It’s a feeling that comes through not only in the gauziness of the production, but also in the vulnerability of the songs themselves. Sagar began writing Helium shortly after completing Fresh Air, and in the middle of what he calls a “binge” reading of Haruki Murakami. It’s not hard to picture the narrator of these songs as a distinctly Murakamian character: He moves through time by himself, bemused by and insulated from a world he doesn’t quite seem to have been made for. Everyone Sagar encounters here — including himself — seems to be a step removed from present reality, whether by technology (“Anything At All”), solitude (“Just Like My”), or sweet fantasy (“Like Mariah”). The record is stitched together by a series of instrumental interludes, synthesizer explorations whose haziness adds to the suspicion that this is all an uncanny dream.
Which isn’t to say that Sagar is unmoored in his own world. In fact, much of Helium is the result of what he calls “a much clearer mental state” than the one he’d experienced shortly following Fresh Air’s completion. “I had a better idea of the sound that was working for this record and what it was turning into as I was writing the songs,” he says. That’s owing in part to the album’s genesis. Where his previous three records were recorded directly to one-inch tape in a local studio, Helium was recorded and mixed by Sagar alone in his apartment in Montreal’s Little Italy neighborhood between April and June of this year. Freed of the rigid editing process he’d endured before, he was able to lose himself in pursuit of tone and texture. “I didn’t have to book time, compete for good hours, wait on availability. I did a lot of it at home in the middle of the night,” he says. “It made me get more obsessive about details.”
A budding interest in ambient and experimental music — particularly Visible Cloaks, DJ Rashad, and Jlin — pushed him to tinker with the micro-sounds that surround the songs here. It’s a process he found creatively invigorating; even the tinkling boom-bap of Young Thug informs “All Night Long.” It’s a far cry from the chorus-laden guitars of his earlier work. “Ever since I started introducing synthesizers into my music, I’ve gotten more interested in texture,” he says. “I’d hit a creative dead end [with guitars], so synths took over.” The warm chords of a Roland Juno 60 form the album’s base, and gave him a clean palette with which to work. “No tape hiss, no humming power outlets and shitty mixing boards,” as he puts it. “Everything just came out nice and pure.”
Still, for all the growth it demonstrates and the ways it luxuriates in its discoveries, Helium is at its core a record that isn’t beholden to any particular set of sounds, textures, or instruments to get its point across. In that sense, it feels closer to the bone, at once assured of its vision and remarkably vulnerable. It’s perhaps our purest view yet of Homeshake’s home country.
What Did He Look Like
HOMESHAKE Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I've just got...
Oh, oops! (laughing)
(Okay) Shh, be quiet be quiet
(Oh shit)
He sounds like a really nice guy. What's his name?
Homeshake
Yeah, I got a buddy who does music
What did he look like?
...I can't remember
All I know is that his name was "Homeshake"
The lyrics of HOMESHAKE's song "What Did He Look Like" depict a conversation between two friends, where one friend mentions a musician named Homeshake. The other friend then asks what Homeshake looks like, to which the first friend responds that he cannot remember. Although the lyrics seem straightforward, they reflect on the idea of memory, as well as the importance of music and the impact it has on people's lives. The song is relatively short, but it manages to convey a certain level of intimacy and humor.
One interpretation of the song could be that it is about the fleeting nature of memory. The fact that the singer cannot remember what Homeshake looks like suggests that some experiences are transitory and may not stay with us for very long. Nonetheless, the singer is still drawn to this artist's music, highlighting the power of music to transcend the limitations of human memory and create a lasting impression. The song is also open to other interpretations, such as a commentary on the futility of labels and appearances in the music industry or a reflection on how music can bring people together.
Line by Line Meaning
That's right, yep
Affirming the truth of the statement being made
I've just got...
Introducing a topic or idea being discussed
Oh, oops! (laughing)
An expression of amusement at a mistake made by the singer
(Okay) Shh, be quiet be quiet
Asking others to be silent
(Oh shit)
An expression of surprise or dismay
He sounds like a really nice guy. What's his name?
Expressing interest in the person being discussed and requesting more information
Homeshake
Providing the name of the person being discussed
Yeah, I got a buddy who does music
Indicating a connection to the music industry and potential knowledge on the topic at hand
He said his name was "Homeshake"
Reiterating the name of the person previously mentioned
What did he look like?
Requesting a physical description of the person being discussed
...I can't remember
Admitting a lack of knowledge or information on the topic being discussed
All I know is that his name was "Homeshake"
Confirming the only piece of information known about the person being discussed
Writer(s): Peter Sagar
Contributed by Brody O. Suggest a correction in the comments below.
Marian Elesha
This is how you start an album. The mood is set. Feels good. Hot damn.
Fellatio rebel
This needs to be longer.
Andre Simoes
plz, por favor
lil baby tears
seriously
Leng
true
Georges De Medts
Is that instrumental sampled from somewhere or not ? Sounds amazing !
Dog In Hoodie
if you mean the guitar its probably pete
Philippe Souza
i love this
Lexxidon
+Flavored Nachos their laugh is contagious
angie
that guitar is... sexy