Harpers Bizarre is the name of two separate musical acts.
Harpers Bi… Read Full Bio ↴Harpers Bizarre is the name of two separate musical acts.
Harpers Bizarre was an American pop-rock band of the 1960s, best known for their Broadway/choirboy sound and their remake of Simon & Garfunkel's "The 59th Street Bridge Song (Feelin' Groovy)."
Career
Harpers Bizarre was formed out of The Tikis, a Californian band who enjoyed some local success with Beatle-like songs in the mid 1960s. In 1967, record producer Lenny Waronker got a hold of the Simon & Garfunkel song "The 59th Street Bridge Song (Feelin' Groovy)," determined to make it into a single. The Tikis recorded it, with the arrangement featuring extended harmonies reminiscent of the work of Brian Wilson or even the Swingle Singers. The song was released under a new band name, "Harpers Bizarre" (a play on the magazine "Harper's Bazaar"), so as not to alienate The Tikis' fanbase. The Harpers Bizarre version of the song reached #13 on the American Billboard Hot 100 chart in April 1967, far exceeding any success that The Tikis thus far had.
The success of the single prompted Harpers Bizarre to record their debut album. At this point the band consisted of Ted Templeman (vocals, drums, guitar); Dick Scoppettone (born 5 July 1945; vocals, guitar, bass); Eddie James (guitar); Dick Yount (bass, vocals) and John Petersen (born 8 January 1942; drums, percussion, vocals). Petersen had previously already enjoyed a brief spell of success as member of the Beau Brummels; James left shortly after the first recording sessions and was replaced by Dick Young. Under the guidance of producer Lenny Waronker (and Templeman, who emerged as the leader of the group), Harpers Bizarre developed a unique sound which experimented with heavy vocal layering. Most of Harpers Bizarre's recordings are cheerful and airy, both in subject matter and musical accompaniment often with string and woodwind arrangements, resulting in a psychedelic Broadway/Baroque pop sound.
In addition to covering several old standards (including Cole Porter's "Anything Goes" and Gordon and Warren's "Chattanooga Choo Choo"), Harpers Bizarre also recorded the work of several contemporary songwriters, including Randy Newman, Van Dyke Parks and Harry Nilsson.
None of the subsequent singles, however, achieved the same level of success as their debut, and the band broke up shortly after their last album was released in 1969.
In 1976, a partial reunion of the group occurred (without Templeman) to record an album, As Time Goes By, that is often overlooked in Harpers Bizarre discographies.
Discography
Feelin' Groovy (1967)
Anything Goes (1968)
Secret Life of Harpers Bizarre (1968)
Harpers Bizarre 4 (1969)
As Time Goes By (1976)
Harpers Bizarre is also the name of an group of Harp Players from Cornwall, UK. 'Harpers Bizarre' Harp ensemble was formed in 2004 by Sarah Deere-Jones plus Sarah herself, who runs the Cornwall Harp Centre.Their first performance was at the Penventon Hotel in Redruth, Cornwall in November 2004 before going on to release their first CD 'A Cornish Pastiche' of new and traditional harp tunes.
Harpers Bi… Read Full Bio ↴Harpers Bizarre is the name of two separate musical acts.
Harpers Bizarre was an American pop-rock band of the 1960s, best known for their Broadway/choirboy sound and their remake of Simon & Garfunkel's "The 59th Street Bridge Song (Feelin' Groovy)."
Career
Harpers Bizarre was formed out of The Tikis, a Californian band who enjoyed some local success with Beatle-like songs in the mid 1960s. In 1967, record producer Lenny Waronker got a hold of the Simon & Garfunkel song "The 59th Street Bridge Song (Feelin' Groovy)," determined to make it into a single. The Tikis recorded it, with the arrangement featuring extended harmonies reminiscent of the work of Brian Wilson or even the Swingle Singers. The song was released under a new band name, "Harpers Bizarre" (a play on the magazine "Harper's Bazaar"), so as not to alienate The Tikis' fanbase. The Harpers Bizarre version of the song reached #13 on the American Billboard Hot 100 chart in April 1967, far exceeding any success that The Tikis thus far had.
The success of the single prompted Harpers Bizarre to record their debut album. At this point the band consisted of Ted Templeman (vocals, drums, guitar); Dick Scoppettone (born 5 July 1945; vocals, guitar, bass); Eddie James (guitar); Dick Yount (bass, vocals) and John Petersen (born 8 January 1942; drums, percussion, vocals). Petersen had previously already enjoyed a brief spell of success as member of the Beau Brummels; James left shortly after the first recording sessions and was replaced by Dick Young. Under the guidance of producer Lenny Waronker (and Templeman, who emerged as the leader of the group), Harpers Bizarre developed a unique sound which experimented with heavy vocal layering. Most of Harpers Bizarre's recordings are cheerful and airy, both in subject matter and musical accompaniment often with string and woodwind arrangements, resulting in a psychedelic Broadway/Baroque pop sound.
In addition to covering several old standards (including Cole Porter's "Anything Goes" and Gordon and Warren's "Chattanooga Choo Choo"), Harpers Bizarre also recorded the work of several contemporary songwriters, including Randy Newman, Van Dyke Parks and Harry Nilsson.
None of the subsequent singles, however, achieved the same level of success as their debut, and the band broke up shortly after their last album was released in 1969.
In 1976, a partial reunion of the group occurred (without Templeman) to record an album, As Time Goes By, that is often overlooked in Harpers Bizarre discographies.
Discography
Feelin' Groovy (1967)
Anything Goes (1968)
Secret Life of Harpers Bizarre (1968)
Harpers Bizarre 4 (1969)
As Time Goes By (1976)
Harpers Bizarre is also the name of an group of Harp Players from Cornwall, UK. 'Harpers Bizarre' Harp ensemble was formed in 2004 by Sarah Deere-Jones plus Sarah herself, who runs the Cornwall Harp Centre.Their first performance was at the Penventon Hotel in Redruth, Cornwall in November 2004 before going on to release their first CD 'A Cornish Pastiche' of new and traditional harp tunes.
High Coin
Harpers Bizarre Lyrics
Instrumental
Lyrics Licensed & Provided by LyricFind
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prometheus5700
I'm goin' for high coin, baby, or I ain't goin' nowhere at all
I'm goin' for high coin, baby, to keep me high and in and up and down and all
While hepcats try to label you and tear down all the words you're able to recall
That's all before the fall
I'm in the high scenes, baby, I'm livin' in far out and high
I'm in the high scenes, baby, where day is night and nights are days of years gone by
While blind bats tower in some spools, the hours strike these cats like fools of words in rhyme
Fine, it's my time
It looks like high time, baby, to stop our lovin' nickel dime
We're in the high times, baby, where words are lost and tempest-tossed in lemon lime
When times and places effervesce in words of wonder from down under, I'm no less
I'm fine, it's my time
Ed Ramsay
Just found out about this song after reading Wikipedia about the aborted “Smile” Beach Boys album. I am so mesmerized by this version. It’s hauntingly beautiful like the notes coming from a music box. I can’t stop listening to this song. So glad I found this gem.
Mark Oliver
I discovered this little gem about three years ago and must have watched it at least fifty times since then...congratulations to telstar777 for creating it- the choice of images complements the oddly beautiful song perfectly to make a real piece of poetry...
telstar777
Much thanks.
H. Allegra Lansing
Thank you for sharing this with me Mark - quite a scintillating bit of choreography and a dreamlike video that makes me long to slip back in time (but only if I also had the wardrobe and hair/makeup team to pull off these starry looks)
Ed Ramsay
2 weeks in and I still cannot stop listening to this song.
James Johnson
Very little has ever brought me to tears. I gladly shed those here. Absolutely gorgeous.
Sharon Sharealike
Thanks so much for posting! This is my favorite version; I have my mom's album, but it's in pretty sad shape so I hate to play it.
prometheus5700
uncredibly beautiful. Your video says it all. Thanks
Bryan Palmer
LOVE this song with it's Van dyke Parks trademarks--obscure but imaginative lyrics and complex arrangements,great
prometheus5700
I'm goin' for high coin, baby, or I ain't goin' nowhere at all
I'm goin' for high coin, baby, to keep me high and in and up and down and all
While hepcats try to label you and tear down all the words you're able to recall
That's all before the fall
I'm in the high scenes, baby, I'm livin' in far out and high
I'm in the high scenes, baby, where day is night and nights are days of years gone by
While blind bats tower in some spools, the hours strike these cats like fools of words in rhyme
Fine, it's my time
It looks like high time, baby, to stop our lovin' nickel dime
We're in the high times, baby, where words are lost and tempest-tossed in lemon lime
When times and places effervesce in words of wonder from down under, I'm no less
I'm fine, it's my time