Gibbs was the youngest of four children of Russian Jewish immigrant parents.Her father died when she was six months old, and she spent her first seven years in an orphanage in Worcester, separated from her other siblings.
She revealed a natural talent for singing at a very young age, and was given the lead in the orphanage's yearly variety show. She was reunited with her mother (who had visited her once every other month) when the latter found employment as a midwife. However, her job often forced her to leave her daughter alone for weeks at a time with only a Philco radio for company.
Gibbs began her professional career at the age of thirteen, and was singing in Boston's Raymor Ballroom the following year. She cut her first record with the Hudson-DeLange Orchestra in 1936 (aged 16 or 17). "You don't really know loneliness unless you do a year or two with a one-night band, Gibbs said of her life on the big band circuit. sing until about 2 a.m. Get in a bus and drive 400 miles. Stop in the night for the greasy hamburger. Arrive in a town. Try to sleep. Get up and eat." (Worcester Telegram & Gazette, May 12, 1994.)
She soon found steady work on popular radio shows including Your Hit Parade, Melody Puzzles and The Tim And Irene Show. Gibbs freelanced in the late 1930s and 1940s singing with the bands of Frankie Trumbauer, Hal Kemp, Tommy Dorsey and Artie Shaw. It was with Shaw's band (then billed as Fredda Gibson) that she scored her first hit, Absent Minded Moon (1942).
In 1943, she changed her name to Georgia Gibbs and began appearing on the popular Camel Caravan radio program, hosted by Jimmy Durante and Garry Moore (it was Moore who bestowed the famous nickname "Her Nibs, Miss Georgia Gibbs" upon her). The nickname is a playful reference to her diminutive stature of barely over 5 feet. She was a regular performer on this show until 1947.
Gibbs signed with Majestic Records in 1946, and while she recorded many great records she would have to wait until 1950 for her first hit single, If I Knew You Were Coming, I'd Have Baked A Cake (on the Coral label). During this period she also was the featured singer on tours with comedians Danny Kaye and Sid Caesar. Miss Gibbs had a natural talent for comedy as well, and worked well in support of the immensely popular Kaye. But success as a singer continued to elude her. As noted in a 1952 Time article:
"Georgia," they kept telling her, "you gotta get a sound." Musical soothsayers were trying to get Songstress Georgia Gibbs into line with the latest fashion. Perhaps, they thought, she should sing mechanized duets with herself (like Patti Page), or she might try an echo chamber background (like Peggy Lee). But gimmicks were not Georgia Gibbs's cup of tea. She had a big, old-fashioned voice, a good ear, a vivacious personality, and she knew how to sing from the shoulder. She would stick with plain Georgia Gibbs.
And she eventually had success "sticking with plain Georgia Gibbs". Possessed of a versatile voice, she cut a long list of great records in every category from torch songs to rock-and-roll, to jazz, swing, old fashioned ballads and cha-chas. Her most successful record was Kiss Of Fire which reached the #1 position on the pop music charts in 1952. Kiss of Fire was adapted from the Argentinian tango El Choclo and the lyrics, arrangement and delivery communicate passion on a Wagnerian scale. It immediately became one of the defining songs of the era.
Sultry and throbbing, with a touch of vibrato, Georgia Gibbs' voice is best showcased on romantic ballads and torch songs like Melancholy Baby, I'll Be Seeing You, Autumn Leaves and You Keep Coming Back Like A Song. Yet she could be equally thrilling belting out a red hot jazz numbers like Red Hot Mama and A-Razz-A-Ma-Tazz, or jiving with tunes like Ol Man Mose and Shoo Shoo Baby. Her Swingin' With Her Nibbs album (1956) demonstrated her natural affinity for improvisation as well.
Gibbs continued to be a frequent visitor to the charts throughout the first half of the decade (with over 40 charted songs), and was briefly successful doing rock 'n' roll songs as well. She appeared on many television shows throughout the decade, including the legendary Ed Sullivan show, and hosted one of her own, Georgia Gibbs And Her Million Record Show. She cut her final album, Call Me (1966) and rarely performed after that.
She spent many years being best known for her cover versions of Etta James' The Wallflower (recorded by Gibbs with modified lyrics under the title Dance With Me Henry) and of LaVern Baker's Tweedle Dee (which created some ado due to Ms. Baker's vociferous complaints) and for her novelty number The Hula Hoop Song, which was her last hit, in 1958.
Georgia Gibbs died of leukemia on December 9, 2006, aged 87, at New York's Memorial Sloan-Kettering Cancer Center.
Autumn Leaves
Georgia Gibbs Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
The autumn leaves of red and gold
I see your lips, the summer kisses
The sun-burned hands I used to hold
Since you went away the days grow long
And soon I'll hear old winter's song
But I miss you most of all my darling
C'est une chanson, qui nous ressemble
Toi tu m'aimais et je t'aimais
Nous vivions tous deux ensemble
Toi qui m'aimais moi qui t'aimais
Mais la vie separe ceux qui s'aiment
Tout doucement sans faire de bruit
Et la mer efface sur le sable les pas des amants desunis
The lyrics of Georgia Gibbs's song Autumn Leaves capture the melancholic feelings that come with the fall season. The first verse suggests a sense of longing and reminiscence as the singer watches the leaves fall outside her window, reminiscent of the romantic memories she once shared with her lover. Here, the autumn leaves of red and gold symbolize the fleeting nature of a relationship and mortality itself. The second verse is more poignant as the singer expresses how much she misses her beloved now that they’re apart, and she is left to face the long days of winter alone.
The third verse is in French and translates to "It's a song that resembles us, you who loved me, and I who loved you. We lived together, you who loved me, and I who loved you. But life separates those who love each other, gently, without making a sound. And the sea erases on the sand the steps of separated lovers." It adds another layer to the song's meaning, emphasizing the bittersweet nature of love and how it eventually fades away.
Line by Line Meaning
The falling leaves drift by the window
The leaves that fall while slowly drifting are passing by the window
The autumn leaves of red and gold
The colorful leaves of autumn come in shades of red and gold
I see your lips, the summer kisses
The memory of your lips and the kisses we shared in summer still lingers in my mind
The sun-burned hands I used to hold
I miss holding hands with you, even though they used to get burned from the sun during summer
Since you went away the days grow long
The days feel longer and more difficult to bear ever since you left
And soon I'll hear old winter's song
The arrival of winter and its harsh weather is inevitable
But I miss you most of all my darling
Despite everything, the thing I miss the most is you, my beloved
When autumn leaves start to fall
The beginning of autumn and the falling of leaves makes me miss you the most
C'est une chanson, qui nous ressemble
This is a song that reflects us, our love and experiences
Toi tu m'aimais et je t'aimais
You loved me and I loved you
Nous vivions tous deux ensemble
We lived together, side by side
Toi qui m'aimais moi qui t'aimais
You loved me and I loved you
Mais la vie separe ceux qui s'aiment
But life separates even those who love each other
Tout doucement sans faire de bruit
Slowly, without making any noise
Et la mer efface sur le sable les pas des amants desunis
And the sea erases on the sand the footprints of lovers who have been separated
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind
oskibor
Exquisite!!! Hadn't listen for this version some 45 years ago... Thaks.
John Benn
WOW WOW WOW !!!!!!!!!!!!!!!!!!!!!!!!!!!
From a mad keen 75yo Aussie fan.