Frederick Charles Slack (August 7, 1910 – August 10, 1965) was an American … Read Full Bio ↴Frederick Charles Slack (August 7, 1910 – August 10, 1965) was an American swing and boogie-woogie pianist and bandleader.
Born in Viroqua, Wisconsin, he learned to play drums as a boy. Later he took up xylophone and at 13 changed to piano. He studied with a local teacher throughout high school. At 17 his parents moved to Chicago where he continued his musical training. He met Rosy McHargue, a well known clarinetist, who took him to hear many leading musicians including Bix Beiderbecke and Earl Hines. His first job was with Johnny Tobin at the Beach View Gardens. He later moved to Los Angeles where he worked with Henry Halstead, Earl Burtnett and Lennie Hayton, before joining Ben Pollack in 1934.
He played with the Jimmy Dorsey Band in the 1930s and was a charter member of the Will Bradley Orchestra when it formed in 1939. Known to bandmates as "Daddy Slack," he played the piano solo on Bradley's recording of "Beat Me Daddy, Eight to the Bar", one of the early white boogie-woogie hits and a classic of the Big Band era.
After forming his own band in 1942 and signing with the newly-founded Capitol Records, he recorded three songs at the third Capitol recording session on May 21, 1942. His recording of "Cow Cow Boogie," sung by the 17-year-old Ella Mae Morse, was the second record Capitol issued on July 1, and by July 25 it had reached number 1 on the hit parade. It was Capitol's first gold single.
T-Bone Walker was a member of Slack's band from 1942 to 1944 and Slack later accompanied Walker on his first solo recording for Capitol, Mean Old World. This band also had a hit with "Strange Cargo."
Slack continued to record with Capitol until at least 1950, recording some 80 tracks for the label.
Slack also recorded as an accompanist for Big Joe Turner, Johnny Mercer, Margaret Whiting, and Lisa Morrow.
In the original version of the song "Down the Road a Piece", recorded in 1940 by the Will Bradley Orchestra, Slack is mentioned in the lyrics:
If you wanna' hear some boogie then I know the place
It's just an old piano and a knocked-out bass.
The drummer-man's a guy they call 8-beat Mack
You remember Doc and old "Beat Me Daddy" Slack.
Man it's better than chicken fried in bacon grease
Come along with me boys, it's just down the road a piece.
"Eight Beat Mack" refers to drummer Ray McKinley, and "Doc" refers to the band's bass player, Doc Goldberg.
His 1955 album Boogie Woogie on the 88 featured a horn section including jazz musicians Shorty Sherock and Herbie Harper among others, and with arrangements by Benny Carter.
He also co-wrote the 1945 classic "The House of Blue Lights" first recorded with singer Ella Mae Morse, and later by Chuck Miller, The Andrews Sisters, Chuck Berry, and Jerry Lee Lewis.
Born in Viroqua, Wisconsin, he learned to play drums as a boy. Later he took up xylophone and at 13 changed to piano. He studied with a local teacher throughout high school. At 17 his parents moved to Chicago where he continued his musical training. He met Rosy McHargue, a well known clarinetist, who took him to hear many leading musicians including Bix Beiderbecke and Earl Hines. His first job was with Johnny Tobin at the Beach View Gardens. He later moved to Los Angeles where he worked with Henry Halstead, Earl Burtnett and Lennie Hayton, before joining Ben Pollack in 1934.
He played with the Jimmy Dorsey Band in the 1930s and was a charter member of the Will Bradley Orchestra when it formed in 1939. Known to bandmates as "Daddy Slack," he played the piano solo on Bradley's recording of "Beat Me Daddy, Eight to the Bar", one of the early white boogie-woogie hits and a classic of the Big Band era.
After forming his own band in 1942 and signing with the newly-founded Capitol Records, he recorded three songs at the third Capitol recording session on May 21, 1942. His recording of "Cow Cow Boogie," sung by the 17-year-old Ella Mae Morse, was the second record Capitol issued on July 1, and by July 25 it had reached number 1 on the hit parade. It was Capitol's first gold single.
T-Bone Walker was a member of Slack's band from 1942 to 1944 and Slack later accompanied Walker on his first solo recording for Capitol, Mean Old World. This band also had a hit with "Strange Cargo."
Slack continued to record with Capitol until at least 1950, recording some 80 tracks for the label.
Slack also recorded as an accompanist for Big Joe Turner, Johnny Mercer, Margaret Whiting, and Lisa Morrow.
In the original version of the song "Down the Road a Piece", recorded in 1940 by the Will Bradley Orchestra, Slack is mentioned in the lyrics:
If you wanna' hear some boogie then I know the place
It's just an old piano and a knocked-out bass.
The drummer-man's a guy they call 8-beat Mack
You remember Doc and old "Beat Me Daddy" Slack.
Man it's better than chicken fried in bacon grease
Come along with me boys, it's just down the road a piece.
"Eight Beat Mack" refers to drummer Ray McKinley, and "Doc" refers to the band's bass player, Doc Goldberg.
His 1955 album Boogie Woogie on the 88 featured a horn section including jazz musicians Shorty Sherock and Herbie Harper among others, and with arrangements by Benny Carter.
He also co-wrote the 1945 classic "The House of Blue Lights" first recorded with singer Ella Mae Morse, and later by Chuck Miller, The Andrews Sisters, Chuck Berry, and Jerry Lee Lewis.
Strange Cargo
Freddie Slack Lyrics
We have lyrics for 'Strange Cargo' by these artists:
Acretongue Just when you think you've had enough A whispered laugh cal…
We have lyrics for these tracks by Freddie Slack:
Body And Soul My heart is sad and lonely For you I sigh, for…
Cow Cow Boogie Out on the plains down near Santa fe I met a…
Cow-cow Boogie Out on the plains down near Santa fe I met a…
Down The Road If you want to hear some Boogie, then I know…
Down The Road A Piece If you want to hear some Boogie, then I know…
Down The Road A-Piece If you want to hear some Boogie, then I know…
He's My Guy He's my guy, I don't care what he does Cause he's…
Hit The Road to Dreamland Both: Bye bye baby Time to hit the road to dreamland You're …
I Lost My Sugar In Salt Lake City I lost my sugar in Salt Lake City Oh, why…
Mean Old World This is a mean old world, Baby to live in by…
Mister Five By Five Well, twirl my turban, man alive! Here comes Mister Five by…
Mr. Five By Five Well, twirl my turban, man alive! Here comes Mister Five by…
St Louis Blues I hate to see that evening sun go down I hate…
St. Louis Blues I hate to see that evening sun go down I hate…
That Old Black Magic Old black magic has me in its spell Old black magic…
The House of Blue Light Lace up your boots and we'll broom on down To a…
The House of Blue Lights Lace up your boots and we'll broom on down To a…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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Nato Norad
Very good piece of music, this comes from the heart and soul.
Long Tall Friday
🤔
Daniel Gaskell
More elegant than Will Bradleys’ arrangement, Slacks’ version is musical in its’ use of the vibrato of the saxes and even intonation of the trombones; all to build a lush harmony to the medley with a softened rhythm in the left hand of the pianist. Listenability is off the scale.
WetPizzaSlices
One of the old dudes from work told me this is what he listens too. Not bad my friend 👌🏽
songanddanceman100
Oh, yeah! Under rated band and man.