La Mecedora
Fefita la Grande Lyrics
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Yo no sé qué tiene
Yo no sé qué tiene mi negrito ahora
Yo no sé qué tiene mi negrito ahora
Quiere que lo mesa en mi mecedora
Quiere que lo mesa en mi mecedora
En mi mecedora quiere que lo mesa
Quiere que lo mesa en mi mecedora
Quiere que lo mesa en mi mecedora
Ahaaay lola Ahaaay lola
Y Jony Botija
Y Jony Botija mama me lo dijo a mí
Que sin la mujeres no podía vivir
Que sin la mujeres no podía vivir
Ahaaay lola Ahaaay lola
Ay que sin la mujeres no podía vivir
Ay que sin la mujeres no podía vivir
Y Cirilo Torres
Y Cirilo Torres que me lo dijo ahora
Tócame el merengue de la mecedora
Tócame el merengue de la mecedora
Ahaaay lola Ahaaay lola
Tócame el merengue de la mecedora
Tócame el merengue de la mecedora
Ahaaay lola
Ahaaay lola
El monta en su carro 5 y 6 mujeres
El monta en su carro 5 y 6 mujeres.
The lyrics to Fefita la Grande's song "La Mecedora" depict a playful and rhythmic narrative celebrating love, desire, and the importance of relationships. In the opening lines, the singer expresses uncertainty about the appeal of her lover, referring to him as "mi negrito" (my little Black one). Despite not fully understanding what captivates him, she acknowledges his desire to be rocked in her rocking chair. This repetitive chorus emphasizes the intimate and tender act of rocking, suggesting a sense of comfort and closeness in their relationship.
The introduction of the character Jony Botija adds a layer of humor and commentary on the importance of women in a man's life. Jony Botija, as relayed by Mama, emphasizes that he cannot live without women. This recognition of the significance of women in men's lives adds depth to the lyrics, highlighting the interconnectedness and interdependence between genders. The repeated refrain of "Ahaaay lola" punctuates this sentiment, underscoring the acknowledgment of women's vital role in relationships and society.
The mention of Cirilo Torres introduces a musical element as he is encouraged to play the merengue rhythm on the rocking chair. The reference to the merengue, a lively and upbeat genre of music and dance, adds a festive and energetic tone to the song. The call to Cirilo Torres to play the merengue on the rocking chair suggests a blending of music, movement, and intimacy, creating a vibrant and engaging atmosphere.
The final verse introduces a character who is depicted as a ladies' man, boasting about riding in his car with five or six women. This portrayal of excess and indulgence contrasts with the previous themes of love, desire, and interconnectedness. The juxtaposition of this character's behavior with the earlier expressions of love and dependence on women adds a nuanced layer to the lyrics, reflecting the complexities of relationships and societal expectations. Overall, "La Mecedora" conveys a mix of playful flirtation, social commentary, and musical celebration, creating a dynamic and engaging narrative.
Line by Line Meaning
Yo no sé qué tiene
I don't know what's got into him
Quiere que lo mesa en mi mecedora
He wants me to rock him in my rocking chair
Y Jony Botija
And Jony Potbelly
Que sin la mujeres no podía vivir
Who told me he couldn't live without women
Y Cirilo Torres
And Cirilo Torres
Tócame el merengue de la mecedora
Play me the merengue of the rocking chair
El monta en su carro 5 y 6 mujeres
He rides in his car with 5 or 6 women
Lyrics © O/B/O APRA AMCOS
Written by: Manuela Josefa Cabrera Tavares
Lyrics Licensed & Provided by LyricFind