Radric Davis (born February 12, 1980 in Birmingham, Alabama), better known … Read Full Bio ↴Radric Davis (born February 12, 1980 in Birmingham, Alabama), better known by his stage name Gucci Mane, is an American rapper and CEO of 1017 Brick Squad Records. In 2005 he released his independent debut album, Trap House, which featured the successful single "Icy" that he recorded with Young Jeezy. He has since released a further three albums including 2006's Hard To Kill, 2007's Trap-A-Thon and 2007's Back To The Trap House. His sixth studio album, The State vs Radric Davis, was released in December 2009, just weeks after he was sent back to prison for 12 months for violating his probation. He was released in May 2010 and will now release his seventh studio album, The Appeal: Georgia's Most Wanted, sometime at the end of 2010.
It’s said that art mirrors life. In hip-hop’s case, there’s always been a deliberate entanglement of perception and reality. Fans demand their MCs be real…but never too real. Successful hip-hop is about the hint of the danger, the tease of it, the mystique. Hip-hop is about balance.
Gucci Mane is an artist striving for that balance, volatility versus musicality. Controversy, including a feud with former collaborator Young Jeezy, has grabbed the headlines, with insufficient regard paid to his considerable mic skills, raw talent, and business acumen. Gucci is looking to wrest his name from public speculation and let his own words do the talking.
“I wish everybody well who’s making money in this rap game,” the Atlanta-raised rapper says, dismissing the controversy that followed him in the past. “My own rap game is going so good, I’ve got so many things on my plate at my label, that I don’t got time for other people’s business.” With a deal with Asylum Records as the boss of his own label, So Icey Entertainment, Gucci does indeed have a full schedule with no time to dwell on the past.
“I live my life with no regrets. I just wish that a lot of things never happened, but anybody can wish,” says Gucci. Sounds like a man with his eyes on the prize. And you’d expect nothing less from an artist who ground his way to the top via the hustle of independent records. Signing to Big Cat Records in the wake of his local single “Black Tee,” he dropped his debut record, Trap House, in May 2005. The independent album moved an impressive 140,000 units, largely on the strength of the “Icy” single, featuring Jeezy. Clamor over song rights sparked dispute, and the resulting rift grew.
Controversy notwithstanding, Mane’s independence was cemented: “I was on the independent scene for about two years,” he recalls. “It’s crazy! You gotta go into your own pocket to support your craft. You need other avenues to have money coming in, to support your stuff. You might win, you might lose, and it’s a gamble out there with the independent circuit. One thing you’d better have is good music because without that, you go downhill fast in the independent game.”
Good music firmly in hand, Gucci was fast approaching stardom when more tragedy befell him. But let’s backtrack; how did the man born Radric Davis in Bessemer, Alabama, become Gucci Mane, mouthpiece for Atlanta stuntin’? Mane remembers little from his time in Alabama, just that it was rural, and that it’s changed dramatically since he left at the age of nine. “I gotta shout out Alabama though, because they holdin’ it down,” he affirms. “Every time I go there to do a show, I’m impressed with how hip-hop culture has taken root.”
Mane’s identity coalesced when he moved with his mother to Atlanta. “I lived all of my adolescent and adult life in Atlanta,” he explains. “I’m from East Atlanta Zone Six; it was hard, man, it was real rough. I grew up in the Starter jacket era: they’d take your Starter jacket, your 8Ball jacket, they’d take your hat, your shoes. It was just no holds barred on the streets, dog eat dog. If you missed the bus, you had to be crewed up or you’d get jumped. It was wild when I came up.”
It’s a bleak portrait. When asked to describe his home life more vividly, Mane offers a look into his contemplative side, a side honed as a schoolyard poet. “I was just a young dude in a single parent house most of my life. I can’t complain that much. I would guess it’s like any black child growing up in a single parent household. There are a lot of people who know how that is. I didn’t have a lot coming up; but what I did have, I appreciated. I was blessed to have a caring mother to raise me right and to help me with my business ventures; she’s been there through the whole struggle. There’s a lot that goes along with that; it made me who I am today.”
A stepfather would enter the picture during Mane’s adolescence, introducing not only a male figure, but also inspiration for Mane’s unusual moniker. “My father came in, the original Gucci Mane; that’s what people in the neighborhood called him, and that’s where I get my name from. From then on, I grew up the son of a hustler and a schoolteacher; it was the best of both worlds because I was educated twice.” Drawing inspiration from a pantheon of rappers before him –Big Daddy Kane, LL Cool J, Ice Cube, the Beastie Boys, N.W.A—Mane went on to release Trap House, a lethal brew of his signature sound: “I call my music straight Gucci: going hard and whatever beats you make you for me, if I’m feeling it, if I’m rocking with it, I’m gonna crush it. When you hear me, you hear a lot of pain, a lot of hood; you hear what’s going on in the inner city in Atlanta.”
Unfortunately, Trap House was ill timed; the month of its release, Gucci was accused of murder and jailed for two days. Eventually deemed to be acting in self-defense, and without sufficient evidence to hold him, Mane was exonerated. But the ordeal left an indelible imprint on the man. “I learned to keep better company, watch where I go, and be mindful of my surroundings at all times,” he reveals. “Watch what I say, watch what I do and how I do it, just keep myself out of the wrong crowd.”
“I always stand up man,” he continues. “I’m one of the toughest guys I know. It’ll take a lot more than that to break me down.” Undeterred, Mane was back in the studio, preparing 2006’s eerily apropos Hard To Kill. The buzz from Hard To Kill vaulted Gucci Mane from regional commodity to national treasure, and major labels responded accordingly: “There was a bidding war going on, and I liked Atlantic’s approach. They made it known that they wanted me, they felt where I was going and that I could grow with them.”
Asylum/Atlantic Records welcomed Gucci Mane in early ’07, granting him his own imprint, So Icey Entertainment. With it comes an entire stable of artists, the So Icey Boyz. As the Boyz ready for their own exposure –“I got them in training; they be in the weight room, pumping iron, doing pushups, shopping at the mall, buying ice”—Gucci is focused on his magnum opus, Back to the Trap House. “I started working on the album, and by the third song, I was like ‘This is going back to the Trap House.’ I started feeling the same way I did when I made my first album. It had the same feel to it, the same freshness. And I had the same hunger and desire I had when I first started rapping.”
“Since I went major, I want everybody to know I’m still keeping it street, keeping it hood,” Gucci maintains. “I’m trying to take it back to all my fans that I had when I first started my career. And at the same time, I’m trying to open up my new album to a new fan base. So it’s a mix for everybody coming together, like my first album was.” Gucci has always prided himself on his innate ability, and his refusal to let guest appearances dictate the tone of his records. “I just want people to know I’m a great songwriter, man,” he asserts. “I’m passionate about what I do, and it’s choreographed strategically when I do it. I bring a lot of experience, creative wordplay, and a crazy style. And my albums, I record most of the songs without writing them down; it’s a God-given gift and I just get paid for it. It come from God, it’s like wondering what makes a bird fly. He made me a poet like the great poets of the past.”
But don’t mistake Gucci’s confidence for self-absorption. The vicissitudes of his career have dictated a longer view. Lyrics aside, he’s less preoccupied with visible means and more so with acting as an emissary from his under-repped block. “I’m not the one to glorify what goes on in the hood,” he insists. “We have everything there, the whole range from violence to people getting on the bus and going to work. There’s a lot more to the hood than just drugs. It’s a bigger story, there’s a big picture. I went to school in that neighborhood, I worked there, I trapped there, I hustled there, and I got my name there. I’m proud to be from East Atlanta Zone Six, and I claim there. I hold that on my back and carry that, to be the first one from there to really rock.”
And Gucci’s professional aims have matured as well. While other rappers stress platinum plaques, Gucci hasn’t forgotten the route he took to stardom. “I made a lot of CDs on my own. People fucked with me and supported me, and just made me the man I am today. That’s my blueprint right there, and I stay mindful of it. So now, my only concern is that people feel my music; at the end of the day, I do it for people to feel it. If one person feel it, two people feel it, I feel like my job’s been done.”
Fortunately for Gucci, he should be prepared to welcome an army of new fans with Back to the Trap House. But longstanding fans shouldn’t fear; they’ll recognize “Freaky Gurl,” reprised from its previous appearance from Hard To Kill. Luda, upon hearing the joint, asked for a guest spot on the remix. Said remix now appears as the lead single on Back to the Trap House, following in Gucci’s theme of mating old and new. Over a bouncing, meandering beat from Cyber Sapp, the two cook up the requisite concoction of whips, chips, and chicks. Also look out for “Bird Flu,” the album’s number two single, laced by New-York based Supa Sonics. Elsewhere, firm guest verses from Rich Boy and Pimp C of UGK round out Gucci’s regional flavor, while Bay-area producer Zaytoven (of “Icy” renown) locks down Gucci’s West Coast appeal.
Gucci Mane has something for everyone, and with the struggles of the past in his rearview, Gucci is settled in for his ride to the top. “I’m best known for controversy but I’m trying to gain respect as a songwriter and entertainer. I plan to hit them so hard with this album; who knows what the future will bring. I’ll be banging them out till I can’t bang no more.”
It’s said that art mirrors life. In hip-hop’s case, there’s always been a deliberate entanglement of perception and reality. Fans demand their MCs be real…but never too real. Successful hip-hop is about the hint of the danger, the tease of it, the mystique. Hip-hop is about balance.
Gucci Mane is an artist striving for that balance, volatility versus musicality. Controversy, including a feud with former collaborator Young Jeezy, has grabbed the headlines, with insufficient regard paid to his considerable mic skills, raw talent, and business acumen. Gucci is looking to wrest his name from public speculation and let his own words do the talking.
“I wish everybody well who’s making money in this rap game,” the Atlanta-raised rapper says, dismissing the controversy that followed him in the past. “My own rap game is going so good, I’ve got so many things on my plate at my label, that I don’t got time for other people’s business.” With a deal with Asylum Records as the boss of his own label, So Icey Entertainment, Gucci does indeed have a full schedule with no time to dwell on the past.
“I live my life with no regrets. I just wish that a lot of things never happened, but anybody can wish,” says Gucci. Sounds like a man with his eyes on the prize. And you’d expect nothing less from an artist who ground his way to the top via the hustle of independent records. Signing to Big Cat Records in the wake of his local single “Black Tee,” he dropped his debut record, Trap House, in May 2005. The independent album moved an impressive 140,000 units, largely on the strength of the “Icy” single, featuring Jeezy. Clamor over song rights sparked dispute, and the resulting rift grew.
Controversy notwithstanding, Mane’s independence was cemented: “I was on the independent scene for about two years,” he recalls. “It’s crazy! You gotta go into your own pocket to support your craft. You need other avenues to have money coming in, to support your stuff. You might win, you might lose, and it’s a gamble out there with the independent circuit. One thing you’d better have is good music because without that, you go downhill fast in the independent game.”
Good music firmly in hand, Gucci was fast approaching stardom when more tragedy befell him. But let’s backtrack; how did the man born Radric Davis in Bessemer, Alabama, become Gucci Mane, mouthpiece for Atlanta stuntin’? Mane remembers little from his time in Alabama, just that it was rural, and that it’s changed dramatically since he left at the age of nine. “I gotta shout out Alabama though, because they holdin’ it down,” he affirms. “Every time I go there to do a show, I’m impressed with how hip-hop culture has taken root.”
Mane’s identity coalesced when he moved with his mother to Atlanta. “I lived all of my adolescent and adult life in Atlanta,” he explains. “I’m from East Atlanta Zone Six; it was hard, man, it was real rough. I grew up in the Starter jacket era: they’d take your Starter jacket, your 8Ball jacket, they’d take your hat, your shoes. It was just no holds barred on the streets, dog eat dog. If you missed the bus, you had to be crewed up or you’d get jumped. It was wild when I came up.”
It’s a bleak portrait. When asked to describe his home life more vividly, Mane offers a look into his contemplative side, a side honed as a schoolyard poet. “I was just a young dude in a single parent house most of my life. I can’t complain that much. I would guess it’s like any black child growing up in a single parent household. There are a lot of people who know how that is. I didn’t have a lot coming up; but what I did have, I appreciated. I was blessed to have a caring mother to raise me right and to help me with my business ventures; she’s been there through the whole struggle. There’s a lot that goes along with that; it made me who I am today.”
A stepfather would enter the picture during Mane’s adolescence, introducing not only a male figure, but also inspiration for Mane’s unusual moniker. “My father came in, the original Gucci Mane; that’s what people in the neighborhood called him, and that’s where I get my name from. From then on, I grew up the son of a hustler and a schoolteacher; it was the best of both worlds because I was educated twice.” Drawing inspiration from a pantheon of rappers before him –Big Daddy Kane, LL Cool J, Ice Cube, the Beastie Boys, N.W.A—Mane went on to release Trap House, a lethal brew of his signature sound: “I call my music straight Gucci: going hard and whatever beats you make you for me, if I’m feeling it, if I’m rocking with it, I’m gonna crush it. When you hear me, you hear a lot of pain, a lot of hood; you hear what’s going on in the inner city in Atlanta.”
Unfortunately, Trap House was ill timed; the month of its release, Gucci was accused of murder and jailed for two days. Eventually deemed to be acting in self-defense, and without sufficient evidence to hold him, Mane was exonerated. But the ordeal left an indelible imprint on the man. “I learned to keep better company, watch where I go, and be mindful of my surroundings at all times,” he reveals. “Watch what I say, watch what I do and how I do it, just keep myself out of the wrong crowd.”
“I always stand up man,” he continues. “I’m one of the toughest guys I know. It’ll take a lot more than that to break me down.” Undeterred, Mane was back in the studio, preparing 2006’s eerily apropos Hard To Kill. The buzz from Hard To Kill vaulted Gucci Mane from regional commodity to national treasure, and major labels responded accordingly: “There was a bidding war going on, and I liked Atlantic’s approach. They made it known that they wanted me, they felt where I was going and that I could grow with them.”
Asylum/Atlantic Records welcomed Gucci Mane in early ’07, granting him his own imprint, So Icey Entertainment. With it comes an entire stable of artists, the So Icey Boyz. As the Boyz ready for their own exposure –“I got them in training; they be in the weight room, pumping iron, doing pushups, shopping at the mall, buying ice”—Gucci is focused on his magnum opus, Back to the Trap House. “I started working on the album, and by the third song, I was like ‘This is going back to the Trap House.’ I started feeling the same way I did when I made my first album. It had the same feel to it, the same freshness. And I had the same hunger and desire I had when I first started rapping.”
“Since I went major, I want everybody to know I’m still keeping it street, keeping it hood,” Gucci maintains. “I’m trying to take it back to all my fans that I had when I first started my career. And at the same time, I’m trying to open up my new album to a new fan base. So it’s a mix for everybody coming together, like my first album was.” Gucci has always prided himself on his innate ability, and his refusal to let guest appearances dictate the tone of his records. “I just want people to know I’m a great songwriter, man,” he asserts. “I’m passionate about what I do, and it’s choreographed strategically when I do it. I bring a lot of experience, creative wordplay, and a crazy style. And my albums, I record most of the songs without writing them down; it’s a God-given gift and I just get paid for it. It come from God, it’s like wondering what makes a bird fly. He made me a poet like the great poets of the past.”
But don’t mistake Gucci’s confidence for self-absorption. The vicissitudes of his career have dictated a longer view. Lyrics aside, he’s less preoccupied with visible means and more so with acting as an emissary from his under-repped block. “I’m not the one to glorify what goes on in the hood,” he insists. “We have everything there, the whole range from violence to people getting on the bus and going to work. There’s a lot more to the hood than just drugs. It’s a bigger story, there’s a big picture. I went to school in that neighborhood, I worked there, I trapped there, I hustled there, and I got my name there. I’m proud to be from East Atlanta Zone Six, and I claim there. I hold that on my back and carry that, to be the first one from there to really rock.”
And Gucci’s professional aims have matured as well. While other rappers stress platinum plaques, Gucci hasn’t forgotten the route he took to stardom. “I made a lot of CDs on my own. People fucked with me and supported me, and just made me the man I am today. That’s my blueprint right there, and I stay mindful of it. So now, my only concern is that people feel my music; at the end of the day, I do it for people to feel it. If one person feel it, two people feel it, I feel like my job’s been done.”
Fortunately for Gucci, he should be prepared to welcome an army of new fans with Back to the Trap House. But longstanding fans shouldn’t fear; they’ll recognize “Freaky Gurl,” reprised from its previous appearance from Hard To Kill. Luda, upon hearing the joint, asked for a guest spot on the remix. Said remix now appears as the lead single on Back to the Trap House, following in Gucci’s theme of mating old and new. Over a bouncing, meandering beat from Cyber Sapp, the two cook up the requisite concoction of whips, chips, and chicks. Also look out for “Bird Flu,” the album’s number two single, laced by New-York based Supa Sonics. Elsewhere, firm guest verses from Rich Boy and Pimp C of UGK round out Gucci’s regional flavor, while Bay-area producer Zaytoven (of “Icy” renown) locks down Gucci’s West Coast appeal.
Gucci Mane has something for everyone, and with the struggles of the past in his rearview, Gucci is settled in for his ride to the top. “I’m best known for controversy but I’m trying to gain respect as a songwriter and entertainer. I plan to hit them so hard with this album; who knows what the future will bring. I’ll be banging them out till I can’t bang no more.”
Addicted
Gucci Mane Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Hi my name is Gucci Mane, I'm addicted to everything
Bad bitches, fast cars, weed and promethazine
Hi my name is Gucci Mane, I'm addicted to everything
Diamond chains, assault rifles, strip clubs, and gambling
Hi my name is Gucci Mane, I'm addicted to everything
Fast cars, bad bitches, weed and promethazine
Hi my name is Gucci Mane, I'm addicted to everything
Diamond chains, assault rifles, strip clubs, and gambling
Hi my name is Gucci Mane, I'm addicted to everything
Bad bitches, fast cars, weed and promethazine
Diamond chains, tennis chains, assault rifles,and gambling
Sellin' dope and trickin' folks that run in my family
My daddy was an alcoholic, momma she's a junkie daughter
Cousin smokin' crack
I guess she forgot all her aunt done taught her
Plus I got two brothers that I don't know from addicted father
And all the pain I 'caused my mother
Bet she wish she had a daughter
Sellin sets out my momma window, tryna' get a new Starter
Treat Sun Valley like Decatur, Mountain Park like Port Arthur
I know my family dysfunctional so God please help these country folks,
Tired and broke, in need of hope
Cheap heroin, crack and coke
Hi my name is Gucci Mane, I'm addicted to everything
Bad bitches, fast cars, weed and promethazine
Hi my name is Gucci Mane, I'm addicted to everything
Diamond chains, assault rifles, strip clubs, and gambling
Hi my name is Gucci Mane, I'm addicted to everything
Fast cars, bad bitches, weed and promethazine
Hi my name is Gucci Mane, I'm addicted to everything
Diamond chains, assault rifles, strip clubs, and gambling
Gucci Mane a local joker man that nigga regional
And people won't be happy 'til I'm confined to Georgia regional
The third week out of rehab he forgetting what they teachin' him,
Like why you smokin' blunts and sippin' lean
And you a millionaire
Wrecked my yellow Lamb, high on drugs I didn't give a care
Smash my black Ferrari two years later now it need repair
Demons in my ear, got me seein' things wasn't even there
People in my circle say they care, but they don't really care
But I can't blame nobody but myself
It starts with myself, 'cause rap can bring you wealth
But that wealth can destroy your health
Lookin' in the mirror at myself, had to catch my breath
And tell myself that Gucci you a addict, thats the first step
Hi my name is Gucci Mane, I'm addicted to everything
Bad bitches, fast cars, weed and promethazine
Hi my name is Gucci Mane, I'm addicted to everything
Diamond chains, assault rifles, strip clubs, and gambling
Hi my name is Gucci Mane, I'm addicted to everything
Fast cars, bad bitches, weed and promethazine
Hi my name is Gucci Mane, I'm addicted to everything
Diamond chains, assault rifles, strip clubs, and gambling
Bad bitches, fast cars, weed and promethazine
Hi my name is Gucci Mane, I'm addicted to everything
Diamond chains, assault rifles, strip clubs, and gambling
Hi my name is Gucci Mane, I'm addicted to everything
Fast cars, bad bitches, weed and promethazine
Hi my name is Gucci Mane, I'm addicted to everything
Diamond chains, assault rifles, strip clubs, and gambling
Hi my name is Gucci Mane, I'm addicted to everything
Bad bitches, fast cars, weed and promethazine
Diamond chains, tennis chains, assault rifles,and gambling
Sellin' dope and trickin' folks that run in my family
My daddy was an alcoholic, momma she's a junkie daughter
Cousin smokin' crack
I guess she forgot all her aunt done taught her
Plus I got two brothers that I don't know from addicted father
And all the pain I 'caused my mother
Bet she wish she had a daughter
Sellin sets out my momma window, tryna' get a new Starter
Treat Sun Valley like Decatur, Mountain Park like Port Arthur
I know my family dysfunctional so God please help these country folks,
Tired and broke, in need of hope
Cheap heroin, crack and coke
Hi my name is Gucci Mane, I'm addicted to everything
Bad bitches, fast cars, weed and promethazine
Hi my name is Gucci Mane, I'm addicted to everything
Diamond chains, assault rifles, strip clubs, and gambling
Hi my name is Gucci Mane, I'm addicted to everything
Fast cars, bad bitches, weed and promethazine
Hi my name is Gucci Mane, I'm addicted to everything
Diamond chains, assault rifles, strip clubs, and gambling
Gucci Mane a local joker man that nigga regional
And people won't be happy 'til I'm confined to Georgia regional
The third week out of rehab he forgetting what they teachin' him,
Like why you smokin' blunts and sippin' lean
And you a millionaire
Wrecked my yellow Lamb, high on drugs I didn't give a care
Smash my black Ferrari two years later now it need repair
Demons in my ear, got me seein' things wasn't even there
People in my circle say they care, but they don't really care
But I can't blame nobody but myself
It starts with myself, 'cause rap can bring you wealth
But that wealth can destroy your health
Lookin' in the mirror at myself, had to catch my breath
And tell myself that Gucci you a addict, thats the first step
Hi my name is Gucci Mane, I'm addicted to everything
Bad bitches, fast cars, weed and promethazine
Hi my name is Gucci Mane, I'm addicted to everything
Diamond chains, assault rifles, strip clubs, and gambling
Hi my name is Gucci Mane, I'm addicted to everything
Fast cars, bad bitches, weed and promethazine
Hi my name is Gucci Mane, I'm addicted to everything
Diamond chains, assault rifles, strip clubs, and gambling
"Addicted" is a song by the American rapper Gucci Mane, released in 2015. The lyrics are a reflection of his life and his struggles with addiction to various vices. Gucci admits that he is addicted to bad bitches, fast cars, weed, promethazine, diamond chains, assault rifles, strip clubs, and gambling. He also talks about how the addiction runs in his family, with his father being an alcoholic, and his mother and cousin being drug addicts.
Gucci portrays himself as being trapped in a vicious cycle of addiction that is destroying him from within. He talks about how he is forgetting the lessons he learned in rehab and how he feels stuck in his old ways. He is aware that his addiction is causing harm to those around him, especially his mother, and he wishes he could change the past. The song is a sobering reminder of the dangers of addiction and the havoc it can wreak on one's life and the lives of loved ones.
In conclusion, "Addicted" is a thought-provoking song that touches on the realities of addiction and how it can consume a person's life. Gucci Mane's candid admission of his own struggles with addiction serves as a reminder that addiction can happen to anyone, regardless of status or background.
Line by Line Meaning
Hi my name is Gucci Mane, I'm addicted to everything
A confession from Gucci Mane that he is addicted to everything that he has listed in the following lines.
Bad bitches, fast cars, weed and promethazine
Gucci Mane is addicted to attractive women, fast cars, weed, and promethazine.
Diamond chains, assault rifles, strip clubs, and gambling
Gucci Mane's addiction extends to diamond chains, assault rifles, strip clubs, and gambling as well.
Sellin' dope and trickin' folks that run in my family
Drug dealing and scamming runs in Gucci Mane's family and he continues to pursue these activities.
My daddy was an alcoholic, momma she's a junkie daughter
Gucci Mane's father was an alcoholic and his mother is addicted to drugs, which has influenced him.
Cousin smokin' crack
One of Gucci Mane's cousins is addicted to smoking crack.
I know my family dysfunctional so God please help these country folks, Tired and broke, in need of hope
Gucci Mane recognizes that his family is dysfunctional and prays for their help, as they are tired, broke and hopeless.
Demons in my ear, got me seein' things wasn't even there
Gucci Mane's addiction has caused him to experience hallucinations and delusions, due to the influence of his demons.
But I can't blame nobody but myself
Despite the influence of his family and environment, Gucci Mane takes responsibility for his addiction and actions.
Lookin' in the mirror at myself, had to catch my breath
Gucci Mane has to take a moment to reflect upon his actions and the impact they have had on his life and future.
And tell myself that Gucci you a addict, thats the first step
Gucci Mane acknowledges that he is an addict and that recognizing his addiction is the first step towards recovery.
Lyrics © BMG Rights Management, Universal Music Publishing Group, Warner Chappell Music, Inc.
Written by: Radric Davis, Willie Byrd
Lyrics Licensed & Provided by LyricFind
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@trapstarmuddy
Just taking a minute to appreciate a trap legend
@user-bg9vg2nd3p
ΚΌΛΛΗΜΑ... 🇬🇷🇬🇷❤️
@lucky_apple8255
He didn't find it. All he did was follow the rythym..
@trapstarmuddy
@@lucky_apple8255 I’m that case my bad I’m just listening to one of the GOATs who did trap music
@lucky_apple8255
@@trapstarmuddy yessir I fw Gucci heavy but I can't say he found it. Check out koopsta knicca Gucci copied him
@ruskilolxd02
big cap
@ChunkyChest
"rap can bring you wealth, but that wealth, can destroy your health" #truth
@hunterstephenson2809
Yeah except sosa dont give af
@dkfaust222
I’ll trade a few years for some 000000 in the bank
@zabbjudda5692
I'm an addict