Hélène Grimaud was born in Aix-en Provence in the south of France (7 Novemb… Read Full Bio ↴Hélène Grimaud was born in Aix-en Provence in the south of France (7 November 1969). "My father came from a background of Sephardi Jews in Africa, and my mother's ancestors were Jewish Berbers from Corsica." Her father was adopted as a child by a French family and he became a university tutor teaching languages.[4] According to Luc Antonini the name Grimaud is typical of the region of Trets in Provence. She has stated that, as a child, she was often "agitated".[6] She discovered the piano at seven. She studied with Jacqueline Courtin at the conservatory there and subsequently in Marseille with Pierre Barbizet. At the age of 13 she was accepted by the Paris Conservatory where she won the first prize in piano in 1985.
She experiences synesthesia, where one physical sense adds to another, in her case seeing music as colour, which helps her with memorising music scores
In July, immediately after graduating, she recorded Rachmaninov’s Sonata no. 2 and the complete Etudes-Tableaux op. 33 (Grand Prix du disque, 1986). She studied additionally with Gyorgy Sandor and Leon Fleisher. The year 1987 marked a decisive turning point in her career with appearances at MIDEM in Cannes and at the piano festival La Roque d’Anthéron, her first recital in Tokyo and Daniel Barenboim’s invitation to perform with the Orchestre de Paris. Hélène Grimaud has since performed with many of the world’s major orchestras and renowned conductors.
1988 First performs for the pianist Dmitri Bashkirov, who becomes an important influence on her playing. Appearance at the Lockenhaus Festival at the invitation of Gidon Kremer, with whom she performs – Kremer and Martha Argerich become further important influences in her career
1990 Debut with the Cleveland Orchestra, followed by appearances with leading orchestras in the USA and Europe. Settles in the USA. New York recital debut at the Metropolitan Museum; European debut with the St. Petersburg Philharmonic under Temirkanov (Rachmaninov, Piano Concerto no. 2) at the Aix-en-Provence Festival
In 1991, at age 21, Grimaud moved to Tallahassee, Florida, to be near a boyfriend, Jeff Keesecker who taught bassoon at Florida State University.[3] In 1997, she settled in Westchester County, north of New York City. After some time spent in Berlin,[12] she resided in Weggis, near Luzern, Switzerland
1993 Tours Germany with the Gothenburg Symphony Orchestra under Neeme Järvi
1995 Debut with the Berliner Philharmoniker under Claudio Abbado performing Rachmaninov’s Concerto no. 2
1996 Highly successful tour of Spain with Jeffrey Tate and the English Chamber Orches¬tra. She performs with the Gustav Mahler Youth Orchestra led by Claudio Abbado at the Lucerne and Pesaro Festivals
1997 Performs and records Brahms’s Concerto no. 1 with Kurt Sanderling and the Berlin Staatskapelle (Cannes Classical Recording of the Year, 1999)
1999 New York Philharmonic debut with Beethoven’s Concerto no. 4 under Kurt Masur. Grimaud and the photographer J Henry Fair establish the Wolf Conservation Center, a private, non-profit-making educational facility in South Salem (Westchester County, NY), to promote conservation of this threatened species
2000 Debuts with the Boston Symphony and the Philadelphia Orchestra. Tour of the Czech Republic; in autumn she is the soloist (along with Martha Argerich) in a European festival tour made by Michael Tilson Thomas and the San Francisco Symphony. Performs Beethoven’s Concerto no. 4 with the Berliner Philharmoniker and David Zinman, and gives a solo recital in the Berlin Philharmonie which is filmed for TV broadcast
2001/02 Debut in Amsterdam with the Royal Concertgebouw Orchestra under Riccardo Chailly (Ravel, Concerto in G). Beethoven’s Concerto no. 4 in Paris, and at the London Proms with the Orchestre de Paris and Eschenbach. In January 2002 she is appointed an “Offi¬cier dans l’Ordre des Arts et des Lettres” by the French Ministry of Culture
2002/03 Signs an exclusive contract with Deutsche Grammophon. Tours Europe and Japan with the Czech Philharmonic. Gives world premiere of new work by Arvo Pärt at London’s Tate Modern and performs Schumann’s Piano Concerto with the Philharmonia at the Royal Festival Hall. Festival appearances at the London Proms and Edinburgh
2003/04 Records Arvo Pärt’s Credo in the composer’s presence for Deutsche Grammophon; the recording also features Corigliano’s Fantasia on an ostinato and Beethoven’s Choral Fantasy and Tempest Sonata (Choc du Monde de la musique, Diapason d’or, 2004). European tour with the Chamber Orchestra of Europe and Jukka-Pekka Saraste. In November 2003 in Paris her book Variations sauvages is published, in which Hélène Grimaud talks about her life as a musician and her environmental work with wolves
2004 Performs Beethoven’s Concerto no. 4 in San Francisco under Ashkenazy; US tour with the Russian National Orchestra, playing Bartók’s Concerto no. 3; Beethoven’s “Emperor” Concerto on a European tour with Michael Gielen. Other concert engagements include the Brahms Concerto no. 1 in Stockholm and at the London Proms, Ravel’s G major Concerto in Japan and Rachmaninov’s Second Concerto in Germany and France. Recitals in Vienna, Ludwigsburg and Amsterdam, and in duo with Truls Mørk in Paris. Records the Second Sonatas of Chopin and Rachmaninov, plus Chopin’s Barcarolle and Berceuse, and Bartók’s Concerto no. 3 with Boulez and the LSO (German Record Critics Award, Record Academy Prize, Tokyo, 2005; Midem Classic Award, 2006), both released in 2005
2005 Orchestral engagements throughout the USA and Europe, including the London Proms, and an extensive European tour with the SWR Sinfonieorchester and Sir Roger Norrington. Recitals in Atlanta, London, Paris, Berlin and Munich, and a tour of Japan. This year she records Reflection: music inspired by Clara Schumann, including her husband Robert’s Piano Concerto, songs by Clara herself, and solo and chamber music by Brahms (released in 2006). Echo Award in the category “Instrumentalist of the Year”
2006 Appearances throughout the USA, Europe and in Japan, including concerts with the London Symphony Orchestra, the Chamber Orchestra of Europe, St. Petersburg Philharmonic, the Deutsche Kammerphilharmonie, San Francicso Symphony Orchestra, Gulbenkian Orchestra, Vienna Symphony and the Bamberg Symphony Orchestra (London Proms), as well as recitals at New York’s Carnegie Hall, with the LSO Chamber Ensemble and at festivals including the Lucerne Festival and the Musikfest Bremen
2007 Concerts include appearances in the USA, Canada and Europe with the Dallas, Chicago and Toronto Symphony orchestras, the New York Philharmonic, Russian National Or¬chestra, St. Petersburg Philharmonic, Berliner Philhar¬moniker and Berlin Staatskapelle. With the Dresden Staatskapelle and Fabio Luisi she performs Beethoven’s Concerto no. 5 on tour throughout Europe, and also with the Strasburg Philharmonic Orchestra in France and Germany, the Deutsche Kammerphilharmonie in Germany, the Israel Philharmonic Or¬chestra in Tel Aviv, and the Philadelphia Orchestra in the USA. Recitals in Los Angeles, Luxemburg, Vienna and Germany. Appearances at the Caramoor Summer Festival with the Orchestra of St. Luke’s, the Aix-en-Provence Festival with the Mahler Chamber Orchestra, the Verbier Festival (with Maisky and Quasthoff), and the Salzburg Festival. Release of Beethoven’s Piano Concerto no. 5 with the Dresden Staatskapelle under Vladimir Jurowski
2008 Performs concertos in the USA with the Orchestra of St. Luke’s (Carnegie Hall, Beet¬hoven, no. 5), the San Francisco Symphony Orchestra (Bartók, no. 3), the Washington National Symphony Orchestra (Beethoven, no. 4); in Europe with the Philharmonia Orchestra (Beethoven, nos. 4 & 5), the Deutsches Symphonie-Orchester Berlin (Ravel, G major), the Israel Philharmonic Orchestra (on tour in Israel; Beethoven, nos. 4 & 5), the London Philharmonic Orchestra (Schumann; Rachmaninov, no. 2; Bartók, no. 3), the Orchestre National du Capitole de Toulouse (Brahms, no. 2), Dresden Staatskapelle (Schumann), the Lucerne Festival Orchestra (Rachmaninov, no. 2), Vienna Symphony Orchestra (Beethoven, no. 4); and in Japan with the Frankfurt Radio Symphony Orches¬tra (Beethoven, no. 5). Solo and chamber-music recitals in London, New York, France and numerous German cities; festival appearances in Istanbul, Verbier, and Lucerne. A special highlight is her appearance at the Last Night of the Proms in London’s Royal Albert Hall; the concert will be broadcast live around the world. Grimaud records works by J. S. Bach, including the Harpsichord Concerto no. 1 and three Preludes and Fugues, and transcriptions of Bach by Busoni, Liszt and Rachmani¬nov (release: autumn 2008)
She has a passion for wolves, which she studies and raises. She now divides her time between her musical career and the Wolf Conservation Center in South Salem, New York, which she co-founded with her former companion, photographer J. Henry Fair.
Grimaud lives with her partner, the German photographer Mat Hennek in Upstate New York
She experiences synesthesia, where one physical sense adds to another, in her case seeing music as colour, which helps her with memorising music scores
In July, immediately after graduating, she recorded Rachmaninov’s Sonata no. 2 and the complete Etudes-Tableaux op. 33 (Grand Prix du disque, 1986). She studied additionally with Gyorgy Sandor and Leon Fleisher. The year 1987 marked a decisive turning point in her career with appearances at MIDEM in Cannes and at the piano festival La Roque d’Anthéron, her first recital in Tokyo and Daniel Barenboim’s invitation to perform with the Orchestre de Paris. Hélène Grimaud has since performed with many of the world’s major orchestras and renowned conductors.
1988 First performs for the pianist Dmitri Bashkirov, who becomes an important influence on her playing. Appearance at the Lockenhaus Festival at the invitation of Gidon Kremer, with whom she performs – Kremer and Martha Argerich become further important influences in her career
1990 Debut with the Cleveland Orchestra, followed by appearances with leading orchestras in the USA and Europe. Settles in the USA. New York recital debut at the Metropolitan Museum; European debut with the St. Petersburg Philharmonic under Temirkanov (Rachmaninov, Piano Concerto no. 2) at the Aix-en-Provence Festival
In 1991, at age 21, Grimaud moved to Tallahassee, Florida, to be near a boyfriend, Jeff Keesecker who taught bassoon at Florida State University.[3] In 1997, she settled in Westchester County, north of New York City. After some time spent in Berlin,[12] she resided in Weggis, near Luzern, Switzerland
1993 Tours Germany with the Gothenburg Symphony Orchestra under Neeme Järvi
1995 Debut with the Berliner Philharmoniker under Claudio Abbado performing Rachmaninov’s Concerto no. 2
1996 Highly successful tour of Spain with Jeffrey Tate and the English Chamber Orches¬tra. She performs with the Gustav Mahler Youth Orchestra led by Claudio Abbado at the Lucerne and Pesaro Festivals
1997 Performs and records Brahms’s Concerto no. 1 with Kurt Sanderling and the Berlin Staatskapelle (Cannes Classical Recording of the Year, 1999)
1999 New York Philharmonic debut with Beethoven’s Concerto no. 4 under Kurt Masur. Grimaud and the photographer J Henry Fair establish the Wolf Conservation Center, a private, non-profit-making educational facility in South Salem (Westchester County, NY), to promote conservation of this threatened species
2000 Debuts with the Boston Symphony and the Philadelphia Orchestra. Tour of the Czech Republic; in autumn she is the soloist (along with Martha Argerich) in a European festival tour made by Michael Tilson Thomas and the San Francisco Symphony. Performs Beethoven’s Concerto no. 4 with the Berliner Philharmoniker and David Zinman, and gives a solo recital in the Berlin Philharmonie which is filmed for TV broadcast
2001/02 Debut in Amsterdam with the Royal Concertgebouw Orchestra under Riccardo Chailly (Ravel, Concerto in G). Beethoven’s Concerto no. 4 in Paris, and at the London Proms with the Orchestre de Paris and Eschenbach. In January 2002 she is appointed an “Offi¬cier dans l’Ordre des Arts et des Lettres” by the French Ministry of Culture
2002/03 Signs an exclusive contract with Deutsche Grammophon. Tours Europe and Japan with the Czech Philharmonic. Gives world premiere of new work by Arvo Pärt at London’s Tate Modern and performs Schumann’s Piano Concerto with the Philharmonia at the Royal Festival Hall. Festival appearances at the London Proms and Edinburgh
2003/04 Records Arvo Pärt’s Credo in the composer’s presence for Deutsche Grammophon; the recording also features Corigliano’s Fantasia on an ostinato and Beethoven’s Choral Fantasy and Tempest Sonata (Choc du Monde de la musique, Diapason d’or, 2004). European tour with the Chamber Orchestra of Europe and Jukka-Pekka Saraste. In November 2003 in Paris her book Variations sauvages is published, in which Hélène Grimaud talks about her life as a musician and her environmental work with wolves
2004 Performs Beethoven’s Concerto no. 4 in San Francisco under Ashkenazy; US tour with the Russian National Orchestra, playing Bartók’s Concerto no. 3; Beethoven’s “Emperor” Concerto on a European tour with Michael Gielen. Other concert engagements include the Brahms Concerto no. 1 in Stockholm and at the London Proms, Ravel’s G major Concerto in Japan and Rachmaninov’s Second Concerto in Germany and France. Recitals in Vienna, Ludwigsburg and Amsterdam, and in duo with Truls Mørk in Paris. Records the Second Sonatas of Chopin and Rachmaninov, plus Chopin’s Barcarolle and Berceuse, and Bartók’s Concerto no. 3 with Boulez and the LSO (German Record Critics Award, Record Academy Prize, Tokyo, 2005; Midem Classic Award, 2006), both released in 2005
2005 Orchestral engagements throughout the USA and Europe, including the London Proms, and an extensive European tour with the SWR Sinfonieorchester and Sir Roger Norrington. Recitals in Atlanta, London, Paris, Berlin and Munich, and a tour of Japan. This year she records Reflection: music inspired by Clara Schumann, including her husband Robert’s Piano Concerto, songs by Clara herself, and solo and chamber music by Brahms (released in 2006). Echo Award in the category “Instrumentalist of the Year”
2006 Appearances throughout the USA, Europe and in Japan, including concerts with the London Symphony Orchestra, the Chamber Orchestra of Europe, St. Petersburg Philharmonic, the Deutsche Kammerphilharmonie, San Francicso Symphony Orchestra, Gulbenkian Orchestra, Vienna Symphony and the Bamberg Symphony Orchestra (London Proms), as well as recitals at New York’s Carnegie Hall, with the LSO Chamber Ensemble and at festivals including the Lucerne Festival and the Musikfest Bremen
2007 Concerts include appearances in the USA, Canada and Europe with the Dallas, Chicago and Toronto Symphony orchestras, the New York Philharmonic, Russian National Or¬chestra, St. Petersburg Philharmonic, Berliner Philhar¬moniker and Berlin Staatskapelle. With the Dresden Staatskapelle and Fabio Luisi she performs Beethoven’s Concerto no. 5 on tour throughout Europe, and also with the Strasburg Philharmonic Orchestra in France and Germany, the Deutsche Kammerphilharmonie in Germany, the Israel Philharmonic Or¬chestra in Tel Aviv, and the Philadelphia Orchestra in the USA. Recitals in Los Angeles, Luxemburg, Vienna and Germany. Appearances at the Caramoor Summer Festival with the Orchestra of St. Luke’s, the Aix-en-Provence Festival with the Mahler Chamber Orchestra, the Verbier Festival (with Maisky and Quasthoff), and the Salzburg Festival. Release of Beethoven’s Piano Concerto no. 5 with the Dresden Staatskapelle under Vladimir Jurowski
2008 Performs concertos in the USA with the Orchestra of St. Luke’s (Carnegie Hall, Beet¬hoven, no. 5), the San Francisco Symphony Orchestra (Bartók, no. 3), the Washington National Symphony Orchestra (Beethoven, no. 4); in Europe with the Philharmonia Orchestra (Beethoven, nos. 4 & 5), the Deutsches Symphonie-Orchester Berlin (Ravel, G major), the Israel Philharmonic Orchestra (on tour in Israel; Beethoven, nos. 4 & 5), the London Philharmonic Orchestra (Schumann; Rachmaninov, no. 2; Bartók, no. 3), the Orchestre National du Capitole de Toulouse (Brahms, no. 2), Dresden Staatskapelle (Schumann), the Lucerne Festival Orchestra (Rachmaninov, no. 2), Vienna Symphony Orchestra (Beethoven, no. 4); and in Japan with the Frankfurt Radio Symphony Orches¬tra (Beethoven, no. 5). Solo and chamber-music recitals in London, New York, France and numerous German cities; festival appearances in Istanbul, Verbier, and Lucerne. A special highlight is her appearance at the Last Night of the Proms in London’s Royal Albert Hall; the concert will be broadcast live around the world. Grimaud records works by J. S. Bach, including the Harpsichord Concerto no. 1 and three Preludes and Fugues, and transcriptions of Bach by Busoni, Liszt and Rachmani¬nov (release: autumn 2008)
She has a passion for wolves, which she studies and raises. She now divides her time between her musical career and the Wolf Conservation Center in South Salem, New York, which she co-founded with her former companion, photographer J. Henry Fair.
Grimaud lives with her partner, the German photographer Mat Hennek in Upstate New York
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Beethoven : Piano Concerto No.4 in G major Op.58 : III Rondo
Hélène Grimaud Lyrics
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The lyrics are frequently found in the comments by searching or by filtering for lyric videos
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
Konstantinos Apostolatos
I absolutely love Helene's artistic passion and magical performance, she is totally 'connected' with Beethoven and the result is magnificent!
victor kazanskiy
Just as she is totally connected with the rest of the world music!
Catherine Jones
Very strongly into the spirit and ethos of Beethoven throughout. Thank you Ms Grimaud and all concerned with putting this together and for the download.
José Valadez
Maestra Grimaud is out of this world. She plays with a special neatness and touches deepest fibers. Thanks for sharing this jewel.
Jeff Smith
This is an amazing performance. The interpretation of the second movement with the interplay (duality) between the piano and orchestra is incredibly moving.
Chris GRINO
Le talent à ce niveau ça fait froid dans le dos, tout simplement sublime !
David Miller
As I said before, of all Beethoven's works, this is in my opinion his best. I just love it. And this performance is the best I have ever heard,
Luke Tunney
I have heard many versions of this, my favourite piano concerto, but this one is unique. Her interpretation is so beautiful and heartfelt. Her technique is something else!
grouchocatman
I am guessing that you must play yourself. Generally when people mention technique they are talking about keyboard pyrotechnics, but there is so much more. In this performance her control over the volume and attack of each note can be breathtaking.
Patrick Burnett
She has a feather touch, doesn't she? Makes her more agile on the keyboard IMHO.