Roberts was born in Phoenix, Arizona, and began playing guitar at the age of 8. By the time he was 15 he was playing professionally locally.
In 1950 he moved to Los Angeles. There, with the assistance of Jack Marshall, he began playing with musicians including Bobby Troup, Chico Hamilton and Barney Kessel. In about 1956, Bobby Troup signed him to Verve Records as a solo artist. Around that time he decided to concentrate on recording, both as a solo artist and session musician, a direction he would continue until the early 1970s.
Roberts played rhythm guitar, lead guitar, bass and mandolin, in the studio and for television and movie projects, including lead guitar on the theme from The Twilight Zone, as well as the classic guitar themes in The Munsters, Bonanza, The Brady Bunch, Green Acres, Get Smart, Batman, Beverly Hillbillies, Andy Griffith, Peter Gunn, Johnny Quest, Gidget, Mannix, Lost in Space, Dragnet, Wild Wild West, Mission Impossible, The Odd Couple, and rhythm guitar on the theme from I Dream of Jeannie.
Artists Roberts backed include Georgie Auld, Peggy Lee (Fever), Eddie Cochran (Sittin In The Balcony), Bobby Day (Rockin Robin), Jody Reynolds (Endless Sleep), Shelley Fabares (Johnny Angel), Dean Martin (Houston), The Monkees, Roy Clark, Chet Atkins, and The Electric Prunes.
In 1961, Roberts designed a signature guitar which was originally produced by Epiphone. The guitar was a modified Gibson ES-175 (Epiphone is owned by Gibson and during this period Epiphone guitars were manufactured in the same factory as Gibson guitars in Kalamazoo, Michigan), with a round sound hole and a single pickup. A redesigned version was later produced by Gibson. The Howard Roberts signature was borne by two other models made by Gibson: the Howard Roberts Custom and the Howard Roberts Fusion III.
In 1963, Roberts recorded Color Him Funky and H.R. Is A Dirty Guitar Player, his first two albums after signing with Capitol. Produced by Jack Marshall, they both feature the same quartet with Roberts (guitar), Chuck Berghofer (bass), Earl Palmer (drums) and Paul Bryant alternating with Burkley Kendrix on organ. Both albums were released on a single CD under the title Dirty & Funky on Randy Bachman's label Guitarchives in 1998. In all, he recorded nine albums with Capitol before signing with ABC Records/Impulse! Records.
From the late 1960s, Roberts began to focus on teaching rather than recording. He traveled around the country giving guitar seminars, and wrote several instructional books. For some years he also wrote an acclaimed column called "Jazz Improvisation" for Guitar Player magazine. Roberts developed accelerated learning concepts and techniques, which led to the founding of Playback Music Publishing and the Guitar Institute of Technology. As a co-founder of GIT, now known as the Musicians Institute, Roberts' philosophy remains an integral part of the curriculum.
Roberts died of prostate cancer in Seattle, Washington on June 28, 1992. His wife Patty, also active in musical education, continued in this field after his death.
Howard inspired the opening of Roberts Music Institute in Seattle, Washington, which is currently owned by his son, Jay Roberts.
Between the Devil and the Deep Blue Sea
Howard Roberts Lyrics
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You've got me in between the devil and the deep blue sea
I forgive you, 'cause I can't forget you
You've got me in between the devil and the deep blue sea
[Repeat: x2]
I ought to cross you off my list
But when you come a-knocking at my door
And I come running back for more
I should hate you, but I guess I love you
You've got me in between the devil and the deep blue sea
You've got me in between the devil and the deep blue sea
The devil and the deep blue sea
The lyrics of the song "Between the Devil and the Deep Blue Sea" by Howard Roberts are about being stuck in a difficult situation. The singer is in a relationship with someone they do not want to be with, but at the same time, they cannot bear the thought of losing that person. They feel like they are caught between two extremes: the devil and the deep blue sea. The devil represents their unhappy relationship, while the deep blue sea is the unknown, the fear of being alone.
The singer acknowledges that they should let go of this person, but every time they try, fate seems to intervene and they are drawn back into the relationship. They forgive their partner for their wrongdoing because they are still deeply in love with them, despite knowing that the relationship is not good for them. The phrase "between the devil and the deep blue sea" is used to describe a situation where one is caught between two equally undesirable options, which perfectly encapsulates the singer's feelings.
Overall, the song captures the emotional turmoil of being stuck in a toxic relationship and struggling with the fear of being alone. The singer is willing to tolerate pain and betrayal to avoid the pain of separation, even though they know that they should move on.
Line by Line Meaning
I don't want you, but I'd hate to lose you
I don't desire you, but I fear being without you
You've got me in between the devil and the deep blue sea
You've trapped me between two hard choices
I forgive you, 'cause I can't forget you
I pardon the wrongs you've done because I can't remove you from my mind
I ought to cross you off my list
I should remove you from my life completely
But when you come a-knocking at my door
But when you come back, seeking my company
Fate seems to give my heart a twist
Destiny causes my emotions to stir
And I come running back for more
And I return for another round of hurt
I should hate you, but I guess I love you
I should despise you, but I suppose I'm still in love with you
The devil and the deep blue sea
A difficult and perilous choice between two equally bad options
Lyrics © S.A. MUSIC, Sony/ATV Music Publishing LLC, Warner Chappell Music, Inc.
Written by: Harold Arlen, Ted Koehler
Lyrics Licensed & Provided by LyricFind
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Beautiful