Business
Eminem (Matoma Remix) Lyrics

Marshall, sounds like an S.O.S.
Marshall's presence is urgent and alarming, like a distress call

Holy whack unlyrical lyrics Andre, you're fuckin' right!
Acknowledging that Andre's lyrics are lacking skill and creativity

To the rap mobile, let's go!
Let's embark on this rap journey together

Bitches and Gentleman!
Addressing the audience with a mix of playfulness and respect

It's showtime!
The moment has arrived to showcase talent and entertain

Hurry, hurry, step right up!
Encouraging the audience to approach eagerly and without delay

Introducin' the star of our show, his name is Marshall!
Highlighting Marshall as the central figure and main attraction

You wouldn't wanna be anywhere else in the world right now
Implying that the current moment with Marshall is incredibly significant

So without further ado, I bring to you Marshall!
Presenting Marshall to the audience without any unnecessary delay or hesitation

You 'bout to witness hip hop in its Most purest, most rawest form, flow almost flawless Most hardest, most honest, known artist
Preparing the audience to experience the essence and authenticity of hip hop through Marshall's exceptional and genuine lyrical flow

Chip off the old block but old doc is Looks like Batman brought his own Robin Oh God, Saddam's got his own Laden With his own private plane, his own pilot Set to blow college dorm room doors off the hinges (boom sound) Oranges, peach, pears, plums, syringes Yeah, here I come I'm inches away from you, here, fear none
Drawing metaphorical comparisons to powerful figures like Batman, Saddam Hussein, and Osama bin Laden to emphasize Marshall's impactful and explosive presence in hip hop

Hip hop is in a state of 911, so
Claiming that hip hop is in a crisis and Marshall is here to address it urgently

Let's get down to business I don't got no time to play around what is this? Must be a circus in town, let's shut the shit down On these clowns, can I get a witness? Hell Yeah!
Expressing the need to focus on the serious matters at hand, disregarding any distractions or nonsense, and rallying the audience for support

Quick gotta move fast, gotta perform miracles Gee willikers Dre, holy bat syllables Look at all the bullshit that goes on in Gotham
Highlighting the need for swift action and extraordinary skill to counteract the overwhelming amount of nonsense and chaos in the world of hip hop

When I'm gone time to get rid of these rap criminals
Asserting that once Marshall is absent, it's time to eliminate the fake and talentless rappers

So, skip to ya Lou, while I do what I do best You ain't even impressed no more, you used to it Flows too wet, nobody close to it Nobody says it was 'til everyone knows the shit
Encouraging the audience to enjoy their own pursuits while Marshall continues to excel at what he does best, recognizing that his extraordinary talent has become expected and recognized by everyone

The most hated on outta all those who say they get hated On eighties songs Exaggerate it all so much They make it all up There's no such thing Like a female with good looks who cooks and cleans
Addressing the excessive hate directed towards him and other artists, particularly those who claim to receive hate but exaggerate it for publicity, while also dismissing the idea of an idealized woman who conforms to traditional gender roles

It just means so much more to so much more People when you rappin' and you know what for
Highlighting the heightened significance of rap music for a larger and more diverse audience, emphasizing the purpose behind Marshall's own rapping

The show must go on, so I'd like to welcome y'all To Marshall and Andre's carnival Come on! Now
Acknowledging the need to continue the performance despite any obstacles or challenges, inviting the audience to experience the unique and exciting world created by Marshall and Andre

It's just like old times, the dynamic duo Two old friends, why panic? You already who's fully capable, the two caped heroes Dial straight down the center eight zero zero
Revisiting the well-established partnership and friendship between Marshall and Andre, highlighting their collective strengths and abilities, and referring to themselves as superhero figures who can be relied upon

You can even call collect, the most feared duet Since me and Elton, play career Russian Roulette
Assuring the audience that they can reach out for support and collaboration, likening their impact and reputation to the legendary duo of Marshall and Elton John, who took risks and faced uncertainty

And never even seen me blink get me bustin' a sweat People steppin' over people just to rush to the set
Highlighting Marshall's determination and tireless effort, as well as the frenzy and competition that surrounds his performances

Just to get to see a MC who breathes so freely Ease ova these beats, and be so breezy
Emphasizing the ease and naturalness with which Marshall delivers his rhymes, effortlessly flowing over beats

Jesus, how can shit be so easy How can one Chandra be so Levy
Expressing both awe and self-confidence in his own skill, comparing his effortless rapping to the incomparable talent of Chandra Levy

Turn on these beats MC's don't see me Believe me, B-E-T and M-T-V Are gonna grieve when we leave, dog fo' sheezy Can't leave rap alone the game needs me
Asserting that other rappers fail to recognize and acknowledge Marshall's superiority, predicting regret from major music channels once he and Andre depart, and asserting his indispensability to the rap industry

'Til we grow beards, get weird and disappear into the mountains Nothin' but clowns down here But we ain't fuckin' around 'round here
Portraying a future where Marshall and Andre embrace a more mature and reclusive lifestyle away from the chaos and foolishness within the music industry, emphasizing their dedication and seriousness despite the prevalent nonsense

Yo Dre! What up? Can I get a hell yeah? Hell Yeah!
Engaging in a playful conversation with Andre, seeking his agreement and enthusiasm

So there you have it folks Marshall! Has come to save the day Back with his friend Andre And to remind you that bullshit does not pay
Concluding the song by emphasizing Marshall's role as a savior figure, returning alongside Andre, and delivering a message about the detrimental nature of nonsense and deceit

Because Marshall! And Andre are here to stay and never go away Until our dying day, until we're old and gray Marshall!
Reiterating Marshall and Andre's enduring presence in the music industry, promising to maintain their influence and dedication until the end of their lives

So until next time friends Same blond hair, same rap channel Goodnight everyone, thank you for coming Your host for the evening Marshall! Oh! Ha!
Closing the song in a friendly and appreciative manner, bidding farewell to the audience, and confirming Marshall as the host and central figure of the evening's performance