Formed in 1961, the band was active for 60 years, almost non-stop. They had 56 years of studio output, starting in 1965, which made them the world's longest surviving rock band, formed a year before The Rolling Stones, until their tragic end on 5 February 2021, when guitarist founding member George Kooymans revealed that he had been diagnosed with the neuro-muscular disease, ALS.
The band's core line-up of four was unchanged from 1970 to 2021, although extra musicians had short stints in the band in the 1970s. Golden Earring was always touring, except in 2000 (their only sabbatical year) and the final year of their existence, due to the Covid-19 pandemic.
In 1961 George Kooymans (age 13) and his neighbour Rinus Gerritsen (age 15) formed The Tornado's in the Zuiderpark district of their home town of The Hague, The Netherlands. The band's first line-up mainly played The Shadows and The Ventures covers, as well as other instrumental tunes, and played its first gigs at school parties.
In 1963, as the band found out that there already was a British band called The Tornados, they decided to change their name into The Golden Ear-rings (after a Peggy Lee song). The band now performed around The Hague, soon had a devoted local following and landed a record deal with Polydor. Their début single, 1965's Please Go, immediately landed in the Dutch Top 10.
Under the Golden Earrings moniker the band eventually recorded four albums and had twelve hit singles in the Netherlands between 1965 and 1969, ten of which reached the Dutch Top 10. Several of their records were released internationally in Europe and even North America, although they failed to make an impact there.
One of the band's sixties singles became their first Dutch #1 hit: 1968's somewhat carnavalesque Dong-Dong-Diki-Digi-Dong, although that tune is now frowned upon by the band and generally regarded as inferior to other sixties Earrings gems, such as That Day (1966, the first Dutch pop single to have been recorded in the U.K., at London's Pye Studios), Sound Of The Screaming Day (1966) and the epic Just A Little Bit Of Peace In My Heart (1969).
The band's lead singer during the early Golden Earrings years was Frans Krassenburg. He was replaced by Barry Hay (ex-The Haigs) in 1967. The band's drummer for much of the 1960s was Jaap Eggermont. His successors were Sieb Warner (1969) and, in 1970, Cesar Zuiderwijk (ex-Livin' Blues), Golden Earring's definitive drummer.
The band's international career modestly started to take off in 1969, the year of their psychedelic Eight Miles High album, their first haphazard tour of the United States and also the year in which the band name was slightly changed into The Golden Earring and finally (dropping the article within a year), Golden Earring. On their early U.S. tours, their long, wild cover version of The Byrds' classic Eight Miles High impressed audiences and press alike. Golden Earring's 19-minute album version, as well as the stand-alone 1969 single, Another 45 Miles, were the first Golden Earring recordings to get some North American airplay.
The arrival of drummer, Cesar Zuiderwijk, in 1970, completed what would turn out to be the group's definitive line-up: Barry Hay (lead vocals/guitar/flute), George Kooymans (guitar/vocals), Cesar Zuiderwijk (drums) and Rinus Gerritsen (bass/harmonica/keyboards).
1970 saw a dramatic shift in Golden Earring's musical style. After the melodic, often Beatle-esque sixties beat of The Golden Earrings and a brief phase of psychedelia and hippie rock in 1968 and 1969, the single Back Home marked the birth of Golden Earring's trademark heavy, riff-based brand of hard rock with catchy hooks. Back Home hit #1 in the Dutch charts and 'broke' Golden Earring in most of Europe, notably countries such as Germany, Switzerland, Austria and France.
This marked the start of a decade of domestic and international glory. Between 1966 and 1976 seventeen consecutive Earring singles rocketed into the Dutch Top 10, while their international popularity increased, especially after their lengthy 1972 tour of Europe, supporting The Who. Buddy Joe (1972) achieved considerable chart success in the German-speaking countries of Europe, but 1973's Radar Love was their breakthrough smash hit worldwide: #13 in the U.S. Billboard Hot 100, #1 in the U.S. Cashbox chart, #5 in Britain, #8 in Australia, #10 in Canada, #5 in Germany, #6 in Belgium, #1 in Spain and also #1 in (last but not least) Rhodesia (now Zimbabwe), to name but a few.
Radar Love remains an enduring 'car classic' and radio anthem of global fame to this day. Between 1969 and 1985 Golden Earring completed ten major tours of North America, building a considerable North American fanbase, as well as five headlining tours of Great Britain in 1973 and 1974 alone. Golden Earring toured as 'special guests' of The Who, Aerosmith, Led Zeppelin, .38 Special, Rush and many more, whereas bands like Aerosmith, KISS, ZZ Top and Lynyrd Skynyrd opened for Golden Earring. The album that spawned Radar Love, 1973's Moontan, was certified 'Gold' by North America's RIAA in 1974 and sold millions of copies worldwide.
The band failed to achieve similar chart success in the years after Radar Love: the progressive Switch (1975) and To The Hilt (1976) charted in Billboard's album charts, but yielded no major U.S. hits. The singles were clearly not what North American audiences wanted from the 'Radar Love guys'.
Golden Earring was forgotten by many outside of The Netherland and by 1980 even Dutch audiences started to lose interest: albums such as No Promises, No Debts (1979) and Prisoner Of The Night (1980) were commercial flops, leading to the band's decision (in 1981) to record a 'final LP and then call it quits.
The lead single from 1982's 'farewell album', Cut, a Kooymans-penned tune called Twilight Zone, surprisingly became an even bigger hit in the U.S. than Radar Love: #10 on the Billboard Hot 100 and #1 on Billboard's Mainstream Rock Tracks, thanks to heavy MTV rotation of the Dick Maas-directed video. The song (#1 in The Netherlands) revived Golden Earring's stateside career overnight. The Cut LP was certified 'gold' in Canada, with Twilight Zone hitting #3 in the Canadian charts.
In their native Netherlands the band did manage to extend their creative and commercial peak this time: the single When The Lady Smiles and the album N.E.W.S. ('NorthEastWestSouth'), both released in 1984, repeated the success of Twilight Zone and Cut. 'Lady' peaked at #3 in Canada, but fared disappointingly in the U.S. as MTV and even radio stations banned the track because of its controversial video, once again directed by Dick Maas, in which the rape of a nun was suggested.
After 1985 things rapidly went downhill for Golden Earring internationally (they would not tour the U.S. again), but - after a creative and financial crisis that lasted throughout the second half of the 1980s - the band wrote one of their most enduring Dutch hits in 1991 (the power-ballad, Going To The Run, which fared partially well in Russia) and discovered a new gold mine in their home country a year later: acoustic concerts in theatres, the concept of MTV Unplugged.
To everybody's surprise, the band's acoustic live album, The Naked Truth, slowly became their all-time biggest selling album in The Netherlands. Its sequels, Naked II (1997) and Naked III (2005) also went platinum at least once in The Netherlands.
Golden Earring's by far most succesful album internationally remains 1973's Moontan, which sold well over 3.5 million copies outside of The Netherlands and was certified 'gold' in the U.S., Canada and the United Kingdom (and platinum in the U.S. in later years).
Golden Earring released 25 studio albums, 9 live albums and countless succesful compilations. Almost all of these records were certified gold, often platinum, in The Netherlands. More than anything else, though, the band remained a live force of legendary status in their home country and beyond. They toured throughout each year until the very end, almost exclusively in the Netherlands, although there are still occasional live appearances in Belgium and Germany. 2009 saw Golden Earring's long overdue return to the United Kingdom: their sold out shows in Ipswich and London's Shepherd's Bush Empire were their first live appearances in England since 1978.
In 2011 the band recorded their first album of new material since 2003's Millbrook U.S.A.: Tits 'n Ass - studio album #25 for the Dutch legends - was released on 11 May 2012 on Universal Music and hit #1 in the Dutch album charts one week after its release to become Golden Earring's 8th #1 album in their home country. Certified 'gold' in The Netherlands, the album was generally believed to be Golden Earring's final studio outing, but December 2015 saw the release of a five-track mini album entitled The Hague, released more than fifty years after their début single and just before the band's sold out 'Five Zero' anniversary concert at Amsterdam's Ziggo Dome in front of a 17,000-strong crowd. 2019 saw the release of a stand-alone single, Say When: Golden Earring's final studio recording.
Nobody was aware of it at the time, but the band's 16 November 2019 performance at the Rotterdam Ahoy would turn out to be their final concert. After a year of Covid-19 lockdowns, guitarist George Kooymans announced his ALS diagnosis on 5 February 2021, the disease rendering him unfit to perform. Within hours, the band admitted that carrying on without Kooymans was unthinkable. In the words of lead singer, Barry Hay: "This is the end of the line for the band. It's a death blow. We always said: we'll keep going until the first one of us goes down. I never expected it to be George."
The band's final performance was released as a live CD and DVD in April 2022, named after Barry Hay's final words at the end of countless Golden Earring shows: You Know We Love You!.
Studio albums (released as Golden Earring, unless noted otherwise)
Just Ear-rings (1965, as The Golden Earrings or The Golden Ear-rings)
Winter-Harvest (1967, as Golden Earrings, sometimes spelled as Winter Harvest)
Miracle Mirror (1968, as Golden Earrings)
On The Double (1969, as Golden Earrings)
Eight Miles High (1969, as The Golden Earring)
Golden Earring (1970, colloquially known as 'Wall Of Dolls')
Seven Tears (1971)
Together (1972)
Moontan (1973)
Switch (1975)
To The Hilt (1976)
Contraband (1976, U.S. title: Mad Love)
Grab It For A Second (1978)
No Promises... No Debts (1979, spelled as No Promises, No Debts on most online platforms)
Prisoner Of The Night (1980)
Cut (1982)
N.E.W.S. (1984)
The Hole (1986)
Keeper Of The Flame (1989)
Bloody Buccaneers (1991)
Face It (1994)
Love Sweat (1995, covers album)
Paradise In Distress (1999)
Millbrook U.S.A. (2003)
Tits 'n Ass (2012)
The Hague (EP, 2015)
Live albums
Live (1977)
2nd Live (1981)
Something Heavy Going Down (1984, includes one new studio track)
The Naked Truth (1992, acoustic)
Naked II (1997, acoustic)
Last Blast Of The Century (2000)
Naked III (2005, acoustic, incorrectly listed as Naked Truth III on some streaming platforms)
Live In Ahoy 2006 (2006, live DVD + CD set)
You Know We Love You! (2022, live DVD + CD set)
Additional information:
Wikipedia: http://en.wikipedia.org/wiki/Golden_Earring
Official website: https://www.golden-earring.nl
The Switch
Golden Earring Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Deadly switches all close at hand
Make your dreams and duties mingle
Laws and morals finally bend
Holy switch will you defend?
I'm switching all the time
Switching ain't no crime
Gotta change the climate
You see a boy in motion
Is never much too late
Switching's easy, oh, it's essential
And you know when you flick it
You can start a new episode
Warm love, can costume hatred
And the truth could be a lie
Yes a man can, switch to lady
Of indiscreet last goodbyes
And a blade can switch behind you
When you expect shells from the sky
Oh you go when it's your time
Switching down the line
Switching ain't no crime
Gotta change the climate
Gotta raise my rate
You see a boy in motion
Is never much too late
Switching's easy, oh, it's essential
And you know when you flick it
You can start a new episode
Switching's easy, oh, it's essential
And you know when you flick it
You can start a new episode
Switching's easy, oh, it's essential
And you know when you flick it
You can start a new episode
The lyrics of Golden Earring's song "The Switch" suggest that change is an essential part of life. The song seems to be encouraging the idea of switches, which refers to changes or transformations, sometimes sudden or unexpected. The song opens with the notion of an ending, where all things come to an end, and deadly switches close at hand. It seems to imply that when things come to an end, we must make switches or transformations, letting go of old ideas, beliefs or habits that no longer serve us. The lyrics suggest that we need to make our dreams and duties mingle, and bend laws and morals to facilitate these changes.
The central theme of the song seems to be that of transformation, and in some cases, these transformations can be sudden and unexpected, such as a switch or a flick. The lyrics suggest that switching, whether it is changing the climate or raising one's rate, is not a crime but a necessary part of life. It emphasizes that switching is easy and essential and that we can always start a new episode when we flick the switch. The lyrics suggest that even when faced with difficult situations or negative emotions such as hatred, one can switch to warm love and costume hatred, and even a man can switch to a lady. The song seems to suggest that change is the only constant, and we should embrace it to move forward in life.
Line by Line Meaning
So when all things come to an end
As everything eventually ends, it's important to be prepared for change.
Deadly switches all close at hand
Change can be dangerous and unpredictable, but it's always looming.
Make your dreams and duties mingle
In the face of change, it's important to reconcile your aspirations with your obligations.
Laws and morals finally bend
In times of transition, even deeply-held societal norms may be challenged or cast aside.
Holy switch will you defend?
As the world changes unpredictably around us, it can be helpful to have faith to guide us.
I'm switching all the time
The songwriter is constantly adapting to changing circumstances.
Switching ain't no crime
Changing how you live your life and what you believe is not inherently bad.
Gotta change the climate
To affect change in the world, one must first change themselves.
Gotta raise my rate
One must continuously strive to improve oneself and their situation.
You see a boy in motion
The songwriter is an example of constantly evolving and adapting to new realities.
Is never much too late
It's never too late to change and improve oneself or the world around us.
Switching's easy, oh, it's essential
To survive in a constantly changing world, we must be open to adapt and switch things up.
And you know when you flick it
The act of changing or adapting can be sudden, but often necessary.
You can start a new episode
Through change, one can begin a new chapter in their life or explore uncharted territories.
Warm love, can costume hatred
Love has the ability to mask or even transform hate and malice.
And the truth could be a lie
In a constantly changing world, what we perceive as truth may in fact be falsehoods.
Yes a man can, switch to lady
Gender is not necessarily immutable and may be considered fluid.
Of indiscreet last goodbyes
Change often means letting go of people or things we once held dear.
And a blade can switch behind you
Changes can come from unexpected sources, and what we think will happen may not be the reality.
When you expect shells from the sky
In times of conflict or turmoil, we may not know what to expect or where danger may come from.
Oh you go when it's your time
Ultimately, we have little control over how or when our lives may change or end.
Switching down the line
The act of change and adaptation will continue throughout our lives.
Switching ain't no crime
Reinvention and growth are to be embraced, not scorned.
Gotta change the climate
To create lasting change in the world, we must change ourselves first.
Gotta raise my rate
To move forward in life, we must continuously work to improve and evolve ourselves.
You see a boy in motion
The songwriter is once again pointing out his own example of being constantly adaptable.
Is never much too late
Our capacity to change is not limited by age or time, and we can always improve and grow.
Switching's easy, oh, it's essential
Once again emphasizing the importance of change and adaptation in the face of an unpredictable world.
And you know when you flick it
Reiterating the sudden and unpredictable nature of change.
You can start a new episode
By embracing change and adapting, we can open new chapters and opportunities in our lives.
Lyrics © Sony/ATV Music Publishing LLC
Written by: HAY, KOOYMANS
Lyrics Licensed & Provided by LyricFind