Radric Davis (born February 12, 1980 in Birmingham, Alabama), better known … Read Full Bio ↴Radric Davis (born February 12, 1980 in Birmingham, Alabama), better known by his stage name Gucci Mane, is an American rapper and CEO of 1017 Brick Squad Records. In 2005 he released his independent debut album, Trap House, which featured the successful single "Icy" that he recorded with Young Jeezy. He has since released a further three albums including 2006's Hard To Kill, 2007's Trap-A-Thon and 2007's Back To The Trap House. His sixth studio album, The State vs Radric Davis, was released in December 2009, just weeks after he was sent back to prison for 12 months for violating his probation. He was released in May 2010 and will now release his seventh studio album, The Appeal: Georgia's Most Wanted, sometime at the end of 2010.
It’s said that art mirrors life. In hip-hop’s case, there’s always been a deliberate entanglement of perception and reality. Fans demand their MCs be real…but never too real. Successful hip-hop is about the hint of the danger, the tease of it, the mystique. Hip-hop is about balance.
Gucci Mane is an artist striving for that balance, volatility versus musicality. Controversy, including a feud with former collaborator Young Jeezy, has grabbed the headlines, with insufficient regard paid to his considerable mic skills, raw talent, and business acumen. Gucci is looking to wrest his name from public speculation and let his own words do the talking.
“I wish everybody well who’s making money in this rap game,” the Atlanta-raised rapper says, dismissing the controversy that followed him in the past. “My own rap game is going so good, I’ve got so many things on my plate at my label, that I don’t got time for other people’s business.” With a deal with Asylum Records as the boss of his own label, So Icey Entertainment, Gucci does indeed have a full schedule with no time to dwell on the past.
“I live my life with no regrets. I just wish that a lot of things never happened, but anybody can wish,” says Gucci. Sounds like a man with his eyes on the prize. And you’d expect nothing less from an artist who ground his way to the top via the hustle of independent records. Signing to Big Cat Records in the wake of his local single “Black Tee,” he dropped his debut record, Trap House, in May 2005. The independent album moved an impressive 140,000 units, largely on the strength of the “Icy” single, featuring Jeezy. Clamor over song rights sparked dispute, and the resulting rift grew.
Controversy notwithstanding, Mane’s independence was cemented: “I was on the independent scene for about two years,” he recalls. “It’s crazy! You gotta go into your own pocket to support your craft. You need other avenues to have money coming in, to support your stuff. You might win, you might lose, and it’s a gamble out there with the independent circuit. One thing you’d better have is good music because without that, you go downhill fast in the independent game.”
Good music firmly in hand, Gucci was fast approaching stardom when more tragedy befell him. But let’s backtrack; how did the man born Radric Davis in Bessemer, Alabama, become Gucci Mane, mouthpiece for Atlanta stuntin’? Mane remembers little from his time in Alabama, just that it was rural, and that it’s changed dramatically since he left at the age of nine. “I gotta shout out Alabama though, because they holdin’ it down,” he affirms. “Every time I go there to do a show, I’m impressed with how hip-hop culture has taken root.”
Mane’s identity coalesced when he moved with his mother to Atlanta. “I lived all of my adolescent and adult life in Atlanta,” he explains. “I’m from East Atlanta Zone Six; it was hard, man, it was real rough. I grew up in the Starter jacket era: they’d take your Starter jacket, your 8Ball jacket, they’d take your hat, your shoes. It was just no holds barred on the streets, dog eat dog. If you missed the bus, you had to be crewed up or you’d get jumped. It was wild when I came up.”
It’s a bleak portrait. When asked to describe his home life more vividly, Mane offers a look into his contemplative side, a side honed as a schoolyard poet. “I was just a young dude in a single parent house most of my life. I can’t complain that much. I would guess it’s like any black child growing up in a single parent household. There are a lot of people who know how that is. I didn’t have a lot coming up; but what I did have, I appreciated. I was blessed to have a caring mother to raise me right and to help me with my business ventures; she’s been there through the whole struggle. There’s a lot that goes along with that; it made me who I am today.”
A stepfather would enter the picture during Mane’s adolescence, introducing not only a male figure, but also inspiration for Mane’s unusual moniker. “My father came in, the original Gucci Mane; that’s what people in the neighborhood called him, and that’s where I get my name from. From then on, I grew up the son of a hustler and a schoolteacher; it was the best of both worlds because I was educated twice.” Drawing inspiration from a pantheon of rappers before him –Big Daddy Kane, LL Cool J, Ice Cube, the Beastie Boys, N.W.A—Mane went on to release Trap House, a lethal brew of his signature sound: “I call my music straight Gucci: going hard and whatever beats you make you for me, if I’m feeling it, if I’m rocking with it, I’m gonna crush it. When you hear me, you hear a lot of pain, a lot of hood; you hear what’s going on in the inner city in Atlanta.”
Unfortunately, Trap House was ill timed; the month of its release, Gucci was accused of murder and jailed for two days. Eventually deemed to be acting in self-defense, and without sufficient evidence to hold him, Mane was exonerated. But the ordeal left an indelible imprint on the man. “I learned to keep better company, watch where I go, and be mindful of my surroundings at all times,” he reveals. “Watch what I say, watch what I do and how I do it, just keep myself out of the wrong crowd.”
“I always stand up man,” he continues. “I’m one of the toughest guys I know. It’ll take a lot more than that to break me down.” Undeterred, Mane was back in the studio, preparing 2006’s eerily apropos Hard To Kill. The buzz from Hard To Kill vaulted Gucci Mane from regional commodity to national treasure, and major labels responded accordingly: “There was a bidding war going on, and I liked Atlantic’s approach. They made it known that they wanted me, they felt where I was going and that I could grow with them.”
Asylum/Atlantic Records welcomed Gucci Mane in early ’07, granting him his own imprint, So Icey Entertainment. With it comes an entire stable of artists, the So Icey Boyz. As the Boyz ready for their own exposure –“I got them in training; they be in the weight room, pumping iron, doing pushups, shopping at the mall, buying ice”—Gucci is focused on his magnum opus, Back to the Trap House. “I started working on the album, and by the third song, I was like ‘This is going back to the Trap House.’ I started feeling the same way I did when I made my first album. It had the same feel to it, the same freshness. And I had the same hunger and desire I had when I first started rapping.”
“Since I went major, I want everybody to know I’m still keeping it street, keeping it hood,” Gucci maintains. “I’m trying to take it back to all my fans that I had when I first started my career. And at the same time, I’m trying to open up my new album to a new fan base. So it’s a mix for everybody coming together, like my first album was.” Gucci has always prided himself on his innate ability, and his refusal to let guest appearances dictate the tone of his records. “I just want people to know I’m a great songwriter, man,” he asserts. “I’m passionate about what I do, and it’s choreographed strategically when I do it. I bring a lot of experience, creative wordplay, and a crazy style. And my albums, I record most of the songs without writing them down; it’s a God-given gift and I just get paid for it. It come from God, it’s like wondering what makes a bird fly. He made me a poet like the great poets of the past.”
But don’t mistake Gucci’s confidence for self-absorption. The vicissitudes of his career have dictated a longer view. Lyrics aside, he’s less preoccupied with visible means and more so with acting as an emissary from his under-repped block. “I’m not the one to glorify what goes on in the hood,” he insists. “We have everything there, the whole range from violence to people getting on the bus and going to work. There’s a lot more to the hood than just drugs. It’s a bigger story, there’s a big picture. I went to school in that neighborhood, I worked there, I trapped there, I hustled there, and I got my name there. I’m proud to be from East Atlanta Zone Six, and I claim there. I hold that on my back and carry that, to be the first one from there to really rock.”
And Gucci’s professional aims have matured as well. While other rappers stress platinum plaques, Gucci hasn’t forgotten the route he took to stardom. “I made a lot of CDs on my own. People fucked with me and supported me, and just made me the man I am today. That’s my blueprint right there, and I stay mindful of it. So now, my only concern is that people feel my music; at the end of the day, I do it for people to feel it. If one person feel it, two people feel it, I feel like my job’s been done.”
Fortunately for Gucci, he should be prepared to welcome an army of new fans with Back to the Trap House. But longstanding fans shouldn’t fear; they’ll recognize “Freaky Gurl,” reprised from its previous appearance from Hard To Kill. Luda, upon hearing the joint, asked for a guest spot on the remix. Said remix now appears as the lead single on Back to the Trap House, following in Gucci’s theme of mating old and new. Over a bouncing, meandering beat from Cyber Sapp, the two cook up the requisite concoction of whips, chips, and chicks. Also look out for “Bird Flu,” the album’s number two single, laced by New-York based Supa Sonics. Elsewhere, firm guest verses from Rich Boy and Pimp C of UGK round out Gucci’s regional flavor, while Bay-area producer Zaytoven (of “Icy” renown) locks down Gucci’s West Coast appeal.
Gucci Mane has something for everyone, and with the struggles of the past in his rearview, Gucci is settled in for his ride to the top. “I’m best known for controversy but I’m trying to gain respect as a songwriter and entertainer. I plan to hit them so hard with this album; who knows what the future will bring. I’ll be banging them out till I can’t bang no more.”
It’s said that art mirrors life. In hip-hop’s case, there’s always been a deliberate entanglement of perception and reality. Fans demand their MCs be real…but never too real. Successful hip-hop is about the hint of the danger, the tease of it, the mystique. Hip-hop is about balance.
Gucci Mane is an artist striving for that balance, volatility versus musicality. Controversy, including a feud with former collaborator Young Jeezy, has grabbed the headlines, with insufficient regard paid to his considerable mic skills, raw talent, and business acumen. Gucci is looking to wrest his name from public speculation and let his own words do the talking.
“I wish everybody well who’s making money in this rap game,” the Atlanta-raised rapper says, dismissing the controversy that followed him in the past. “My own rap game is going so good, I’ve got so many things on my plate at my label, that I don’t got time for other people’s business.” With a deal with Asylum Records as the boss of his own label, So Icey Entertainment, Gucci does indeed have a full schedule with no time to dwell on the past.
“I live my life with no regrets. I just wish that a lot of things never happened, but anybody can wish,” says Gucci. Sounds like a man with his eyes on the prize. And you’d expect nothing less from an artist who ground his way to the top via the hustle of independent records. Signing to Big Cat Records in the wake of his local single “Black Tee,” he dropped his debut record, Trap House, in May 2005. The independent album moved an impressive 140,000 units, largely on the strength of the “Icy” single, featuring Jeezy. Clamor over song rights sparked dispute, and the resulting rift grew.
Controversy notwithstanding, Mane’s independence was cemented: “I was on the independent scene for about two years,” he recalls. “It’s crazy! You gotta go into your own pocket to support your craft. You need other avenues to have money coming in, to support your stuff. You might win, you might lose, and it’s a gamble out there with the independent circuit. One thing you’d better have is good music because without that, you go downhill fast in the independent game.”
Good music firmly in hand, Gucci was fast approaching stardom when more tragedy befell him. But let’s backtrack; how did the man born Radric Davis in Bessemer, Alabama, become Gucci Mane, mouthpiece for Atlanta stuntin’? Mane remembers little from his time in Alabama, just that it was rural, and that it’s changed dramatically since he left at the age of nine. “I gotta shout out Alabama though, because they holdin’ it down,” he affirms. “Every time I go there to do a show, I’m impressed with how hip-hop culture has taken root.”
Mane’s identity coalesced when he moved with his mother to Atlanta. “I lived all of my adolescent and adult life in Atlanta,” he explains. “I’m from East Atlanta Zone Six; it was hard, man, it was real rough. I grew up in the Starter jacket era: they’d take your Starter jacket, your 8Ball jacket, they’d take your hat, your shoes. It was just no holds barred on the streets, dog eat dog. If you missed the bus, you had to be crewed up or you’d get jumped. It was wild when I came up.”
It’s a bleak portrait. When asked to describe his home life more vividly, Mane offers a look into his contemplative side, a side honed as a schoolyard poet. “I was just a young dude in a single parent house most of my life. I can’t complain that much. I would guess it’s like any black child growing up in a single parent household. There are a lot of people who know how that is. I didn’t have a lot coming up; but what I did have, I appreciated. I was blessed to have a caring mother to raise me right and to help me with my business ventures; she’s been there through the whole struggle. There’s a lot that goes along with that; it made me who I am today.”
A stepfather would enter the picture during Mane’s adolescence, introducing not only a male figure, but also inspiration for Mane’s unusual moniker. “My father came in, the original Gucci Mane; that’s what people in the neighborhood called him, and that’s where I get my name from. From then on, I grew up the son of a hustler and a schoolteacher; it was the best of both worlds because I was educated twice.” Drawing inspiration from a pantheon of rappers before him –Big Daddy Kane, LL Cool J, Ice Cube, the Beastie Boys, N.W.A—Mane went on to release Trap House, a lethal brew of his signature sound: “I call my music straight Gucci: going hard and whatever beats you make you for me, if I’m feeling it, if I’m rocking with it, I’m gonna crush it. When you hear me, you hear a lot of pain, a lot of hood; you hear what’s going on in the inner city in Atlanta.”
Unfortunately, Trap House was ill timed; the month of its release, Gucci was accused of murder and jailed for two days. Eventually deemed to be acting in self-defense, and without sufficient evidence to hold him, Mane was exonerated. But the ordeal left an indelible imprint on the man. “I learned to keep better company, watch where I go, and be mindful of my surroundings at all times,” he reveals. “Watch what I say, watch what I do and how I do it, just keep myself out of the wrong crowd.”
“I always stand up man,” he continues. “I’m one of the toughest guys I know. It’ll take a lot more than that to break me down.” Undeterred, Mane was back in the studio, preparing 2006’s eerily apropos Hard To Kill. The buzz from Hard To Kill vaulted Gucci Mane from regional commodity to national treasure, and major labels responded accordingly: “There was a bidding war going on, and I liked Atlantic’s approach. They made it known that they wanted me, they felt where I was going and that I could grow with them.”
Asylum/Atlantic Records welcomed Gucci Mane in early ’07, granting him his own imprint, So Icey Entertainment. With it comes an entire stable of artists, the So Icey Boyz. As the Boyz ready for their own exposure –“I got them in training; they be in the weight room, pumping iron, doing pushups, shopping at the mall, buying ice”—Gucci is focused on his magnum opus, Back to the Trap House. “I started working on the album, and by the third song, I was like ‘This is going back to the Trap House.’ I started feeling the same way I did when I made my first album. It had the same feel to it, the same freshness. And I had the same hunger and desire I had when I first started rapping.”
“Since I went major, I want everybody to know I’m still keeping it street, keeping it hood,” Gucci maintains. “I’m trying to take it back to all my fans that I had when I first started my career. And at the same time, I’m trying to open up my new album to a new fan base. So it’s a mix for everybody coming together, like my first album was.” Gucci has always prided himself on his innate ability, and his refusal to let guest appearances dictate the tone of his records. “I just want people to know I’m a great songwriter, man,” he asserts. “I’m passionate about what I do, and it’s choreographed strategically when I do it. I bring a lot of experience, creative wordplay, and a crazy style. And my albums, I record most of the songs without writing them down; it’s a God-given gift and I just get paid for it. It come from God, it’s like wondering what makes a bird fly. He made me a poet like the great poets of the past.”
But don’t mistake Gucci’s confidence for self-absorption. The vicissitudes of his career have dictated a longer view. Lyrics aside, he’s less preoccupied with visible means and more so with acting as an emissary from his under-repped block. “I’m not the one to glorify what goes on in the hood,” he insists. “We have everything there, the whole range from violence to people getting on the bus and going to work. There’s a lot more to the hood than just drugs. It’s a bigger story, there’s a big picture. I went to school in that neighborhood, I worked there, I trapped there, I hustled there, and I got my name there. I’m proud to be from East Atlanta Zone Six, and I claim there. I hold that on my back and carry that, to be the first one from there to really rock.”
And Gucci’s professional aims have matured as well. While other rappers stress platinum plaques, Gucci hasn’t forgotten the route he took to stardom. “I made a lot of CDs on my own. People fucked with me and supported me, and just made me the man I am today. That’s my blueprint right there, and I stay mindful of it. So now, my only concern is that people feel my music; at the end of the day, I do it for people to feel it. If one person feel it, two people feel it, I feel like my job’s been done.”
Fortunately for Gucci, he should be prepared to welcome an army of new fans with Back to the Trap House. But longstanding fans shouldn’t fear; they’ll recognize “Freaky Gurl,” reprised from its previous appearance from Hard To Kill. Luda, upon hearing the joint, asked for a guest spot on the remix. Said remix now appears as the lead single on Back to the Trap House, following in Gucci’s theme of mating old and new. Over a bouncing, meandering beat from Cyber Sapp, the two cook up the requisite concoction of whips, chips, and chicks. Also look out for “Bird Flu,” the album’s number two single, laced by New-York based Supa Sonics. Elsewhere, firm guest verses from Rich Boy and Pimp C of UGK round out Gucci’s regional flavor, while Bay-area producer Zaytoven (of “Icy” renown) locks down Gucci’s West Coast appeal.
Gucci Mane has something for everyone, and with the struggles of the past in his rearview, Gucci is settled in for his ride to the top. “I’m best known for controversy but I’m trying to gain respect as a songwriter and entertainer. I plan to hit them so hard with this album; who knows what the future will bring. I’ll be banging them out till I can’t bang no more.”
This Is What I Do
Gucci Mane Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Dirty Birds in this motherfucker (ay yeah boyyy) It's Guc'!
Matter of fact it's Big Gucci in this motherfucker (ay yeah)
Flockaveli, Birdman (ay yeah boyyy)
Ca$h Money, Brick Squad linked up to 17 (BRICK SQUAD!!)
[Chorus]
In the streets, make some moves, get my paper (this is what I do)
FUCK 'EM! Blow croak smoke on my haters (this is what I do)
Pop up with the real, fuck you fakers (this is what I do)
All about my money, fuck you pay me (this is what I do)
Huh? (This is what I do) Oh for real? (This is what I do)
Word? (This is what I do) Bitch! (This is what I do)
Huh? (This is what I do) Oh for real? (This is what I do)
Word? (This is what I do) Bitch! (This is what I do)
It's Big Gucci (ha) mob moves you wise fools
You can't mute me, my whole life I'm ProTools
First day appeal, just elude me or shoot me
I stand on my word, I'm like Luke in the 90's
Cocaine crazy, 1980 baby
2/12 they birthed me, now find me in Miami
East Atlanta with me, always to the Grammys
This time? Big bucks, no Whammies
My trunk slammin, my track jammin
I'm too fancy; manners I left 'em
I'm healthy, stealthy, and wealthy - you try me?
I'll probably show a nigga how to drive a jet ski
Them Brick Squad niggaz got me like I got me
Me, Flock and Baby back to Bankhead in real Bugatis
Brick Squad, Zone 6, Ca$h Money, whattup?
I might just fuckin buy my mom a Maserati
[Chorus]
I got 6's on my red and black whip (this is what I do)
Watch them girls choose, iced up like a fool
Po'n lean in my styrogoam, this is how I Screw
Ohhhhhhhhhhhhhhh... ha! (Flock 'em!)
Flexin with the crew, mean muggin who?
Bad attitude, what'chu wanna do?
20 bottles, 40 blunts, meet me, on the moon (hold up)
Make it, make it rain, now my lil' bitch strippers come together, fame
Let my, pants hang, watch me, do my, chain swang
Takin, bitch mane, with this yellow, diamond, karat, chain
Waka, Flocka, Flame, Gucci, Gucci, Mane
With the Birdman, this is how we hang
[Chorus]
(Ayyyy!) This is what I do, then I cut a damn fool
Man I come through Chevrolet, but it look gray Coupe
Get my money stack it up, this is what real players do (yessir)
Now if, he don't get no money then that nigga need to shoot
Smokin kush, at the house, while yo' bitch clean my shoe
Real gangsta nigga mayne, this is what I do
Say lil' potnah just hit me sayin "Man I need a deuce" (okay!)
So I hit him with the force, this is what I do
Killed yo' baby momma; this is what I do (damn!)
Work chipped cell phones, this is what I do
Rims on my car look like man they runnin out they shoe
With that blue 20 piece look like my backyard swimmin pool
[Chorus]
Matter of fact it's Big Gucci in this motherfucker (ay yeah)
Flockaveli, Birdman (ay yeah boyyy)
Ca$h Money, Brick Squad linked up to 17 (BRICK SQUAD!!)
[Chorus]
In the streets, make some moves, get my paper (this is what I do)
FUCK 'EM! Blow croak smoke on my haters (this is what I do)
All about my money, fuck you pay me (this is what I do)
Huh? (This is what I do) Oh for real? (This is what I do)
Word? (This is what I do) Bitch! (This is what I do)
Huh? (This is what I do) Oh for real? (This is what I do)
Word? (This is what I do) Bitch! (This is what I do)
It's Big Gucci (ha) mob moves you wise fools
You can't mute me, my whole life I'm ProTools
First day appeal, just elude me or shoot me
I stand on my word, I'm like Luke in the 90's
Cocaine crazy, 1980 baby
2/12 they birthed me, now find me in Miami
East Atlanta with me, always to the Grammys
This time? Big bucks, no Whammies
My trunk slammin, my track jammin
I'm too fancy; manners I left 'em
I'm healthy, stealthy, and wealthy - you try me?
I'll probably show a nigga how to drive a jet ski
Them Brick Squad niggaz got me like I got me
Me, Flock and Baby back to Bankhead in real Bugatis
Brick Squad, Zone 6, Ca$h Money, whattup?
I might just fuckin buy my mom a Maserati
[Chorus]
I got 6's on my red and black whip (this is what I do)
Watch them girls choose, iced up like a fool
Po'n lean in my styrogoam, this is how I Screw
Ohhhhhhhhhhhhhhh... ha! (Flock 'em!)
Flexin with the crew, mean muggin who?
Bad attitude, what'chu wanna do?
20 bottles, 40 blunts, meet me, on the moon (hold up)
Make it, make it rain, now my lil' bitch strippers come together, fame
Let my, pants hang, watch me, do my, chain swang
Takin, bitch mane, with this yellow, diamond, karat, chain
Waka, Flocka, Flame, Gucci, Gucci, Mane
With the Birdman, this is how we hang
[Chorus]
(Ayyyy!) This is what I do, then I cut a damn fool
Man I come through Chevrolet, but it look gray Coupe
Get my money stack it up, this is what real players do (yessir)
Now if, he don't get no money then that nigga need to shoot
Smokin kush, at the house, while yo' bitch clean my shoe
Real gangsta nigga mayne, this is what I do
Say lil' potnah just hit me sayin "Man I need a deuce" (okay!)
So I hit him with the force, this is what I do
Killed yo' baby momma; this is what I do (damn!)
Work chipped cell phones, this is what I do
Rims on my car look like man they runnin out they shoe
With that blue 20 piece look like my backyard swimmin pool
[Chorus]
The song "This Is What I Do" by Gucci Mane is a confident and braggadocious track where Gucci Mane discusses his lifestyle and accomplishments. The song is a collaboration between Gucci Mane, Birdman, and Waka Flocka Flame, and features a repetitive chorus emphasizing his focus on making money and ignoring the haters. The lyrics reference Gucci's upbringing in Atlanta, his success in the rap game, and his wealth.
Gucci Mane opens the song by announcing his presence and referring to himself as "Big Gucci" before mentioning his affiliations with fellow rappers and record labels. In the chorus, he states that his focus is on making money, and he has no time for distractions or drama. He then goes on to discuss his wealth, his cars, and his drug use, showcasing his extravagant lifestyle. The song's bridge and outro continue the theme of Gucci's ruthless contentment with his power and wealth, as he coolly references illegal activities and his success in the rap game.
Overall, "This Is What I Do" is a celebration of Gucci Mane's success and lifestyle, with lyrics that show off his wealth and power. The song is a testament to his ability to rise to fame and his focus on making money, which he sees as his ultimate goal.
Line by Line Meaning
Lyrics © Warner Chappell Music, Inc.
Written by: CHRISTOPHER GHOLSON, CHRISTOPHER JAMES GHOLSON, JUAQUIN MALPHURS, OTIS WILLIAMS, RADRIC DAVIS, RADRIC DELANTIC DAVIS
Lyrics Licensed & Provided by LyricFind
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Entre 1099
2022 and I still come back to this mf classic. Good song to test out how your speakers knockin…
Nakie
On god.
Shok Pfeiffer
This
NO SIGNAL WORLD
Till 2080
Fred Campbell
Facts!
Ms... Woodpecker
😊 facts
James Ross
Gucci and Flocka together always kill it
Amar2x
James Ross incorrect you meant to say Gucci and OJ da Jewman
Stahlz_XI
This was a vibe back in the day
inactiveaccount2013
i was like 7 y.o, but i can imagine that 2010-2013 gucci,rocky, wiz, sosa hits diff.