Fakear is Théo Le Vigoureux - an uncannily suitable name for a young produc… Read Full Bio ↴Fakear is Théo Le Vigoureux - an uncannily suitable name for a young producer whose energy is seemingly limitless. At 24 years old, Fakear has already taken his globally-tuned dance music across the world, playing shows from London to Tokyo, supporting Bonobo and selling out Paris’ prestigious Olympia in 2015.
The journey that’s led to 2016 and his debut album, Animal, has been three years and 4 EPs long. One of them reached the top 10 in France, and his music has drawn the attention of M.I.A., AlunaGeorge, DJ Snake, Annie Mac, The FADER and ODESZA - one of many peers who’ve asked Fakear for remixes.
But the real journey, of course, goes further back. Le Vigoreux was born in Caen, Calvados, Normandy - an ancient part of France, and the same place William the Conqueror came from. His parents were musicians too, and they raised him on a steady diet of of Maurice Ravel symphonies, and songs by Ismael Lo and Cheb Mami. By the time he got to high school, he was listening avidly to Daft Punk, and had obtained an electric guitar. Before long he’d joined a ska-punk band with Gabriel Legeleux, who’d go on to become fellow rising star in French electronic music, Superpoze.
By 2013, he’d kindled a buzz in Cargo de Caen, creating a reputation under the name of Fakear ("Fake Ears” in English.) His electronic collages were inspired by influences as divergent but inspiring as the post-dubstep scene in London, and the films of Miyazaki. He found his way to Paris, where he signed with the independent French music label Nowadays Records, and released the EP Sauvage in June 2014.
Subsequent single “La Lune Rousse” gained millions of listeners across Spotify, Soundcloud and French radio, and this helped him to debut on the international level. A few months later, his musical voyage led to Japan, and rumination on his childhood’s ghosts changed his art's inception deeply. “This Country gave me a finer desire for music, and a greater attention to detail,” he told Canal + around the launch of his EP Asakusa. “It has been a personal and musical stage that I exceeded. All my pieces are like that: the pictures of my sensations and of my imagination in a precise moment. I am not the same as yesterday, and not the same as tomorrow”.
In 2015 he decided to take a break from the Parisian metropolis, and moved to the mountains. “I needed it, to seize a new primary “something”, something wild and authentic”. It was in this new setting that Fakear crafted his debut album Animal. The album title recalls the wolf silhouette that he has tattooed on his forearm. Chez Fakear, the machines never filter the instincts. Instead, they are amplified.
Animal ranges from the flamenco refrain of “Sheer-Khan”, through the original composition with Andreya Triana (Bonobo) on “Light Bullet”, to a stunning collaboration with Rae Morris, a new pop star in-the-making with whom Fakear maintains an elegant complicity.
Throughout the album, Fakear ensured that his electronic methodology enhanced, rather than limited his raw instinct. He built sounds from memories and from talismanic items; The result is an album as suited to the dance floor as it to listening under the stars, or in the moonlight of the “Lune Rousse”. In the studio as on the boards, Fakear’s music is lively, incarnated and instinctive. Definitively Animal.
The journey that’s led to 2016 and his debut album, Animal, has been three years and 4 EPs long. One of them reached the top 10 in France, and his music has drawn the attention of M.I.A., AlunaGeorge, DJ Snake, Annie Mac, The FADER and ODESZA - one of many peers who’ve asked Fakear for remixes.
But the real journey, of course, goes further back. Le Vigoreux was born in Caen, Calvados, Normandy - an ancient part of France, and the same place William the Conqueror came from. His parents were musicians too, and they raised him on a steady diet of of Maurice Ravel symphonies, and songs by Ismael Lo and Cheb Mami. By the time he got to high school, he was listening avidly to Daft Punk, and had obtained an electric guitar. Before long he’d joined a ska-punk band with Gabriel Legeleux, who’d go on to become fellow rising star in French electronic music, Superpoze.
By 2013, he’d kindled a buzz in Cargo de Caen, creating a reputation under the name of Fakear ("Fake Ears” in English.) His electronic collages were inspired by influences as divergent but inspiring as the post-dubstep scene in London, and the films of Miyazaki. He found his way to Paris, where he signed with the independent French music label Nowadays Records, and released the EP Sauvage in June 2014.
Subsequent single “La Lune Rousse” gained millions of listeners across Spotify, Soundcloud and French radio, and this helped him to debut on the international level. A few months later, his musical voyage led to Japan, and rumination on his childhood’s ghosts changed his art's inception deeply. “This Country gave me a finer desire for music, and a greater attention to detail,” he told Canal + around the launch of his EP Asakusa. “It has been a personal and musical stage that I exceeded. All my pieces are like that: the pictures of my sensations and of my imagination in a precise moment. I am not the same as yesterday, and not the same as tomorrow”.
In 2015 he decided to take a break from the Parisian metropolis, and moved to the mountains. “I needed it, to seize a new primary “something”, something wild and authentic”. It was in this new setting that Fakear crafted his debut album Animal. The album title recalls the wolf silhouette that he has tattooed on his forearm. Chez Fakear, the machines never filter the instincts. Instead, they are amplified.
Animal ranges from the flamenco refrain of “Sheer-Khan”, through the original composition with Andreya Triana (Bonobo) on “Light Bullet”, to a stunning collaboration with Rae Morris, a new pop star in-the-making with whom Fakear maintains an elegant complicity.
Throughout the album, Fakear ensured that his electronic methodology enhanced, rather than limited his raw instinct. He built sounds from memories and from talismanic items; The result is an album as suited to the dance floor as it to listening under the stars, or in the moonlight of the “Lune Rousse”. In the studio as on the boards, Fakear’s music is lively, incarnated and instinctive. Definitively Animal.
Like a Friend
Fakear Lyrics
We have lyrics for 'Like a Friend' by these artists:
Aladdin And The Return Of Jafar Well Ali Baba had them forty thieves Scheherezade had a thou…
Antony Costa/Blue/Duncan James/Lee Ryan/Simon Webbe I never had anybody treat me quite like you do, I…
Blue I never had anybody treat me quite like you do, I…
Blue - One Love I never had anybody treat me quite like you do, I…
Jan Johnston There's anguish despair And we don't feel a thing How can I…
Jan Johnston Paul Van Dyk There's anguish despair And we don't feel a thing How can …
Paul Van Dyk There's anguish despair And we don't feel a thing How can I…
Paul van Dyk feat. Jan Johnston There's anguish despair And we don't feel a thing How can I…
Pulp Don't bother saying you're sorry. Why don't you come in? Smo…
Son Ambulance Remember how we used to talk like swallows in an…
黄建为 I see sunshine in your eyes oh it's lovely It's like a…
We have lyrics for these tracks by Fakear:
Give Me A Sign Remember the night you picked me up? We drove till…
Give You I'm torn, you left me in the pieces of my…
Lost In Time We deserve much better The city leaves me dry I feel under…
Morning in Japan Monoteïsme Chocolat Monoteïsme Chocolat Monoteïsme Chocolat …
Silver Don't want to settle for the wrong life Don't want to…
Something Wonderful Wait and see what is on the other side Trust in…
Two Arms Around You Out of the water, feeling down, feeling cold Into the fire,…
When the Night Comes Ting tong ting ting tinbg dringgg ting ta ding ting…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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David Claeyssen
Excellente ta musique , j'adore ....
M. Du Bleu
This is my alarm ringtone :D
Rémy Lemelin
Vraiment excellent speechless.... sinon suis-je le seul a entendre un hommage au joueur des Houston Rockets @ 1:28!!!!!!!! :p
Amanda Siivers
the percussion is lit
Martin Voisin
j'aime beaucoup ta musique
OLIV3R
fucking nice !!!
Edouard Brunetot
ça me fait penser à Bonobo
MelleEmii
How could we qualify this type of music ? House ? Dubstep ? ... ?
Ali Mo
sublime
Jam Dun
@Jean DUNSTON
anyways as long as the beat is nice, beat is very important for TH. Why do you think this is minimal Jean? I don't qualify this as minimal music, do you?