Gidon Markowitsch Kremer was born on 27th of February 1947 in Riga, Latvia … Read Full Bio ↴Gidon Markowitsch Kremer was born on 27th of February 1947 in Riga, Latvia to German-Jewish parents. He has established a worldwide reputation as one of the most original and compelling classical artists of his generation, praised for his high degree of individualism, his rejection of the well-trodden paths of interpretation, and his search for new possibilities.
Kremer began studying music at the age of four with his father and grandfather, who were both distinguished, professional violinists. At the age of seven, he entered the Riga Music School. At sixteen he was awarded the First Prize of the Latvian Republic and two years later he began his studies with David Oistrakh at the Moscow Conservatory. He went on to win prestigious awards including the 1976 Queen Elizabeth Competition and the First Prize in both the Paganini and Tchaikovsky International Competitions.
Gidon Kremer has appeared on virtually every major concert stage with the most celebrated orchestras of Europe and America. He has collaborated with the foremost conductors, including Leonard Bernstein, Herbert von Karajan, Christoph Eschenbach, Nikolaus Harnoncourt, Lorin Maazel, Riccardo Muti, Zubin Mehta, James Levine, Valery Gergiev, Claudio Abbado and Sir Neville Marriner, among others.
Gidon Kremer's repertoire is unusually extensive, encompassing all of the standard classical and romantic violin works, as well as music by 20th century masters such as Henze, Berg and Stockhausen. He also championed the works of living Russian and Eastern European composers and has performed many important new compositions, several of them dedicated to him. He has become associated with such diverse composers as Alfred Schnittke, Arvo Pärt, Giya Kancheli, Sofia Gubaidulina, Valentin Silvestrov, Luigi Nono, Aribert Reimann, Peteris Vasks, John Adams and Astor Piazzolla, bringing their music to audiences in a way that respects tradition yet remains contemporary. It would be fair to say that no other soloist of his international stature has done as much for contemporary composers in the past 30 years.
An exceptionally prolific recording artist, Gidon Kremer has made more than 100 albums, many of which brought him prestigious international awards and prizes in recognition of his exceptional interpretative powers. These include the "Grand prix du Disque," "Deutscher Schallplattenpreis," the "Ernst-von-Siemens Musikpreis," the "Bundesverdienstkreuz," the "Premio dell' Accademia Musicale Chigiana," the "Triumph Prize 2000" (Moscow) and in 2001 the "Unesco Prize." In February 2002 he and Kremerata Baltica were awarded with the Grammy for their latest Nonesuch recording "After Mozart" in the category "Best Small Ensemble Performance."
In 1981 Gidon Kremer founded Lockenhaus, an intimate chamber music festival that continues to take place every summer in Austria. For two years from 1997 to 1998, Gidon Kremer took over the artistic leadership of the Gstaad Festival from its founder, Sir Yehudi Menuhin. In 1997, he founded Kremerata Baltica chamber orchestra to foster the talent of outstanding young musicians from the three Baltic States. Since then, Mr. Kremer has been touring extensively with the orchestra, appearing at the world's most prestigious festivals and concert halls. He has also recorded a number of CDs with the orchestra for Teldec and Nonesuch, the first releases featuring music by Peteris Vasks and Astor Piazzolla, the latest recording released on Nonesuch being a collection of works under the theme "Happy Birthday." In 2002 Gidon Kremer became the artist director of a new festival in Basel, Switzerland, called "les muséiques."
Gidon Kremer is also a writer. He is the author of three books in German that reflect his artistic philosophy: Kindheitssplitter, Oase Lockenhaus. 15 Jahre Kammermusikfest KREMERATA MUSICA 1981 - 1996, and Obertöne. Kindheitssplitter has been translated in Russian, Latvian, French and Japanese.
Kremer began studying music at the age of four with his father and grandfather, who were both distinguished, professional violinists. At the age of seven, he entered the Riga Music School. At sixteen he was awarded the First Prize of the Latvian Republic and two years later he began his studies with David Oistrakh at the Moscow Conservatory. He went on to win prestigious awards including the 1976 Queen Elizabeth Competition and the First Prize in both the Paganini and Tchaikovsky International Competitions.
Gidon Kremer has appeared on virtually every major concert stage with the most celebrated orchestras of Europe and America. He has collaborated with the foremost conductors, including Leonard Bernstein, Herbert von Karajan, Christoph Eschenbach, Nikolaus Harnoncourt, Lorin Maazel, Riccardo Muti, Zubin Mehta, James Levine, Valery Gergiev, Claudio Abbado and Sir Neville Marriner, among others.
Gidon Kremer's repertoire is unusually extensive, encompassing all of the standard classical and romantic violin works, as well as music by 20th century masters such as Henze, Berg and Stockhausen. He also championed the works of living Russian and Eastern European composers and has performed many important new compositions, several of them dedicated to him. He has become associated with such diverse composers as Alfred Schnittke, Arvo Pärt, Giya Kancheli, Sofia Gubaidulina, Valentin Silvestrov, Luigi Nono, Aribert Reimann, Peteris Vasks, John Adams and Astor Piazzolla, bringing their music to audiences in a way that respects tradition yet remains contemporary. It would be fair to say that no other soloist of his international stature has done as much for contemporary composers in the past 30 years.
An exceptionally prolific recording artist, Gidon Kremer has made more than 100 albums, many of which brought him prestigious international awards and prizes in recognition of his exceptional interpretative powers. These include the "Grand prix du Disque," "Deutscher Schallplattenpreis," the "Ernst-von-Siemens Musikpreis," the "Bundesverdienstkreuz," the "Premio dell' Accademia Musicale Chigiana," the "Triumph Prize 2000" (Moscow) and in 2001 the "Unesco Prize." In February 2002 he and Kremerata Baltica were awarded with the Grammy for their latest Nonesuch recording "After Mozart" in the category "Best Small Ensemble Performance."
In 1981 Gidon Kremer founded Lockenhaus, an intimate chamber music festival that continues to take place every summer in Austria. For two years from 1997 to 1998, Gidon Kremer took over the artistic leadership of the Gstaad Festival from its founder, Sir Yehudi Menuhin. In 1997, he founded Kremerata Baltica chamber orchestra to foster the talent of outstanding young musicians from the three Baltic States. Since then, Mr. Kremer has been touring extensively with the orchestra, appearing at the world's most prestigious festivals and concert halls. He has also recorded a number of CDs with the orchestra for Teldec and Nonesuch, the first releases featuring music by Peteris Vasks and Astor Piazzolla, the latest recording released on Nonesuch being a collection of works under the theme "Happy Birthday." In 2002 Gidon Kremer became the artist director of a new festival in Basel, Switzerland, called "les muséiques."
Gidon Kremer is also a writer. He is the author of three books in German that reflect his artistic philosophy: Kindheitssplitter, Oase Lockenhaus. 15 Jahre Kammermusikfest KREMERATA MUSICA 1981 - 1996, and Obertöne. Kindheitssplitter has been translated in Russian, Latvian, French and Japanese.
Fratres
Gidon Kremer Lyrics
We have lyrics for 'Fratres' by these artists:
Kronos Quartet Ex igne pertinacia Lux nos defendit Post tenebras lux Sub di…
We have lyrics for these tracks by Gidon Kremer:
Chiquilin de Bachin Hoy no tuve un buen día Voy perdido en la…
El Tango ¿Dónde estarán?, pregunta la elegía de quienes ya no son, co…
Soledad Windows of my room, The room of one of the world′s…
Tango Hoy no tuve un buen día Voy perdido en la…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found
@user-vo6oq1bv8x
This is MORE THAN MUSIC
@anklubbers2848
Zo vaak bekeken. BLIJFT WONDERSCHOON!!!!
@lucascalisi3883
Questo incontro tra kremer e part è sublime.
@LetsFightSomeNiceGuy
Gidon Kremer really is the only one so far i've heard that can give this "melancholic violence" in the introduction.
@mobus5081
This is what it feels like
@fennelleastman8816
“What kind of music is this? Whoever wrote it must have left himself behind at one point to dig the piano notes out of the earth and gather the artificial harmonics of the violins from heaven. The tonality of this music has no mechanical purpose. It is there to transport us towards something that has never been heard before.” Wolfgang Sandner
@jean-yvesbranquet3634
Stratosphérique...!!!!!
Un des rares à respecter le Tempo initial. Effet garanti..! 🤩🤩
@David-mw3sb
Mesmerising. That intro is quite something.
@steveimprovises
Saw this live at the Hollywood Bowl 1994, changed my life. Thank you mr Kremer for commissioning this and Mr Pärt. Played the piano/cello version in college. Beautiful video here, but the solo/orchestra balance is off.
@dogschosenpeople
Unmatched performance!