Initially, Pourcel studied classical violin at the Paris Conservatoire, but he found the allure of jazz irresistible. In particular, he was an idol of Stephane Grappelli. Following his studies, he joined a number of jazz combos, which led him to his role as the leader of the French Fiddlers, who he joined in the late '40s. The French Fiddlers were a group of violinists that performed jazzy versions of classical numbers or classical arrangements of pop and jazz tunes. They signed to Pathe-Marconi and continued to refine their sound so they could reach a broader audience. The group earned their first hit in 1952 with a version of "Blue Tango."
In 1959, the French Fiddlers had a hit with an easy listening version of the Platters' "Only You" that featured a prominent beat; appropriately, it was credited to Franck Pourcel and His Rockin' Strings. It was a sound that became quite popular during the '60s, though frequently other musicians were more successful with it than Pourcel. Indeed, "Only You" was his only U.S. Top Ten hit. Nevertheless, he and the Fiddlers — who recorded under a variety of names — sold over 15 million records internationally by the early '70s. Pourcel continued to record easy listening albums and compose film scores throughout the '70s and into the '80s.
In 1958, he recorded an LP with the Viennese’s Waltzes, and then decided to lead his « Variety » public to the discovery and appreciation of popular classical pieces.
With his « Pages Celebres » he leds the sale of EMI Classics, but he felt no special vanity from this, for he considered himself in the service of music. He will record 17 LPs with the most famous classical orchestras like the London Symphony Orchestra, The London Philharmonic, The Lamoureux Orchestra, The BBC Orchestra…..
In 1979, following the evolution of the recording techniques, the series came to be called Classics in Digital.
« Adapting pop songs or classical pieces is a very delicate work because you have to dose the effects. I studied classics, and I am persuaded that if Mozart or Beethoven were here today they would wrote their music in a different arrangement. For them or the Variety, I write a kind of translation, according to my style, I think I am not betraying them. I often compare music with cooking. For the same recipe a chef can do something personal, the name of the dish remains the same, but the taste is different. Same thing with a score…. I was lucky in my life to be able to succeed in interpreting, my way, some music composed by others. I arrange it (or disarrange), and the original composers are happy ».
« Franck has the talent to ennoble the most simple melodies…..entering his music was and still is like entering the Pantheon » said Salvatore Adamo
A few of his musicians started a career on their own: » Michel Legrand was playing piano, when he was young. In my orchestra I had Raymond Lefevre, Paul Mauriat and Jean-Claude Casadessus, at that time playing percussions in my classical recordings ».
Between 1956 and 1972 he was the regular conductor for France at the Eurovision song contest, and he toured a lot in Japan, USA, South America, and appears on TV -show specials, all around the world.
A very discreet man, he never played up his personal or professional life. His record company has always had difficulty to write a biography mentioning how many records he sold (the sales if they were to be piled, one on top of the other, would represent 20 times the high of the Eiffel Tower), or how many gold records he got throughout the 58 countries where his albums were released. He was proud of his trophies, but didn’t talk about them. He smashed all sales records for the Europeans orchestras without fanfare or boosting.
He rather preferred to show his back directing the orchestra than his face to a camera. He rarely put his picture on the front of a cover « to recognize someone you have to appear on TV or movies. The public knows my name, I was the first one to do this kind of music in Europe ».
Nevertheless I watched him in 1984, during the pageant of Miss Mexico. He was President of the jury, and all the beautiful girls wanted to sit on his laps. He did not look unhappy!!!
His records have been exported to 58 countries; »I am going to surprise some people, but I have been the number 1 in the exportation of French records for 20 years (in 1982). Music is easier to export than songs with lyrics. When a record is produced in France it can be released the morning after in Yokohama or Los Angeles: there is no local version «
I remember that in 1975 Franck was asked by Air France to compose the Anthem for the new supersonic Concorde, because he was considered one of the 3 most exported French product with Brigitte Bardot and Air France.
He has composed some songs that he recorded, but rarely, because he did not liked his own compositions.
The most famous, « Chariot », started like a joke. It was composed with his friends Paul Mauriat and Raymond Lefevre , with lyrics by Jacques Plante. At that time, in 1962, everything coming from the US was striking gold, so they invented a story that the song was the soundtrack of a new western movie produced by the 20th century Fox »You’ll never See It ». Petula Clark sung the song and had a hit. In the USA the song was recorded as « I will Follow Him » by Little Peggy March., a fifteen years old singer, became number 1 in the Billboard charts all categories for 3 weeks, and in 1992 the song became the main theme for « Sister Act » 1 and 2, with Whoopie Goldberg. More recently, Eminem included some bars in his song « Guilty Conscience ».
From 1968, Franck worked with Claude-Michel Schonberg then artistic director at Pathe-marconi EMI records. A personal and professional relationship started and Franck produced Claude-Michel’s big hit « le Premier Pas’ and the following albums.
A show-biz star, against all odds, concerts all over the world, around 200 LPs recorded, more than 3000 titles in his repertoire, this was Franck Pourcel, my father. Five years after his death, thousands of faithful fans around the world send me messages, and these 4 Cds with some 100 titles from his catalogue, are dedicated to them.
« Hearing this heavenly fiddler, I now understand why instrument makers call the body of a violin its soul »
These words are from the French poet Jean Cocteau : the fiddler was Franck Pourcel.
Singin' In The Rain
Franck Pourcel Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
What a glorious feeling I'm happy again
I'm laughing at clouds so dark above
The sun's in my heart and I'm ready for love
Let the stormy clouds chase everyone from the place
Come on with the rain, I've a smile on my face
I'll walk down the lane with a happy refrain
And singin' just singin' in the rain
Why am I smilin' and why do I sing?
Why does December seem sunny as Spring?
Why do I get up each morning to start happy
And get up with joy in my heart?
Why is each new task a trifle to do?
Because I am living a life full of you
I'm singin' in the rain, just singin' in the rain
What a glorious feeling I'm happy again
I'm laughing at clouds so dark above
The sun's in my heart and I'm ready for love
Let the stormy clouds chase everyone from the place
Come on with the rain, I've a smile on my face
I'll walk down the lane with a happy refrain
And singin' just singin' in the rain
The song "Singing in the Rain" was originally written by Arthur Freed and Nacio Herb Brown for the MGM film of the same name in 1952. Franck Pourcel’s instrumental version of the song was released in 1961. The lyrics describe the singer's joy and happiness despite the rain, a feeling so strong that he even laughs at the dark clouds above. The sun in his heart and his readiness for love contrast with the stormy clouds that are chasing everyone away. By singing and walking down the lane, the singer can express his sense of contentment.
The lyrics of the second verse refer to the singer's deep romantic love. The sun has no physical presence in December, but to the singer, it feels like spring because he is living a life full of the person he loves. The tasks that he needs to do are no longer a burden because he does them for the person he loves, which makes everything feel like a trifle. The last lines of this verse explain why he wakes up with joy in his heart.
Overall, the song conveys a message that no matter how bleak the weather may be or how difficult life may seem, the power of love and happiness can brighten up even the darkest of days.
Line by Line Meaning
I'm singin' in the rain, just singin' in the rain
I am happily enjoying the rain and singing amidst it.
What a glorious feeling I'm happy again
It is an amazing feeling, and I am joyful and happy once again.
I'm laughing at clouds so dark above
Even the dark clouds above cannot dampen my joy, and I am laughing at them.
The sun's in my heart and I'm ready for love
I am filled with love and warmth just like the sun and ready to embrace it.
Let the stormy clouds chase everyone from the place
Let the bad things pass by, so that only happiness is left in the place.
Come on with the rain, I've a smile on my face
I welcome the rain, and it can't even make me stop smiling.
I'll walk down the lane with a happy refrain
I will take a walk down the lane and hum a tune of joy and happiness.
And singin' just singin' in the rain
I just keep singing and enjoying myself in the rain.
Lyrics © BMG Rights Management, Sony/ATV Music Publishing LLC
Written by: Arthur Freed, Nacio Herb Brown
Lyrics Licensed & Provided by LyricFind