Singer and guitarist F. Materia and singer and bassist S. Martelli formed i… Read Full Bio ↴Singer and guitarist F. Materia and singer and bassist S. Martelli formed italian combo Filofobia in 1998 as students at their hometown Arezzo, bonding on the strength of their shared affinity for the music of the British Invasion era. A handful of demos followed before the duo recruited drummer V. Caruso in 2000, and with the addition of guitarist J. Ponticelli a year later, the lineup was complete. The members of Filofobia soon found they had one major influence in common, all four of them sharing a real passion for 60s pop, anything ranging from Pink Floyd to the Beatles, and for some indie bands that will later constitue an essential reference for their approach to music. In May 2001 the band hit it off immediately and shortly afterwards decided to go into the studio together to record a first demo tape, a sort of single containing two tracks and entirely financed by themselves. In July 2001 the band play at the Arezzo Wave Festival as local band for his first time. The following year Filofobia records some demo versions of their new songs. In 2003 the band is selected to participate to A.R.I.A. (Arezzo Rock Italian Academy) associed to Arezzo Wave and in july views himself for his second time on the stage of the italian festival. In august 2004 the band records his debut album “Entrée du port” with the artistical production of Giovanni Ferrario, one of the most importants italian indie producers (who has worked with the likes of Scisma, Estra, Snaporaz...) and with the techincal aim of Marco Tagliola and Gianluca Valdarnini. The record views also the appearance of some italians musicians like Pacho (Morgan) at percussions and Enrico Gabrielli (Mariposa, Marco Parente, Morgan) at clarinet.

Metropolis
Filofobia Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Scendo giù in strada per incontrarti
Una ragione in più
L'ho conservata per molto tempo
Voglia di normalità.

Condividiamo in solitudine
Quadri sparsi in città
Non voglio fondermi con questo asfalto

Non vedo normalità.

Persone simili fanno le stesse cose

Persone simili negli stessi luoghi
Persone simili fanno gli stessi errori

Overall Meaning

The lyrics of Filofobia's song Metropolis speak about feeling like an outsider in a big city. The singer walks down the street to meet someone, desperately searching for a reason to belong and find some sense of normality in their life. They feel like they're stuck in a never-ending cycle of isolation and loneliness, surrounded by people engaging in the same mundane activities, yet feeling disconnected from everyone around them. The city is a place where people conform to a certain lifestyle dictated by societal norms, leaving little room for individuality.

The line "Non voglio fondermi con questo asfalto" (I don't want to merge with this asphalt) expresses the singer's reluctance to become a part of the city and lose their own identity. The chorus underscores the monotony of city life, how people who are similar do the same things and make the same mistakes, drawing a parallel between the singer's sense of isolation and the lack of diversity in city life.

Overall, "Metropolis" is a poignant commentary on the alienation and conformity that comes with urban living, poetically conveying the feelings of someone caught in the midst of it.

Line by Line Meaning

Scendo giù in strada per incontrarti
I am descending down the street to meet you

Una ragione in più
One more reason to do so

L'ho conservata per molto tempo
I have kept it for a long time

Voglia di normalità.
Desire for normalcy

Condividiamo in solitudine
We share in solitude

Quadri sparsi in città
Scattered paintings in the city

Non voglio fondermi con questo asfalto
I don't want to blend with this asphalt

Non vedo normalità.
I don't see any normalcy

Persone simili fanno le stesse cose
Similar people do the same things

Persone simili negli stessi luoghi
Similar people in the same places

Persone simili fanno gli stessi errori
Similar people make the same mistakes