Bibb was born on 16th August 1951 in New York into a musical family. His father, Leon Bibb, is a trained singer who sang in musical theatre and made a name for himself as part of the 1960s New York folk scene. His uncle was the world-famous jazz pianist and composer John Lewis, of the Modern Jazz Quartet. Family friends included Pete Seeger, Odetta, and actor/singer/activist Paul Robeson, Bibb'sgodfather.
Bibb was given his first steel-string guitar when he was seven years old. Growing up surrounded by talent, he recalls a childhood conversation with Bob Dylan, who, on the subject of guitar playing advised the eleven-year-old Bibb to "Keep it simple, forget all that fancy stuff".
At sixteen years old, Bibb's father invited him to play guitar in the house band for his television talent show Someone New. Bibb's early musical heroes were from his father's band, and included Bill Lee (father of director Spike), who appeared on Bibb's album Me To You, years later.
In 1969, Bibb played guitar for the Negro Ensemble Company at St Mark's place in New York, and went on to study Psychology and Russian at Colombia University, but at the age of nineteen he left for Paris, where a meeting with guitarist Mickey Baker focused his interest in blues guitar. When he later moved to Sweden, Bibb found a creative environment which took him back to Greenwich Village during the heyday of the folk revival. Settling in Stockholm, Bibb immersed himself in pre-war blues and continued to write and perform.
The album Good Stuff was released in 1997, and led to Bibb signing to the British based Code Blue label. Eric's only release on Code Blue was Me to You, featuring appearances from some of Bibb's personal heroes in Pops and Mavis Staples, and Taj Mahal (who also worked with Bibb on the Grammy-nominated children's record, Shakin' a Tailfeather). The album furthered Bibb's international reputation and was followed by tours of the U.K., U.S.A., Canada, France, Sweden, and Germany.
In the late 1990s Bibb joined forces with his then manager, Alan Robinson, to form Manhaton Records, in Britain. The albums Home to Me (1999), Roadworks (2000), and Painting Signs (2001) followed, as did another Opus 3 release, Just Like Love.
Drinkin' Gourd
Eric Bibb Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
and the first quail calls
Follow the drinking gourd
The old man is a-waitin' for
to carry you to freedom
Follow the drinking gourd
The river bed makes a mighty fine road,
And it's left foot, peg foot, traveling on
Follow the drinking gourd
Follow the drinking gourd,
follow the drinking gourd
For the old man is a-waitin'
to carry you to freedom
Follow the drinking gourd
The river ends between two hills
Follow the drinking gourd
There's another river on the other side
Follow the drinking gourd
I thought I heard the angels say
Follow the drinking gourd
The stars in the heavens
gonna show you the way
Follow the drinking gourd
Follow the drinking gourd,
follow the drinking gourd
For the old man is a-waitin'
to carry you to freedom
Follow the drinking gourd
The song "Drinkin' Gourd" by Eric Bibb is a traditional African American folk song that has been used as a symbol of the Underground Railroad that helped slaves escape from the South to the North. The song is believed to have originated in the early 19th century and was sung by slaves as a secret code to help them escape. The lyrics are filled with coded messages that describe the escape routes and the landmarks that slaves could use to navigate their way to freedom.
The first verse of the song speaks of following the drinking gourd when the sun goes back and the first quail calls. The drinking gourd was actually a reference to the Big Dipper constellation in the northern sky, which was used as a guide for slaves to follow the North Star. The "old man" mentioned in the lyrics is thought to be a reference to Harriet Tubman, who was a prominent conductor on the Underground Railroad and helped many slaves escape to freedom.
The second verse talks about the river bed making a mighty fine road and dead trees showing the way. This refers to the Ohio River, which was a major point of passage for escaped slaves crossing from Kentucky to Ohio. The mention of a "left foot, peg foot" is thought to be a reference to the technique that Tubman used to throw off any would-be captors by leaving a fake trail of footprints with one of her shoes tied to a stick.
The final verse describes the end of the river between two hills and the beginning of another river on the other side. This refers to the crossing of the Ohio River and the crossing into freedom. The mention of the stars in the heavens showing the way is another reference to the North Star and the use of the Big Dipper as a guide. The repeated refrain to follow the drinking gourd and the old man waiting to carry slaves to freedom is a call to action, urging people to take the risk and follow the paths to freedom that had been laid out for them.
Line by Line Meaning
When the sun goes back
As dusk sets in
and the first quail calls
as the first birdcall of the evening is heard
Follow the drinking gourd
Follow the Big Dipper constellation
The old man is a-waitin' for
Someone is waiting
to carry you to freedom
to lead you to freedom
Follow the drinking gourd
Follow the Big Dipper constellation
The river bed makes a mighty fine road,
The dry river bed is a good path
Dead trees to show you the way
The bare trees can guide you
And it's left foot, peg foot, traveling on
There's a person walking with one leg and a makeshift foot
Follow the drinking gourd
Follow the Big Dipper constellation
Follow the drinking gourd,
Follow the Big Dipper constellation
follow the drinking gourd
Follow the Big Dipper constellation
For the old man is a-waitin'
Someone is waiting
to carry you to freedom
to lead you to freedom
Follow the drinking gourd
Follow the Big Dipper constellation
The river ends between two hills
The river ends at a valley surrounded by hills
Follow the drinking gourd
Follow the Big Dipper constellation
There's another river on the other side
A different river runs on the other side of the hills
Follow the drinking gourd
Follow the Big Dipper constellation
I thought I heard the angels say
I believe I heard a divine message
Follow the drinking gourd
Follow the Big Dipper constellation
The stars in the heavens
The stars that light up the night sky
gonna show you the way
will direct you
Follow the drinking gourd
Follow the Big Dipper constellation
Follow the drinking gourd,
Follow the Big Dipper constellation
follow the drinking gourd
Follow the Big Dipper constellation
For the old man is a-waitin'
Someone is waiting
to carry you to freedom
to lead you to freedom
Follow the drinking gourd
Follow the Big Dipper constellation
Writer(s): Eric Charles Bibb, Glen Scott, Trad, Composer & Author Trad
Contributed by Jordan F. Suggest a correction in the comments below.
@daviddiamond2415
If you are searching for an authentic version of this song, listen to Eric Bibb's father, Leon Bibb, at http://www.followthedrinkinggourd.org/Music/5-Bibb,Leon.FollowTheDrinkingGourd.mp3
The Leon Bibb is the earliest recording that I know of, and probably most representative of versions sung by the slaves.
It was likely sung slowly, because if you are trudging along a riverbank for a year straight without stopping, and singing a cappella, you are pretty tired, and do not have the energy or mood for an upbeat stage performance. It is a song of hope and motivation to keep pushing. And it is literally a map to freedom.
There is a decoding of the map in three versions of the song at http://www.followthedrinkinggourd.org/What_The_Lyrics_Mean.htm. And another version at https://pathways.thinkport.org/secrets/gourd2.cfm. They all leave a few things out.
The “old man” of course is Peg Leg Joe, and underground railroad captain. Some sources say that he was a retired military officer. Others sources say he was a carpenter. But he definitely was a one-legged captain of an underground railroad station. He used his footprint as a symbol along the route, implemented with rocks and other natural materials. The trail-marking symbol was a right footprint and a circle or hole for the left peg-leg-print.
Some sources say the “dead trees” referred to arrangements of dead trees on the ground; some suggested that the peg leg symbol could be found on dead trees; another source claimed that an area of dead trees in the water marked which bank and fork to take when the rivers branched.
The referenced web sites also fail to mention that if you left the South at the end of winter (when the first quail calls), you would reach the river crossings in the cold of the next winter, when the rivers were frozen, and you could walk across.
@daviddiamond2415
The Leon Bibb is the earliest recording that I know of, and probably most representative of versions sung by the slaves.
It was likely sung slowly, because if you are trudging along a riverbank for a year straight without stopping, and singing a cappella, you are pretty tired, and do not have the energy or mood for an upbeat stage performance. It is a song of hope and motivation to keep pushing. And it is literally a map to freedom.
There is a decoding of the map in three versions of the song at http://www.followthedrinkinggourd.org/What_The_Lyrics_Mean.htm. And another version at https://pathways.thinkport.org/secrets/gourd2.cfm. They all leave a few things out. The “old man” of course is Peg Leg Joe, and underground railroad captain. Some sources say that he was a retired military officer. Others sources say he was a carpenter. But he definitely was a one-legged captain of an underground railroad station. He used his footprint as a symbol along the route, implemented with rocks and other natural materials.
Some sources say the “dead trees” referred to arrangements of dead trees on the ground; some suggested that the peg leg symbol could be found on dead trees; another source claimed that an area of dead trees marked which bank and fork to take when the rivers branched. The trail-marking symbol was a right footprint and a circle or hole for the left peg-leg-print.
The referenced web sites also fail to mention that if you left the South at the end of winter, you would reach the river crossings in the cold of the next winter, when the rivers were frozen, and you could walk across.
@Nina513
We used to learn about this in elementary school in the 90s...
So thankful for my ancestors and for this beautiful version of the song. Amazing.
@Equinsu_Ocha69
i remember watching an animated show about this on the tv in class in 5th grade. now they have demonic trans teachers indoctrinating these kids with their nonsense. im just glad i grew up in the last generation of people with brains.
@Nina513
@Tony Soprano Same! The more shit falls apart, the more thankful I am to have grown up in the last generation of Americans that had a REAL childhood.
@jamesmelia8761
That's why I'm here I've had this stuck in my head for the past week I was thinking about my childhood and this randomly popped in my head we learned this in 3rd grade and the whole class used to sing it
@joetheeskimo8885
I sang this song and I started Elemtary school in 2006
@joetheeskimo8885
Elementary school*
@ryanspears1986
You've gotta give credit to the enslaved people of that time. Despite the fact that almost all slaves were denied an education, and that most were never even taught to read or write, let alone astronomy, they knew how to recognize constellations in the night sky. Not only this, but they devised ways to communicate through songs, so they could tell others where to go to seek their freedom. Pretty ingenious, if you ask me.
@marsalin97
+ryanspears1986 Actually, pretty sure it was a white man who taught them the song because he believed that slavery was wrong so you have to give some credit to the others who taught these slaves the passage and the "map" (song) and not just the slaves themselves.
@charlenemarsh4634
+Ella Lopez ????? praying to God this is a joke
@marsalin97
***** Yes, this is what I meant, it wasn't just the slaves which is what most people are overlooking, even though most of the white people were slave owners,there were few who helped.