There are several artists using the moniker of Home:

1. The solo ele… Read Full Bio ↴There are several artists using the moniker of Home:

1. The solo electronic artist Randy Goffe has been creating music under the moniker HOME since 2013. Part of the synthwave/chillwave movement, one of his first songs to reach internet stardom was the track "Resonance", off Goffe's second album, Odyssey. It quickly gained traction from being featured in many videos and edits online because of it's misattribution to the vaporwave genre for it's nostalgic sound, with one upload by YouTube promotion channel Electronic Gems garnering 80 million views as of 2022. HOME's music is very influenced by 70s and 80s music, layered with a bit of chiptune and chillsynth. Originally from Punta Gorda, Florida, Goffe now lives in Chicago. His latest LP was Falling Into Place, released February 26, 2016.

2. Home has been writing and performing, based in the bay area of California since the late nineties, and has released three albums as part of papervehicle, as well as three solo releases. Operating somewhere between alt-rap and folk music, Home has carved out a niche for his art by forging beautifully-melodic tracks, mirrored by his incredibly powerful singing voice and complex rap-style. 667.

3. London based band, formed in 1970 as a four-piece band. Initially building a large following in Holland and Germany, Home's largest British gig was a Wembley concert supporting Led Zeppelin.
The band released 3 albums; Pause for a Hoarse Horse (1971), Home (1972) and The Alchemist (1973)
After the release of the third Album they added vocalist Dave Skillin and keyboard player Jim Anderson to the line-up. The band split in 1974 and Wisefield went on to join Wishbone Ash.

Members:
Vocals, Guitar: Mick Stubbs
Bass: Cliff Williams
Guitar: Laurie Wisefield
Drums: Mick Cook
Keyboards: Jim Anderson
Vocals: Dave Skillin

4. The experimental pop band Home formed in Tampa, Florida, in the early 1990s before relocating to New York in 1996. The band released eight self-produced, sequentially-numbered, ultra-low-distribution albums on cheap Radio Shack cassettes before signing to Sony's Relativity Records label, which distributed its ninth album (appropriately titled IX) in 1995. This album, Home's only release on a major label, received favorable reviews in publications such as Spin, The Village Voice and Magnet. Subsequent Home albums have appeared on independent record labels, also to generally positive reviews. Dave Fridmann of Mercury Rev was the producer behind at least two of Home's albums.

Though Home was originally regarded as a lo-fi band due to its primitive recording techniques, its releases starting with IX have largely featured a cleaner sound highlighted by guitars and various electronic keyboards. In reviewing IX, The Village Voice observed that Home's sound resembles bands from "the late '80s (Sebadoh, Grifters) and mid-70s (Devo, Faust, David Bowie) sprinkled with enough influences out of the bargain-bins (Elton John, Gong) to push the hipster taste-envelope a smidgen closer to both prog-art and schmaltz-rock." That album received a 7-out-of-10 rating from Spin. A year later, describing the band's independent album Elf: Gulf Bore Waltz, The Chicago Tribune wrote: "Laboring in the rock 'n' roll hinterland of Florida, the band Home has developed a refreshingly scattershot sound that wanders erratically through folky balladry, prog rock, ragged pop, and unclassifiable experimentation. Though somewhat reminiscent of indie rock obscurantists like Pavement, Home is both more ambitious and more consistently tuneful than many of its trendier peers."

Less charitably, The Trouser Press Record Guide opined: "When intently focused, Home can squeeze an agreeably synthetic, Devo-esque poptone (like 'Make It Right') from its gizmos. More often, though, Home lapses into wildly freeform freakouts (like 'Atomique') that combine electronic noise, found sound and even a bit of spoken word. ... Those endowed with short attention spans will no doubt have the easiest time making it all the way through IX."

The members of Home also helped found the Screw Music Forever recording label and music collective. Besides releasing Home's own 7-inch singles, Screw Music also has released recordings by related bands such as Dumbwaiters, Pee Shy, Leels and the 100% Storms Ensemble.

Home's 16th album, Sexteen, which the band describes as "a concept record about fucking," was released in 2006. This album also marked the end of the band's longstanding relationship with its European label, Cooking Vinyl. During the same year, members of Home performed under the name Home Hunters during the Come The Freak On music festival at Bombshell Gallery in St. Petersburg, Florida.

As of late 2006, Home was making preparations for its next album, Seventeen, envisioned as the soundtrack to a movie that the band members were simultaneously preparing to film.

Members
* Brad Truax - Bass
* Andrew Deutsch - Guitar/Vocals
* Eric Morrison - Piano
* Chris Millstein - Drums (participated as drummer 25 in the Boredoms 77 Boadrum performance which occurred on July 7th, 2007 at the Empire-Fulton Ferry State Park in Brooklyn, New York.)

[untitled]
Home Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Keep my body straight
Cut my hair give me faith
Fall so hard i cannot even
Seem to look me in the face
It's a shame we're so repressed
Why we're such a fucking mess
We just keep on pushing through
The products of our parents stress

And we're all afraid to die
We laugh a bit and we lie
Say we'd rather be underground
Than live through these trying times
It could all be just fine
Own all your mistakes and mine

Let's just leave the world behind
Fall forward to an ugly time

Overall Meaning

In the song "[untitled]" by Home, the lyrics delve into themes of self-reflection, societal pressures, and the fear of facing one's own mortality. The opening lines, "Keep my body straight, Cut my hair give me faith," could be interpreted as a desire to conform to societal expectations and find solace or purpose through external means. However, the next line, "Fall so hard I cannot even seem to look me in the face," indicates a struggle with self-acceptance and the inability to confront one's own identity.

The lyrics go on to express a lamentation for the state of society, describing it as "a shame" and "a mess." This could reference the ongoing struggle of living up to societal standards and the resulting stress and pressure it places on individuals. The mention of being "products of our parents' stress" suggests that these burdens are often passed down through generations.

The song continues to explore the fear of death, with the lyrics conveying a sense of avoidance and denial through laughter and lies. The statement "we'd rather be underground than live through these trying times" suggests a preference for escaping reality rather than facing the challenges of the present.

Closing the song, the lyrics propose a possibility for finding solace and liberation by embracing imperfections and leaving the world behind. The line "Fall forward to an ugly time" implies a willingness to confront the uncomfortable, to acknowledge and learn from mistakes, and to seek growth and change even during difficult periods.

Line by Line Meaning

Keep my body straight
Maintain a rigid and proper appearance

Cut my hair give me faith
Changing my physical appearance in hopes of finding belief or validation

Fall so hard i cannot even
Experience a deep emotional or mental struggle that affects my self-perception

Seem to look me in the face
Unable to confront or accept my true self

It's a shame we're so repressed
Regretful that we suppress our emotions and desires

Why we're such a fucking mess
Questioning the reasons behind our chaotic state

We just keep on pushing through
Persisting despite the challenges and difficulties

The products of our parents stress
The outcomes of our upbringing and the pressures placed on us

And we're all afraid to die
Feeling scared of facing mortality

We laugh a bit and we lie
Engaging in shallow humor and deception as a coping mechanism

Say we'd rather be underground
Claiming a preference for an alternative or counterculture lifestyle