He is someone who has never allowed commercialism to clip his wings, and who has always, for over 30 years, continued to open new musical frontiers.
Still searching, hungry, and outside conventional pathways, Frank Duval has long since escaped from the "golden cage" of show-business, and is again heading towards new artistic experiences.
Duval is the composer and virtuoso of sounds, who catered for "international highlights" with his albums, and has "often been copied", has remained settled, but musically, he remains out of reach. He has written a section of German television and pop-music history, which is, as yet, open ended, as we shall still hear from him and see him.
Born into an artists' family, he studied as an actor and dancer, but also sang with his sister, Maria. By the '60s, Duval was also composing music, both orchestral and pop, and his debut soundtrack, for an episode of the German serial Tatort, aired in 1977. From his 1979 debut "Die Schönsten Melodien Aus Derrick und der Alte", "Todesengel" became a moderate hit.
During the '80s, Frank Duval released several soundtracks, as well as proper artist albums (with occasional lyrical help from his wife, Kalina Maloyer). He hit the German charts several times, with 1983's "Ways," 1986's "Lovers Will Survive," and 1987's "When You Were Mine".
In addition, he wrote songs for the following artists: Ivan Rebroff, Alexandra, Karin Huebner, Margot Werner, Klaus Löwitsch and Maria Schell.
And at The End of Every Street
Frank Duval Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I change my name
I change my name
And then I carry on to seek
Always again
Always again
And sometimes when I'm lost in time
I call your name
And you release me from the night
Always again
Always again
The lyrics "And at the end of every street, I change my name" can be interpreted as a search for a new beginning or a fresh start, away from the problems and difficulties one has faced previously. It's like the singer is trying to create a new identity for himself and leave his past behind. However, he eventually realizes that wherever he goes or whatever name he chooses, his problems still follow him, and he must keep searching for a way out.
The line "And sometimes when I'm lost in time, I call your name, And you release me from the night" seems to suggest that there is a person in the singer's life who provides him with comfort and solace when things get tough. This person may be a lover or a close friend, someone who understands him and supports him through his struggles. It's like they are his light in the darkness, his anchor in the storm, and he relies on them to help him get through the toughest moments in life.
Overall, "And at the End of Every Street" is a song about the journey of self-discovery and the pursuit of happiness. It's about the human desire to escape from one's problems and to find a place where they belong. At the same time, it also acknowledges the fact that we cannot do it alone, and that we need someone to lean on during our darkest times.
Line by Line Meaning
And at the end of every street
After exploring all possible options, when I have reached the end of every street
I change my name
I reinvent myself and my identity, in search of a new beginning
And then I carry on to seek
I continue my journey and quest to find what I'm looking for
Always again
This is a recurring pattern for me, always starting anew and seeking endlessly
And sometimes when I'm lost in time
During moments of uncertainty and confusion, when I feel lost and disconnected from reality
I call your name
I reach out for someone to help me, someone who brings familiarity and comfort
And you release me from the night
You bring me out of the darkness and despair, and give me hope and light
Always again
This emotional cycle of searching and finding solace repeats endlessly
Lyrics © O/B/O APRA AMCOS
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T. Dreyer
Von Derrick " Augenblick der Wahrheit"