This Forrest City Joe track comes from an album named Sounds of The South w… Read Full Bio ↴This Forrest City Joe track comes from an album named Sounds of The South whiich has several blues artist's which they have a few albums with the same name.
Joe Bennie Pugh (July 10, 1926 – April 3, 1960), known as Forrest City Joe or Forest City Joe, was an American blues musician who was predominately known for his ability as a harmonica player. He performed with other major blues acts of the period; he was the harmonica player in Muddy Waters' first band, and was a regular performer in the Chicago area.[1] Despite his limited recording career, Joe was considered one of the top harmonica players of the era.[2]
Pugh was born in Hughes, Arkansas, near Forrest City, and was raised on a cotton farm as an uneducated field worker. As a young boy, he began helping entertainers and playing in local venues, having taught himself to play the harmonica and other instruments. In the early 1940s, Pugh expanded his touring to a state level, his playing being heavily influenced by John Lee "Sonny Boy" Williamson. Pugh was able to imitate Williamson's style and vocals, and, over time, developed his own unique sound. Later in the decade Pugh met Big Joe Williams, and the two performed together in the St. Louis area. In 1947, Pugh went under the stage name Forrest City Joe, and relocated to Chicago for performances.[3]
On December 2, 1948, Joe recorded a single in his only session at Aristocrat Records (later Chess Records). Muddy Waters was intended to be a session musician for the recording, but instead Joe was paired with J.C. Coles, a jazz guitarist who contributed very little to the recordings. A single resulted from the sessions, but other songs were unissued due to the guitarist hindering the recordings.[4] Joe and Waters had previously been working together in a band, and Waters remembered Joe as being a "great harp player". In 1949, shortly after Williamson's death, the single, "Memory of Sonny Boy" b/w "A Woman on Every Street", was released (credited under the spelling Forest City Joe) but failed to sell successfully. Joe briefly moved to Memphis to appear with Howlin' Wolf and Rice Miller – who had himself adopted the name Sonny Boy Williamson – on radio shows, and received a job with Willie Love's Three Aces.
He returned to Chicago in 1949,[5] and lived on South Ellis Avenue, where his home became a meeting place for fellow musicians in the area. Joe worked in a band headed by Otis Spann, and the group mostly performed at the Tick Tock Lounge. The band stayed together for four years, until Spann left to join Muddy Waters' new band.[3] In 1955, Joe moved back to Arkansas, and generally removed himself from the music scene, except for occasional gigs with Willie Cobb and in small venues. In August 1959, Joe was rediscovered by Alan Lomax, and Joe recorded for the final time for the Atlantic label. Joe increased his performing activities, and was expected to return to Chicago.[6]
However, he died at the age of 33 on April 3, 1960 when his truck flipped over after returning from a dance in Horseshoe Lake, Arizona. The crash crushed Joe's skull, killing him instantly.[3] In 1995, a compilation album entitled Downhome Delta Harmonica was released on the DeltaCat label. The album covers all of Joe's material along with another artist who was known as Polka Dot Slim.
Joe Bennie Pugh (July 10, 1926 – April 3, 1960), known as Forrest City Joe or Forest City Joe, was an American blues musician who was predominately known for his ability as a harmonica player. He performed with other major blues acts of the period; he was the harmonica player in Muddy Waters' first band, and was a regular performer in the Chicago area.[1] Despite his limited recording career, Joe was considered one of the top harmonica players of the era.[2]
Pugh was born in Hughes, Arkansas, near Forrest City, and was raised on a cotton farm as an uneducated field worker. As a young boy, he began helping entertainers and playing in local venues, having taught himself to play the harmonica and other instruments. In the early 1940s, Pugh expanded his touring to a state level, his playing being heavily influenced by John Lee "Sonny Boy" Williamson. Pugh was able to imitate Williamson's style and vocals, and, over time, developed his own unique sound. Later in the decade Pugh met Big Joe Williams, and the two performed together in the St. Louis area. In 1947, Pugh went under the stage name Forrest City Joe, and relocated to Chicago for performances.[3]
On December 2, 1948, Joe recorded a single in his only session at Aristocrat Records (later Chess Records). Muddy Waters was intended to be a session musician for the recording, but instead Joe was paired with J.C. Coles, a jazz guitarist who contributed very little to the recordings. A single resulted from the sessions, but other songs were unissued due to the guitarist hindering the recordings.[4] Joe and Waters had previously been working together in a band, and Waters remembered Joe as being a "great harp player". In 1949, shortly after Williamson's death, the single, "Memory of Sonny Boy" b/w "A Woman on Every Street", was released (credited under the spelling Forest City Joe) but failed to sell successfully. Joe briefly moved to Memphis to appear with Howlin' Wolf and Rice Miller – who had himself adopted the name Sonny Boy Williamson – on radio shows, and received a job with Willie Love's Three Aces.
He returned to Chicago in 1949,[5] and lived on South Ellis Avenue, where his home became a meeting place for fellow musicians in the area. Joe worked in a band headed by Otis Spann, and the group mostly performed at the Tick Tock Lounge. The band stayed together for four years, until Spann left to join Muddy Waters' new band.[3] In 1955, Joe moved back to Arkansas, and generally removed himself from the music scene, except for occasional gigs with Willie Cobb and in small venues. In August 1959, Joe was rediscovered by Alan Lomax, and Joe recorded for the final time for the Atlantic label. Joe increased his performing activities, and was expected to return to Chicago.[6]
However, he died at the age of 33 on April 3, 1960 when his truck flipped over after returning from a dance in Horseshoe Lake, Arizona. The crash crushed Joe's skull, killing him instantly.[3] In 1995, a compilation album entitled Downhome Delta Harmonica was released on the DeltaCat label. The album covers all of Joe's material along with another artist who was known as Polka Dot Slim.
She Don't Love Me That Way
Forrest City Joe Lyrics
We have lyrics for 'She Don't Love Me That Way' by these artists:
Sonny Boy Williamson Well, I got somethin' to tell ya, baby You can't do You…
Sonny Boy Williamson I Well, I got somethin' to tell ya, baby You can't do You…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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