In a career dating back to the 1960s he has played with bands including Thin Lizzy, Colosseum II, Greg Lake and Skid Row as well as having a successful solo career.
Moore started performing from a young age and got his first good guitar at the age of 14. In a career lasting over 30 years he has demonstrated that he is a fine musician, and his unique style of playing has adapted to very different music genres, including jazz rock jazz, blues, electric blues, hard rock, celtic rock and heavy metal.
One of his most famous non-blues records is Wild Frontier, his first studio album after a trip back to his native Belfast, Northern Ireland in 1985, this album has several songs about Ireland and even the music itself is steeped in Celtic roots. The title track was intended to be sung by Phil Lynott, however Lynott's death in January 1986 prevented that. The album is dedicated to Lynott's memory, with the words "For Philip" on the rear cover.
Wild Frontier contains the hit "Over the Hills and Far Away", which reached #20 in the UK as well as a cover of the Australian band The Easybeats' hit of the middle of the 1960s, "Friday on My Mind". The Max Middleton-penned "The Loner" was originally recorded by Cozy Powell for his Over the Top album in 1979 (which Moore did perform on, albeit not on Powell's recording of "The Loner"), but was substantially altered by Moore for his own recording, thus he was credited as a co-writer.
For blues fans, Moore's best recorded, live performance on video is "LIVE BLUES" recorded in a small night club in London and was released in 1992 on VHS. It is now available on DVD as well. "LIVE BLUES" also features two songs with B.B. King appearing on stage with Moore. "The Thrill Is Gone" on this recording is probably the best version of this, complete with More's Midnight Horns, female backup singers and dueling guitars. Many of Moore's standard songs are on this 90 minute show and were mixed better than most of the studio versions of the same tunes for a very rich and full sound. Even Moore's voice sounds better than it usually does in the studio. Moore did not seem interested in touring the United States.
Connection with Peter Green
According to numerous interviews he has given to guitar magazines, he was the protege of British Blues pioneer Peter Green, whom he had always admired ever since the Bluesbreakers days. When Green quit Fleetwood Mac and the entire music scene, he sold his famous nasal-sounding 1959 Gibson Les Paul to Moore for the same price that Moore had managed to sell his then guitar (a Gibson SG) for. The nasal sound of the neck pickup on Green's guitar was not, as used to be believed, the result of the pickup having been turned backwards, but instead its two coils had been - perhaps accidentally - reconnected in parallel and out of phase, as per the "in between" positions of a Fender Stratocaster. Moore has used this guitar in the recordings of some songs of his albums Still Got The Blues, After Hours and Blues For Greeny. Green and Moore also reportedly had a disagreement regarding what guitar the former was playing in the song "Albatross". Moore insists it was the Les Paul, because the guitar tone was particularly warm and rich in the bass, while Peter Green maintains he was using a Strat, as the vibrato in that song was not finger vibrato, but subtle tremolo arm vibrato. Up to the day of his death, Green and Moore remained good friends.
Guitars used
Over the years Gary has used numerous guitars. These include: Peter Green's 1959 Gibson Les Paul, Peter Green's 1961 Fender Stratocaster and 1950s Gibson Les Paul Junior. He has also used guitars from Charvel, Ibanez, Hamer, Jackson and Heritage. Amplification has generally come from Marshall, though Soldanos and Fender have also been used, as well as transistor-driven Dean Markley units (especially in the studio). He also has used numerous effects over the years. these include; Delay units such as the Echoplex, Overdrive/Booster units such as the Boss DS-1, Ibanez Tubescreamer variants, Marshall Bluesbreaker and Guv'nor pedals as well as Wah-Wah pedals such as the Vox Wah. He appears nowadays to favour Gibson and Fender Guitars through Marshall amps with any of the above Overdrive pedals and Wah pedals to make his sound.
Solo career
In 1973 he released his first solo album as the Gary Moore Band. In 1979 his solo career started again with help from Phil Lynott, the combination of Gary's blues based guitar and Phil's voice produced "Parisenne Walkways" which reached the UK Top Ten in April 1979 and the no.2 album 'Black Rose'. After a series of powerful rock records Gary returned to blues music with Still Got the Blues, with contributions from B. B. King, Albert King and Albert Collins the album was well received by fans and a huge success. Gary stayed with the blues format until 1997 when he decided to experiment with modern dance beats in Dark Days In Paradise; this left many fans as well as the music press confused. Back to the Blues saw Gary return to the tried and tested blues format.
Albums
* Grinding Stone, 1973
* Parisienne Walkways, 1977
* Back on the Streets, 1978
* Corridors of Power, 1982
* Live at the Marquee, 1983
* Rockin' Every Night - Live in Japan, 1983
* Victims of the Future, 1983
* Dirty Fingers, 1984
* We Want Moore, 1984
* Run for Cover, 1985
* Wild Frontier, 1987
* After the War, 1989
* Still Got the Blues, 1990
* After Hours, 1992
* Blues Alive, 1993
* Ballads & Blues 1982-1994, 1994
* Blues For Greeny, 1995
* Dark Days in Paradise, 1997
* Out in the Fields - The Very Best of Part 1, 1998
* Blood of Emeralds - The Very Best of Part 2, 1999
* A Different Beat, 1999
* Back to the Blues, 2001
* Power Of The Blues, 2004
* Old New Ballads Blues, 2006
* Close As You Get, 2007
* Bad For You Baby, 2008
Singles
* Parisienne Walkways
* Out in the Fields
* Empty Rooms
* Wild Frontier
* Still Got the Blues
The Future (2005-present)
Later on in 2006, Gary will support BB King on his 'Farewell UK Tour'. It unfortunately did not lead to a tour of the United States with BB King.
The studio album entitled 'Old New Ballads Blues' was a follow up of 2004's 'Power of the Blues' and it featured new material as well as new versions of fan favourites 'Midnight Blues' and 'All your Love'
Gary Moore has also sold his Les Paul that was given to him by Peter Green to a private owner.
On February 6th 2011, he died from a heart attack in his sleep while on holiday in Spain.
External links
* The Official Gary Moore World Wide Website: http://www.gary-moore.com/
* The Lord Of The Strings - World Wide Gary Moore Fansite: http://www.garymoore.hu/eng.htm Thanks for the music.
Nothing's the Same
Gary Moore Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
The lonely streets where we embraced.
Then you would go without a trace.
Nothing's the same without you.
Another day goes passing by.
I sit alone and wonder why.
Sometimes it's hard, but I will try
to live my life without you.
You're everywhere or so it seems.
So many times I've heard that song.
Hold back the tears, pretend you're strong.
Another day goes slowly by.
I sit alone and wonder why.
I think of you, I start to cry.
Nothing's the same without you.
Another time, another place.
The sweetness of our last embrace.
What would I give to see your face.
Nothing's the same without you.
Nothing's the same,
nothing's the same,
nothing's the same without you.
The lyrics of Gary Moore's "Nothing's the Same" evoke emotions of nostalgia and longing for a lost love. The first two lines of the song describe a time and place where the singer and his lover were together, and their fond memories are contrasted with the loneliness and emptiness he feels now that she's gone. The line "Then you would go without a trace" implies that the departure of his lover was sudden and unexpected, and he is left to grapple with his emotions on his own.
As the song progresses, the singer reflects on the difficulty of moving on and adjusting to life without his lover. He acknowledges that it's hard but vows to try, and while he still holds onto his memories of her, they continue to torment him with reminders of what he's lost. The line "Hold back the tears, pretend you're strong" suggests that he is trying to put on a brave face and hide his vulnerability, but the pain is still there beneath the surface. The repetition of the line "Nothing's the same without you" drives home the idea that his life has been completely altered by the loss of his love, and nothing will ever be the same again.
Overall, the song captures the raw and honest emotions of heartbreak, and how the loss of someone can shape and change one's entire life.
Line by Line Meaning
Another time, another place.
Reflecting on a different time and place when the singer and the person addressed were together.
The lonely streets where we embraced.
Remembering the streets where they shared an intimate moment together.
Then you would go without a trace.
The person addressed would leave without a word or goodbye after their intimate moments.
Nothing's the same without you.
The artist feels that everything is different and less vibrant without the person they loved.
Another day goes passing by.
Each day moves on without the person the artist loved, making it harder for them to move on.
I sit alone and wonder why.
The singer is tormented by questions about why it ended and what they could have done differently.
Sometimes it's hard, but I will try to live my life without you.
Despite how difficult it is, the singer feels compelled to try to live without the person addressed.
You're in my heart, you're in my dreams.
Even though they are physically apart, the person addressed still occupies a large part of the artist's life.
You're everywhere or so it seems.
The person addressed appears to be everywhere around the artist, even when they are not there in reality.
So many times I've heard that song.
A song that reminds the artist of the person addressed, making it hard to forget them.
Hold back the tears, pretend you're strong.
The singer tries to put on a strong face and hide their emotions, even though it is a struggle.
Another day goes slowly by.
The days seem to drag on without the person addressed, making it harder for the artist to move on.
I sit alone and wonder why.
The singer still has unanswered questions and doubts about why it ended.
I think of you, I start to cry.
Thinking of the person addressed brings on strong emotions and tears for the singer.
Nothing's the same without you.
The absence of the person the singer loved is still felt acutely and is a constant source of pain for them.
Another time, another place.
Continuing to reflect on a different time and place when they were together with the person addressed.
The sweetness of our last embrace.
Recalling the tenderness and intimacy of their final embrace together.
What would I give to see your face.
The singer would do anything to be able to see the person addressed again and be reunited with them.
Nothing's the same without you.
Reasserting that everything is harder and less meaningful without the person the singer loved.
Nothing's the same,
The artist is emphasizing that everything in their life has been affected and altered by their absence.
nothing's the same,
Repeating and emphasizing the feeling that everything is different and difficult without the person addressed.
nothing's the same without you.
Stating definitively that nothing is the same and it is all due to the absence of the person the artist loved.
Lyrics © BMG Rights Management
Written by: GARY (GB MOORE
Lyrics Licensed & Provided by LyricFind
Лора Ващ
Остыла кровь
И сердце не стучит,
Не бьётся жизни
Венка на виске,
Одна лишь музыка
Все затихает,
Но ещё звучит...
А я от горя,
Предчувствуя
Начало гения конец
И наблюдая
Как тают на песке следы,
Слезами умываясь плачу.
Я текст попробую
Перевести,
Простите,если что
Не совпадет,
Не в этом вижу
Я свою задачу-
Кто знает,тот
Меня поймет:
Когда-то,где-то далеко
Звучали песни о любви
Мы так по улицам
Шагали,обнимаясь,
Но все проходит без следа
И все становится пустым,
Ведь жизнь проходит без
тебя,
Ее напрасно продолжаю.
Проходят дни,а я один-
Себе сам удивляюсь,
Как тяжело тебя терять,
Но жить я всё-таки пытаюсь.
Ты в моем сердце
И в моих мечтах-
Я не пойму на самом деле,
Ты или же мираж
Находится в прекрасном
теле.
Я сочиняю песни о тебе
И сдерживая слезы
Сильным притворяюсь,
В прошедшем дне я одинок,
Как выживаю-удивляюсь.
При мыслях о тебе
Я начинаю тосковать,
Ведь без тебя все не по мне,
На сердце грусть и слякоть.
В других местах и временах
Мы вспоминаем,
Словно в облаках
Вкус сладостных объятий...
Но ничего не мило без тебя,
Мир стал холодным,непонятным
Все потеряло любой смысл-
Ведь рядом нет тебя со мной,
А без тебя не значит
Ничего любовь.
И в горьком одиночестве
От этого я плачу...
Все по одному.
Все по другому.
Все по другому без тебя.
Аноним Анонимус
Чистые, прозрачные воспоминания о счастье, о детстве, о бережных отношениях на фоне мелодичных звуков и тихого, проникновенного голоса, боящегося спугнуть эту осторожную райскую птицу нашей памяти...
Светлана Денисова
Какая приятная музыка.
Так хочется земной любви!
Татьяна Носальская
Спасибо огромное за ваши видео!! Благодаря Вам узнаю новые красивые песни и великолепные картины. 🧡
Владимир Трусов
Душу наизнанку выворачивает эта песня! Шедевр настоящего Гения!
Юрий Тарасов
Да! В точку! Это шедевр! Один из его шедевров!
Nadia Sulyma
Очень красиво ❤
Александр Новиков
Почему среди этого народа есть гении и есть убийцы которые уничтожат э от понкрасный мир.
Покойся с миро дорогой наш Гарри Мур!
Марина Ткаченко
Последний романтик ушел... но оставил нам такие бередящие душу мелодии. Покойся с мирои великий Гарри...
Alexoid Bushuyevich
Хотел под впечатлением написать нечто подобное, но вы уже это сделали и намного лучше, чем смог бы сам
D D
..la vie est très courte.,mais la musique ..!