During his 50 years in show business, Campbell released more than 70 albums. He sold 45 million records and accumulated 12 RIAA Gold albums, four Platinum albums and one Double-platinum album. He placed a total of 80 different songs on either the Billboard Country Chart, Billboard Hot 100, or the Adult Contemporary Chart, of which 29 made the top 10 and of which nine reached number one on at least one of those charts. Campbell's hits include his recordings of John Hartford's "Gentle on My Mind"; Jimmy Webb's "By the Time I Get to Phoenix", "Wichita Lineman" and "Galveston"; Larry Weiss's "Rhinestone Cowboy"; and Allen Toussaint's "Southern Nights".
Campbell made history in 1967 by winning four Grammys total in the country and pop categories. For "Gentle on My Mind", he received two awards in country and western, "By the Time I Get to Phoenix" did the same in pop. Three of his early hits later won Grammy Hall of Fame Awards (2000, 2004, 2008), while Campbell himself won the Grammy Lifetime Achievement Award in 2012. He owns trophies for Male Vocalist of the Year from both the Country Music Association (CMA) and the Academy of Country Music (ACM), and took the CMA's top award as 1968 Entertainer of the Year. Campbell appeared in the film True Grit, which gave him a Golden Globe nomination for Most Promising Newcomer. Campbell sang the title song which was nominated for an Academy Award.
Glen Travis Campbell was born in Billstown, Arkansas, to John Wesley and Carrie Dell (Stone) Campbell. He was the seventh son of 12 children. He started playing guitar as a youth and credits his uncle Boo for teaching him the guitar.
In 1954, Campbell moved to Albuquerque to join his uncle's band known as Dick Bills and the Sandia Mountain Boys. He also appeared there on his uncle's radio show and on K Circle B Time, the local children's program on KOB television. In 1958, Campbell formed his own band, the Western Wranglers.
In 1960, Campbell moved to Los Angeles to become a session musician. In October 1960 he joined The Champs. By January 1961, Campbell had found a daytime job at publishing company American Music, writing songs and recording demos. Because of these demos Campbell soon was in demand as a session musician and became part of a group of studio musicians later known as The Wrecking Crew. Campbell played on recordings by Bobby Darin, Ricky Nelson, Dean Martin, Nat King Cole, The Monkees, Nancy Sinatra, Merle Haggard, Jan and Dean, Elvis Presley, Frank Sinatra, and Phil Spector.
In May 1961, he left The Champs and was subsequently signed by Crest Records, a subsidiary of American Music. His first solo release, "Turn Around, Look at Me", was a moderate success, peaking at number 62 on the Billboard Hot 100 in 1961. Campbell also formed The Gee Cees with former bandmembers from The Champs, performing at The Crossbow Inn in Van Nuys. The Gee Cees, too, released a single on Crest, the instrumental "Buzz Saw", which did not chart.
In 1962, Campbell signed with Capitol Records. After minor initial success with "Too Late to Worry, Too Blue to Cry", his first single for the label, and "Kentucky Means Paradise", released by The Green River Boys featuring Glen Campbell, a string of unsuccessful singles and albums followed.
From 1964 on, Campbell began to appear on television as a regular on Star Route, a syndicated series hosted by Rod Cameron,[18] ABC's Shindig!, and Hollywood Jamboree.
From December 1964 to early March 1965, Campbell was a touring member of The Beach Boys, filling in for Brian Wilson. He also played guitar on the band's Pet Sounds (1966) album, among other recordings. On tour, he played bass guitar and sang falsetto harmonies. In April 1966, he joined Ricky Nelson on a tour through the Far East, again playing bass.
In 1965, he had his biggest solo hit yet, reaching number 45 on the Hot 100 with a version of Buffy Sainte-Marie's "Universal Soldier". Asked about the pacifist message of the song, he elected to assert that "people who are advocating burning draft cards should be hung."
When follow-up singles did not do well, and Capitol was considering dropping Campbell from the label in 1966, he was teamed with producer Al De Lory. Together, they first collaborated on "Burning Bridges" which became a top 20 country hit in early 1967, and the album of the same name. Campbell and De Lory collaborated again on 1967's "Gentle on My Mind", written by John Hartford, which was an overnight success. The song was followed by the bigger hit "By the Time I Get to Phoenix" later in 1967, and "I Wanna Live" and "Wichita Lineman" in 1968. Campbell won four Grammy Awards for his performances on "Gentle on My Mind" and "By the Time I Get to Phoenix".
In 1967, Campbell was also the uncredited lead vocalist on "My World Fell Down" by Sagittarius, a studio group. The song reached number 70 on the Billboard Hot 100.
The 1969 song "True Grit" by composer Elmer Bernstein and lyricist Don Black, and sung by Campbell, who co-starred in the movie, received nominations for the Academy Award for Best Song and the Golden Globe for Best Original Song.
His biggest hits in the late 1960s were the songs written by Jimmy Webb: "By the Time I Get to Phoenix", "Wichita Lineman", "Galveston", and "Where's the Playground Susie". An album of mainly Webb-penned compositions, Reunion: The Songs of Jimmy Webb, was released in 1974, but it produced no hit single records. "Wichita Lineman" (1968) was selected as one of the greatest songs of the 20th century by Mojo magazine in 1997 and by Blender in 2001.
After he hosted a 1968 summer replacement for television's The Smothers Brothers Comedy Hour variety show, Campbell hosted his own weekly variety show, The Glen Campbell Goodtime Hour, from January 1969 through June 1972. At the height of his popularity, a 1970 biography by Freda Kramer, The Glen Campbell Story, was published.
With Campbell's session-work connections, he hosted major names in music on his show, including The Beatles (on film), David Gates, Bread, The Monkees, Neil Diamond, Linda Ronstadt, Johnny Cash, Merle Haggard, Willie Nelson, Waylon Jennings, Roger Miller, and Mel Tillis. Campbell helped launch the careers of Anne Murray and Jerry Reed, who were regulars on his Goodtime Hour program.
During the late 1960s and early 1970s, Campbell released a long series of singles and appeared in the movies True Grit (1969) with John Wayne and Kim Darby and Norwood (1970) with Kim Darby and Joe Namath.
After the cancellation of his CBS series in 1972, Campbell remained a regular on network television. He co-starred in a made-for-television movie, Strange Homecoming (1974), with Robert Culp and up-and-coming teen idol, Leif Garrett. He hosted a number of television specials, including 1976's Down Home, Down Under with Olivia Newton-John. He co-hosted the American Music Awards from 1976–78 and headlined the 1979 NBC special Glen Campbell: Back to Basics with guest-stars Seals and Crofts and Brenda Lee.
In the mid-1970s, he had more hits with "Rhinestone Cowboy", "Southern Nights" (both U.S. number one hits), "Sunflower" (U.S. number 39) (written by Neil Diamond), and "Country Boy (You Got Your Feet in L.A.)" (U.S. number 11).
"Rhinestone Cowboy" was Campbell's largest-selling single, initially with over 2 million copies sold. Campbell had heard songwriter Larry Weiss' version while on tour of Australia in 1974. Both songs were in the October 4, 1975 Hot 100 top 10. Campbell also made a techno/pop version of the song in 2002 with UK artists Rikki & Daz and went to the top 10 in the UK with the dance version and related music video.
"Southern Nights", by Allen Toussaint, his other number one pop-rock-country crossover hit, was generated with the help of Jimmy Webb, and Jerry Reed, who inspired the famous guitar lick introduction to the song, which was the most-played jukebox number of 1977.
Campbell made a cameo appearance in the 1980 Clint Eastwood movie Any Which Way You Can, for which he recorded the title song. In 1991, he provided the voice of the Elvis Presley sound-alike rooster Chanticleer in the Don Bluth film Rock-a-Doodle. He gave up smoking on March 15, 1992, and believed his singing voice improved as a result. In 1999, Campbell was featured on VH-1's Behind the Music, A&E Network's Biography in 2001, and on a number of CMT programs. Campbell ranked 29th on CMT's 40 Greatest Men of Country Music in 2003.
In 2005, Campbell was inducted into the Country Music Hall of Fame.[29] It was announced in April 2008 that Campbell was returning to his signature label, Capitol, to release his new album, Meet Glen Campbell. The album was released on August 19. With this album, he branched off in a different musical direction, covering tracks from artists such as Travis, U2, Tom Petty and the Heartbreakers, Jackson Browne, and Foo Fighters. It was Campbell's first release on Capitol in over 15 years. Musicians from Cheap Trick and Jellyfish contributed to the album, as well. The first single, a cover of Green Day's "Good Riddance (Time of Your Life)", was released to radio in July 2008.
In March 2010, a then-farewell album titled Ghost on the Canvas was announced which served as a companion to Meet Glen Campbell (2008). Ghost on the Canvas was released on August 30, 2011, with collaborations that include Paul Westerberg (writer of the title track), The Wallflowers singer Jakob Dylan, Chris Isaak, Rick Nielsen and Billy Corgan of the Smashing Pumpkins.
Following his early 2011 Alzheimers diagnosis, Campbell embarked on a final "Goodbye Tour," with three of his children joining him in his backup band. His final show was on November 30, 2012, in Napa, California. After the end of the tour, Campbell entered the studio in his home town Nashville to record what would be his final album, Adiós, which wouldn't be revealed until five years later. According to his wife, Kim Campbell, he wanted to preserve "what magic was left", in what would be his final recordings. In January 2013, Campbell recorded his final song, "I'm Not Gonna Miss You", during what would be his last recording sessions. The song, which is featured in the 2014 documentary, Glen Campbell: I'll Be Me, was released on September 30, 2014, with the documentary following on October 24. On January 15, 2015 Campbell and fellow songwriter Julian Raymond were nominated for Best Original Song at the 87th Academy Awards.
In April 2017, Campbell's final album, Adiós, was announced, featuring twelve songs from his final 2012-13 sessions. The album was released on June 9, 2017.
In June 2011, Campbell announced he had been diagnosed with Alzheimer's disease six months earlier. According to his family, symptoms of the disease had been occurring for years, becoming more and more evident as the years progressed.
Campbell went on a final "Goodbye Tour," with three of his children joining him in his backup band. His final show was on November 30, 2012, in Napa, California. He performed "Rhinestone Cowboy" as a goodbye at the 2012 Grammy Awards ceremony held on February 12, 2012, his final televised on-stage performance.
In April 2014, news reports indicated that Campbell became a patient at an Alzheimer's long-term care and treatment facility. On March 4, 2015, Associated Press reported that two of Campbell's children, Debby and Travis, sought legal action against Campbell's wife Kim, with the assertion she "secluded" the singer and prevented them from "participating" in Campbell's medical care.
On Campbell's 80th birthday, Jimmy Webb, with whom Campbell frequently collaborated, announced he would launch a special edition of his national touring show on May 3, 2016, called "Jimmy Webb: The Glen Campbell Years" at Nashville's City Winery.
Campbell died of the disease in Nashville, Tennessee on August 8, 2017, six years after his diagnosis.
Since 1962, Campbell has recorded and released 58 studio albums and six live albums. He has also lent his vocals to four soundtracks for motion pictures (True Grit (1969), Norwood (1970), Rock-a-Doodle (1992), and the 2014 documentary film Glen Campbell: I'll Be Me). He has placed a total of 82 singles (one of which was a re-release) on either the Billboard Country Chart, the Billboard Hot 100, or the Adult Contemporary Chart, nine of which peaked at number one on at least one of those charts. He has released 15 video albums and has been featured in 21 music videos. His first two music videos, "By the Time I Get to Phoenix" and "Wichita Lineman", were directed by Gene Weed in 1967 and 1968 respectively. Campbell released his final music video, "I'm Not Gonna Miss You" in 2014 to coincide with the release of the documentary Glen Campbell: I'll Be Me. His final studio album, Adiós was released on June 9, 2017.
Universal Soldier
Glen Campbell Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
He fights with missiles and with spears
He's all of thirty-one
And he's only seventeen
He's been a soldier for a thousand years
He's a Catholic, a Hindu, an atheist, a Jain
A Buddhist and a Baptist and a Jew
But he knows he always will
Kill you, my friend, for me and me for you
He's fighting for Canada, he's fighting for France
He's fighting for the USA
He's fighting for the Russians
And he's fighting for Japan
And he thinks he'll put an end to war that way
He's fighting for democracy, he's fighting for the Reds
He says it's for the peace of all
He's the one who must decide
Who's to live and who's to die
But he never sees the writing on the wall
But without him how would Hitler have condemned them at Dachau
Without him Caesar would have stood alone
He's the one who gives his body
As the weapon of the war
And without him all this killing can't go on
He's the universal soldier and he really is to blame
His orders come from far away no more
They come from him, and you, and me
And brother, can't you see
This is not the way to put an end to war
Glen Campbell's song "The Universal Soldier" is a commentary on the nature of war and the role of ordinary individuals in perpetuating it. The lyrics depict a soldier who is both young and old, a paradox that highlights the fact that war affects people of all ages. The soldier fights with both ancient and modern weapons, showing that humanity's violent tendencies have not diminished over time. The soldier is also depicted as being of various religious affiliations, illustrating the fact that war has been waged in the name of various faiths.
The soldier is aware of the moral ambiguity of his actions, knowing that he shouldn't kill but feeling compelled to do so anyway. He fights for various countries and ideologies, yet ultimately he is a pawn in a larger system. The soldier is responsible for making life and death decisions, yet he never sees the "writing on the wall" that foretells the futility of war. The final verse of the song implicates the listener in the violence of war, suggesting that all individuals have a role to play in perpetuating this cycle of destruction.
Overall, Glen Campbell's "The Universal Soldier" is a poignant commentary on the human condition and the destructive nature of war. The lyrics emphasize the fact that individuals have the power to perpetuate or halt violence, and that it is up to each person to make this choice.
Line by Line Meaning
He's five foot two and he's six feet four
This line symbolizes the soldiers' contrasting physical appearances to showcase that soldiers of all types exist in the world.
He fights with missiles and with spears
This line showcases the different types of weapons used by soldiers, ranging from ancient spears to modern-day missiles.
He's all of thirty-one
This line highlights the fact that soldiers are predominantly young men and women who have barely begun to live before being sent to war.
And he's only seventeen
This line further emphasizes the former line, underscoring that many soldiers are barely out of their teenage years when they join the army.
He's been a soldier for a thousand years
This line is a metaphor that signifies that wars have been waged for centuries, with new soldiers joining every generation.
He's a Catholic, a Hindu, an atheist, a Jain
This line emphasizes that soldiers come from various religious backgrounds and that their beliefs do not alter the fact that they fight wars.
A Buddhist and a Baptist and a Jew
This line further reinforces the above line, suggesting that soldiers do not discriminate based on religion.
He knows he shouldn't kill
This line highlights the conflict a soldier may feel before killing someone but goes ahead with it because that is their job.
But he knows he always will
This line suggests that soldiers are aware of the ethical and moral dilemmas that come with killing people, but they perform their duty regardless of this knowledge.
Kill you, my friend, for me and me for you
This line portrays the brutal reality that soldiers often have to kill people who they may have otherwise been friends with, simply because they have been ordered to do so.
He's fighting for Canada, he's fighting for France
This line showcases that soldiers fight for their respective countries and they are willing to put their lives on the line to protect them.
He's fighting for the USA
This line highlights the patriotic feelings that a soldier may have while fighting for their country.
He's fighting for the Russians
This line signifies that soldiers are pawns in a game played by people in power, and they are forced to fight for different nations at different times.
And he's fighting for Japan
This line further reinforces that soldiers have fought and will continue to fight for different countries depending on the political climate.
And he thinks he'll put an end to war that way
This line suggests that soldiers believe war is the answer to ending war, which has proven to be a fallacy many times in history.
He's fighting for democracy, he's fighting for the Reds
This line signifies that soldiers fight for different ideologies, which often results in opposing sides fighting each other.
He says it's for the peace of all
This line highlights the idea that soldiers believe that war is the only way to bring peace to the world.
He's the one who must decide
This line portrays the responsibility that soldiers bear on their shoulders, of deciding who lives and who dies in war.
Who's to live and who's to die
This line highlights the harsh reality of war where soldiers have to make life and death decisions on the battlefield.
But he never sees the writing on the wall
This line signifies that soldiers may not see the bigger picture and the consequences of their actions in the grand scheme of things.
But without him how would Hitler have condemned them at Dachau
This line highlights the fact that the actions of soldiers can have repercussions that spread far beyond the battlefield.
Without him Caesar would have stood alone
This line suggests that the support of soldiers has the power to influence the outcome of entire battles and wars.
He's the one who gives his body
This line emphasizes that soldiers put their lives on the line and are willing to make the ultimate sacrifice to protect their country.
As the weapon of the war
This line means that soldiers are the ultimate tools of war, embodying the physical manifestation of conflicts and battles.
And without him all this killing can't go on
This line signifies that wars cannot be fought without soldiers, and as long as armies exist, wars will continue to happen.
He's the universal soldier and he really is to blame
This line suggests that while it is easy to blame people in power for wars and conflicts, soldiers also bear some responsibility for carrying out orders.
His orders come from far away no more
This line signifies that in today's day and age, soldiers may not receive orders from distant superiors, and the actions of fellow soldiers can have a significant impact on their duties.
They come from him, and you, and me
This line implies that soldiers receive orders from everywhere in society and every individual shares the responsibility of war and conflict to some degree.
And brother, can't you see
This line implies that war and conflict affects everyone, and it is the responsibility of every individual to work towards ending it.
This is not the way to put an end to war
This line means that the cycle of violence can only end if people seek a peaceful, diplomatic solution to conflicts instead of relying on violence and war as a means to an end.
Lyrics © Peermusic Publishing, Kobalt Music Publishing Ltd.
Written by: Buffy Sainte-Marie
Lyrics Licensed & Provided by LyricFind