Beginning in 1976, The Greg Kihn Band put out several albums on the Beserkley Records label. Their most popular album was 1983's "Kihnspiracy", which reached the top 20 of the Billboard Album Chart. Many of the band's albums contained puns on the name "Kihn" within their titles. Aside from their own material, Kihn is also known for his eclectic choice of cover songs, included on his Kihnspicuous Taste double CD "best of" were versions of Love's "Little Red Book", The Only Ones' "Another Girl, Another Planet" Jackie Wilson's "Your Love is Lifting Me Higher & Higher", and even "I Fall to Pieces" made famous by Patsy Cline.
Since 2001, the Greg Kihn Band has been one of the opening acts at the annual Kihncert, which is organized by San Jose, California radio station KUFX-FM (promotional name 98.5 K-Fox), where Kihn is the morning DJ. His son Ry Kihn (named for guitarist Ry Cooder) sometimes plays with his dad's band, as well as a band of his own, Big Fun USA.
Kihn has also written four novels, Horrow Show, Shade of Pale, Mojo Hand, and Big Rock Beat, and released a collection of short stories by himself, and other well known rock musicians, named Carved In Rock: Short Stories By Musicians. Contributors include Ray Manzarek of The Doors, Pete Townshend of The Who, Joan Jett, and Ray Davies of The Kinks.
He recently recovered from a surgery performed on his back, and was back on the air at KUFX on 08/09/06.
Kihn has a new live album entitled Extended Versions out through Sony Records.
Kihn loves Corvettes and supposedly bought one in early December 2006.
Thunder Road
Greg Kihn Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Like a vision she dances across the porch as the radio plays
Roy Orbison singing for the lonely
Hey, that's me and I want you only
Don't turn me home again, I just can't face myself alone again
Don't run back inside, darling, you know just what I'm here for
So you're scared and you're thinking that maybe we ain't that young anymore
Show a little faith, there's magic in the night
Oh, and that's alright with me
You can hide 'neath your covers and study your pain
Make crosses from your lovers, throw roses in the rain
Waste your summer praying in vain
For a savior to rise from these streets
Well now, I ain't no hero, that's understood
All the redemption I can offer, girl, is beneath this dirty hood
With a chance to make it good somehow
Hey, what else can we do now?
Except roll down the window and let the wind blow back your hair
Well, the night's busting open, these two lanes will take us anywhere
We got one last chance to make it real
To trade in these wings on some wheels
Climb in back, heaven's waiting on down the tracks
Oh oh, come take my hand
We're riding out tonight to case the promised land
Oh oh oh oh, Thunder Road
Oh, Thunder Road, oh, Thunder Road
Lying out there like a killer in the sun
Hey, I know it's late, we can make it if we run
Oh oh oh oh, Thunder Road
Sit tight, take hold, Thunder Road
Well, I got this guitar and I learned how to make it talk
And my car's out back if you're ready to take that long walk
From your front porch to my front seat
The door's open but the ride ain't free
And I know you're lonely for words that I ain't spoken
But tonight we'll be free, all the promises'll be broken
There were ghosts in the eyes of all the boys you sent away
They haunt this dusty beach road in the skeleton frames of burned-out Chevrolets
They scream your name at night in the street
Your graduation gown lies in rags at their feet
And in the lonely cool before dawn
You hear their engines rolling on
But when you get to the porch, they're gone on the wind
So Mary, climb in
It's a town full of losers, I'm pulling out of here to win
Greg Kihn's Thunder Road is an exhilarating but reflective rock song that encapsulates the naivety and romanticism of a young couple in love. The song's protagonist, perhaps inspired by his love (Mary), is portrayed as he grips with the uncertainty of a future that seems foreclosed to him. The opening lines of the song set the stage for its theme - Mary dances across the porch, seemingly carefree but the singer is filled with doubt and reaches out for her. He implores her not to leave him and to have faith, even as they confront the limits of their youth. The song expresses the idealism of youth, the feeling that anything is possible, as they search for a way out of their bleak existence, possibly seeking redemption.
The lyrics paint a vivid image of two young lovers taking a ride "to case the promised land," their journey imbued with a sense of adventure and freedom. They are on a path through town, "Thunder Road," which is filled with "losers" who are "haunting" the deserted streets. The song continues to project a message of hope in the face of hopelessness, urging Mary to take a risk, to not let the past hold her back, and to live life to the fullest. The final chorus, in which the singer leaves the town full of losers to win, reflects a sense of possibility that is the defining characteristic of youth.
Line by Line Meaning
The screen door slams, Mary's dress waves
Mary has just come out of the house and the sudden force of the screen door closing causes her dress to wave in the breeze
Like a vision she dances across the porch as the radio plays
Mary looks beautiful as she dances across the porch while the radio plays
Roy Orbison singing for the lonely
Roy Orbison's music is playing on the radio and it's about loneliness
Hey, that's me and I want you only
The singer sees himself in Roy Orbison's lyrics and wants Mary all to himself
Don't turn me home again, I just can't face myself alone again
The singer doesn't want to be sent home as he feels anxious about being alone again
Don't run back inside, darling, you know just what I'm here for
The singer urges Mary not to go back inside because he is there for her
So you're scared and you're thinking that maybe we ain't that young anymore
The singer acknowledges that Mary may be afraid or uncertain about their future because they are not as youthful
Show a little faith, there's magic in the night
The singer asks Mary to have faith because there is something magical about the night
You ain't a beauty but, hey, you're alright
The singer thinks Mary may not be the most beautiful woman, but he still finds her attractive and okay
Oh, and that's alright with me
The singer doesn't mind that Mary may not be considered stunning as he is happy with her
You can hide 'neath your covers and study your pain
The singer describes Mary as someone who may hide under their bed covers to study and dwell in their own pain
Make crosses from your lovers, throw roses in the rain
Mary might make crosses with her former lovers or throw roses in the rain to symbolize her heartbreak
Waste your summer praying in vain
Mary might have spent her summer praying for something that may not come to pass
For a savior to rise from these streets
Mary is looking for someone or something to save her from the difficult streets she lives in
Well now, I ain't no hero, that's understood
The singer admits that he is not a hero and may not provide a lot of help to Mary's situation
All the redemption I can offer, girl, is beneath this dirty hood
The singer's way of redeeming Mary is by offering her a ride in his car, under the hood that may not look clean or polished
With a chance to make it good somehow
The singer believes that he and Mary have an opportunity to improve their situation together
Hey, what else can we do now?
The singer asks what else needs to be done but to move on
Except roll down the window and let the wind blow back your hair
The singer invites Mary to roll down the car window and feel the wind in her hair
Well, the night's busting open, these two lanes will take us anywhere
The night feels like it's bursting with possibilities and the empty two-lane streets can take them anywhere they want to go
We got one last chance to make it real
The singer says that they have one more opportunity to make their dreams come true
To trade in these wings on some wheels
The singer suggests that instead of flying away like they have wings, they trade these wings for some wheels and drive to their destination
Climb in back, heaven's waiting on down the tracks
The singer invites Mary to hop into the back of his car with the promise of a better future that lies ahead
Oh oh, come take my hand
The singer asks Mary to hold his hand and come with him on this journey
We're riding out tonight to case the promised land
The singer and Mary are going out riding tonight to see what opportunities are present for them
Oh oh oh oh, Thunder Road
The singer declares that they are on a mysterious and exciting road trip
Oh, Thunder Road, oh, Thunder Road
The singer emphasizes the name of the road he's traveling on
Lying out there like a killer in the sun
The road feels powerful and has a menacing presence like a killer hiding in broad daylight
Hey, I know it's late, we can make it if we run
The singer knows it's late but is confident they can achieve their dreams if they hurry
Oh oh oh oh, Thunder Road
The singer reiterates that they are still on the exciting and mysterious Thunder Road
Sit tight, take hold, Thunder Road
The singer tells Mary to sit tight and hold on as they continue on this important journey
Well, I got this guitar and I learned how to make it talk
The singer shares that he has a guitar and can make it sound amazing
And my car's out back if you're ready to take that long walk
The singer's car is parked outside and ready to take them on a long trip
From your front porch to my front seat
The singer invites Mary to leave her house's porch and ride with him in the front seat of his car
The door's open but the ride ain't free
The singer reminds Mary that although his car's door is open, the ride is not free and he has certain expectations.
And I know you're lonely for words that I ain't spoken
The singer realizes that Mary is longing for some words he hasn't said yet
But tonight we'll be free, all the promises'll be broken
The singer assures Mary that tonight they will be free and he might break his promises to Mary, if he has to, in order to be free.
There were ghosts in the eyes of all the boys you sent away
The singer believes Mary still haunts the boys she left behind and they still love her.
They haunt this dusty beach road in the skeleton frames of burned-out Chevrolets
The boys Mary sent away still haunt the towns they grew up in, in old burnt-out cars
They scream your name at night in the street
The boys would call out Mary's name at night as they were heartbroken
Your graduation gown lies in rags at their feet
The boys symbolically dispose of Mary's graduation gown because she left them
And in the lonely cool before dawn
The singer describes the time period before dawn as a lonely and quiet time
You hear their engines rolling on
Mary hears the engines of the boys rolling on like they're still chasing her
But when you get to the porch, they're gone on the wind
When Mary gets home to her porch, the boys are gone like they were never there, only appearing in memories and dreams.
So Mary, climb in
The singer urges Mary to get into his car and leave behind this past.
It's a town full of losers, I'm pulling out of here to win
The singer believes that the town they live in is a place of disappointment and he is determined to leave it and carry on with his life
Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC
Written by: Bruce Springsteen
Lyrics Licensed & Provided by LyricFind
northern tassel
Excellent version of this Springsteen classic! Thank-you for posting.
hootrs23
love this version of bruce's song especially with greg's son,ry, playing guitar.
hootrs23
i heard all the versions of this song greg did on his radio show way back when. too bad it wasn't accepted to be on the album of bruce's greatest hits.
Allison W
Nice version. I wonder if anyone noticed he looks like Huey Lewis on this lp/cd cover.
Edjard1
Thx U for sharing this song w/ world! First heard this long ago on K-fox 94.5 San Jose on Kihn's morning radio show & loved it. He had show segment when he would play obscure classic rock, bordering on bootlegs. He joked that this song was a "first" since the audience could buy this record legit [this was b-4 MP3 downloads]. But I never found this song. My opinions are the instruments & arrangement R better than Springsteen's version. I've dubbed the audio, now have my copy of this song. Thx !
Holden Blackcreek
Not bad and with a hint of that Springsteen melancholy that the Boss does best , Despite as in the case of Kihn as is most of the time we much like all artists lose the fire of youth and as it shows in ourselves so to can it also show in the music ,They don,t write like that anymore !