James was born Jamesetta Hawkins in Los Angeles, California, on 25th January 1938, to an unmarried fourteen-year-old mother, Dorothy Hawkins. According to Etta, her mother claimed that her father was the white Rudolph "Minnesota Fats" Wanderone, and that they received financial support from him on the condition that they keep his paternity a secret. This seems unlikely, though it has not been definitively disproved. Etta was born in Los Angeles in 1938. At the time, Wanderone was known to be managing a pool hall in Washington, D.C. and had not yet become known to be the cross-country traveller he later became.
She received her first professional vocal training at five years old from James Earle Hines, musical director of the Echoes of Eden choir at St Paul Baptist Church in Los Angeles. Her family moved to San Francisco in 1950, and she teamed up with two other girls to form a doo-wop singing group. When the girls were fourteen, band leader Johnny Otis had them audition. They sang an answer to Hank Ballard's "Work with Me, Annie" called "Roll Wwth Me Henry". Otis particularly liked the song, and against her mother's wishes, James and the trio went to Los Angeles to record the song in 1954. The song was recorded on the label Modern Records. By this time, the trio renamed the song "The Wallflower (Dance with Me, Henry)" and released it in 1955. James named her vocal group The Peaches. Richard Berry, a Los Angeles doo-wop luminary, is featured on some of their records.
"The Wallflower" reached number two on the rhythm and blues charts in February 1955, but was undercut in the wider market by a rushed-out cover version by Georgia Gibbs on Mercury Records; in fact, the very first time Gibbs was recorded in studio, they used the first take recorded and it became number one on the top 100 songs nationally. The song's royalties were divided between Hank Ballard, Etta James, and Johnny Otis, and its huge success attracted the attention of the R&B world, resulting in James going on tour with Little Richard. On the tour, though, according to James, she witnessed and experienced situations to which minors are not usually privy, and she allegedly acquired a drug habit.
Soon after the success of "Wallflower", The Peaches and James parted company, but this did not halt her career. Shecontinued to record and release albums throughout much of the decade, and enjoyed more success. Her follow-up, "Good Rockin' Daddy", became another fifties hit. Other songs however, such as "Tough Lover" and "W-O-M-A-N" failed to gain any significant success. James toured with Johnny "Guitar" Watson and Otis Redding in the fifties, and has cited Watson as the most significant influence on her style..
In 1960, James signed a recording contract with Chess Records. She went on to have the biggest success of her career from this label, recording her biggest and most memorable hits. Chess went into high gear with James, releasing many duets with her then boyfriend, the married Harvey Fuqua, who was the lead singer of the Moonglows. One of her duets with Fuqua, "If I Can't Have You", became a hit on the R&B charts in 1960. As a solo artist however, she had more enduring success. One of her first singles released by Chess in 1960 was called "All I Could Do Was Cry"; this blues number became a big hit on the R&B charts in 1960. Leonard Chess, one of the founders of Chess Records, helped James along the way. He saw the potential for her to go in a more pop-oriented direction, and she started recording more pop tunes for the label.
The year 1961 became a year of great change for James. In 1961 came the release of one of her first pop-oriented tunes called "At Last". The song became a big hit in 1961, reaching number two on the R&B charts. The song even went as far as twenty-two on the pop charts that year. It became her signature song. Other songs, such as "Trust in Me", also became hits, and the 1962 tune "Something's Got a Hold On Me" showed more of James' gospel side, a genre she had sung since childhood.
She had other big hits in the 1960s, but mainly on the R&B charts: the song "Pushover" in 1963 and "Stop the Wedding", "Fool That I Am", and "Don't Cry Baby", were hits for her between 1961 and 1963. Her 1963 album Etta James Rocks the House, recorded at Nashville's "New Era" club, also gave her career a boost. James then became one of the most successful R&B artists of the 1960s, having many more top ten and top twenty hit singles. Performing in Memphis, Tennessee helped make her into a blues icon.
In 1967, James released her next hit single, "Tell Mama", and it became a top ten hit on the R&B charts. After a dry period of no hits for almost four years, the song once more made James a household name. The follow-up, "Security", was also a success, and proved that James had staying power on the charts again. Whilst less success came for James after this hit, she was still on the charts regularly and, despite the death of Leonard Chess, stayed with the Chess label into 1975. Towards the end of the Chess years though, she went into more rock-based songs. She recorded for many other labels, and continued to release albums, such as 1978's Deep In the Night on Atlantic Records.
Despite a dry period during the early to mid 1980s, James got back on track and began to record music again. She received accolades for her 1981 rendition of Randy Newman's "God's Song". Her 1988 album Seven Year Itch proved this comeback capability; the album showed more of her soul side. In 1989, she recorded the song "Avenue D" with David A. Stewart of Eurythmics. The song was featured on the soundtrack to the Robert Wise film Rooftops. She also performed with the Grateful Dead for two shows in 1982. In the 1990s she continued to record and perform. Her albums widely varied in styles and genres. Her 1992 album, The Right Time, was another soul album that was released by Elektra Records. She also began to record more jazz, which became the style for many of her 1990s albums.
Drug-related and romantic problems interfered with her career, but James managed to maintain a career throughout the latter half of the twentieth century. Later in life, she struggled with obesity, experiencing mobility and knee problems. In 2003, she underwent gastric bypass surgery.
In 2011, a vocal sample from Etta's "Something's Got a Hold on Me" was used in "Levels" by Avicii. "Levels" became a monster EDM hit, making Etta's "sometimes I get a good feeling" one of the most recognizable samples in 21st century music.
She died on 20th January 2012.
I've Got a Woman
Etta James Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I've got dreams, dreams to remember
Honey, I saw you there last night
Another woman's arms, holding you tight
Nobody knows what I feel inside
All I know, that I walked away and cried
I've got dreams, oh, nothin' but dreams to remember
I know you said she was just your friend
But I saw you kiss her again and again and again
These eyes of mine, they don't fool me
Why did she hold you so tenderly?
'Cause I've got dreams, dreams to remember
I've got dreams, oh, dreams to remember
Hey, and I, and I still want you to stay
I still love you anyway, anyway
I don't want you, ever to leave
'Cause boy, you satisfy me, oh
I know you said she was just a friend
I saw you kiss her again and again and again
And these eyes of mine, they don't fool me
Why did she hold you so tenderly?
'Cause I've got dreams, dreams, dreams to remember
Oh, I've got dreams, oh, I've got dreams to remember
I've got dreams, oh, oh, oh, oh baby
Beautiful, wonderful dreams, I've got 'em to remember
And I've got dreams, dreams to remember
The lyrics of I've Got Dreams To Remember by Etta James paint a clear picture of a woman who is trying to come to terms with the end of a relationship. She expresses her deep feelings of hurt, betrayal, and confusion as she comes to the realization that her lover has been unfaithful to her. The line "I saw you there last night, another woman's arms, holding you tight" indicates that she caught her lover being intimate with another woman, leading her to feel broken and helpless.
The lyrics also highlight her inner turmoil, as she seems to still be in love with this person despite the emotional distress that they have caused her. She pleads with him to stay and declares her love for him, even as she reveals her awareness of his betrayal. The repetition of the line "I've got dreams, dreams to remember" drives home the idea that the dreams she once had of a perfect relationship are now just memories that she will always carry with her.
Overall, the song is a poignant description of heartbreak and the struggle to move on from a relationship that has ended in betrayal. Etta James manages to capture the complexity of human emotions in a powerful and relatable way, making the song a classic that has stood the test of time.
Line by Line Meaning
I've got dreams, dreams to remember
The singer has dreams that are unforgettable
Honey, I saw you there last night
The singer saw their partner with another woman
Another woman's arms, holding you tight
The other woman was physically close and affectionate with the singer's partner
Nobody knows what I feel inside
The singer feels a sense of pain and loss but no one else understands the depth of their emotions
All I know, that I walked away and cried
The singer reacted with tears and chose to leave the situation
I know you said she was just your friend
The partner claims that the other woman was only a friend
But I saw you kiss her again and again and again
Regardless of the explanation, the singer observed their partner kissing the other woman multiple times
These eyes of mine, they don't fool me
The singer is confident in their observation and perception
Why did she hold you so tenderly?
The singer questions why the other woman was so affectionate with their partner
'Cause I've got dreams, dreams to remember
The singer's attachment to their partner and feelings of loss are related to their dreams
Hey, and I, and I still want you to stay
Despite the pain, the singer wants their partner to remain in their life
I still love you anyway, anyway
The singer's feelings for their partner remain despite their actions
I don't want you, ever to leave
The singer is afraid of losing their partner and does not want them to go
'Cause boy, you satisfy me, oh
The singer is sexually and emotionally satisfied by their partner
Beautiful, wonderful dreams, I've got 'em to remember
The singer cherishes their past memories and dreams related to their partner
And I've got dreams, dreams to remember
The song reinforces the singer's attachment to their dreams as they repeat the phrase
Lyrics © Universal Music Publishing Group, Spirit Music Group
Written by: JOE ROCK, OTIS REDDING, ZELMA REDDING
Lyrics Licensed & Provided by LyricFind
@user-sw5ej9oe2d
Oh, oh, oh yeah, oh
Talking about you, a man
Always ready to go
When it come to movin' daddy
Baby, you're almost gold
Oh, oh, oh
I'm a W.O.M.A.N.
A woman
A woman
You ain't got nothin' in your pocket
To keep no girl alive
But she got somethin' for all you men
Somethin' to make you cry
Ha, ow, ow, ow
I'm a W.O.M.A.N.
A woman, yeah
A woman
Now Davy Crockett
He was the king of the wild frontier
I'd take him down
If he had his old dead self here
Now Jesse James and Frank James
Baddest men in the land
We got some women, who'd make 'em eat now
Out of your hand
Now John Dillinger
The woman in red got him
Now teach all you hardies about a W.O.M.A.N.
Ow, ow, ow
I'm a W O M one A and a N
A woman
A woman
I'm a woman child
And I ain't lyin'
For sure I'm a woman, yeah
And I ain't hardly died yet
Woman
One little rib tickle
From the side of bed, yeah, yeah
They call us woman
Oh, yeah
Oh, oh yeah
@jackemlyn062
Was so sad to hear that. She was one of the very, very best. Incredible voice, raw emotion, always gets to me, and she could sing anything. Love this lady. Thanks for sending this. Just heard Christopher HItchens passed away as well. A real journalist and a first rate thinker.
@loopydoopyshmoopy
I truly don't think she got the recognition she should have gotten. When she sings she makes me get those you know Facial Movements that just says it Hurts So Good lol. She could convey what ever the message was she was sending with Her Voice. Amazing *smooches*
@tonyagray9320
That's what I say! Way ahead her time she was.
@lucialima3
2019?
@takingitonedayatatime7851
The Voice bought me here 😤🔥
@formaface
Etta....the' lady... a keeper..
@annd6143
Dacing in the kitchen with this amazing song, feeling that I can eat the whole world 🌼
@leoshv965
Yo She was rockin my hairstyle before! I was 13 with exactly the same groove
@marshahammond1226
She bested EVERYBODY!
@sacredcowmusicjukebox
Somebody should tell the Supreme Court the way Etta can...