Combining elements of both rock and folk music, along with disturbingly personal sentiments, dark humor, and a voice able to channel both the falsetto highs of Neil Young and the wavering raspy low tones of Leonard Cohen, Toronto's Hayden Desser has spent his career creating uniquely affecting music.
The critically-acclaimed musician first appeared in the early '90s armed with only his four-track tape recorder, his unexpectedly low vocal range, and an extremely detuned guitar. Going simply by the name Hayden, he recorded his self-released cassette, In September, in 1994, and much of the material included evolved into his first proper LP, 1995's Everything I Long For. Initially self-released on his own Hardwood Records, the debut disc toed the line between beautiful and horrifying, touching on simple details of human interaction as well as delving into macabre tales that still retained an oddly personal edge. After a year of touring Canada, E.T.I.L.F. was picked up by Outpost Recordings (Geffen) and was released worldwide in early 1996. Tours of the U.S., Europe and Japan took up most of 1996, as well as writing and recording the title track to the Steve Buscemi-directed Tree’s Lounge. Hayden’s second full-length record. The Closer I Get (1998) was recorded in Toronto, Bearsville, N.Y., Seattle and Los Angeles. After another year of touring, Hayden closed the book on chapter one of his musical endeavors.
The next couple of years went by without any performances, but during 2000, Hayden began writing and recording in his Toronto home. The self-produced collection of songs was titled Skyscraper National Park and was released in 2001 to world–wide critical acclaim.
The following year, a live concert double CD was released, Live at Convocation Hall, a glimpse, for the listener, into what makes Hayden’s appearances such a favourite among his ever devoted fan base. His natural rapport with the crowd, along with an honest demeanour, has continued Hayden’s reputation as a unique and charming performer.
In 2004, Hayden released his 4th studio album. Elk-Lake Serenade continued in the direction of Skyscraper with it’s collection of warm and memorable recordings. 2004 also heralded Hayden’s return to the road with several tours that took him as far as Australia and New Zealand.
After a long period of writing and recording, Hayden returned in early 2008 with his 5th full-length studio record. In Field & Town is his most musically diverse and textured record to date. It captures his penchant for self-referential fiction and emotionally heavy songs and laces them with sharp hooks and smart lyrics. After supporting The National in Europe in November of ‘07, Hayden completed a sold-out theatre tour of Canada as well as spring and fall North American tours supporting Feist. In Field & Town was released on Fat Possum in the U.S.A. and November saw the release in Europe via the Affairs of the Heart label, combined with Nov./Dec. dates in the UK, France, Switzerland, Holland, Belgium and Germany.
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We Don
Hayden Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I slept at your house the night before
We couldn't wait to get up to go for
A big breakfast in an old fashioned diner
A full meal six coffee refills later
We both have to be at work in an hour
Let's call in sick I suggest to her
I'll call your boss and tell her that you're under
That I'm very sick and that
You're my mother
So we walk down the street
Looking for a phone booth we
Rehearse what we're going to say
So that we can have this day
Away
We find a phone booth with room for two
I call your boss and I don't speak the truth
They're pretty mad about you but they'll get through
You call my work in my mother's voice
They believe you
And it starts to rain outside
In our phone booth we hide
It doesn't let up until five
Squished together we don't mind
We don't mind
The song "We Don" by Canadian singer-songwriter Hayden is a nostalgic and whimsical tune that tells the story of two lovers playing hooky from work on a Tuesday morning in November. The song begins with the singer recounting how he spent the previous night with his lover and wakes up excited to go to an old-fashioned diner for breakfast. However, they realize they both have to be at work in an hour, and instead of canceling their plans, they decide to call in sick.
The couple then sets off to find a phone booth to make their calls, rehearsing what they're going to say so they can have the day to themselves. The lyrics are playful and innocent, with the singer pretending to be the lover's mother, calling his boss to tell them he's sick. The lovers make their calls, and both their bosses believe them, allowing them to have the day off.
As the rain pours down outside, the couple finds themselves huddled together in the phone booth, enjoying each other's company despite being squished together. The song captures the joy and simplicity of young love, where the most important thing is spending time together, even if it means ditching work for a day.
Overall, "We Don" is a charming and bittersweet song that showcases Hayden's talent for storytelling through music. The lyrics are simple yet evocative, painting a vivid picture of two lovers sharing a perfect day together.
Line by Line Meaning
It was a Tuesday morn in November
The singer sets the scene for the story: it takes place on a Tuesday morning in November.
I slept at your house the night before
The singer spent the previous night at the house of the person they are with.
We couldn't wait to get up to go for
The singer and their companion were excited to wake up and go for something.
A big breakfast in an old fashioned diner
The thing the artist and their companion were looking forward to was a large breakfast at a traditional diner.
A full meal six coffee refills later
After breakfast, the artist and their companion drank six cups of coffee.
We both have to be at work in an hour
Despite their plans, the singer and their companion have to go to work soon.
Let's call in sick I suggest to her
As a way to spend the day together, the singer suggests that they call in sick to work.
I'll call your boss and tell her that you're under
The artist offers to call their companion's boss and lie, saying that their companion is sick.
The weather, you'll call mine, you will tell her
In return, the artist's companion will call their boss and lie, saying that the artist is sick due to the weather.
That I'm very sick and that
The lie that the artist's companion will tell is that the artist is extremely ill.
You're my mother
To make the lie more believable, the singer's companion will pretend to be the singer's mother.
So we walk down the street
The artist and their companion leave the diner and walk down the street.
Looking for a phone booth we
They are searching for a phone booth to make the necessary calls.
Rehearse what we're going to say
Before making the calls, the singer and their companion practice what they will say to their bosses.
So that we can have this day
The reason for the lies and deception is so that the singer and their companion can spend the day together instead of at work.
Away
The artist and their companion want to escape from their usual routines and responsibilities for a day.
We find a phone booth with room for two
Eventually, the artist and their companion find a phone booth with enough space for both of them.
I call your boss and I don't speak the truth
The singer calls their companion's boss and lies about their companion being sick.
They're pretty mad about you but they'll get through
The boss is upset with the situation caused by the lie but will manage without the singer's companion being there.
You call my work in my mother's voice
Next, the artist's companion calls their work pretending to be the artist's mother.
They believe you
The lie about the artist's sickness is successful and their bosses believe them.
And it starts to rain outside
While the artist and their companion are in the phone booth, it begins to rain outside.
In our phone booth we hide
To avoid getting wet in the rain, the singer and their companion stay in the phone booth.
It doesn't let up until five
The rain persists until late in the day.
Squished together we don't mind
Despite being cramped in the small phone booth, the singer and their companion do not seem to mind.
We don't mind
The singer and their companion are happy to spend the day together and don't care about the circumstances that brought them there.
Lyrics © SC PUBLISHING DBA SECRETLY CANADIAN PUB., Sony/ATV Music Publishing LLC
Written by: Paul Hayden Desser
Lyrics Licensed & Provided by LyricFind
Ashley Walklett
Gosh..
Just.. a FLOOD of memories..
I am THERE..
His music.. the lyrics.. MOVED ME- SO MUCH. 💖💖💖
sleslie23
I saw him around 1996 in SF. Good to see he is still performing and sounding great!
hushthesky
its funny, i had this memory from when i was super young (i am 25 now), this memory was of a video i seen on mtv in the 90's, i seen it like once or twice, and all i could remember was the name hayden, so i did a search and found the video for "bas as it seems", which is the video i seen, and then i decided to get the entire record... turns out i love it, what a gem of an album...and its awesome to see that this guy is still playing, i look forward to hearing more...
ferretgr
Just a beautiful song. Makes me reminisce.
Dirk Diggler
amazing.. saw him open for weezer in 93 I think. blew me away had to buy his album
CLAUDETTE JOHNSON
Hayden was my son’s Rays favourite singer although he’s passed,an overdose I miss him every second of the day! He had told me Hayden’s songs got him through a lot of dark times!!!!!
Đ.J. βυττεһ Fíпgíz
A close friend of mine turned me on to him, but committed suicide some years later. This song helps me in remembering. Though I know it's not comparable to what happened with your son, I just wanted to tell you that I, too, know what it's like to lose someone way too soon that I cared for. My deepest of sympathies, dear. I hope that some day it'll get easier for you.
Ry Line
Haha, amazing. Keeps it real for sure
Ashley Walklett
My Goodness.. The memories... 💖💖💖
I swear I was at this show..
WEC in Winnipeg- yes?
esukyd2328
The man is about to sing a slow, quiet, touching, beautiful acoustic love song. Guy in audience: YEEEAHHHH!!!!!!! at maximum volume. Lol.