You Are Too Beautifull
Frank Sinatra Lyrics


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You are too beautiful
My dear, to be true
And I am a fool for beauty
Fooled by a feeling
That because I had found you
I could have bound you to me

You are too beautiful
For one man alone
One lucky fool to be with
When there are other men
With eyes of their own
To see with

Love does not stand sharing
Not if one cares
Have you been comparing
My every kiss with theirs?

If on the other hand
I'm faithful to you
It's not from a sense of duty
You are too beautiful




And I am a fool
For beauty

Overall Meaning

The lyrics of Frank Sinatra's song "You Are Too Beautiful" showcase the singer's vulnerability and his amazement at the beauty of his lover. The song is about his fear of losing her due to other admirers and his own doubts and insecurities. He feels like a fool for being so taken by her beauty, and he worries that he will never be able to keep her all to himself. He seems conflicted about whether he should be faithful to her or if he should indulge in his own desires like other men.


Throughout the song, Frank Sinatra expresses his innermost feelings about his lover and his own struggles with desire and possessiveness. He describes his lover as being so beautiful that she couldn't possibly be real, and he feels foolish for falling in love with such an outstanding woman. He is also jealous of other men who may also be attracted to her beauty, and he questions whether or not he can be the only one to have her. Ultimately, he decides that he is faithful to her because he is unable to resist her gorgeousness.


In conclusion, "You Are Too Beautiful" is an introspective and emotional song about the singer's innermost fears and insecurities. He is in awe of his lover, but at the same time, he is fearful that her beauty will be her downfall. Despite his doubts, he realizes that he is a fool for love, and he cannot help but adore her beauty.


Line by Line Meaning

You are too beautiful
The subject is describing how beautiful their significant other is.


My dear, to be true
The subject questions whether someone so beautiful could actually be real.


And I am a fool for beauty
The subject acknowledges their weakness for beautiful things.


Fooled by a feeling
The subject admits that their emotions have misled them before.


That because I had found you
The subject believed that once they found their significant other, they could keep them.


I could have bound you to me.
The subject believed that once they found their significant other, they could keep them.


You are too beautiful
The subject reiterates how beautiful their significant other is.


For one man alone
The subject believes that their significant other is too beautiful to be with just one person.


One lucky fool to be with
The subject considers themselves lucky to be with someone so beautiful.


When there are other men
The subject recognizes that there are other men who also find their significant other attractive.


With eyes of their own
The subject acknowledges that other men have their own unique perceptions of beauty.


To see with.
The subject notes that other men are capable of seeing their significant other's beauty.


Love does not stand sharing
The subject expresses that true love cannot be shared.


Not if one cares
The subject believes that if someone truly cares, they will not want to share their significant other.


Have you been comparing
The subject asks if their significant other has been comparing them to other men.


My every kiss with theirs?
The subject wonders if their significant other has been comparing their kisses to someone else's.


If on the other hand
The subject introduces a new perspective.


I'm faithful to you
The subject assures their significant other that they are faithful.


It's not from a sense of duty
The subject notes that their faithfulness is not obligatory.


You are too beautiful
The subject reiterates how beautiful their significant other is.


And I am a fool
The subject admits that they are foolish.


For beauty.
The subject acknowledges that their weakness for beauty makes them act foolishly.




Lyrics © TuneCore Inc., Universal Music Publishing Group, CONCORD MUSIC PUBLISHING LLC, Warner Chappell Music, Inc.
Written by: LORENZ HART, RICHARD RODGERS

Lyrics Licensed & Provided by LyricFind
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Comments from YouTube:

@bryanrendleman2001

Sinatra is still the Chairman of the Board.
His smooth voice in youth and then his more raspy tone as an elder are the most distinct voice changes of any of the jazz crooners.
Both are so hypnotic.

@Phaaschh

I have a copy of this which I haven't played in years. It was pretty worn when I bought it, even more, now, and it's good to hear it again. Thanks, Prof for the nice, clean copy.

@Trombonology

I'll say it again -- despite the fact that many appear to regard Frank's Columbia work as merely pleasantly callow in comparison with his celebrated and seasoned Capitol years, I've always loved this period, precisely for its relative innocence. And still, despite his youth, he had the sensitivity and understanding to do full justice to Hart's nuanced lyrics, making this my favorite vocal treatment of one of the great team's gems.

@Phaaschh

Hear hear. Because Stordahl was already on Dorsey's staff during Frank's tenure, his transition from band singer to solo artist was fairly seamless, aurally speaking. I also love the young, heroic bel canto Sinatra style, and like you say, it captures an innocence of spirit, which only began to mature into something darker when Ava appeared on the scene. Those who pigeonhole this period would do well to listen to his flawless technique, and an actor's ability to deliver nuance and flow. Masterclass.

@Trombonology

@Mark Thompson Beautifully put, Mark. To dismiss Frank's Columbia years as an artistic adolescence is just lazy or insensitive.

@Phaaschh

@Trombonology Erstwhile Yep. "Hack" thinking. My direct introduction to FS was sort of through the back door- in childhood, he was always there on the radio, but I didn't register him.
Much later, when I got the music bug, I was given a bunch of 78s, amongst them being an HMV copy of "Trade Winds" by TD "With vocal refrain". I put it on, loving Tommy's opening solo, and when the vocal started, thought "good singer". But it was the pronunciation of "awning" as "arning" which caught my attention "is that...?... God, It is!". And that was the moment my interest was piqued, and the hunt for more began. The rest is history!

@Trombonology

@Mark Thompson I can't believe it: I've listened to TD's "Trade Winds" only about a million times -- and, in fact have always been charmed by the picturesque "under an awning of silvery boughs" -- but I'd never caught that arning , despite my customary attentiveness! Just listened, so very closely, and it's there, alright! The example of mispronunciation -- or over-enunciation -- from the TD years that always gets me is "light a can-dell in the cha-pell " Ouch! Still, these things were rarities for FAS!

@vladimirdorta6692

Sorry to contradict the expert, but Johnny Hartman owns this song (and all the others) in one of the best albums ever, "John Coltrane and Johnny Hartman"

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@valentinkuzmin9810

Когда я слушаю голос ф синатры я просто растворяюсь в каждой его песне и вновь оживаю ! Вечная память память память !

@riyadhrafique8377

Old Blue Eyes- Francis Albert Sinatra (1915-1998) in the early stage of his career. In the days when he sang with Perry Como.

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