Howard Keel, born Harold Clifford Keel (April 13, 1919 – November 7, 2004) … Read Full Bio ↴Howard Keel, born Harold Clifford Keel (April 13, 1919 – November 7, 2004) was an American actor who starred in many of the classic film musicals of the 1950s.
Born in Gillespie, Illinois, to Navyman-turned-coalminer Homer Keel and his wife, Grace Osterkamp Keel, young Harry spent his childhood in poverty. After his father's death in 1930, he and his mother moved to California, where he graduated from Fallbrook High School at the age of 17 and took various odd-jobs until finally settling at Douglas Aircraft Company, where he became a traveling representative.

At the age of twenty, he was overheard singing by his landlady, Mom Rider, and was encouraged to take vocal lessons. One of his musical heroes was the great baritone Lawrence Tibbett and Howard would later say that finding out that his own voice was a basso cantante was one of the greatest disappointments of his life. Nevertheless, his first public performance came in the summer of 1941 when he played the role of Samuel the Prophet in Handel's oratorio Saul and David (singing a duet with bass-baritone George London).

Just a couple years after this, in 1943, Harold met and married his first wife, actress Rosemary Cooper. In 1945 Harold briefly understudied for John Raitt in the Broadway hit Carousel, before being assigned to Oklahoma! by Richard Rodgers and Oscar Hammerstein II. It was during this time, he accomplished a feat that has never been duplicated. He performed the leads in both shows on the same day.

In 1947 Oklahoma! became the first American musical, post-war, to travel to London, England, and Harold went with it. Opening night , 30th April, at the Drury Lane Theatre, the capacity audience (which included the Queen) demanded fourteen encores. Harold Keel was hailed as the next great star and was the toast of the West End.

During the London run, the marriage of Harold and Rosemary ended in divorce, and Harold fell in love with a young member of the show's chorus, dancer Helen Anderson. They married in January 1949 and, a year later, Harold - now called Howard - became a father for the first time to daughter Kaija.

While living in London, Keel made his film debut as Howard Keel at the British Lion studio in Elstree, in The Small Voice (1948), released in the US as Hideout, playing an escaped convict, holding up a playwright and his wife in their English country cottage.

Additional Broadway credits include Saratoga, No Strings, and Ambasador. He appeared at The Muny in St. Louis, MO as General Waverly in White Christmas (2000), Henry Higgins in My Fair Lady (1996); Emile de Becque in South Pacific (1992), and Adam in Seven Brides For Seven Brothers (1978).

From London's West End, Howard ended up at MGM making his film musical debut as Frank Butler in Annie Get Your Gun.

Howard's MGM career was to be a frustrating business. MGM never seemed to know quite what to do with him and, outside of plum roles in the films Show Boat, Kiss Me, Kate and Seven Brides for Seven Brothers, he was forced into a stream of worthless musicals and B-films. On loan-out at Warner Bros., he played Wild Bill Hickok in Calamity Jane, a highly popular, Oscar-winning musical filmed in 1953, starring Doris Day in one of her most famous screen roles. This was Warner's answer to Annie Get Your Gun, and the film that produced the smash hit number, "Secret Love".

There were two more children born to Howard and Helen, daughter Kirstine in 1952 and son Gunnar in 1955. Soon after, Howard was released from his contract and returned to his first love, the stage.
Sadly, as America's taste in entertainment changed, finding jobs became harder and harder for Howard. The 1960s held little chance for career advancement with a round of nightclub work, b-Westerns and summer stock. Under the strain, Howard began to drink heavily, and his marriage to Helen crumbled. They divorced in 1970.

But 1970 proved to be fortuitous for Howard after all. He was set up on a blind date with airline stewardess Judy Magamoll who was twenty-five years his junior and had never even heard of him. They were married in December 1970 and his drinking problem soon ceased.

By 1980 he had had enough of struggling to find work and he moved his family to Oklahoma, intending to join an oil company. They had barely settled there when Howard was called back to California to appear with Jane Powell on an episode of The Love Boat. While he was there, he was told that the producers of the smash hit television series Dallas wanted to talk to him. After several cameo appearances, Howard joined the show permanently as the dignified, if hot tempered, oil baron Clayton Farlow and his career reached heights it had never seen before.

With his renewed fame, Howard began his first solo recording career at age sixty-four, as well as a wildly successful concert career in the UK. He released an album in 1984 called "With Love", that sold poorly, thus indicating that though the American public were happy to see him as a supporting actor on hit TV show, they were not prepared for a full resumption of his previous stardom.

Even after Dallas he continued to sing, and kept his voice in remarkable shape. In 1994, he and Judy moved to Palm Desert, CA. The Keels were always active in charity events, helping their community and were well loved amongst the residents. In particular, Howard and Judy attended the annual Howard Keel Golf Classic at Mere Golf Club in Cheshire, England, which raised money for the National Society for the Prevention of Cruelty to Children (NSPCC). He attended for many years, up until the year of his death.

Howard died at his home in Palm Desert on November 7, 2004, six weeks after being diagnosed with colon cancer. He is survived by Judy, his wife of thirty-four years, his four children, ten grandchildren and a great-granddaughter. He was cremated and his ashes scattered at various favorite places including Mere Golf Club, Liverpool John Lennon Airport, and in Tuscany, Italy.

Make Believe
Howard Keel Lyrics

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Only make believe I love you
Only make believe that you love me
Others find peace of mind in pretending
Couldn't you? Couldn't I? Couldn't we

Make believe our lips are blending
In a phantom kiss or two or three?
Might as well make believe I love you

For to tell the truth, I do

The game of just supposing is the sweetest game I know
Our dreams are more romantic than the world we see
And if the things we dream about don't happen to be so
That's just an unimportant technicality

Though the cold and brutal fact is
You and I have never met
We need not mind conventions, P's and Q's
If we put our thoughts in practice
We can banish all regret
Imagining most anything we choose

We could make believe I love you
Only make believe that you love me
Others find peace of mind in pretending
Couldn't you? Couldn't I? Couldn't we

Make believe our lips are blending
In a phantom kiss or two or three?

Might as well make believe I love you
For to tell the truth, I do

Overall Meaning

In "Make Believe," Howard Keel sings about the power of imagination in creating a romantic relationship. The song suggests that sometimes, pretending can be just as fulfilling as reality, and that dreams can be more romantic than the everyday world. The lyrics are playful and whimsical, suggesting that the game of pretending is one of the sweetest games around.

The song begins with the line, "Only make believe I love you," suggesting that the love between the singer and their partner is not real. The second line, "Only make believe that you love me," confirms that the singer's love is not reciprocated. Despite this, the song suggests that it still feels good to imagine a romantic relationship between the two.

Make BelieveHoward Keel Lyrics

Make Believe
Howard Keel Lyrics