotte Lewis and Evelin Giro, has just been finished and will be released this year. It has been commented by Carl Cox as “Best Dance Movie ever” and is destined to become a real cult movie.
With “To The Club”, the first Spankox single, released worldwide between 2004 and 2005, Agostino Carollo upped his game again, this time moving straight to the funky house area and producing a track that immediately became a smash all over Europe. It was Pete Tong’s pick of the week on the BBC Radio 1 and has been featured in countless compilations worldwide. The BBC invited Spankox to play at their Ibiza Party and the videoclip, shot in Miami, reached the top of the charts on MTV and VIVA. Indeed today every clubber in the world knows the refrain “Monday night to the club, Tuesday night to the club, Wednesday night what a headache, but I went to the club…” thanks also to Fatboy Slim, who opened all his 2005 tour with “To The Club” and included the track in his album “Bondi Beach”. Spankox’s “To The Club” has quickly achieved the status of “Club Classic” and you can still hear it very often in the best clubs, aired by radios around the world or in even as a new version produced by one of the world’s top djs.
After the success of “To The Club” the demand on Spankox as DJ kept increasing and Agostino, who till then had always preferred working mainly in his studio as producer, started to spend more time playing slots at many superclubs and events around the world. “Today I actually write, record and produce most of my music while I’m around the world – says Agostino – I have always my laptop with me, loaded with all the software and stuff I need to transform inspiration and emotion into something good for your ears. I like traveling for DJing because this is for me a great source of inspiration”. Spankox is today requested as DJ all over the world and his fine house sets are not only musically spot on but take the audience to an unforgettable journey. He’s recently played his music in some of the best clubs on the planet such as: Felix (Berlin, Germany), Escape (Amsterdam, Holland), Gabanna (Tenerife, Spain), Neo (Moscow), The Zoo (Ibiza, Spain), Pachuka (Venice, Italy), Crobar (Miami, USA), Compound (Atlanta, USA), The Docks (Toronto, Canada), Voodoo (Las Vegas), Patipa (Kiev)... and many others.
In 2007 he released single "So True". With this track Agostino Carollo reinvented Spankox yet again, this time as a producer of credible, feel-good, rhythmic pop. Indeed, although “So True” still pumps more than enough to satisfly dancefloors worldwide, the song’s original and beautiful melody, lyrics and soaring vocals, give it across-the-board appeal.
The link between these two men has come as Spankox has now returned to remix an Elvis Presley classic with "Baby Let's Play House".
Jailhouse Rock
Elvis vs. Spankox Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
The prison band was there and they began to wail
The band was jumpin' and the joint began to swing
You should've heard them knocked-out jailbirds sing
Let's rock; everybody, let's rock
Everybody in the whole cell block
Was dancin' to the Jailhouse Rock
Spider Murphy played the tenor saxophone
Little Joe was blowin' on the slide trombone
The drummer boy from Illinois went crash, boom, bang
The whole rhythm section was the Purple Gang
Let's rock; everybody, let's rock
Everybody in the whole cell block
Was dancin' to the Jailhouse Rock
Number forty-seven said to number three
"You're the cutest jailbird I ever did see
I sure would be delighted with your company
Come on and do the Jailhouse Rock with me"
Let's rock; everybody, let's rock
Everybody in the whole cell block
Was dancin' to the Jailhouse Rock
Sad sack was sittin' on a block of stone
Way over in the corner weepin' all alone
The warden said, "Hey, buddy, don't you be no square
If you can't find a partner, use a wooden chair"
Let's rock; everybody, let's rock
Everybody in the whole cell block
Was dancin' to the Jailhouse Rock
Shifty Henry said to Bugs, "For Heaven's sake
No one's lookin'; now's our chance to make a break"
Bugsy turned to Shifty and he said, "Nix, nix
I want to stick around a while and get my kicks"
Let's rock; everybody, let's rock
Everybody in the whole cell block
Was dancin' to the Jailhouse Rock
Dancin' to the Jailhouse Rock
Dancin' to the Jailhouse Rock
Dancin' to the Jailhouse Rock
Dancin' to the Jailhouse Rock
Dancin' to the Jailhouse Rock
The lyrics of Elvis Presley's iconic song "Jailhouse Rock," written by Jerry Leiber and Mike Stoller, describe a party thrown by the warden in the county jail, where the prison band plays some music, and the prisoners start dancing. The first verse describes the atmosphere, with the band playing some great music, which makes the prisoners start dancing. The chorus, "Let's rock; everybody, let's rock" repeats five times, urging everyone present to dance.
The second verse depicts the band members and their instruments, including Spider Murphy playing the saxophone and Little Joe playing the slide trombone. The drummer boy from Illinois is lively, and the whole rhythm section is the Purple Gang. The chorus repeats again, urging everyone to continue dancing to the Jailhouse Rock.
In the last verse, Number Forty-Seven admires Number Three, finding her cute and requests dance with her. Sad Sack is sitting alone in the corner, but the warden urges him to join in the dancing. Shifty Henry suggests Bugsy that this party is an opportunity to plan their escape, but Bugsy declines, wanting to have fun there instead.
Line by Line Meaning
The warden threw a party in the county jail
The warden threw a party for the inmates in the county jail.
The prison band was there and they began to wail
The prison band was present and they started playing loud music.
The band was jumpin' and the joint began to swing
The band was playing so well that the whole jailhouse was rocking.
You should've heard them knocked-out jailbirds sing
The inmates, who were drunk out of their minds, were singing to the tune of the music played by the band.
Let's rock; everybody, let's rock
Let us all dance to the upbeat rock-and-roll music.
Everybody in the whole cell block
Each and every inmate in the cell block.
Was dancin' to the Jailhouse Rock
Was dancing to the music played by the prison band.
Spider Murphy played the tenor saxophone
Spider Murphy, who was an inmate, played the tenor saxophone.
Little Joe was blowin' on the slide trombone
Little Joe, another inmate, was playing the slide trombone.
The drummer boy from Illinois went crash, boom, bang
The drummer boy from Illinois played with a lot of energy and made a lot of noise.
The whole rhythm section was the Purple Gang
The entire rhythm section was made up of The Purple Gang.
Number forty-seven said to number three
Inmate 47 complimented inmate 3.
"You're the cutest jailbird I ever did see"
Number 47 thinks that number 3 is the most attractive inmate.
I sure would be delighted with your company
I would be happy to spend time with you.
Come on and do the Jailhouse Rock with me
Let's dance together to the Jailhouse Rock music.
Sad sack was sittin' on a block of stone
An unhappy inmate was sitting on a block of stone.
Way over in the corner weepin' all alone
He was crying and feeling lonely in the corner.
The warden said, "Hey, buddy, don't you be no square
The warden advised the inmate not to be boring or unenthusiastic.
If you can't find a partner, use a wooden chair"
If you cannot find a person to dance with, use a wooden chair instead.
Shifty Henry said to Bugs, "For Heaven's sake
Shifty Henry said to Bugs, imploring him.
No one's lookin'; now's our chance to make a break"
Since no one is watching, this is the perfect opportunity to escape.
Bugsy turned to Shifty and he said, "Nix, nix
Bugsy refused to go along with Shifty's plan.
I want to stick around a while and get my kicks"
Bugsy wanted to stay and have some fun.
Dancin' to the Jailhouse Rock
The inmates were enjoying the Jailhouse Rock music and dancing to it.
Lyrics © BUDDE MUSIC FRANCE, Sony/ATV Music Publishing LLC
Written by: Jerry Leiber, Mike Stoller
Lyrics Licensed & Provided by LyricFind
@theking-nz1ut
The king loves to Rock n Roll , viva Elvis 💖
@vicenteandujarbonilla5266
Vale 3 y
@misswhipplash8961
My god this guy could sing I’m very naughty what I’m thinking
@motownredux
Great mix, but why miss out the beginning and trim the ending? Still gets a thumbs UP from me tho :)
@raymondnash1424
Leave them alone