First Landing on Medusa
Hawkwind Lyrics


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Full Waking took us days to realise
Adjusting to the newness of our eyes
We stayed inside, performing simple tasks
Hardly speaking, faces set like masks
Until the time came round for us to set
The first feet on this world, to get
our samples, and erect the instruments
A barren planet, but to all intents
Another Eden opening its gates
For this chosen few who'd outslept their fates
Anonymous, identical in our suits
We entered the airlock. My weighted boots
would be the first to touch this unknown stone
I led some distance, then, I felt alone
So I turned and saw, that the others were
standing still, I radio'd to make them stir
but got no answer. So I waved my arm
But they still stood as though a stoning charm
had taken hold. I made my slow way back
And found each man had frozen in his track
I hammered my gloved fist on visor-plate
And pulled at pressure-padded arms. A state
of utter trance had overtaken all my men




My mouth felt dry, my fingers stiff, and then.....
_____________________________________________________________________

Overall Meaning

The lyrics of "First Landing on Medusa" by Hawkwind describe the experience of a group of astronauts landing on a barren planet and discovering something unexpected. At first, they struggle to adjust to the newness of their surroundings, performing simple tasks and feeling isolated from one another despite wearing identical suits. But when they set out to take samples and erect instruments, something strange happens - one member of the group realizes that the others have all frozen in place, entranced by some unknown force. As he tries to rouse them, he too begins to feel the effects of this trance, leaving the audience to wonder what has caused this eerie phenomenon.


The song is an atmospheric and intriguing exploration of themes like isolation, alienation, and the unknown. The lyrics suggest that even when humans venture into the far reaches of space and encounter new worlds, they are not guaranteed to understand what they find there. The idea of being simultaneously terrified and fascinated by the unknown is a recurring motif in science fiction, and "First Landing on Medusa" captures this feeling well. The use of repetitive, droning tones and sparse instrumentation creates a desolate, otherworldly mood that complements the lyrics.


Line by Line Meaning

Full Waking took us days to realise
It took us several days to fully wake up and realize our surroundings.


Adjusting to the newness of our eyes
It took time for us to adjust to the novelty of what our eyes were seeing.


We stayed inside, performing simple tasks
Initially, we only performed basic duties and did not venture outside.


Hardly speaking, faces set like masks
We rarely spoke to each other and wore expressionless faces.


Until the time came round for us to set
When the moment arrived for us to explore our new world.


The first feet on this world, to get
We were the first to set foot on this planet.


our samples, and erect the instruments
We collected samples and installed the necessary tools for scientific exploration.


A barren planet, but to all intents
Although the planet appeared devoid of life, it was suitable for our research purposes.


Another Eden opening its gates
This new planet seemed like a paradise, like another Garden of Eden.


For this chosen few who'd outslept their fates
We were privileged to be among the select few chosen to embark on this mission.


Anonymous, identical in our suits
We were indistinguishable from one another in our protective suits.


We entered the airlock. My weighted boots
As the first to enter the airlock, I wore heavy boots to stabilize myself.


would be the first to touch this unknown stone
I would be the first to come into contact with the alien terrain.


I led some distance, then, I felt alone
After a short while, I started to feel isolated and alone.


So I turned and saw, that the others were
When I looked back, I realized that the others had not followed me.


standing still, I radio'd to make them stir
I attempted to communicate with them through radio to encourage them to move forward.


but got no answer. So I waved my arm
Receiving no response, I resorted to physically signaling them to move forward.


But they still stood as though a stoning charm
Despite my efforts, they remained frozen in place as if under some sort of spell.


had taken hold. I made my slow way back
I concluded that some kind of strange phenomenon had overtaken my colleagues and made my way back to them.


And found each man had frozen in his track
I discovered that every single one of my companions was immobile and unresponsive.


I hammered my gloved fist on visor-plate
Frustrated and desperate, I pounded my gauntleted fist against my helmet's visor.


And pulled at pressure-padded arms. A state
I tried to shake and jostle them, but with no success.


of utter trance had overtaken all my men
All of my crew had fallen under a mesmerizing trance or spell of some kind.


My mouth felt dry, my fingers stiff, and then.....
I myself began to feel the effects of the spell, my mouth parched and my body becoming rigid.




Contributed by Isaiah T. Suggest a correction in the comments below.
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Comments from YouTube:

Alan Shaffer

Hawkwind Fan has indeed mislabeled these tracks.
This is the correct track listing according to the Weird Tapes Wiki page

This is Looking in the Future

Volume 7: Dave Brock Demos[edit]
Track listing[edit]
"Welcome to the Dream Machine" [unlisted] (Brock) – 0:19
"Streets of Fear" (Brock) – 4:18
"First Landing on Medusa" [a.k.a. "The Church"] (Brock) – 3:14
"Touchdown" (Brock) – 1:56
"Winter of Discontent" (William Shakespeare, Brock) – 2:41
"Outer Limits" [unlisted] (Brock) – 1:03
"Choose Your Masks" (Moorcock, Brock) – 4:58
"Looking in the Future" (Brock) – 3:39
"Space Travellers" (Brock) – 2:36
"Disintegration" [unlisted] (Brock) – 1:06
"Circles" (Brock) – 6:25
"Speed of Light" [a.k.a. "Transdimensional Man"] (Brock) – 5:40
"Bombed Out" (Brock) – 4:08
Note: the CD issue, although listed as above, is re-sequenced with tracks 6-13 followed by tracks 1-5.

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