Henry Beam Piper (March 23, 1904 – c. November 6, 1964) was an American sci… Read Full Bio ↴Henry Beam Piper (March 23, 1904 – c. November 6, 1964) was an American science fiction author. He wrote many short stories and several novels. He is best known for his extensive Terro-Human Future History series of stories and a shorter series of "Paratime" alternate history tales.
He wrote under the name H. Beam Piper. Another source gives his name as "Horace Beam Piper" and a different date of death. His gravestone says "Henry Beam Piper". Piper himself may have been the source of part of the confusion; he told people the H stood for Horace, encouraging the assumption that he used the initial because he disliked his name. On a copy of "Little Fuzzy" given to Charles O. Piper, Beam's cousin and executor, he wrote "To Charles from Henry."
Piper was largely self-educated; he obtained his knowledge of science and history "without subjecting myself to the ridiculous misery of four years in the uncomfortable confines of a raccoon coat." He went to work at age 18 as a laborer at the Pennsylvania Railroad's Altoona yards in Altoona, Pennsylvania. He also worked as a night watchman for the railroad.
Piper published his first short story, "Time and Time Again", in 1947 in Astounding Science Fiction, and was primarily a short story author until 1961, when he made a productive, if short-lived, foray into novels. He collected guns and wrote one mystery, Murder in the Gunroom.
He committed suicide in November 1964 in Williamsport, Pennsylvania, bringing his career to a premature conclusion. The exact date of his death is unknown; the last entry in his diary was dated November 5 ("Rain 0930"), and the date his body was found is reported as November 9 or November 11 by various sources. According to Jerry Pournelle's introduction to Little Fuzzy, Piper shut off all the utilities to his apartment, put painter's drop-cloths over the walls and floor, and took his own life with a handgun from his collection. In his suicide note, he gave an explanation that "I don't like to leave messes when I go away, but if I could have cleaned up any of this mess, I wouldn't be going away. H. Beam Piper'"
Some biographers attribute his act to financial problems, others to family problems; Pournelle wrote that Piper felt burdened by financial hardships in the wake of a divorce, and the mistaken perception that his career was foundering (his agent had died without notifying him of multiple sales). Editor George H. Scithers, who knew Piper socially, has stated that Piper wanted to spite the ex-wife he despised: by committing suicide, Piper voided his life insurance policy, and prevented her from collecting.
An unpublished story, "Only the Arquebus", has gone missing since his suicide; it is probable that he destroyed it along with many of his personal papers.
His output was eventually purchased by Ace Science Fiction and reprinted in a set of paperbacks in the early 1980s. Many of these have since gone out of print, though his two best-known arcs were again reprinted by Ace in 1998 and 2001. Late in his career, Piper corresponded with Pournelle, who was the Ace editor who helped reprint some of his novels.
Many of his works have been reprinted recently. Many of his earlier copyrights have been allowed to lapse, permitting Project Gutenberg to distribute his work online.
Piper's stories fall into two camps: stark space opera, such as Space Viking, or stories of cultural conflict or misunderstanding, such as Little Fuzzy or the Paratime stories.
A running theme in his work is that history repeats itself; past events will have direct and clear analogues in the future. The novel Uller Uprising is the clearest example of this, being based on the Sepoy Mutiny. A similarly clear example is the very name of Space Viking; although that novel is not a direct reinterpretation of a specific historical precedent, a later theme in the book involves the takeover of a planet in a manner reminiscent of the rise of Adolf Hitler.
Piper's characterization was rooted in the notion of the self-reliant man: an individual able to take care of himself and both willing and able to tackle any situation which might arise. This is perfectly exemplified in a bit of dialogue found in his short story "Oomphel in the Sky" (1960):
"He actually knows what has to be done and how to do it, and he's going right ahead and doing it, without holding a dozen conferences and round-table discussions and giving everybody a fair and equal chance to foul things up for him."
As a result, his yarns tend towards the heroic, and the conflict is usually driven externally.
Piper was interested in General Semantics. It is explicitly mentioned in Murder in the Gunroom, and its principles, such as awareness of the limitations of knowledge, are apparent in his later work.
Piper did not live to see how influential he was to other science fiction writers.
Michael McCollum's first novel, A Greater Infinity, was inspired by Piper's notion of the Paratime Police (and to a lesser extent by Isaac Asimov's The End of Eternity). The Paradox Patrol, in a series of stories by F. Gwynplaine MacIntyre published in Analog Science Fiction and Fact, are a parody of Piper's Paratime Police, although they also pay homage to Alfred Bester in their enforcement of "Bester's Law".
Robert Adams' Castaways in Time is similar in many ways to Piper's Lord Kalvan of Otherwhen. Adams' book has a group of late-1970s Americans transported to an alternate medieval England where the Roman Catholic Church controls the supply of gunpowder. Jerry Pournelle's Janissaries series is an obvious tribute to Lord Kalvan, with several early scenes being very close echoes of scenes in Piper's work. Charles Stross's Merchant Princes series explicitly acknowledges H. Beam
Piper's story Omnilingual has been much reprinted and has been referred to in many subsequent stories dealing with the translation of alien languages.
Elizabeth Bear has stated that her novel Undertow was inspired by Little Fuzzy.
The Terro-Human Future History is Piper's detailed account of the next 6000 years of human history. 1942, the year the first fission reactor was constructed, is defined as the year 1 A.E. (Atomic Era). In 1973, a nuclear war devastates the planet, eventually laying the groundwork for the emergence of a Terran Federation, once humanity goes into space and develops antigravity technology.
The story "The Edge of the Knife" (collected in Empire) occurs slightly before the war, and involves a man who sees flashes of the future. It links many key elements of Piper's series.
Most of the stories take place during the next millennium, during the age of the two Federations. Most notable among these novels are the three Fuzzy novels (starting with Little Fuzzy), which concern the recognition of a peculiar alien species as sapient, and the efforts of the two species to learn to live together on the Fuzzies' home world of Zarathustra.
The Federation collapses in the System States War and following Interstellar Wars (a bit of which can be seen in The Cosmic Computer), leading to a lengthy interregnum, during which there is no central human power. Space Viking is set in this chaotic period.
The interregnum ends with the founding of the first Empire. At least five empires rule humanity during the next four thousand years, but only a handful of short stories (collected in Empire) depict this period. Piper generally portrays these empires as benign, ruled by enlightened despots.
Piper's future history resemble in some ways Isaac Asimov's Foundation Trilogy, and was probably influenced by it, especially since both authors wrote for John W. Campbell.
A much shorter series of alternate history stories is Piper's Paratime sequence, collected in Paratime, followed by the novel Lord Kalvan of Otherwhen. These stories concern the Paratime Police, a law enforcement outfit from a parallel world which has learned how to move between timelines. They jealously guard the secret, even as they mine other worlds for their resources. Notably, it appears that humans are in fact Martian refugees who escaped a calamity on their home planet and migrated to Earth.
Unlike many alternate histories, these stories tend to focus on points of divergence far back in the past. For instance, Lord Kalvan involves a police officer who is accidentally transported to a world where the ancestors of modern Europeans failed to move into Europe. Instead, the nomadic tribes migrated across Asia and into North America. The people living on the eastern coast of North American in this novel settled the area from the west, and still live in a medieval society.
Many readers point towards the short story "Genesis" (in The Worlds of H. Beam Piper) to suggest that the Terro-Human Future History universe is in fact an alternate world in the Paratime universe, where the Martians' escape from Mars resulted in their forgetting their heritage and having to start over. However, in several letters to friends and in an article published in a fan magazine, Piper himself listed the true Paratime stories, and he never identified "Genesis" as one.
He wrote under the name H. Beam Piper. Another source gives his name as "Horace Beam Piper" and a different date of death. His gravestone says "Henry Beam Piper". Piper himself may have been the source of part of the confusion; he told people the H stood for Horace, encouraging the assumption that he used the initial because he disliked his name. On a copy of "Little Fuzzy" given to Charles O. Piper, Beam's cousin and executor, he wrote "To Charles from Henry."
Piper was largely self-educated; he obtained his knowledge of science and history "without subjecting myself to the ridiculous misery of four years in the uncomfortable confines of a raccoon coat." He went to work at age 18 as a laborer at the Pennsylvania Railroad's Altoona yards in Altoona, Pennsylvania. He also worked as a night watchman for the railroad.
Piper published his first short story, "Time and Time Again", in 1947 in Astounding Science Fiction, and was primarily a short story author until 1961, when he made a productive, if short-lived, foray into novels. He collected guns and wrote one mystery, Murder in the Gunroom.
He committed suicide in November 1964 in Williamsport, Pennsylvania, bringing his career to a premature conclusion. The exact date of his death is unknown; the last entry in his diary was dated November 5 ("Rain 0930"), and the date his body was found is reported as November 9 or November 11 by various sources. According to Jerry Pournelle's introduction to Little Fuzzy, Piper shut off all the utilities to his apartment, put painter's drop-cloths over the walls and floor, and took his own life with a handgun from his collection. In his suicide note, he gave an explanation that "I don't like to leave messes when I go away, but if I could have cleaned up any of this mess, I wouldn't be going away. H. Beam Piper'"
Some biographers attribute his act to financial problems, others to family problems; Pournelle wrote that Piper felt burdened by financial hardships in the wake of a divorce, and the mistaken perception that his career was foundering (his agent had died without notifying him of multiple sales). Editor George H. Scithers, who knew Piper socially, has stated that Piper wanted to spite the ex-wife he despised: by committing suicide, Piper voided his life insurance policy, and prevented her from collecting.
An unpublished story, "Only the Arquebus", has gone missing since his suicide; it is probable that he destroyed it along with many of his personal papers.
His output was eventually purchased by Ace Science Fiction and reprinted in a set of paperbacks in the early 1980s. Many of these have since gone out of print, though his two best-known arcs were again reprinted by Ace in 1998 and 2001. Late in his career, Piper corresponded with Pournelle, who was the Ace editor who helped reprint some of his novels.
Many of his works have been reprinted recently. Many of his earlier copyrights have been allowed to lapse, permitting Project Gutenberg to distribute his work online.
Piper's stories fall into two camps: stark space opera, such as Space Viking, or stories of cultural conflict or misunderstanding, such as Little Fuzzy or the Paratime stories.
A running theme in his work is that history repeats itself; past events will have direct and clear analogues in the future. The novel Uller Uprising is the clearest example of this, being based on the Sepoy Mutiny. A similarly clear example is the very name of Space Viking; although that novel is not a direct reinterpretation of a specific historical precedent, a later theme in the book involves the takeover of a planet in a manner reminiscent of the rise of Adolf Hitler.
Piper's characterization was rooted in the notion of the self-reliant man: an individual able to take care of himself and both willing and able to tackle any situation which might arise. This is perfectly exemplified in a bit of dialogue found in his short story "Oomphel in the Sky" (1960):
"He actually knows what has to be done and how to do it, and he's going right ahead and doing it, without holding a dozen conferences and round-table discussions and giving everybody a fair and equal chance to foul things up for him."
As a result, his yarns tend towards the heroic, and the conflict is usually driven externally.
Piper was interested in General Semantics. It is explicitly mentioned in Murder in the Gunroom, and its principles, such as awareness of the limitations of knowledge, are apparent in his later work.
Piper did not live to see how influential he was to other science fiction writers.
Michael McCollum's first novel, A Greater Infinity, was inspired by Piper's notion of the Paratime Police (and to a lesser extent by Isaac Asimov's The End of Eternity). The Paradox Patrol, in a series of stories by F. Gwynplaine MacIntyre published in Analog Science Fiction and Fact, are a parody of Piper's Paratime Police, although they also pay homage to Alfred Bester in their enforcement of "Bester's Law".
Robert Adams' Castaways in Time is similar in many ways to Piper's Lord Kalvan of Otherwhen. Adams' book has a group of late-1970s Americans transported to an alternate medieval England where the Roman Catholic Church controls the supply of gunpowder. Jerry Pournelle's Janissaries series is an obvious tribute to Lord Kalvan, with several early scenes being very close echoes of scenes in Piper's work. Charles Stross's Merchant Princes series explicitly acknowledges H. Beam
Piper's story Omnilingual has been much reprinted and has been referred to in many subsequent stories dealing with the translation of alien languages.
Elizabeth Bear has stated that her novel Undertow was inspired by Little Fuzzy.
The Terro-Human Future History is Piper's detailed account of the next 6000 years of human history. 1942, the year the first fission reactor was constructed, is defined as the year 1 A.E. (Atomic Era). In 1973, a nuclear war devastates the planet, eventually laying the groundwork for the emergence of a Terran Federation, once humanity goes into space and develops antigravity technology.
The story "The Edge of the Knife" (collected in Empire) occurs slightly before the war, and involves a man who sees flashes of the future. It links many key elements of Piper's series.
Most of the stories take place during the next millennium, during the age of the two Federations. Most notable among these novels are the three Fuzzy novels (starting with Little Fuzzy), which concern the recognition of a peculiar alien species as sapient, and the efforts of the two species to learn to live together on the Fuzzies' home world of Zarathustra.
The Federation collapses in the System States War and following Interstellar Wars (a bit of which can be seen in The Cosmic Computer), leading to a lengthy interregnum, during which there is no central human power. Space Viking is set in this chaotic period.
The interregnum ends with the founding of the first Empire. At least five empires rule humanity during the next four thousand years, but only a handful of short stories (collected in Empire) depict this period. Piper generally portrays these empires as benign, ruled by enlightened despots.
Piper's future history resemble in some ways Isaac Asimov's Foundation Trilogy, and was probably influenced by it, especially since both authors wrote for John W. Campbell.
A much shorter series of alternate history stories is Piper's Paratime sequence, collected in Paratime, followed by the novel Lord Kalvan of Otherwhen. These stories concern the Paratime Police, a law enforcement outfit from a parallel world which has learned how to move between timelines. They jealously guard the secret, even as they mine other worlds for their resources. Notably, it appears that humans are in fact Martian refugees who escaped a calamity on their home planet and migrated to Earth.
Unlike many alternate histories, these stories tend to focus on points of divergence far back in the past. For instance, Lord Kalvan involves a police officer who is accidentally transported to a world where the ancestors of modern Europeans failed to move into Europe. Instead, the nomadic tribes migrated across Asia and into North America. The people living on the eastern coast of North American in this novel settled the area from the west, and still live in a medieval society.
Many readers point towards the short story "Genesis" (in The Worlds of H. Beam Piper) to suggest that the Terro-Human Future History universe is in fact an alternate world in the Paratime universe, where the Martians' escape from Mars resulted in their forgetting their heritage and having to start over. However, in several letters to friends and in an article published in a fan magazine, Piper himself listed the true Paratime stories, and he never identified "Genesis" as one.
Part I
H. Beam Piper Lyrics
Jump to: Overall Meaning ↴
Quem anda com os verdadeiro não se acostuma
Com lobo em pele de cordeiro
Eu tô inteiro
Se sempre vi nitidamente o horizonte
Foi porque estive entre os ombros de gigantes, me integro
Qualquer lugar, bora conquistar só tu chegar no respeito
Eu sou assim
Bitch conta outra mim, cê configura os controle
Mas sou o dono do PlayStation enfim
Hey, game que não existe fim
Buscar o carro do ano, umas metas que eu tô traçando, essa è a vida né
Enquanto uns tão falando outros vão executando
Meus planos, meus mangos, meus manos bolando, lançando, profanos, teus Julgamentos ínfimos, infames
Desmerecer é desumano
Sabe como é já vi ações de lobo num corpo de beija flor, pudor? sem algum
Tipo tu age e eu condeno
Porém, trampo dobrado intenso, style gringo condenso
Meu estudo é na prática, porra pra mim isso è bom senso
É Tudo anda corrido a meta é multiplica
Mirando no alto procurando rumo na vida
Sempre na moral com os meus parceiro o tempo voa
Conexão é lirica, anjos com arpa, demônios com líra
Conexão do alto do morro, na febre do ouro
Preparado pro estouro, aberta a temporada é caça ao tesouro
Fugimos dos parâmetro maloqueiro aqui é todo mundo é íntegro
Um cordão com vários brilhantes
Arsenal de diamantes
Resistência contra danos, blindado contra bajuladores
Alquimia fez efeito, guerreiro supera suas dores
Solta o som no vinil, sou cria e criado
Tenho sex appeal, e respeito dos aliado
Acelerando a mais de mil, meu efeito tá ativo
Cadê o meu pavil, nessa cena não improviso
Pega a visão e desenvolve
Rapaziada chegando forte
Ninguém estraga minha vibe
Tropa convocada seleção do ano
Solta a Track desenrolo marolando
Corrente de ouro bem malandro
Portando guara no bolso
Prazer esboço da postura do malandro
Pique artista reluzindo licor profano
Seleção metralhando Enice, Vnt, Ph, love só monstro
Vários mandado na perseguição
Mas a distância e grande
A distração meu roupão de ouro no pulso armani
.50 na sua consciência o soldado
Com a fé ele aguenta
Disparado a nave não pega, então tenta
Do lado aliado, se tu peita peida
Tenta tenta tenta na cabeça vai levar
Minha tropa até os dente armada de ouro na arcada
Acarranca a língua da serpente moldura, pra perreco ver a as barra de ouro na sala
Na seleção só matador de verso e linha
Seja bem vindo a tropa dos que te roubaram a alma
Salve Enice, Vnt, Love Alquimia fato a tropa tá pesada
Whiskey, bitch, green do massa
O beat é criminal e nois somos os piores
Daqueles que invade pelo ouvido e sequestra
Atenção bala de um lado pro outro uma orquestra sintonia de gigantes Love Xavi
Ênicê Messi eu apenas Iniesta
Presta
Atenção ao senso ouro é conhecimento abre todas as portas eu possuo a
Chave mestra
A peça
Tá no meu armario só gasto meu réu primario se for pracerta a testa
Não meça
Profundidade do rio com dois pés esse cypher é o Lago Ness
Guerreiro no jardim três visã, mil perrengue um só camin
Oh
Eu já nem sei se é cypher do ano
Ou se é a seleção da França
Com um contrato milionário na minha mesa
Daqueles que nem do neymar alcança
Voando de Bugatti Veyron
Fazendo dinheiro só de Spotify (Só de Spotify)
E quem colo comigo eu vou deixar na melhor
Hoje pra minha tropa é só Mercedez Benz
Mas não é mais o busão
Hoje tão forgando com a nova GLE
E olha quem era a cara do crime
Hoje tá a cara de patrão
E bota na conta do pai
Dois anos estourado gravando stories com a minha mina em Dubai
E eu falo isso com toda convicção
Bem respeitado
Em todo lado
Sei chega, e também sei sair eu não sou limitado
E na quebrada to fazendo um show
E os parceiro de Ak e de glockada
E só tiro pro alto
Pra comemora nossa vitória
E só tiro pro alto
Pra comemora nossa vitoria
Cypher de sucesso com certeza
Destruí no flow pra construir minha fortaleza
Então que fortaleça
Quem tá do lado
Se tá aqui é porque merece então tá show meu aliado
Sigo no meu estado, mental inabalável
Flow alienígena sendo codificado
OVNI a teu dispor pra te levar pra todo lado
Escutou essa track, eu te tirei do teu estado
De conforto que ali estava localizado
O rap é um Deus
Quero mostrar o aprendizado
Me abençoou e me elevou pra outro estágio
Então eu olho para o céu e me ajoelho com o mic do lado
Não curto essa parada de sentir medo da morte
Eu já vivi bastante e quem viu isso tem sorte
O resto do tempo aqui tô mirando nos holofotes
Pra fartura pra família e o resto, deixa off
Sem comentários pra essa letra
O rap realmente virou Deus e hoje eu rio do capeta
Ele mete medo nos fracos mas com os fortes é "não se meta"
Então se ele ver essa cypher
Acho que abaixa a cabeça
A conexão bateu
A lírica foi feita
A alquimia modificou pra chegar no grau de P.h.D
Não curto muito falar de love pois… ultimamente tá difícil
Então bota o auto tuni aí na voz e me deixa ser eu
Nós só queremos ser
Nós mesmos
É A CYPHER
Com lobo em pele de cordeiro
Eu tô inteiro
Se sempre vi nitidamente o horizonte
Foi porque estive entre os ombros de gigantes, me integro
Qualquer lugar, bora conquistar só tu chegar no respeito
Eu sou assim
Bitch conta outra mim, cê configura os controle
Hey, game que não existe fim
Buscar o carro do ano, umas metas que eu tô traçando, essa è a vida né
Enquanto uns tão falando outros vão executando
Meus planos, meus mangos, meus manos bolando, lançando, profanos, teus Julgamentos ínfimos, infames
Desmerecer é desumano
Sabe como é já vi ações de lobo num corpo de beija flor, pudor? sem algum
Tipo tu age e eu condeno
Porém, trampo dobrado intenso, style gringo condenso
Meu estudo é na prática, porra pra mim isso è bom senso
É Tudo anda corrido a meta é multiplica
Mirando no alto procurando rumo na vida
Sempre na moral com os meus parceiro o tempo voa
Conexão é lirica, anjos com arpa, demônios com líra
Conexão do alto do morro, na febre do ouro
Preparado pro estouro, aberta a temporada é caça ao tesouro
Fugimos dos parâmetro maloqueiro aqui é todo mundo é íntegro
Um cordão com vários brilhantes
Arsenal de diamantes
Resistência contra danos, blindado contra bajuladores
Alquimia fez efeito, guerreiro supera suas dores
Solta o som no vinil, sou cria e criado
Tenho sex appeal, e respeito dos aliado
Acelerando a mais de mil, meu efeito tá ativo
Cadê o meu pavil, nessa cena não improviso
Pega a visão e desenvolve
Rapaziada chegando forte
Ninguém estraga minha vibe
Tropa convocada seleção do ano
Solta a Track desenrolo marolando
Corrente de ouro bem malandro
Portando guara no bolso
Prazer esboço da postura do malandro
Pique artista reluzindo licor profano
Seleção metralhando Enice, Vnt, Ph, love só monstro
Vários mandado na perseguição
Mas a distância e grande
A distração meu roupão de ouro no pulso armani
.50 na sua consciência o soldado
Com a fé ele aguenta
Disparado a nave não pega, então tenta
Do lado aliado, se tu peita peida
Tenta tenta tenta na cabeça vai levar
Minha tropa até os dente armada de ouro na arcada
Acarranca a língua da serpente moldura, pra perreco ver a as barra de ouro na sala
Na seleção só matador de verso e linha
Seja bem vindo a tropa dos que te roubaram a alma
Salve Enice, Vnt, Love Alquimia fato a tropa tá pesada
Whiskey, bitch, green do massa
O beat é criminal e nois somos os piores
Daqueles que invade pelo ouvido e sequestra
Atenção bala de um lado pro outro uma orquestra sintonia de gigantes Love Xavi
Ênicê Messi eu apenas Iniesta
Presta
Atenção ao senso ouro é conhecimento abre todas as portas eu possuo a
Chave mestra
A peça
Tá no meu armario só gasto meu réu primario se for pracerta a testa
Não meça
Profundidade do rio com dois pés esse cypher é o Lago Ness
Guerreiro no jardim três visã, mil perrengue um só camin
Oh
Eu já nem sei se é cypher do ano
Ou se é a seleção da França
Com um contrato milionário na minha mesa
Daqueles que nem do neymar alcança
Voando de Bugatti Veyron
Fazendo dinheiro só de Spotify (Só de Spotify)
E quem colo comigo eu vou deixar na melhor
Hoje pra minha tropa é só Mercedez Benz
Mas não é mais o busão
Hoje tão forgando com a nova GLE
E olha quem era a cara do crime
Hoje tá a cara de patrão
E bota na conta do pai
Dois anos estourado gravando stories com a minha mina em Dubai
E eu falo isso com toda convicção
Bem respeitado
Em todo lado
Sei chega, e também sei sair eu não sou limitado
E na quebrada to fazendo um show
E os parceiro de Ak e de glockada
E só tiro pro alto
Pra comemora nossa vitória
E só tiro pro alto
Pra comemora nossa vitoria
Cypher de sucesso com certeza
Destruí no flow pra construir minha fortaleza
Então que fortaleça
Quem tá do lado
Se tá aqui é porque merece então tá show meu aliado
Sigo no meu estado, mental inabalável
Flow alienígena sendo codificado
OVNI a teu dispor pra te levar pra todo lado
Escutou essa track, eu te tirei do teu estado
De conforto que ali estava localizado
O rap é um Deus
Quero mostrar o aprendizado
Me abençoou e me elevou pra outro estágio
Então eu olho para o céu e me ajoelho com o mic do lado
Não curto essa parada de sentir medo da morte
Eu já vivi bastante e quem viu isso tem sorte
O resto do tempo aqui tô mirando nos holofotes
Pra fartura pra família e o resto, deixa off
Sem comentários pra essa letra
O rap realmente virou Deus e hoje eu rio do capeta
Ele mete medo nos fracos mas com os fortes é "não se meta"
Então se ele ver essa cypher
Acho que abaixa a cabeça
A conexão bateu
A lírica foi feita
A alquimia modificou pra chegar no grau de P.h.D
Não curto muito falar de love pois… ultimamente tá difícil
Então bota o auto tuni aí na voz e me deixa ser eu
Nós só queremos ser
Nós mesmos
É A CYPHER
These lyrics are from H. Beam Piper's song, titled Part I. The lyrics convey a sense of integrity and a refusal to be swayed by deceitful individuals. The singer expresses their determination to conquer any obstacles and gain respect in any situation. They proclaim themselves as the owner of their own destiny, comparing themselves to the controller of a video game console. The lyrics also touch upon themes of ambition and the pursuit of success, mentioning goals and plans being executed while others simply talk. The singer emphasizes the importance of staying true to oneself and not succumbing to the judgments and criticisms of others. They assert their worth and confidence, highlighting the hard work and dedication they put into their craft.
Lyrics © O/B/O DistroKid
Written by: Daniel Didoné, Emanuel Dal'Corso, Lucas Lima, Nicolas Dutra, Paulo Pedroso, Vagner Gaboardi
Lyrics Licensed & Provided by LyricFind
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Jay Turner
Ace